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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 106 254 it is the complementary color RGB 158 149 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 106 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 106 254 shade: RGB 102 106 249, RGB 119 124 255, RGB 136 142 255, RGB 153 160 255 and RGB 170 178 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 106 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 80 88 235, RGB 63 70 216, RGB 46 52 197 and RGB 29 34 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 130 97 254, RGB 173 97 254, RGB 215 97 254 and RGB 254 97 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 106 254 shade: RGB 97 106 254 and RGB 97 97 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 106 254 shade matches the following richer shades: RGB 97 106 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 110 117 241, RGB 123 129 228, RGB 136 140 215 and RGB 148 151 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 106 254 shade: RGB 97 191 254, RGB 97 149 254, RGB 97 108 254, RGB 128 97 254 and RGB 170 97 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 106 254 shade: RGB 15 29 253, RGB 56 67 254, RGB 97 106 254, RGB 138 145 254 and RGB 179 184 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 254 97 233 and RGB 170 254 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 254 97 108 and RGB 108 254 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 254 97 233, RGB 254 243 97 and RGB 97 254 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 106 254 shade: RGB 97 106 254, RGB 254 97 186, RGB 254 243 97 and RGB 97 254 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

Complementary color

CMYK 0 / 6 / 99 / 38

HEX #9E9501

RGB 158 149 1

HSL 56.56, 0.99%, 0.31%

LAB 60.57, -10.33, 64.07

 

CMYK 59 / 57 / 0 / 2

HEX #666AF9

RGB 102 106 249

HSL 238.37, 0.92%, 0.69%

LAB 51.81, 39.36, -72.18

 

CMYK 53 / 51 / 0 / 0

HEX #777CFF

RGB 119 124 255

HSL 237.79, 1%, 0.73%

LAB 57.61, 33.64, -66.05

 

CMYK 47 / 44 / 0 / 0

HEX #888EFF

RGB 136 142 255

HSL 236.97, 1%, 0.77%

LAB 63.18, 26.66, -57.08

 

CMYK 40 / 37 / 0 / 0

HEX #99A0FF

RGB 153 160 255

HSL 235.88, 1%, 0.8%

LAB 68.85, 20.35, -48.02

 

CMYK 33 / 30 / 0 / 0

HEX #AAB2FF

RGB 170 178 255

HSL 234.35, 1%, 0.83%

LAB 74.58, 14.68, -38.97

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 66 / 63 / 0 / 8

HEX #5058EB

RGB 80 88 235

HSL 236.9, 0.79%, 0.62%

LAB 45.2, 42.25, -75.17

 

CMYK 71 / 68 / 0 / 15

HEX #3F46D8

RGB 63 70 216

HSL 237.25, 0.66%, 0.55%

LAB 38.54, 44.59, -75.3

 

CMYK 77 / 74 / 0 / 23

HEX #2E34C5

RGB 46 52 197

HSL 237.62, 0.62%, 0.48%

LAB 31.96, 47.08, -75.16

 

CMYK 84 / 81 / 0 / 30

HEX #1D22B2

RGB 29 34 178

HSL 237.99, 0.72%, 0.41%

LAB 25.62, 49.45, -74.44

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 49 / 62 / 0 / 0

HEX #8261FE

RGB 130 97 254

HSL 252.61, 0.99%, 0.69%

LAB 52.34, 50.95, -73.99

 

CMYK 32 / 62 / 0 / 0

HEX #AD61FE

RGB 173 97 254

HSL 269.04, 0.99%, 0.69%

LAB 56.67, 59.56, -66.77

 

CMYK 15 / 62 / 0 / 0

HEX #D761FE

RGB 215 97 254

HSL 285.1, 0.99%, 0.69%

LAB 61.79, 68.85, -58.29

 

CMYK 0 / 62 / 2 / 0

HEX #FE61FA

RGB 254 97 250

HSL 301.53, 0.99%, 0.69%

LAB 66.92, 77.17, -47.61

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 62 / 62 / 0 / 0

HEX #6161FE

RGB 97 97 254

HSL 240, 0.99%, 0.69%

LAB 49.79, 45.47, -78.25

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 54 / 51 / 0 / 5

HEX #6E75F1

RGB 110 117 241

HSL 236.79, 0.82%, 0.69%

LAB 54.44, 31.71, -63.45

 

CMYK 46 / 43 / 0 / 11

HEX #7B81E4

RGB 123 129 228

HSL 236.57, 0.66%, 0.69%

LAB 57.57, 23.4, -51.14

 

CMYK 37 / 35 / 0 / 16

HEX #888CD7

RGB 136 140 215

HSL 236.96, 0.5%, 0.69%

LAB 60.69, 16.54, -38.89

 

CMYK 27 / 26 / 0 / 20

HEX #9497CB

RGB 148 151 203

HSL 236.73, 0.35%, 0.69%

LAB 63.95, 10.53, -27.05

 

CMYK 62 / 25 / 0 / 0

HEX #61BFFE

RGB 97 191 254

HSL 204.08, 0.99%, 0.69%

LAB 74.16, -9.47, -39.37

 

CMYK 62 / 41 / 0 / 0

HEX #6195FE

RGB 97 149 254

HSL 220.13, 0.99%, 0.69%

LAB 62.67, 14.33, -57.48

 

CMYK 62 / 57 / 0 / 0

HEX #616CFE

RGB 97 108 254

HSL 235.8, 0.99%, 0.69%

LAB 52.31, 38.97, -74.15

 

CMYK 50 / 62 / 0 / 0

HEX #8061FE

RGB 128 97 254

HSL 251.85, 0.99%, 0.69%

LAB 52.17, 50.59, -74.28

 

CMYK 33 / 62 / 0 / 0

HEX #AA61FE

RGB 170 97 254

HSL 267.9, 0.99%, 0.69%

LAB 56.34, 58.92, -67.33

 

CMYK 94 / 89 / 0 / 1

HEX #0F1DFD

RGB 15 29 253

HSL 236.47, 0.98%, 0.53%

LAB 34.13, 72.98, -103.68

 

CMYK 78 / 74 / 0 / 0

HEX #3843FE

RGB 56 67 254

HSL 236.67, 0.99%, 0.61%

LAB 41.23, 58.09, -92.4

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 46 / 43 / 0 / 0

HEX #8A91FE

RGB 138 145 254

HSL 236.38, 0.98%, 0.77%

LAB 64.01, 25.08, -55.2

 

CMYK 30 / 28 / 0 / 0

HEX #B3B8FE

RGB 179 184 254

HSL 236, 0.97%, 0.85%

LAB 76.69, 13.61, -35.1

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 0 / 62 / 8 / 0

HEX #FE61E9

RGB 254 97 233

HSL 308.03, 0.99%, 0.69%

LAB 66.14, 74.53, -39.44

 

CMYK 33 / 0 / 62 / 0

HEX #AAFE61

RGB 170 254 97

HSL 92.1, 0.99%, 0.69%

LAB 91.82, -50.16, 65.16

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 0 / 62 / 57 / 0

HEX #FE616C

RGB 254 97 108

HSL 355.8, 0.99%, 0.69%

LAB 62.26, 60.46, 26

 

CMYK 57 / 0 / 62 / 0

HEX #6CFE61

RGB 108 254 97

HSL 115.8, 0.99%, 0.69%

LAB 89.36, -67.99, 61.75

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 0 / 62 / 8 / 0

HEX #FE61E9

RGB 254 97 233

HSL 308.03, 0.99%, 0.69%

LAB 66.14, 74.53, -39.44

 

CMYK 0 / 4 / 62 / 0

HEX #FEF361

RGB 254 243 97

HSL 55.8, 0.99%, 0.69%

LAB 94.33, -13.34, 69.48

 

CMYK 62 / 0 / 54 / 0

HEX #61FE76

RGB 97 254 118

HSL 128.03, 0.99%, 0.69%

LAB 89.27, -68, 52.43

 

CMYK 62 / 58 / 0 / 0

HEX #616AFE

RGB 97 106 254

HSL 236.56, 0.99%, 0.69%

LAB 51.84, 40.16, -74.91

 

CMYK 0 / 62 / 27 / 0

HEX #FE61BA

RGB 254 97 186

HSL 325.99, 0.99%, 0.69%

LAB 64.29, 68.05, -15.87

 

CMYK 0 / 4 / 62 / 0

HEX #FEF361

RGB 254 243 97

HSL 55.8, 0.99%, 0.69%

LAB 94.33, -13.34, 69.48

 

CMYK 62 / 0 / 35 / 0

HEX #61FEA5

RGB 97 254 165

HSL 145.99, 0.99%, 0.69%

LAB 89.93, -60.73, 30.62

 

Description

Color code: RGB 97 106 254 | qconv.com Color code: RGB 97 106 254 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 106 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 106 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 58 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 58% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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