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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 99 140 it is the complementary color RGB 161 156 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 99 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 99 140 shade: RGB 99 99 135, RGB 116 117 154, RGB 133 135 173, RGB 150 153 192 and RGB 167 171 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 99 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 99 140 shade: RGB 94 99 140, RGB 77 81 121, RGB 60 63 102, RGB 43 45 83 and RGB 26 27 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 99 140 shade: RGB 93 98 140, RGB 101 93 140, RGB 114 93 140, RGB 126 93 140 and RGB 139 93 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 99 140 shade: RGB 93 98 140 and RGB 93 93 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 99 140 shade matches the following richer shades: RGB 93 98 140, RGB 74 84 159, RGB 55 69 178, RGB 36 54 197 and RGB 17 39 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 99 140 shade: RGB 93 98 140, RGB 112 113 121, RGB 131 128 102, RGB 150 143 83 and RGB 169 158 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 99 140 shade: RGB 93 124 140, RGB 93 111 140, RGB 93 99 140, RGB 100 93 140 and RGB 113 93 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 99 140 shade: RGB 60 64 91, RGB 77 81 116, RGB 93 98 140, RGB 114 119 161 and RGB 139 143 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 99 140 shade: RGB 94 99 140, RGB 140 93 136 and RGB 118 140 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 99 140 shade: RGB 94 99 140, RGB 140 93 99 and RGB 99 140 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 99 140 shade: RGB 94 99 140, RGB 140 93 136, RGB 140 135 93 and RGB 93 140 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 99 140 shade: RGB 94 99 140, RGB 140 93 122, RGB 140 135 93 and RGB 93 140 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

Complementary color

CMYK 0 / 3 / 29 / 37

HEX #A19C73

RGB 161 156 115

HSL 53.48, 0.2%, 0.54%

LAB 63.83, -4.87, 22.18

 

CMYK 27 / 27 / 0 / 47

HEX #636387

RGB 99 99 135

HSL 240, 0.15%, 0.46%

LAB 43.25, 8.55, -19.92

 

CMYK 25 / 24 / 0 / 40

HEX #74759A

RGB 116 117 154

HSL 238.42, 0.16%, 0.53%

LAB 50.42, 8.1, -20.07

 

CMYK 23 / 22 / 0 / 32

HEX #8587AD

RGB 133 135 173

HSL 237, 0.2%, 0.6%

LAB 57.4, 7.71, -20.26

 

CMYK 22 / 20 / 0 / 25

HEX #9699C0

RGB 150 153 192

HSL 235.71, 0.25%, 0.67%

LAB 64.22, 7.36, -20.48

 

CMYK 21 / 19 / 0 / 17

HEX #A7ABD3

RGB 167 171 211

HSL 234.55, 0.33%, 0.74%

LAB 70.9, 7.04, -20.72

 

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

CMYK 36 / 33 / 0 / 53

HEX #4D5179

RGB 77 81 121

HSL 234.55, 0.22%, 0.39%

LAB 35.68, 8.91, -23.24

 

CMYK 41 / 38 / 0 / 60

HEX #3C3F66

RGB 60 63 102

HSL 235.71, 0.26%, 0.32%

LAB 28.05, 9.66, -23.31

 

CMYK 48 / 46 / 0 / 67

HEX #2B2D53

RGB 43 45 83

HSL 237, 0.32%, 0.25%

LAB 20.1, 10.66, -23.5

 

CMYK 59 / 58 / 0 / 75

HEX #1A1B40

RGB 26 27 64

HSL 238.42, 0.42%, 0.18%

LAB 11.78, 12.12, -23.83

 

CMYK 34 / 30 / 0 / 45

HEX #5D628C

RGB 93 98 140

HSL 233.62, 0.2%, 0.46%

LAB 42.7, 8.61, -23.82

 

CMYK 28 / 34 / 0 / 45

HEX #655D8C

RGB 101 93 140

HSL 250.21, 0.2%, 0.46%

LAB 41.98, 14.23, -24.87

 

CMYK 19 / 34 / 0 / 45

HEX #725D8C

RGB 114 93 140

HSL 266.81, 0.2%, 0.46%

LAB 43.21, 18.46, -22.87

 

CMYK 10 / 34 / 0 / 45

HEX #7E5D8C

RGB 126 93 140

HSL 282.13, 0.2%, 0.46%

LAB 44.46, 22.5, -20.84

 

CMYK 1 / 34 / 0 / 45

HEX #8B5D8C

RGB 139 93 140

HSL 298.72, 0.2%, 0.46%

LAB 45.92, 26.96, -18.47

 

CMYK 34 / 30 / 0 / 45

HEX #5D628C

RGB 93 98 140

HSL 233.62, 0.2%, 0.46%

LAB 42.7, 8.61, -23.82

 

CMYK 34 / 34 / 0 / 45

HEX #5D5D8C

RGB 93 93 140

HSL 240, 0.2%, 0.46%

LAB 41.29, 11.72, -26

 

CMYK 34 / 30 / 0 / 45

HEX #5D628C

RGB 93 98 140

HSL 233.62, 0.2%, 0.46%

LAB 42.7, 8.61, -23.82

 

CMYK 53 / 47 / 0 / 38

HEX #4A549F

RGB 74 84 159

HSL 232.94, 0.36%, 0.46%

LAB 38.38, 18.2, -42.13

 

CMYK 69 / 61 / 0 / 30

HEX #3745B2

RGB 55 69 178

HSL 233.17, 0.53%, 0.46%

LAB 34.57, 31.05, -59.67

 

CMYK 82 / 73 / 0 / 23

HEX #2436C5

RGB 36 54 197

HSL 233.29, 0.69%, 0.46%

LAB 31.91, 45.2, -75.26

 

CMYK 92 / 82 / 0 / 15

HEX #1127D8

RGB 17 39 216

HSL 233.37, 0.85%, 0.46%

LAB 30.71, 58.59, -88.32

 

CMYK 34 / 30 / 0 / 45

HEX #5D628C

RGB 93 98 140

HSL 233.62, 0.2%, 0.46%

LAB 42.7, 8.61, -23.82

 

CMYK 7 / 7 / 0 / 53

HEX #707179

RGB 112 113 121

HSL 233.33, 0.04%, 0.46%

LAB 47.8, 1.31, -4.55

 

CMYK 0 / 2 / 22 / 49

HEX #838066

RGB 131 128 102

HSL 53.79, 0.12%, 0.46%

LAB 53.19, -3.46, 14.55

 

CMYK 0 / 5 / 45 / 41

HEX #968F53

RGB 150 143 83

HSL 53.73, 0.29%, 0.46%

LAB 58.75, -6.32, 32.76

 

CMYK 0 / 7 / 62 / 34

HEX #A99E40

RGB 169 158 64

HSL 53.71, 0.45%, 0.46%

LAB 64.37, -7.84, 49.2

 

CMYK 34 / 11 / 0 / 45

HEX #5D7C8C

RGB 93 124 140

HSL 200.43, 0.2%, 0.46%

LAB 50.26, -6.92, -12.25

 

CMYK 34 / 21 / 0 / 45

HEX #5D6F8C

RGB 93 111 140

HSL 217.02, 0.2%, 0.46%

LAB 46.43, 0.69, -18.06

 

CMYK 34 / 29 / 0 / 45

HEX #5D638C

RGB 93 99 140

HSL 232.34, 0.2%, 0.46%

LAB 42.98, 8, -23.38

 

CMYK 29 / 34 / 0 / 45

HEX #645D8C

RGB 100 93 140

HSL 248.94, 0.2%, 0.46%

LAB 41.89, 13.91, -25.02

 

CMYK 19 / 34 / 0 / 45

HEX #715D8C

RGB 113 93 140

HSL 265.53, 0.2%, 0.46%

LAB 43.11, 18.13, -23.03

 

CMYK 34 / 30 / 0 / 64

HEX #3C405B

RGB 60 64 91

HSL 232.26, 0.21%, 0.3%

LAB 27.8, 5.6, -16.61

 

CMYK 34 / 30 / 0 / 55

HEX #4D5174

RGB 77 81 116

HSL 233.85, 0.2%, 0.38%

LAB 35.45, 7.45, -20.5

 

CMYK 34 / 30 / 0 / 45

HEX #5D628C

RGB 93 98 140

HSL 233.62, 0.2%, 0.46%

LAB 42.7, 8.61, -23.82

 

CMYK 29 / 26 / 0 / 37

HEX #7277A1

RGB 114 119 161

HSL 233.62, 0.2%, 0.54%

LAB 51.09, 8.07, -23.14

 

CMYK 21 / 19 / 0 / 31

HEX #8B8FB1

RGB 139 143 177

HSL 233.68, 0.2%, 0.62%

LAB 60.17, 5.99, -18.27

 

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

CMYK 0 / 34 / 3 / 45

HEX #8C5D88

RGB 140 93 136

HSL 305.11, 0.2%, 0.46%

LAB 45.88, 26.51, -16.12

 

CMYK 16 / 0 / 34 / 45

HEX #768C5D

RGB 118 140 93

HSL 88.09, 0.2%, 0.46%

LAB 55.48, -16.65, 22.59

 

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

CMYK 0 / 34 / 29 / 45

HEX #8C5D63

RGB 140 93 99

HSL 352.34, 0.2%, 0.46%

LAB 44.67, 20.12, 4.45

 

CMYK 29 / 0 / 34 / 45

HEX #638C5D

RGB 99 140 93

HSL 112.34, 0.2%, 0.46%

LAB 54.24, -23.83, 20.71

 

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

CMYK 0 / 34 / 3 / 45

HEX #8C5D88

RGB 140 93 136

HSL 305.11, 0.2%, 0.46%

LAB 45.88, 26.51, -16.12

 

CMYK 0 / 4 / 34 / 45

HEX #8C875D

RGB 140 135 93

HSL 53.62, 0.2%, 0.46%

LAB 55.78, -4.96, 23.3

 

CMYK 34 / 0 / 31 / 45

HEX #5D8C61

RGB 93 140 97

HSL 125.11, 0.2%, 0.46%

LAB 53.97, -25.23, 18.04

 

CMYK 33 / 29 / 0 / 45

HEX #5E638C

RGB 94 99 140

HSL 233.48, 0.2%, 0.46%

LAB 43.06, 8.31, -23.25

 

CMYK 0 / 34 / 13 / 45

HEX #8C5D7A

RGB 140 93 122

HSL 322.98, 0.2%, 0.46%

LAB 45.37, 23.88, -8.46

 

CMYK 0 / 4 / 34 / 45

HEX #8C875D

RGB 140 135 93

HSL 53.62, 0.2%, 0.46%

LAB 55.78, -4.96, 23.3

 

CMYK 34 / 0 / 21 / 45

HEX #5D8C6F

RGB 93 140 111

HSL 142.98, 0.2%, 0.46%

LAB 54.27, -22.5, 10.49

 

Description

Color code: RGB 94 99 140 | qconv.com Color code: RGB 94 99 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 99 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 99 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 29 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 29% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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