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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 165 249 it is the complementary color RGB 158 90 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 165 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 165 249 shade: RGB 102 165 244, RGB 119 183 255, RGB 136 201 255, RGB 153 219 255 and RGB 170 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 165 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 80 147 230, RGB 63 129 211, RGB 46 111 192 and RGB 29 93 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 97 124 249, RGB 111 97 249, RGB 152 97 249 and RGB 193 97 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 97 124 249 and RGB 97 97 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 165 249 shade matches the following richer shades: RGB 97 165 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 110 166 236, RGB 123 168 222, RGB 137 169 209 and RGB 150 170 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 165 249 shade: RGB 97 246 249, RGB 97 206 249, RGB 97 165 249, RGB 97 125 249 and RGB 110 97 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 165 249 shade: RGB 17 120 246, RGB 57 142 247, RGB 97 165 249, RGB 137 188 250 and RGB 177 210 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 211 97 249 and RGB 226 249 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 249 97 165 and RGB 165 249 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 211 97 249, RGB 249 180 97 and RGB 135 249 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 165 249 shade: RGB 97 165 249, RGB 249 97 241, RGB 249 180 97 and RGB 97 249 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

Complementary color

CMYK 0 / 43 / 96 / 38

HEX #9E5A06

RGB 158 90 6

HSL 33.16, 0.93%, 0.32%

LAB 45.07, 22.76, 52.08

 

CMYK 58 / 32 / 0 / 4

HEX #66A5F4

RGB 102 165 244

HSL 213.38, 0.87%, 0.68%

LAB 66.72, 2.71, -45.58

 

CMYK 53 / 28 / 0 / 0

HEX #77B7FF

RGB 119 183 255

HSL 211.76, 1%, 0.73%

LAB 72.9, -0.56, -41.81

 

CMYK 47 / 21 / 0 / 0

HEX #88C9FF

RGB 136 201 255

HSL 207.23, 1%, 0.77%

LAB 78.59, -6.57, -32.91

 

CMYK 40 / 14 / 0 / 0

HEX #99DBFF

RGB 153 219 255

HSL 201.18, 1%, 0.8%

LAB 84.31, -11.9, -24.09

 

CMYK 33 / 7 / 0 / 0

HEX #AAEDFF

RGB 170 237 255

HSL 192.71, 1%, 0.83%

LAB 90.01, -16.64, -15.39

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 65 / 36 / 0 / 10

HEX #5093E6

RGB 80 147 230

HSL 213.2, 0.75%, 0.61%

LAB 60.15, 4.57, -48.31

 

CMYK 70 / 39 / 0 / 17

HEX #3F81D3

RGB 63 129 211

HSL 213.24, 0.63%, 0.54%

LAB 53.45, 6.04, -48.34

 

CMYK 76 / 42 / 0 / 25

HEX #2E6FC0

RGB 46 111 192

HSL 213.29, 0.61%, 0.47%

LAB 46.65, 7.89, -48.36

 

CMYK 83 / 46 / 0 / 32

HEX #1D5DAD

RGB 29 93 173

HSL 213.33, 0.71%, 0.4%

LAB 39.76, 10.24, -48.34

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 61 / 50 / 0 / 2

HEX #617CF9

RGB 97 124 249

HSL 229.34, 0.93%, 0.68%

LAB 55.88, 27.68, -65.6

 

CMYK 55 / 61 / 0 / 2

HEX #6F61F9

RGB 111 97 249

HSL 245.53, 0.93%, 0.68%

LAB 50.42, 46.14, -74.41

 

CMYK 39 / 61 / 0 / 2

HEX #9861F9

RGB 152 97 249

HSL 261.71, 0.93%, 0.68%

LAB 54.1, 53.92, -68.27

 

CMYK 22 / 61 / 0 / 2

HEX #C161F9

RGB 193 97 249

HSL 277.89, 0.93%, 0.68%

LAB 58.72, 62.85, -60.59

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 61 / 50 / 0 / 2

HEX #617CF9

RGB 97 124 249

HSL 229.34, 0.93%, 0.68%

LAB 55.88, 27.68, -65.6

 

CMYK 61 / 61 / 0 / 2

HEX #6161F9

RGB 97 97 249

HSL 240, 0.93%, 0.68%

LAB 49.41, 43.89, -76.09

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 53 / 30 / 0 / 7

HEX #6EA6EC

RGB 110 166 236

HSL 213.33, 0.77%, 0.68%

LAB 67.01, 1.29, -40.73

 

CMYK 45 / 24 / 0 / 13

HEX #7BA8DE

RGB 123 168 222

HSL 212.73, 0.6%, 0.68%

LAB 67.64, -0.94, -32.01

 

CMYK 34 / 19 / 0 / 18

HEX #89A9D1

RGB 137 169 209

HSL 213.33, 0.44%, 0.68%

LAB 68.24, -1.29, -23.86

 

CMYK 23 / 13 / 0 / 23

HEX #96AAC4

RGB 150 170 196

HSL 213.91, 0.28%, 0.68%

LAB 68.91, -1.18, -15.59

 

CMYK 61 / 1 / 0 / 2

HEX #61F6F9

RGB 97 246 249

HSL 181.18, 0.93%, 0.68%

LAB 89.53, -38.25, -13.27

 

CMYK 61 / 17 / 0 / 2

HEX #61CEF9

RGB 97 206 249

HSL 196.97, 0.93%, 0.68%

LAB 78.18, -18.88, -30.47

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 61 / 50 / 0 / 2

HEX #617DF9

RGB 97 125 249

HSL 228.95, 0.93%, 0.68%

LAB 56.14, 27.07, -65.19

 

CMYK 56 / 61 / 0 / 2

HEX #6E61F9

RGB 110 97 249

HSL 245.13, 0.93%, 0.68%

LAB 50.34, 45.97, -74.54

 

CMYK 93 / 51 / 0 / 4

HEX #1178F6

RGB 17 120 246

HSL 213.01, 0.93%, 0.52%

LAB 52.07, 20.78, -70.23

 

CMYK 77 / 43 / 0 / 3

HEX #398EF7

RGB 57 142 247

HSL 213.16, 0.92%, 0.6%

LAB 58.91, 10.39, -59.72

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 45 / 25 / 0 / 2

HEX #89BCFA

RGB 137 188 250

HSL 212.92, 0.92%, 0.76%

LAB 74.94, -0.7, -35.87

 

CMYK 30 / 17 / 0 / 1

HEX #B1D2FC

RGB 177 210 252

HSL 213.6, 0.93%, 0.84%

LAB 83.16, -1.51, -24.12

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 15 / 61 / 0 / 2

HEX #D361F9

RGB 211 97 249

HSL 285, 0.93%, 0.68%

LAB 60.99, 66.97, -56.83

 

CMYK 9 / 0 / 61 / 2

HEX #E2F961

RGB 226 249 97

HSL 69.08, 0.93%, 0.68%

LAB 93.79, -27.36, 68.28

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 0 / 61 / 34 / 2

HEX #F961A5

RGB 249 97 165

HSL 333.16, 0.93%, 0.68%

LAB 62.85, 64.12, -6.11

 

CMYK 34 / 0 / 61 / 2

HEX #A5F961

RGB 165 249 97

HSL 93.16, 0.93%, 0.68%

LAB 90.14, -49.76, 63.24

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 15 / 61 / 0 / 2

HEX #D361F9

RGB 211 97 249

HSL 285, 0.93%, 0.68%

LAB 60.99, 66.97, -56.83

 

CMYK 0 / 28 / 61 / 2

HEX #F9B461

RGB 249 180 97

HSL 32.76, 0.93%, 0.68%

LAB 78.25, 16.72, 51.47

 

CMYK 46 / 0 / 61 / 2

HEX #87F961

RGB 135 249 97

HSL 105, 0.93%, 0.68%

LAB 88.81, -59.14, 61.39

 

CMYK 61 / 34 / 0 / 2

HEX #61A5F9

RGB 97 165 249

HSL 213.16, 0.93%, 0.68%

LAB 66.74, 3.38, -48.29

 

CMYK 0 / 61 / 3 / 2

HEX #F961F1

RGB 249 97 241

HSL 303.16, 0.93%, 0.68%

LAB 65.78, 74.55, -44.49

 

CMYK 0 / 28 / 61 / 2

HEX #F9B461

RGB 249 180 97

HSL 32.76, 0.93%, 0.68%

LAB 78.25, 16.72, 51.47

 

CMYK 61 / 0 / 58 / 2

HEX #61F969

RGB 97 249 105

HSL 123.16, 0.93%, 0.68%

LAB 87.64, -67.83, 56.3

 

Description

Color code: RGB 97 165 249 | qconv.com Color code: RGB 97 165 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 165 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 165 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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