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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 222 97 it is the complementary color RGB 158 33 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 222 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 222 97 shade: RGB 102 222 92, RGB 119 240 111, RGB 136 255 130, RGB 153 255 149 and RGB 170 255 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 222 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 222 97 shade: RGB 97 222 97, RGB 80 204 78, RGB 63 186 59, RGB 46 168 40 and RGB 29 150 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 222 97 shade: RGB 99 221 99, RGB 132 221 99, RGB 165 221 99, RGB 198 221 99 and RGB 221 212 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 222 97 shade: RGB 99 221 99, RGB 99 221 132, RGB 99 221 165, RGB 99 221 198 and RGB 99 212 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 222 97 shade matches the following richer shades: RGB 99 221 99, RGB 84 237 84 and RGB 68 252 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 222 97 shade: RGB 99 221 99, RGB 114 206 114, RGB 129 191 129, RGB 145 176 145 and RGB 160 160 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 222 97 shade: RGB 164 221 99, RGB 132 221 99, RGB 99 221 99, RGB 99 221 132 and RGB 99 221 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 222 97 shade: RGB 41 196 41, RGB 65 214 65, RGB 99 221 99, RGB 133 229 133 and RGB 167 236 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 222 97 shade: RGB 97 222 97, RGB 99 197 221 and RGB 221 99 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 222 97 shade: RGB 97 222 97, RGB 99 99 221 and RGB 221 99 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 222 97 shade: RGB 97 222 97, RGB 99 197 221, RGB 221 99 221 and RGB 221 123 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 222 97 shade: RGB 97 222 97, RGB 99 160 221, RGB 221 99 221 and RGB 221 160 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

Complementary color

CMYK 0 / 79 / 0 / 38

HEX #9E219E

RGB 158 33 158

HSL 300, 0.65%, 0.37%

LAB 39.28, 63.09, -39.48

 

CMYK 54 / 0 / 59 / 13

HEX #66DE5C

RGB 102 222 92

HSL 115.38, 0.66%, 0.62%

LAB 79.52, -58.43, 52.67

 

CMYK 50 / 0 / 54 / 6

HEX #77F06F

RGB 119 240 111

HSL 116.28, 0.81%, 0.69%

LAB 85.7, -58.63, 51.5

 

CMYK 47 / 0 / 49 / 0

HEX #88FF82

RGB 136 255 130

HSL 117.12, 1%, 0.75%

LAB 90.95, -57.5, 49.22

 

CMYK 40 / 0 / 42 / 0

HEX #99FF95

RGB 153 255 149

HSL 117.74, 1%, 0.79%

LAB 91.89, -50.11, 41.48

 

CMYK 33 / 0 / 34 / 0

HEX #AAFFA8

RGB 170 255 168

HSL 118.62, 1%, 0.83%

LAB 92.97, -42.19, 33.66

 

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

CMYK 61 / 0 / 62 / 20

HEX #50CC4E

RGB 80 204 78

HSL 119.05, 0.55%, 0.55%

LAB 73.18, -58.68, 51.41

 

CMYK 66 / 0 / 68 / 27

HEX #3FBA3B

RGB 63 186 59

HSL 118.11, 0.52%, 0.48%

LAB 66.89, -57.94, 52.37

 

CMYK 73 / 0 / 76 / 34

HEX #2EA828

RGB 46 168 40

HSL 117.19, 0.62%, 0.41%

LAB 60.55, -56.72, 52.88

 

CMYK 81 / 0 / 86 / 41

HEX #1D9615

RGB 29 150 21

HSL 116.28, 0.75%, 0.34%

LAB 54.16, -54.78, 52.48

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 40 / 0 / 55 / 13

HEX #84DD63

RGB 132 221 99

HSL 103.77, 0.64%, 0.63%

LAB 80.47, -48.7, 50.92

 

CMYK 25 / 0 / 55 / 13

HEX #A5DD63

RGB 165 221 99

HSL 87.54, 0.64%, 0.63%

LAB 82.17, -37.46, 53.33

 

CMYK 10 / 0 / 55 / 13

HEX #C6DD63

RGB 198 221 99

HSL 71.31, 0.64%, 0.63%

LAB 84.29, -24.92, 56.32

 

CMYK 0 / 4 / 55 / 13

HEX #DDD463

RGB 221 212 99

HSL 55.57, 0.64%, 0.63%

LAB 83.63, -11.24, 56.04

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 55 / 0 / 40 / 13

HEX #63DD84

RGB 99 221 132

HSL 136.23, 0.64%, 0.63%

LAB 79.63, -53.25, 33.61

 

CMYK 55 / 0 / 25 / 13

HEX #63DDA5

RGB 99 221 165

HSL 152.46, 0.64%, 0.63%

LAB 80.23, -47.09, 17.35

 

CMYK 55 / 0 / 10 / 13

HEX #63DDC6

RGB 99 221 198

HSL 168.69, 0.64%, 0.63%

LAB 80.98, -39.65, 0.97

 

CMYK 55 / 4 / 0 / 13

HEX #63D4DD

RGB 99 212 221

HSL 184.43, 0.64%, 0.63%

LAB 79.02, -29.51, -14.22

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 65 / 0 / 65 / 7

HEX #54ED54

RGB 84 237 84

HSL 120, 0.81%, 0.63%

LAB 83.49, -68.62, 60.38

 

CMYK 73 / 0 / 73 / 1

HEX #44FC44

RGB 68 252 68

HSL 120, 0.97%, 0.63%

LAB 87.61, -77.51, 70.51

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 45 / 0 / 45 / 19

HEX #72CE72

RGB 114 206 114

HSL 120, 0.48%, 0.63%

LAB 75.41, -46, 37.34

 

CMYK 32 / 0 / 32 / 25

HEX #81BF81

RGB 129 191 129

HSL 120, 0.33%, 0.63%

LAB 71.9, -32.34, 25.13

 

CMYK 18 / 0 / 18 / 31

HEX #91B091

RGB 145 176 145

HSL 120, 0.16%, 0.63%

LAB 68.83, -16.7, 12.42

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 26 / 0 / 55 / 13

HEX #A4DD63

RGB 164 221 99

HSL 88.03, 0.64%, 0.63%

LAB 82.11, -37.82, 53.25

 

CMYK 40 / 0 / 55 / 13

HEX #84DD63

RGB 132 221 99

HSL 103.77, 0.64%, 0.63%

LAB 80.47, -48.7, 50.92

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 55 / 0 / 40 / 13

HEX #63DD84

RGB 99 221 132

HSL 136.23, 0.64%, 0.63%

LAB 79.63, -53.25, 33.61

 

CMYK 55 / 0 / 26 / 13

HEX #63DDA4

RGB 99 221 164

HSL 151.97, 0.64%, 0.63%

LAB 80.21, -47.3, 17.84

 

CMYK 79 / 0 / 79 / 23

HEX #29C429

RGB 41 196 41

HSL 120, 0.65%, 0.46%

LAB 69.55, -66.21, 61.26

 

CMYK 70 / 0 / 70 / 16

HEX #41D641

RGB 65 214 65

HSL 120, 0.65%, 0.55%

LAB 75.82, -66.37, 59.47

 

CMYK 55 / 0 / 55 / 13

HEX #63DD63

RGB 99 221 99

HSL 120, 0.64%, 0.63%

LAB 79.19, -58, 49.09

 

CMYK 42 / 0 / 42 / 10

HEX #85E585

RGB 133 229 133

HSL 120, 0.65%, 0.71%

LAB 83.29, -47.38, 38.11

 

CMYK 29 / 0 / 29 / 7

HEX #A7ECA7

RGB 167 236 167

HSL 120, 0.64%, 0.79%

LAB 87.48, -34.75, 26.76

 

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

CMYK 55 / 11 / 0 / 13

HEX #63C5DD

RGB 99 197 221

HSL 191.8, 0.64%, 0.63%

LAB 74.7, -22.09, -20.73

 

CMYK 0 / 55 / 33 / 13

HEX #DD6394

RGB 221 99 148

HSL 335.9, 0.64%, 0.63%

LAB 58.45, 52.63, -3.26

 

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

CMYK 55 / 55 / 0 / 13

HEX #6363DD

RGB 99 99 221

HSL 240, 0.64%, 0.63%

LAB 48, 34.15, -62.64

 

CMYK 0 / 55 / 55 / 13

HEX #DD6363

RGB 221 99 99

HSL 0, 0.64%, 0.63%

LAB 57.27, 47.74, 23.62

 

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

CMYK 55 / 11 / 0 / 13

HEX #63C5DD

RGB 99 197 221

HSL 191.8, 0.64%, 0.63%

LAB 74.7, -22.09, -20.73

 

CMYK 0 / 55 / 0 / 13

HEX #DD63DD

RGB 221 99 221

HSL 300, 0.64%, 0.63%

LAB 61.23, 63.41, -40.76

 

CMYK 0 / 44 / 55 / 13

HEX #DD7B63

RGB 221 123 99

HSL 11.8, 0.64%, 0.63%

LAB 62.03, 35.69, 29.85

 

CMYK 56 / 0 / 56 / 13

HEX #61DE61

RGB 97 222 97

HSL 120, 0.65%, 0.63%

LAB 79.41, -59.1, 50.25

 

CMYK 55 / 28 / 0 / 13

HEX #63A0DD

RGB 99 160 221

HSL 210, 0.64%, 0.63%

LAB 64.17, -2.26, -36.94

 

CMYK 0 / 55 / 0 / 13

HEX #DD63DD

RGB 221 99 221

HSL 300, 0.64%, 0.63%

LAB 61.23, 63.41, -40.76

 

CMYK 0 / 28 / 55 / 13

HEX #DDA063

RGB 221 160 99

HSL 30, 0.64%, 0.63%

LAB 70.47, 15.97, 40.45

 

Description

Color code: RGB 97 222 97 | qconv.com Color code: RGB 97 222 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 222 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 222 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 56 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 56% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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