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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 155 168 it is the complementary color RGB 158 100 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 155 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 155 168 shade: RGB 102 155 163, RGB 119 173 182, RGB 136 191 201, RGB 153 209 220 and RGB 170 227 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 155 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 80 137 149, RGB 63 119 130, RGB 46 101 111 and RGB 29 83 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 97 135 168, RGB 97 116 168, RGB 97 97 168 and RGB 115 97 168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 97 135 168, RGB 97 116 168, RGB 97 97 168 and RGB 97 97 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 155 168 shade matches the following richer shades: RGB 97 155 168, RGB 77 167 187, RGB 57 180 207, RGB 37 192 227 and RGB 17 205 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 116 142 148, RGB 136 129 128, RGB 156 117 108 and RGB 176 104 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 155 168 shade: RGB 97 168 142, RGB 97 168 160, RGB 97 156 168, RGB 97 137 168 and RGB 97 118 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 155 168 shade: RGB 64 108 117, RGB 79 132 144, RGB 97 155 168, RGB 123 171 182 and RGB 150 188 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 123 97 168 and RGB 168 151 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 168 97 156 and RGB 156 168 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 123 97 168, RGB 168 108 97 and RGB 142 168 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 155 168 shade: RGB 97 155 168, RGB 144 97 168, RGB 168 108 97 and RGB 120 168 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

Complementary color

CMYK 0 / 37 / 45 / 38

HEX #9E6457

RGB 158 100 87

HSL 10.99, 0.29%, 0.48%

LAB 48.35, 21.89, 17.13

 

CMYK 37 / 5 / 0 / 36

HEX #669BA3

RGB 102 155 163

HSL 187.87, 0.25%, 0.52%

LAB 60.7, -15.42, -9.76

 

CMYK 35 / 5 / 0 / 29

HEX #77ADB6

RGB 119 173 182

HSL 188.57, 0.3%, 0.59%

LAB 67.42, -15.4, -10.27

 

CMYK 32 / 5 / 0 / 21

HEX #88BFC9

RGB 136 191 201

HSL 189.23, 0.38%, 0.66%

LAB 74.01, -15.38, -10.77

 

CMYK 30 / 5 / 0 / 14

HEX #99D1DC

RGB 153 209 220

HSL 189.85, 0.49%, 0.73%

LAB 80.48, -15.35, -11.25

 

CMYK 29 / 5 / 0 / 6

HEX #AAE3EF

RGB 170 227 239

HSL 190.43, 0.68%, 0.8%

LAB 86.86, -15.32, -11.72

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 46 / 8 / 0 / 42

HEX #508995

RGB 80 137 149

HSL 190.43, 0.3%, 0.45%

LAB 53.78, -15.36, -12.25

 

CMYK 52 / 8 / 0 / 49

HEX #3F7782

RGB 63 119 130

HSL 189.85, 0.35%, 0.38%

LAB 46.79, -15.2, -11.73

 

CMYK 59 / 9 / 0 / 56

HEX #2E656F

RGB 46 101 111

HSL 189.23, 0.41%, 0.31%

LAB 39.64, -14.93, -11.15

 

CMYK 68 / 10 / 0 / 64

HEX #1D535C

RGB 29 83 92

HSL 188.57, 0.52%, 0.24%

LAB 32.3, -14.44, -10.5

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 42 / 20 / 0 / 34

HEX #6187A8

RGB 97 135 168

HSL 207.89, 0.29%, 0.52%

LAB 54.76, -4.35, -21.64

 

CMYK 42 / 31 / 0 / 34

HEX #6174A8

RGB 97 116 168

HSL 223.94, 0.29%, 0.52%

LAB 49.33, 6.84, -30.05

 

CMYK 42 / 42 / 0 / 34

HEX #6161A8

RGB 97 97 168

HSL 240, 0.29%, 0.52%

LAB 44.12, 18.52, -38.24

 

CMYK 32 / 42 / 0 / 34

HEX #7361A8

RGB 115 97 168

HSL 255.21, 0.29%, 0.52%

LAB 45.66, 23.52, -35.69

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 42 / 20 / 0 / 34

HEX #6187A8

RGB 97 135 168

HSL 207.89, 0.29%, 0.52%

LAB 54.76, -4.35, -21.64

 

CMYK 42 / 31 / 0 / 34

HEX #6174A8

RGB 97 116 168

HSL 223.94, 0.29%, 0.52%

LAB 49.33, 6.84, -30.05

 

CMYK 42 / 42 / 0 / 34

HEX #6161A8

RGB 97 97 168

HSL 240, 0.29%, 0.52%

LAB 44.12, 18.52, -38.24

 

CMYK 42 / 42 / 0 / 34

HEX #6161A8

RGB 97 97 168

HSL 240, 0.29%, 0.52%

LAB 44.12, 18.52, -38.24

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 59 / 11 / 0 / 27

HEX #4DA7BB

RGB 77 167 187

HSL 190.91, 0.45%, 0.52%

LAB 64, -20.89, -18.38

 

CMYK 72 / 13 / 0 / 19

HEX #39B4CF

RGB 57 180 207

HSL 190.8, 0.61%, 0.52%

LAB 68.03, -24.56, -23.37

 

CMYK 84 / 15 / 0 / 11

HEX #25C0E3

RGB 37 192 227

HSL 191.05, 0.77%, 0.52%

LAB 71.99, -26.14, -28.27

 

CMYK 93 / 17 / 0 / 3

HEX #11CDF7

RGB 17 205 247

HSL 190.96, 0.93%, 0.52%

LAB 76.37, -27.09, -32.31

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 22 / 4 / 0 / 42

HEX #748E94

RGB 116 142 148

HSL 191.25, 0.13%, 0.52%

LAB 57.27, -7.79, -6.25

 

CMYK 0 / 5 / 6 / 47

HEX #888180

RGB 136 129 128

HSL 7.5, 0.03%, 0.52%

LAB 54.55, 2.45, 1.48

 

CMYK 0 / 25 / 31 / 39

HEX #9C756C

RGB 156 117 108

HSL 11.25, 0.2%, 0.52%

LAB 52.81, 13.98, 10.91

 

CMYK 0 / 41 / 50 / 31

HEX #B06858

RGB 176 104 88

HSL 10.91, 0.36%, 0.52%

LAB 51.65, 27.11, 21.38

 

CMYK 42 / 0 / 15 / 34

HEX #61A88E

RGB 97 168 142

HSL 158.03, 0.29%, 0.52%

LAB 63.75, -28.55, 6.49

 

CMYK 42 / 0 / 5 / 34

HEX #61A8A0

RGB 97 168 160

HSL 173.24, 0.29%, 0.52%

LAB 64.23, -24.28, -2.87

 

CMYK 42 / 7 / 0 / 34

HEX #619CA8

RGB 97 156 168

HSL 190.14, 0.29%, 0.52%

LAB 60.91, -15.98, -12.3

 

CMYK 42 / 18 / 0 / 34

HEX #6189A8

RGB 97 137 168

HSL 206.2, 0.29%, 0.52%

LAB 55.34, -5.5, -20.75

 

CMYK 42 / 30 / 0 / 34

HEX #6176A8

RGB 97 118 168

HSL 222.25, 0.29%, 0.52%

LAB 49.89, 5.64, -29.17

 

CMYK 45 / 8 / 0 / 54

HEX #406C75

RGB 64 108 117

HSL 190.19, 0.29%, 0.35%

LAB 42.91, -12.6, -9.78

 

CMYK 45 / 8 / 0 / 44

HEX #4F8490

RGB 79 132 144

HSL 191.08, 0.29%, 0.44%

LAB 52.04, -14.29, -11.98

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 32 / 6 / 0 / 29

HEX #7BABB6

RGB 123 171 182

HSL 191.19, 0.29%, 0.6%

LAB 67.06, -13.21, -10.78

 

CMYK 24 / 5 / 0 / 23

HEX #96BCC5

RGB 150 188 197

HSL 191.49, 0.29%, 0.68%

LAB 73.86, -10.64, -8.73

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 27 / 42 / 0 / 34

HEX #7B61A8

RGB 123 97 168

HSL 261.97, 0.29%, 0.52%

LAB 46.43, 25.86, -34.43

 

CMYK 0 / 10 / 42 / 34

HEX #A89761

RGB 168 151 97

HSL 45.63, 0.29%, 0.52%

LAB 62.78, -1.52, 30.71

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 0 / 42 / 7 / 34

HEX #A8619C

RGB 168 97 156

HSL 310.14, 0.29%, 0.52%

LAB 51.01, 37.51, -19.86

 

CMYK 7 / 0 / 42 / 34

HEX #9CA861

RGB 156 168 97

HSL 70.14, 0.29%, 0.52%

LAB 66.47, -15.54, 35.2

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 27 / 42 / 0 / 34

HEX #7B61A8

RGB 123 97 168

HSL 261.97, 0.29%, 0.52%

LAB 46.43, 25.86, -34.43

 

CMYK 0 / 36 / 42 / 34

HEX #A86C61

RGB 168 108 97

HSL 9.3, 0.29%, 0.52%

LAB 51.74, 22.59, 16.07

 

CMYK 15 / 0 / 42 / 34

HEX #8EA861

RGB 142 168 97

HSL 81.97, 0.29%, 0.52%

LAB 65.45, -21.12, 33.69

 

CMYK 42 / 8 / 0 / 34

HEX #619BA8

RGB 97 155 168

HSL 190.99, 0.29%, 0.52%

LAB 60.61, -15.44, -12.75

 

CMYK 14 / 42 / 0 / 34

HEX #9061A8

RGB 144 97 168

HSL 279.72, 0.29%, 0.52%

LAB 48.64, 32.24, -30.8

 

CMYK 0 / 36 / 42 / 34

HEX #A86C61

RGB 168 108 97

HSL 9.3, 0.29%, 0.52%

LAB 51.74, 22.59, 16.07

 

CMYK 29 / 0 / 42 / 34

HEX #78A861

RGB 120 168 97

HSL 100.56, 0.29%, 0.52%

LAB 64.05, -29.42, 31.62

 

Description

Color code: RGB 97 155 168 | qconv.com Color code: RGB 97 155 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 155 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 155 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 8 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 8% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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