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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 146 213 it is the complementary color RGB 158 109 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 146 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 146 213 shade: RGB 102 146 208, RGB 119 164 227, RGB 136 182 246, RGB 153 200 255 and RGB 170 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 146 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 80 128 194, RGB 63 110 175, RGB 46 92 156 and RGB 29 74 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 97 115 213, RGB 111 97 213, RGB 142 97 213 and RGB 173 97 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 97 115 213 and RGB 97 97 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 146 213 shade matches the following richer shades: RGB 97 146 213, RGB 81 144 229 and RGB 65 141 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 113 149 197, RGB 130 151 181, RGB 146 154 164 and RGB 162 156 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 146 213 shade: RGB 97 209 213, RGB 97 178 213, RGB 97 147 213, RGB 97 117 213 and RGB 109 97 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 146 213 shade: RGB 48 103 180, RGB 65 124 204, RGB 97 146 213, RGB 130 169 221 and RGB 163 191 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 186 97 213 and RGB 194 213 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 213 97 147 and RGB 147 213 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 186 97 213, RGB 213 163 97 and RGB 124 213 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 146 213 shade: RGB 97 146 213, RGB 213 97 205, RGB 213 163 97 and RGB 97 213 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

Complementary color

CMYK 0 / 31 / 73 / 38

HEX #9E6D2A

RGB 158 109 42

HSL 34.66, 0.58%, 0.39%

LAB 49.95, 13.08, 43.62

 

CMYK 51 / 30 / 0 / 18

HEX #6692D0

RGB 102 146 208

HSL 215.09, 0.53%, 0.61%

LAB 59.83, 2.41, -36.47

 

CMYK 48 / 28 / 0 / 11

HEX #77A4E3

RGB 119 164 227

HSL 215, 0.66%, 0.68%

LAB 66.53, 1.77, -36.5

 

CMYK 45 / 26 / 0 / 4

HEX #88B6F6

RGB 136 182 246

HSL 214.91, 0.86%, 0.75%

LAB 73.12, 1.24, -36.55

 

CMYK 40 / 22 / 0 / 0

HEX #99C8FF

RGB 153 200 255

HSL 212.35, 1%, 0.8%

LAB 79.21, -1.88, -31.88

 

CMYK 33 / 15 / 0 / 0

HEX #AADAFF

RGB 170 218 255

HSL 206.12, 1%, 0.83%

LAB 84.95, -6.93, -23.03

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 59 / 34 / 0 / 24

HEX #5080C2

RGB 80 128 194

HSL 214.74, 0.48%, 0.54%

LAB 52.99, 3.76, -39.36

 

CMYK 64 / 37 / 0 / 31

HEX #3F6EAF

RGB 63 110 175

HSL 214.82, 0.47%, 0.47%

LAB 46.05, 4.92, -39.42

 

CMYK 71 / 41 / 0 / 39

HEX #2E5C9C

RGB 46 92 156

HSL 214.91, 0.54%, 0.4%

LAB 38.96, 6.43, -39.49

 

CMYK 79 / 46 / 0 / 46

HEX #1D4A89

RGB 29 74 137

HSL 215, 0.65%, 0.33%

LAB 31.73, 8.46, -39.55

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 54 / 46 / 0 / 16

HEX #6173D5

RGB 97 115 213

HSL 230.69, 0.58%, 0.61%

LAB 51.39, 21.42, -52.66

 

CMYK 48 / 54 / 0 / 16

HEX #6F61D5

RGB 111 97 213

HSL 247.24, 0.58%, 0.61%

LAB 47.92, 35.33, -58.17

 

CMYK 33 / 54 / 0 / 16

HEX #8E61D5

RGB 142 97 213

HSL 263.28, 0.58%, 0.61%

LAB 50.81, 42.49, -53.38

 

CMYK 19 / 54 / 0 / 16

HEX #AD61D5

RGB 173 97 213

HSL 279.31, 0.58%, 0.61%

LAB 54.28, 50.33, -47.64

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 54 / 46 / 0 / 16

HEX #6173D5

RGB 97 115 213

HSL 230.69, 0.58%, 0.61%

LAB 51.39, 21.42, -52.66

 

CMYK 54 / 54 / 0 / 16

HEX #6161D5

RGB 97 97 213

HSL 240, 0.58%, 0.61%

LAB 46.84, 32.45, -59.98

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 65 / 37 / 0 / 10

HEX #5190E5

RGB 81 144 229

HSL 214.46, 0.74%, 0.61%

LAB 59.3, 6.17, -49.1

 

CMYK 73 / 42 / 0 / 4

HEX #418DF5

RGB 65 141 245

HSL 214.67, 0.9%, 0.61%

LAB 58.76, 11.2, -58.85

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 43 / 24 / 0 / 23

HEX #7195C5

RGB 113 149 197

HSL 214.29, 0.42%, 0.61%

LAB 60.81, 0.15, -28.72

 

CMYK 28 / 17 / 0 / 29

HEX #8297B5

RGB 130 151 181

HSL 215.29, 0.26%, 0.61%

LAB 61.84, -0.41, -18.05

 

CMYK 11 / 6 / 0 / 36

HEX #929AA4

RGB 146 154 164

HSL 213.33, 0.09%, 0.61%

LAB 63.26, -0.8, -6.21

 

CMYK 0 / 4 / 9 / 36

HEX #A29C94

RGB 162 156 148

HSL 34.29, 0.07%, 0.61%

LAB 64.64, 0.73, 4.95

 

CMYK 54 / 2 / 0 / 16

HEX #61D1D5

RGB 97 209 213

HSL 182.07, 0.58%, 0.61%

LAB 77.84, -30.61, -11.69

 

CMYK 54 / 16 / 0 / 16

HEX #61B2D5

RGB 97 178 213

HSL 198.1, 0.58%, 0.61%

LAB 68.89, -14.96, -25.25

 

CMYK 54 / 31 / 0 / 16

HEX #6193D5

RGB 97 147 213

HSL 214.14, 0.58%, 0.61%

LAB 60.08, 2.26, -38.9

 

CMYK 54 / 45 / 0 / 16

HEX #6175D5

RGB 97 117 213

HSL 229.66, 0.58%, 0.61%

LAB 51.91, 20.2, -51.82

 

CMYK 49 / 54 / 0 / 16

HEX #6D61D5

RGB 109 97 213

HSL 246.21, 0.58%, 0.61%

LAB 47.76, 34.9, -58.44

 

CMYK 73 / 43 / 0 / 29

HEX #3067B4

RGB 48 103 180

HSL 215, 0.58%, 0.45%

LAB 43.69, 8.7, -46.12

 

CMYK 68 / 39 / 0 / 20

HEX #417CCC

RGB 65 124 204

HSL 214.53, 0.58%, 0.53%

LAB 51.72, 6.9, -47.11

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 41 / 24 / 0 / 13

HEX #82A9DD

RGB 130 169 221

HSL 214.29, 0.57%, 0.69%

LAB 68.27, 0.01, -30.45

 

CMYK 29 / 17 / 0 / 10

HEX #A3BFE6

RGB 163 191 230

HSL 214.93, 0.57%, 0.77%

LAB 76.53, -0.63, -22.52

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 13 / 54 / 0 / 16

HEX #BA61D5

RGB 186 97 213

HSL 286.03, 0.58%, 0.61%

LAB 55.88, 53.72, -45

 

CMYK 9 / 0 / 54 / 16

HEX #C2D561

RGB 194 213 97

HSL 69.83, 0.58%, 0.61%

LAB 81.8, -22.81, 54.29

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 0 / 54 / 31 / 16

HEX #D56193

RGB 213 97 147

HSL 334.14, 0.58%, 0.61%

LAB 56.88, 50.88, -5.12

 

CMYK 31 / 0 / 54 / 16

HEX #93D561

RGB 147 213 97

HSL 94.14, 0.58%, 0.61%

LAB 78.84, -40.51, 50.1

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 13 / 54 / 0 / 16

HEX #BA61D5

RGB 186 97 213

HSL 286.03, 0.58%, 0.61%

LAB 55.88, 53.72, -45

 

CMYK 0 / 23 / 54 / 16

HEX #D5A361

RGB 213 163 97

HSL 34.14, 0.58%, 0.61%

LAB 70.32, 10.87, 41.1

 

CMYK 42 / 0 / 54 / 16

HEX #7CD561

RGB 124 213 97

HSL 106.03, 0.58%, 0.61%

LAB 77.72, -48.11, 48.5

 

CMYK 54 / 31 / 0 / 16

HEX #6192D5

RGB 97 146 213

HSL 214.66, 0.58%, 0.61%

LAB 59.8, 2.84, -39.34

 

CMYK 0 / 54 / 4 / 16

HEX #D561CD

RGB 213 97 205

HSL 304.14, 0.58%, 0.61%

LAB 59.07, 59.47, -35.21

 

CMYK 0 / 23 / 54 / 16

HEX #D5A361

RGB 213 163 97

HSL 34.14, 0.58%, 0.61%

LAB 70.32, 10.87, 41.1

 

CMYK 54 / 0 / 51 / 16

HEX #61D569

RGB 97 213 105

HSL 124.14, 0.58%, 0.61%

LAB 76.77, -54.69, 43.32

 

Description

Color code: RGB 97 146 213 | qconv.com Color code: RGB 97 146 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 146 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 146 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 31 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 31% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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