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Color name
RGB 97 192 169

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 192 169 it is the complementary color RGB 158 63 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 192 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 192 169 shade: RGB 102 192 164, RGB 119 210 183, RGB 136 228 202, RGB 153 246 221 and RGB 170 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 192 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 192 169 shade: RGB 97 192 169, RGB 80 174 150, RGB 63 156 131, RGB 46 138 112 and RGB 29 120 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 192 169 shade: RGB 98 192 169, RGB 98 192 144, RGB 98 192 118, RGB 103 192 98 and RGB 128 192 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 192 169 shade: RGB 98 192 169, RGB 98 189 192, RGB 98 164 192, RGB 98 139 192 and RGB 98 113 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 192 169 shade matches the following richer shades: RGB 98 192 169, RGB 80 210 178, RGB 62 227 187 and RGB 44 245 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 192 169 shade: RGB 98 192 169, RGB 115 174 160, RGB 133 157 151, RGB 151 139 142 and RGB 169 121 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 192 169 shade: RGB 98 192 118, RGB 98 192 143, RGB 98 192 168, RGB 98 190 192 and RGB 98 165 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 192 169 shade: RGB 59 148 127, RGB 71 178 152, RGB 98 192 169, RGB 127 204 185 and RGB 157 216 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 192 169 shade: RGB 97 192 169, RGB 98 102 192 and RGB 192 131 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 192 169 shade: RGB 97 192 169, RGB 168 98 192 and RGB 192 168 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 192 169 shade: RGB 97 192 169, RGB 98 102 192, RGB 192 98 121 and RGB 192 187 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 192 169 shade: RGB 97 192 169, RGB 121 98 192, RGB 192 98 121 and RGB 168 192 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

Complementary color

CMYK 0 / 60 / 46 / 38

HEX #9E3F56

RGB 158 63 86

HSL 345.47, 0.43%, 0.43%

LAB 40.4, 41.64, 6.72

 

CMYK 47 / 0 / 15 / 25

HEX #66C0A4

RGB 102 192 164

HSL 161.33, 0.42%, 0.58%

LAB 71.69, -33.7, 5.81

 

CMYK 43 / 0 / 13 / 18

HEX #77D2B7

RGB 119 210 183

HSL 162.2, 0.5%, 0.65%

LAB 78.13, -33.55, 4.92

 

CMYK 40 / 0 / 11 / 11

HEX #88E4CA

RGB 136 228 202

HSL 163.04, 0.63%, 0.71%

LAB 84.48, -33.38, 4.09

 

CMYK 38 / 0 / 10 / 4

HEX #99F6DD

RGB 153 246 221

HSL 163.87, 0.84%, 0.78%

LAB 90.74, -33.2, 3.31

 

CMYK 33 / 0 / 6 / 0

HEX #AAFFF0

RGB 170 255 240

HSL 169.41, 1%, 0.83%

LAB 94.46, -28.81, -1

 

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

CMYK 54 / 0 / 14 / 32

HEX #50AE96

RGB 80 174 150

HSL 164.68, 0.37%, 0.5%

LAB 65.1, -33.78, 3.9

 

CMYK 60 / 0 / 16 / 39

HEX #3F9C83

RGB 63 156 131

HSL 163.87, 0.42%, 0.43%

LAB 58.48, -33.73, 4.93

 

CMYK 67 / 0 / 19 / 46

HEX #2E8A70

RGB 46 138 112

HSL 163.04, 0.5%, 0.36%

LAB 51.76, -33.51, 6.08

 

CMYK 76 / 0 / 23 / 53

HEX #1D785D

RGB 29 120 93

HSL 162.2, 0.61%, 0.29%

LAB 44.92, -33.02, 7.4

 

CMYK 49 / 0 / 12 / 25

HEX #62C0A9

RGB 98 192 169

HSL 165.32, 0.43%, 0.57%

LAB 71.66, -33.51, 3.02

 

CMYK 49 / 0 / 25 / 25

HEX #62C090

RGB 98 192 144

HSL 149.36, 0.43%, 0.57%

LAB 71.08, -39.06, 15.76

 

CMYK 49 / 0 / 39 / 25

HEX #62C076

RGB 98 192 118

HSL 132.77, 0.43%, 0.57%

LAB 70.6, -43.94, 28.93

 

CMYK 46 / 0 / 49 / 25

HEX #67C062

RGB 103 192 98

HSL 116.81, 0.43%, 0.57%

LAB 70.5, -45.6, 39.06

 

CMYK 33 / 0 / 49 / 25

HEX #80C062

RGB 128 192 98

HSL 100.85, 0.43%, 0.57%

LAB 71.67, -37.62, 40.77

 

CMYK 49 / 0 / 12 / 25

HEX #62C0A9

RGB 98 192 169

HSL 165.32, 0.43%, 0.57%

LAB 71.66, -33.51, 3.02

 

CMYK 49 / 2 / 0 / 25

HEX #62BDC0

RGB 98 189 192

HSL 181.91, 0.43%, 0.57%

LAB 71.42, -26.27, -9.91

 

CMYK 49 / 15 / 0 / 25

HEX #62A4C0

RGB 98 164 192

HSL 197.87, 0.43%, 0.57%

LAB 64.12, -13.35, -20.91

 

CMYK 49 / 28 / 0 / 25

HEX #628BC0

RGB 98 139 192

HSL 213.83, 0.43%, 0.57%

LAB 56.95, 0.66, -31.97

 

CMYK 49 / 41 / 0 / 25

HEX #6271C0

RGB 98 113 192

HSL 230.43, 0.43%, 0.57%

LAB 49.75, 16.22, -43.27

 

CMYK 49 / 0 / 12 / 25

HEX #62C0A9

RGB 98 192 169

HSL 165.32, 0.43%, 0.57%

LAB 71.66, -33.51, 3.02

 

CMYK 62 / 0 / 15 / 18

HEX #50D2B2

RGB 80 210 178

HSL 165.23, 0.59%, 0.57%

LAB 76.69, -43.22, 5.35

 

CMYK 73 / 0 / 18 / 11

HEX #3EE3BB

RGB 62 227 187

HSL 165.45, 0.75%, 0.57%

LAB 81.59, -50.95, 7.56

 

CMYK 82 / 0 / 20 / 4

HEX #2CF5C5

RGB 44 245 197

HSL 165.67, 0.91%, 0.57%

LAB 86.93, -57.57, 9.94

 

CMYK 49 / 0 / 12 / 25

HEX #62C0A9

RGB 98 192 169

HSL 165.32, 0.43%, 0.57%

LAB 71.66, -33.51, 3.02

 

CMYK 34 / 0 / 8 / 32

HEX #73AEA0

RGB 115 174 160

HSL 165.76, 0.27%, 0.57%

LAB 66.87, -22.32, 1.09

 

CMYK 15 / 0 / 4 / 38

HEX #859D97

RGB 133 157 151

HSL 165, 0.11%, 0.57%

LAB 62.79, -9.65, 0.31

 

CMYK 0 / 8 / 6 / 41

HEX #978B8E

RGB 151 139 142

HSL 345, 0.05%, 0.57%

LAB 58.97, 5.03, 0.01

 

CMYK 0 / 28 / 21 / 34

HEX #A97985

RGB 169 121 133

HSL 345, 0.22%, 0.57%

LAB 55.89, 20.56, 0.93

 

CMYK 49 / 0 / 39 / 25

HEX #62C076

RGB 98 192 118

HSL 132.77, 0.43%, 0.57%

LAB 70.6, -43.94, 28.93

 

CMYK 49 / 0 / 26 / 25

HEX #62C08F

RGB 98 192 143

HSL 148.72, 0.43%, 0.57%

LAB 71.06, -39.27, 16.27

 

CMYK 49 / 0 / 13 / 25

HEX #62C0A8

RGB 98 192 168

HSL 164.68, 0.43%, 0.57%

LAB 71.64, -33.75, 3.53

 

CMYK 49 / 1 / 0 / 25

HEX #62BEC0

RGB 98 190 192

HSL 181.28, 0.43%, 0.57%

LAB 71.71, -26.76, -9.47

 

CMYK 49 / 14 / 0 / 25

HEX #62A5C0

RGB 98 165 192

HSL 197.23, 0.43%, 0.57%

LAB 64.41, -13.89, -20.47

 

CMYK 60 / 0 / 14 / 42

HEX #3B947F

RGB 59 148 127

HSL 165.84, 0.43%, 0.41%

LAB 55.73, -31.81, 3.21

 

CMYK 60 / 0 / 15 / 30

HEX #47B298

RGB 71 178 152

HSL 165.42, 0.43%, 0.49%

LAB 66.1, -37.01, 4.18

 

CMYK 49 / 0 / 12 / 25

HEX #62C0A9

RGB 98 192 169

HSL 165.32, 0.43%, 0.57%

LAB 71.66, -33.51, 3.02

 

CMYK 38 / 0 / 9 / 20

HEX #7FCCB9

RGB 127 204 185

HSL 165.19, 0.43%, 0.65%

LAB 76.8, -28.13, 1.96

 

CMYK 27 / 0 / 7 / 15

HEX #9DD8C9

RGB 157 216 201

HSL 164.75, 0.43%, 0.73%

LAB 82.11, -21.95, 1.31

 

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

CMYK 49 / 47 / 0 / 25

HEX #6266C0

RGB 98 102 192

HSL 237.45, 0.43%, 0.57%

LAB 46.85, 22.99, -47.89

 

CMYK 0 / 32 / 49 / 25

HEX #C08362

RGB 192 131 98

HSL 21.06, 0.43%, 0.57%

LAB 60.18, 19.7, 27.29

 

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

CMYK 13 / 49 / 0 / 25

HEX #A862C0

RGB 168 98 192

HSL 284.68, 0.43%, 0.57%

LAB 52.8, 43.99, -38.02

 

CMYK 0 / 13 / 49 / 25

HEX #C0A862

RGB 192 168 98

HSL 44.68, 0.43%, 0.57%

LAB 69.54, -0.52, 39.16

 

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

CMYK 49 / 47 / 0 / 25

HEX #6266C0

RGB 98 102 192

HSL 237.45, 0.43%, 0.57%

LAB 46.85, 22.99, -47.89

 

CMYK 0 / 49 / 37 / 25

HEX #C06279

RGB 192 98 121

HSL 345.32, 0.43%, 0.57%

LAB 53.3, 40.04, 4.58

 

CMYK 0 / 3 / 49 / 25

HEX #C0BB62

RGB 192 187 98

HSL 56.81, 0.43%, 0.57%

LAB 74.59, -10.51, 45.32

 

CMYK 49 / 0 / 12 / 25

HEX #61C0A9

RGB 97 192 169

HSL 165.47, 0.43%, 0.57%

LAB 71.63, -33.75, 2.96

 

CMYK 37 / 49 / 0 / 25

HEX #7962C0

RGB 121 98 192

HSL 254.68, 0.43%, 0.57%

LAB 47.76, 31.08, -46.33

 

CMYK 0 / 49 / 37 / 25

HEX #C06279

RGB 192 98 121

HSL 345.32, 0.43%, 0.57%

LAB 53.3, 40.04, 4.58

 

CMYK 13 / 0 / 49 / 25

HEX #A8C062

RGB 168 192 98

HSL 75.32, 0.43%, 0.57%

LAB 74.13, -22.74, 44.33

 

Description

Color code: RGB 97 192 169 | qconv.com Color code: RGB 97 192 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 192 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 192 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 12 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 12% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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