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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 217 223 it is the complementary color RGB 158 38 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 217 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 217 223 shade: RGB 102 217 218, RGB 119 235 237, RGB 136 253 255, RGB 153 255 255 and RGB 170 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 217 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 217 223 shade: RGB 97 217 223, RGB 80 199 204, RGB 63 181 185, RGB 46 163 166 and RGB 29 145 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 217 223 shade: RGB 98 216 222, RGB 98 183 222, RGB 98 149 222, RGB 98 116 222 and RGB 114 98 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 217 223 shade: RGB 98 216 222, RGB 98 183 222, RGB 98 149 222, RGB 98 116 222 and RGB 98 98 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 217 223 shade matches the following richer shades: RGB 98 216 222, RGB 83 230 238 and RGB 67 244 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 217 223 shade: RGB 98 216 222, RGB 113 203 207, RGB 128 189 192, RGB 144 175 177 and RGB 159 161 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 217 223 shade: RGB 98 222 160, RGB 98 222 193, RGB 98 218 222, RGB 98 185 222 and RGB 98 152 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 217 223 shade: RGB 40 190 198, RGB 64 208 215, RGB 98 216 222, RGB 132 225 229 and RGB 166 233 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 217 223 shade: RGB 97 217 223, RGB 127 98 222 and RGB 222 177 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 217 223 shade: RGB 97 217 223, RGB 222 98 218 and RGB 218 222 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 217 223 shade: RGB 97 217 223, RGB 127 98 222, RGB 222 102 98 and RGB 193 222 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 217 223 shade: RGB 97 217 223, RGB 164 98 222, RGB 222 102 98 and RGB 156 222 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

Complementary color

CMYK 0 / 76 / 80 / 38

HEX #9E2620

RGB 158 38 32

HSL 2.86, 0.66%, 0.37%

LAB 35.52, 48.47, 33.83

 

CMYK 53 / 0 / 0 / 15

HEX #66D9DA

RGB 102 217 218

HSL 180.52, 0.61%, 0.63%

LAB 80.47, -32.13, -10.44

 

CMYK 50 / 1 / 0 / 7

HEX #77EBED

RGB 119 235 237

HSL 181.02, 0.77%, 0.7%

LAB 86.73, -32.28, -11.1

 

CMYK 47 / 1 / 0 / 0

HEX #88FDFF

RGB 136 253 255

HSL 181.01, 1%, 0.77%

LAB 92.89, -32.62, -11.25

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

CMYK 61 / 2 / 0 / 20

HEX #50C7CC

RGB 80 199 204

HSL 182.42, 0.55%, 0.56%

LAB 74.13, -31.39, -12.44

 

CMYK 66 / 2 / 0 / 27

HEX #3FB5B9

RGB 63 181 185

HSL 181.97, 0.49%, 0.49%

LAB 67.73, -30.89, -11.68

 

CMYK 72 / 2 / 0 / 35

HEX #2EA3A6

RGB 46 163 166

HSL 181.5, 0.57%, 0.42%

LAB 61.25, -30.17, -10.85

 

CMYK 80 / 1 / 0 / 42

HEX #1D9193

RGB 29 145 147

HSL 181.02, 0.67%, 0.35%

LAB 54.68, -29.15, -9.9

 

CMYK 56 / 3 / 0 / 13

HEX #62D8DE

RGB 98 216 222

HSL 182.9, 0.65%, 0.63%

LAB 80.17, -31.35, -13.03

 

CMYK 56 / 18 / 0 / 13

HEX #62B7DE

RGB 98 183 222

HSL 198.87, 0.65%, 0.63%

LAB 70.69, -14.75, -27.41

 

CMYK 56 / 33 / 0 / 13

HEX #6295DE

RGB 98 149 222

HSL 215.32, 0.65%, 0.63%

LAB 61.1, 4.15, -42.31

 

CMYK 56 / 48 / 0 / 13

HEX #6274DE

RGB 98 116 222

HSL 231.29, 0.65%, 0.63%

LAB 52.24, 23.91, -56.38

 

CMYK 49 / 56 / 0 / 13

HEX #7262DE

RGB 114 98 222

HSL 247.74, 0.65%, 0.63%

LAB 48.99, 38.04, -61.55

 

CMYK 56 / 3 / 0 / 13

HEX #62D8DE

RGB 98 216 222

HSL 182.9, 0.65%, 0.63%

LAB 80.17, -31.35, -13.03

 

CMYK 56 / 18 / 0 / 13

HEX #62B7DE

RGB 98 183 222

HSL 198.87, 0.65%, 0.63%

LAB 70.69, -14.75, -27.41

 

CMYK 56 / 33 / 0 / 13

HEX #6295DE

RGB 98 149 222

HSL 215.32, 0.65%, 0.63%

LAB 61.1, 4.15, -42.31

 

CMYK 56 / 48 / 0 / 13

HEX #6274DE

RGB 98 116 222

HSL 231.29, 0.65%, 0.63%

LAB 52.24, 23.91, -56.38

 

CMYK 56 / 56 / 0 / 13

HEX #6262DE

RGB 98 98 222

HSL 240, 0.65%, 0.63%

LAB 47.76, 34.89, -63.6

 

CMYK 56 / 3 / 0 / 13

HEX #62D8DE

RGB 98 216 222

HSL 182.9, 0.65%, 0.63%

LAB 80.17, -31.35, -13.03

 

CMYK 65 / 3 / 0 / 7

HEX #53E6EE

RGB 83 230 238

HSL 183.1, 0.82%, 0.63%

LAB 84.28, -36.02, -15.4

 

CMYK 74 / 4 / 0 / 1

HEX #43F4FD

RGB 67 244 253

HSL 182.9, 0.98%, 0.63%

LAB 88.44, -40.21, -17.05

 

CMYK 56 / 3 / 0 / 13

HEX #62D8DE

RGB 98 216 222

HSL 182.9, 0.65%, 0.63%

LAB 80.17, -31.35, -13.03

 

CMYK 45 / 2 / 0 / 19

HEX #71CBCF

RGB 113 203 207

HSL 182.55, 0.49%, 0.63%

LAB 76.51, -25.86, -10.39

 

CMYK 33 / 2 / 0 / 25

HEX #80BDC0

RGB 128 189 192

HSL 182.81, 0.34%, 0.63%

LAB 72.75, -18.75, -7.77

 

CMYK 19 / 1 / 0 / 31

HEX #90AFB1

RGB 144 175 177

HSL 183.64, 0.17%, 0.63%

LAB 69.3, -10.09, -4.55

 

CMYK 1 / 0 / 0 / 37

HEX #9FA1A1

RGB 159 161 161

HSL 180, 0.01%, 0.63%

LAB 66.09, -0.71, -0.26

 

CMYK 56 / 0 / 28 / 13

HEX #62DEA0

RGB 98 222 160

HSL 150, 0.65%, 0.63%

LAB 80.39, -48.75, 20.19

 

CMYK 56 / 0 / 13 / 13

HEX #62DEC1

RGB 98 222 193

HSL 165.97, 0.65%, 0.63%

LAB 81.12, -41.5, 3.82

 

CMYK 56 / 2 / 0 / 13

HEX #62DADE

RGB 98 218 222

HSL 181.94, 0.65%, 0.63%

LAB 80.75, -32.3, -12.17

 

CMYK 56 / 17 / 0 / 13

HEX #62B9DE

RGB 98 185 222

HSL 197.9, 0.65%, 0.63%

LAB 71.26, -15.81, -26.53

 

CMYK 56 / 32 / 0 / 13

HEX #6298DE

RGB 98 152 222

HSL 213.87, 0.65%, 0.63%

LAB 61.94, 2.41, -41

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 70 / 3 / 0 / 16

HEX #40D0D7

RGB 64 208 215

HSL 182.78, 0.65%, 0.55%

LAB 76.74, -34.89, -14.51

 

CMYK 56 / 3 / 0 / 13

HEX #62D8DE

RGB 98 216 222

HSL 182.9, 0.65%, 0.63%

LAB 80.17, -31.35, -13.03

 

CMYK 42 / 2 / 0 / 10

HEX #84E1E5

RGB 132 225 229

HSL 182.47, 0.65%, 0.71%

LAB 84.18, -26.62, -10.63

 

CMYK 30 / 1 / 0 / 7

HEX #A6E9EC

RGB 166 233 236

HSL 182.57, 0.65%, 0.79%

LAB 88.18, -20.12, -8.2

 

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

CMYK 43 / 56 / 0 / 13

HEX #7F62DE

RGB 127 98 222

HSL 254.03, 0.65%, 0.63%

LAB 50.12, 40.83, -59.67

 

CMYK 0 / 20 / 56 / 13

HEX #DEB162

RGB 222 177 98

HSL 38.23, 0.65%, 0.63%

LAB 74.73, 7.22, 46.15

 

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

CMYK 0 / 56 / 2 / 13

HEX #DE62DA

RGB 222 98 218

HSL 301.94, 0.65%, 0.63%

LAB 61.07, 63.6, -39.33

 

CMYK 2 / 0 / 56 / 13

HEX #DADE62

RGB 218 222 98

HSL 61.94, 0.65%, 0.63%

LAB 86.02, -17.51, 59.13

 

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

CMYK 43 / 56 / 0 / 13

HEX #7F62DE

RGB 127 98 222

HSL 254.03, 0.65%, 0.63%

LAB 50.12, 40.83, -59.67

 

CMYK 0 / 54 / 56 / 13

HEX #DE6662

RGB 222 102 98

HSL 1.94, 0.65%, 0.63%

LAB 57.96, 46.57, 25.14

 

CMYK 13 / 0 / 56 / 13

HEX #C1DE62

RGB 193 222 98

HSL 74.03, 0.65%, 0.63%

LAB 84.21, -27.44, 56.58

 

CMYK 57 / 3 / 0 / 13

HEX #61D9DF

RGB 97 217 223

HSL 182.86, 0.66%, 0.63%

LAB 80.46, -31.74, -13.14

 

CMYK 26 / 56 / 0 / 13

HEX #A462DE

RGB 164 98 222

HSL 271.94, 0.65%, 0.63%

LAB 53.92, 49.54, -53.37

 

CMYK 0 / 54 / 56 / 13

HEX #DE6662

RGB 222 102 98

HSL 1.94, 0.65%, 0.63%

LAB 57.96, 46.57, 25.14

 

CMYK 30 / 0 / 56 / 13

HEX #9CDE62

RGB 156 222 98

HSL 91.94, 0.65%, 0.63%

LAB 81.94, -41.22, 53.39

 

Description

Color code: RGB 97 217 223 | qconv.com Color code: RGB 97 217 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 217 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 217 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 3 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 3% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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