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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 125 174 it is the complementary color RGB 161 130 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 125 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 125 174 shade: RGB 99 125 169, RGB 116 143 188, RGB 133 161 207, RGB 150 179 226 and RGB 167 197 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 125 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 125 174 shade: RGB 94 125 174, RGB 77 107 155, RGB 60 89 136, RGB 43 71 117 and RGB 26 53 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 125 174 shade: RGB 95 126 174, RGB 95 104 174, RGB 107 95 174, RGB 128 95 174 and RGB 150 95 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 125 174 shade: RGB 95 126 174, RGB 95 104 174 and RGB 95 95 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 125 174 shade matches the following richer shades: RGB 95 126 174, RGB 76 121 194, RGB 56 117 213, RGB 37 113 232 and RGB 18 108 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 125 174 shade: RGB 95 126 174, RGB 114 130 155, RGB 134 134 135, RGB 153 139 116 and RGB 173 143 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 125 174 shade: RGB 95 169 174, RGB 95 148 174, RGB 95 127 174, RGB 95 106 174 and RGB 106 95 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 125 174 shade: RGB 62 86 124, RGB 76 106 152, RGB 95 126 174, RGB 123 148 188 and RGB 150 170 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 125 174 shade: RGB 94 125 174, RGB 158 95 174 and RGB 158 174 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 125 174 shade: RGB 94 125 174, RGB 174 95 127 and RGB 127 174 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 125 174 shade: RGB 94 125 174, RGB 158 95 174, RGB 174 143 95 and RGB 111 174 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 125 174 shade: RGB 94 125 174, RGB 174 95 166, RGB 174 143 95 and RGB 95 174 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

Complementary color

CMYK 0 / 19 / 50 / 37

HEX #A18251

RGB 161 130 81

HSL 36.75, 0.33%, 0.47%

LAB 56.22, 5.44, 30.9

 

CMYK 41 / 26 / 0 / 34

HEX #637DA9

RGB 99 125 169

HSL 217.71, 0.29%, 0.53%

LAB 52.05, 2.31, -26.39

 

CMYK 38 / 24 / 0 / 26

HEX #748FBC

RGB 116 143 188

HSL 217.5, 0.35%, 0.6%

LAB 58.96, 1.88, -26.49

 

CMYK 36 / 22 / 0 / 19

HEX #85A1CF

RGB 133 161 207

HSL 217.3, 0.44%, 0.67%

LAB 65.73, 1.52, -26.62

 

CMYK 34 / 21 / 0 / 11

HEX #96B3E2

RGB 150 179 226

HSL 217.11, 0.57%, 0.74%

LAB 72.37, 1.2, -26.78

 

CMYK 32 / 20 / 0 / 4

HEX #A7C5F5

RGB 167 197 245

HSL 216.92, 0.8%, 0.81%

LAB 78.89, 0.93, -26.96

 

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

CMYK 50 / 31 / 0 / 39

HEX #4D6B9B

RGB 77 107 155

HSL 216.92, 0.34%, 0.45%

LAB 44.89, 3.09, -29.44

 

CMYK 56 / 35 / 0 / 47

HEX #3C5988

RGB 60 89 136

HSL 217.11, 0.39%, 0.38%

LAB 37.63, 3.92, -29.47

 

CMYK 63 / 39 / 0 / 54

HEX #2B4775

RGB 43 71 117

HSL 217.3, 0.46%, 0.31%

LAB 30.17, 5.05, -29.57

 

CMYK 73 / 46 / 0 / 62

HEX #1A3562

RGB 26 53 98

HSL 217.5, 0.58%, 0.24%

LAB 22.47, 6.69, -29.7

 

CMYK 45 / 28 / 0 / 32

HEX #5F7EAE

RGB 95 126 174

HSL 216.46, 0.33%, 0.53%

LAB 52.3, 2.11, -28.91

 

CMYK 45 / 40 / 0 / 32

HEX #5F68AE

RGB 95 104 174

HSL 233.16, 0.33%, 0.53%

LAB 46.16, 15.47, -38.53

 

CMYK 39 / 45 / 0 / 32

HEX #6B5FAE

RGB 107 95 174

HSL 249.11, 0.33%, 0.53%

LAB 44.75, 24.17, -40.7

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 14 / 45 / 0 / 32

HEX #965FAE

RGB 150 95 174

HSL 281.77, 0.33%, 0.53%

LAB 49.16, 36.52, -33.46

 

CMYK 45 / 28 / 0 / 32

HEX #5F7EAE

RGB 95 126 174

HSL 216.46, 0.33%, 0.53%

LAB 52.3, 2.11, -28.91

 

CMYK 45 / 40 / 0 / 32

HEX #5F68AE

RGB 95 104 174

HSL 233.16, 0.33%, 0.53%

LAB 46.16, 15.47, -38.53

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 45 / 28 / 0 / 32

HEX #5F7EAE

RGB 95 126 174

HSL 216.46, 0.33%, 0.53%

LAB 52.3, 2.11, -28.91

 

CMYK 61 / 38 / 0 / 24

HEX #4C79C2

RGB 76 121 194

HSL 217.12, 0.49%, 0.53%

LAB 50.81, 7.2, -42.82

 

CMYK 74 / 45 / 0 / 16

HEX #3875D5

RGB 56 117 213

HSL 216.69, 0.65%, 0.53%

LAB 49.94, 13.19, -55.1

 

CMYK 84 / 51 / 0 / 9

HEX #2571E8

RGB 37 113 232

HSL 216.62, 0.81%, 0.53%

LAB 49.53, 20.92, -66.5

 

CMYK 93 / 57 / 0 / 1

HEX #126CFC

RGB 18 108 252

HSL 216.92, 0.98%, 0.53%

LAB 49.35, 30.71, -77.98

 

CMYK 45 / 28 / 0 / 32

HEX #5F7EAE

RGB 95 126 174

HSL 216.46, 0.33%, 0.53%

LAB 52.3, 2.11, -28.91

 

CMYK 26 / 16 / 0 / 39

HEX #72829B

RGB 114 130 155

HSL 216.59, 0.17%, 0.53%

LAB 53.93, 0.07, -15.3

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 0 / 9 / 24 / 40

HEX #998B74

RGB 153 139 116

HSL 37.3, 0.15%, 0.53%

LAB 58.51, 1.42, 14.22

 

CMYK 0 / 17 / 44 / 32

HEX #AD8F61

RGB 173 143 97

HSL 36.32, 0.32%, 0.53%

LAB 61.13, 4.99, 28.68

 

CMYK 45 / 3 / 0 / 32

HEX #5FA9AE

RGB 95 169 174

HSL 183.8, 0.33%, 0.53%

LAB 64.86, -21.68, -9.77

 

CMYK 45 / 15 / 0 / 32

HEX #5F94AE

RGB 95 148 174

HSL 199.75, 0.33%, 0.53%

LAB 58.67, -10.49, -19.11

 

CMYK 45 / 27 / 0 / 32

HEX #5F7FAE

RGB 95 127 174

HSL 215.7, 0.33%, 0.53%

LAB 52.58, 1.52, -28.47

 

CMYK 45 / 39 / 0 / 32

HEX #5F6AAE

RGB 95 106 174

HSL 231.65, 0.33%, 0.53%

LAB 46.71, 14.23, -37.67

 

CMYK 39 / 45 / 0 / 32

HEX #6A5FAE

RGB 106 95 174

HSL 248.35, 0.33%, 0.53%

LAB 44.67, 23.9, -40.84

 

CMYK 50 / 31 / 0 / 51

HEX #3E567C

RGB 62 86 124

HSL 216.77, 0.33%, 0.36%

LAB 36.24, 2.31, -24.29

 

CMYK 50 / 30 / 0 / 40

HEX #4C6A98

RGB 76 106 152

HSL 216.32, 0.33%, 0.45%

LAB 44.39, 2.5, -28.43

 

CMYK 45 / 28 / 0 / 32

HEX #5F7EAE

RGB 95 126 174

HSL 216.46, 0.33%, 0.53%

LAB 52.3, 2.11, -28.91

 

CMYK 35 / 21 / 0 / 26

HEX #7B94BC

RGB 123 148 188

HSL 216.92, 0.33%, 0.61%

LAB 60.8, 1, -23.63

 

CMYK 26 / 16 / 0 / 21

HEX #96AACA

RGB 150 170 202

HSL 216.92, 0.33%, 0.69%

LAB 69.11, 0.23, -18.6

 

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

CMYK 9 / 45 / 0 / 32

HEX #9E5FAE

RGB 158 95 174

HSL 287.85, 0.33%, 0.53%

LAB 50.11, 38.93, -31.9

 

CMYK 9 / 0 / 45 / 32

HEX #9EAE5F

RGB 158 174 95

HSL 72.15, 0.33%, 0.53%

LAB 68.29, -18.03, 38.52

 

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

CMYK 0 / 45 / 27 / 32

HEX #AE5F7F

RGB 174 95 127

HSL 335.7, 0.33%, 0.53%

LAB 50.35, 35.97, -3.58

 

CMYK 27 / 0 / 45 / 32

HEX #7FAE5F

RGB 127 174 95

HSL 95.7, 0.33%, 0.53%

LAB 66.22, -30.02, 35.5

 

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

CMYK 9 / 45 / 0 / 32

HEX #9E5FAE

RGB 158 95 174

HSL 287.85, 0.33%, 0.53%

LAB 50.11, 38.93, -31.9

 

CMYK 0 / 18 / 45 / 32

HEX #AE8F5F

RGB 174 143 95

HSL 36.46, 0.33%, 0.53%

LAB 61.19, 5.2, 29.87

 

CMYK 36 / 0 / 45 / 32

HEX #6FAE5F

RGB 111 174 95

HSL 107.85, 0.33%, 0.53%

LAB 65.34, -35.64, 34.2

 

CMYK 46 / 28 / 0 / 32

HEX #5E7DAE

RGB 94 125 174

HSL 216.75, 0.33%, 0.53%

LAB 51.95, 2.44, -29.45

 

CMYK 0 / 45 / 5 / 32

HEX #AE5FA6

RGB 174 95 166

HSL 306.08, 0.33%, 0.53%

LAB 51.77, 42.3, -24.5

 

CMYK 0 / 18 / 45 / 32

HEX #AE8F5F

RGB 174 143 95

HSL 36.46, 0.33%, 0.53%

LAB 61.19, 5.2, 29.87

 

CMYK 45 / 0 / 41 / 32

HEX #5FAE67

RGB 95 174 103

HSL 126.08, 0.33%, 0.53%

LAB 64.71, -39.49, 29.07

 

Description

Color code: RGB 94 125 174 | qconv.com Color code: RGB 94 125 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 125 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 125 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 28 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 28% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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