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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 254 153 it is the complementary color RGB 158 1 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 254 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 254 153 shade: RGB 102 254 148, RGB 119 255 167, RGB 136 255 186, RGB 153 255 205 and RGB 170 255 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 254 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 80 236 134, RGB 63 218 115, RGB 46 200 96 and RGB 29 182 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 97 254 111, RGB 126 254 97, RGB 168 254 97 and RGB 210 254 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 97 254 195, RGB 97 254 237, RGB 97 228 254 and RGB 97 186 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 254 153 shade matches the following richer shades: RGB 97 254 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 110 241 157, RGB 123 228 160, RGB 136 215 164 and RGB 148 203 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 254 153 shade: RGB 126 254 97, RGB 97 254 110, RGB 97 254 152, RGB 97 254 194 and RGB 97 254 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 254 153 shade: RGB 15 253 100, RGB 56 254 127, RGB 97 254 153, RGB 138 254 179 and RGB 179 254 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 97 168 254 and RGB 254 97 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 152 97 254 and RGB 254 152 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 97 168 254, RGB 254 97 199 and RGB 254 183 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 254 153 shade: RGB 97 254 153, RGB 97 121 254, RGB 254 97 199 and RGB 254 230 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

Complementary color

CMYK 0 / 99 / 35 / 38

HEX #9E0166

RGB 158 1 102

HSL 321.4, 0.99%, 0.31%

LAB 34.5, 61.31, -12.15

 

CMYK 60 / 0 / 42 / 0

HEX #66FE94

RGB 102 254 148

HSL 138.16, 0.99%, 0.7%

LAB 89.79, -62.66, 38.89

 

CMYK 53 / 0 / 35 / 0

HEX #77FFA7

RGB 119 255 167

HSL 141.18, 1%, 0.73%

LAB 90.89, -56.17, 31.01

 

CMYK 47 / 0 / 27 / 0

HEX #88FFBA

RGB 136 255 186

HSL 145.21, 1%, 0.77%

LAB 91.82, -48.65, 22.78

 

CMYK 40 / 0 / 20 / 0

HEX #99FFCD

RGB 153 255 205

HSL 150.59, 1%, 0.8%

LAB 92.88, -40.6, 14.65

 

CMYK 33 / 0 / 12 / 0

HEX #AAFFE0

RGB 170 255 224

HSL 158.12, 1%, 0.83%

LAB 94.08, -32.17, 6.69

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 66 / 0 / 43 / 7

HEX #50EC86

RGB 80 236 134

HSL 140.77, 0.8%, 0.62%

LAB 83.66, -62.51, 37.74

 

CMYK 71 / 0 / 47 / 15

HEX #3FDA73

RGB 63 218 115

HSL 140.13, 0.68%, 0.55%

LAB 77.54, -61.95, 39.22

 

CMYK 77 / 0 / 52 / 22

HEX #2EC860

RGB 46 200 96

HSL 139.48, 0.63%, 0.48%

LAB 71.37, -61.06, 40.77

 

CMYK 84 / 0 / 58 / 29

HEX #1DB64D

RGB 29 182 77

HSL 138.82, 0.73%, 0.41%

LAB 65.16, -59.69, 42.34

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 0 / 56 / 0

HEX #61FE6F

RGB 97 254 111

HSL 125.35, 0.99%, 0.69%

LAB 89.19, -68.86, 55.48

 

CMYK 50 / 0 / 62 / 0

HEX #7EFE61

RGB 126 254 97

HSL 108.92, 0.99%, 0.69%

LAB 89.94, -63.51, 62.56

 

CMYK 34 / 0 / 62 / 0

HEX #A8FE61

RGB 168 254 97

HSL 92.87, 0.99%, 0.69%

LAB 91.72, -50.83, 65.02

 

CMYK 17 / 0 / 62 / 0

HEX #D2FE61

RGB 210 254 97

HSL 76.82, 0.99%, 0.69%

LAB 94.08, -35.81, 68.27

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 0 / 23 / 0

HEX #61FEC3

RGB 97 254 195

HSL 157.45, 0.99%, 0.69%

LAB 90.49, -54.78, 16.14

 

CMYK 62 / 0 / 7 / 0

HEX #61FEED

RGB 97 254 237

HSL 173.5, 0.99%, 0.69%

LAB 91.48, -44.96, -4.14

 

CMYK 62 / 10 / 0 / 0

HEX #61E4FE

RGB 97 228 254

HSL 189.94, 0.99%, 0.69%

LAB 84.58, -28.39, -23.35

 

CMYK 62 / 27 / 0 / 0

HEX #61BAFE

RGB 97 186 254

HSL 205.99, 0.99%, 0.69%

LAB 72.77, -6.76, -41.54

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 54 / 0 / 35 / 5

HEX #6EF19D

RGB 110 241 157

HSL 141.53, 0.82%, 0.69%

LAB 86.34, -54.39, 29.9

 

CMYK 46 / 0 / 30 / 11

HEX #7BE4A0

RGB 123 228 160

HSL 141.14, 0.66%, 0.69%

LAB 83.04, -45.28, 23.97

 

CMYK 37 / 0 / 24 / 16

HEX #88D7A4

RGB 136 215 164

HSL 141.27, 0.5%, 0.69%

LAB 79.91, -35.12, 17.65

 

CMYK 27 / 0 / 17 / 20

HEX #94CBA8

RGB 148 203 168

HSL 141.82, 0.35%, 0.69%

LAB 77.18, -24.98, 11.78

 

CMYK 50 / 0 / 62 / 0

HEX #7EFE61

RGB 126 254 97

HSL 108.92, 0.99%, 0.69%

LAB 89.94, -63.51, 62.56

 

CMYK 62 / 0 / 57 / 0

HEX #61FE6E

RGB 97 254 110

HSL 124.97, 0.99%, 0.69%

LAB 89.18, -68.98, 55.91

 

CMYK 62 / 0 / 40 / 0

HEX #61FE98

RGB 97 254 152

HSL 141.02, 0.99%, 0.69%

LAB 89.72, -63, 36.81

 

CMYK 62 / 0 / 24 / 0

HEX #61FEC2

RGB 97 254 194

HSL 157.07, 0.99%, 0.69%

LAB 90.47, -55, 16.63

 

CMYK 62 / 0 / 7 / 0

HEX #61FEEB

RGB 97 254 235

HSL 172.74, 0.99%, 0.69%

LAB 91.43, -45.46, -3.18

 

CMYK 94 / 0 / 60 / 1

HEX #0FFD64

RGB 15 253 100

HSL 141.43, 0.98%, 0.53%

LAB 87.62, -79.51, 58.12

 

CMYK 78 / 0 / 50 / 0

HEX #38FE7F

RGB 56 254 127

HSL 141.52, 0.99%, 0.61%

LAB 88.57, -73.24, 47.23

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 46 / 0 / 30 / 0

HEX #8AFEB3

RGB 138 254 179

HSL 141.21, 0.98%, 0.77%

LAB 91.48, -49, 25.88

 

CMYK 30 / 0 / 19 / 0

HEX #B3FECE

RGB 179 254 206

HSL 141.6, 0.97%, 0.85%

LAB 93.85, -32.59, 15.68

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 34 / 0 / 0

HEX #61A8FE

RGB 97 168 254

HSL 212.87, 0.99%, 0.69%

LAB 67.8, 3.29, -49.34

 

CMYK 0 / 62 / 59 / 0

HEX #FE6169

RGB 254 97 105

HSL 356.94, 0.99%, 0.69%

LAB 62.2, 60.25, 27.64

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 40 / 62 / 0 / 0

HEX #9861FE

RGB 152 97 254

HSL 261.02, 0.99%, 0.69%

LAB 54.43, 55.2, -70.51

 

CMYK 0 / 40 / 62 / 0

HEX #FE9861

RGB 254 152 97

HSL 21.02, 0.99%, 0.69%

LAB 72.49, 33.36, 44.83

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 34 / 0 / 0

HEX #61A8FE

RGB 97 168 254

HSL 212.87, 0.99%, 0.69%

LAB 67.8, 3.29, -49.34

 

CMYK 0 / 62 / 22 / 0

HEX #FE61C7

RGB 254 97 199

HSL 321.02, 0.99%, 0.69%

LAB 64.76, 69.71, -22.54

 

CMYK 0 / 28 / 62 / 0

HEX #FEB761

RGB 254 183 97

HSL 32.87, 0.99%, 0.69%

LAB 79.5, 17.19, 53.05

 

CMYK 62 / 0 / 40 / 0

HEX #61FE99

RGB 97 254 153

HSL 141.4, 0.99%, 0.69%

LAB 89.73, -62.83, 36.34

 

CMYK 62 / 52 / 0 / 0

HEX #6179FE

RGB 97 121 254

HSL 230.83, 0.99%, 0.69%

LAB 55.45, 31.14, -69.06

 

CMYK 0 / 62 / 22 / 0

HEX #FE61C7

RGB 254 97 199

HSL 321.02, 0.99%, 0.69%

LAB 64.76, 69.71, -22.54

 

CMYK 0 / 9 / 62 / 0

HEX #FEE661

RGB 254 230 97

HSL 50.83, 0.99%, 0.69%

LAB 91.02, -6.92, 65.91

 

Description

Color code: RGB 97 254 153 | qconv.com Color code: RGB 97 254 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 254 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 254 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 40 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 40% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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