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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 93 167 it is the complementary color RGB 158 162 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 93 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 93 167 shade: RGB 102 93 162, RGB 119 111 181, RGB 136 129 200, RGB 153 147 219 and RGB 170 165 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 93 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 93 167 shade: RGB 97 93 167, RGB 80 75 148, RGB 63 57 129, RGB 46 39 110 and RGB 29 21 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 93 167 shade: RGB 96 92 167, RGB 116 92 167, RGB 137 92 167, RGB 157 92 167 and RGB 167 92 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 93 167 shade: RGB 96 92 167 and RGB 92 92 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 93 167 shade matches the following richer shades: RGB 96 92 167, RGB 78 72 187, RGB 60 52 207, RGB 42 31 228 and RGB 24 11 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 93 167 shade: RGB 96 92 167, RGB 114 112 147, RGB 132 132 127, RGB 150 153 106 and RGB 168 173 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 93 167 shade: RGB 92 128 167, RGB 92 108 167, RGB 96 92 167, RGB 116 92 167 and RGB 136 92 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 93 167 shade: RGB 65 62 115, RGB 80 76 142, RGB 96 92 167, RGB 122 119 181 and RGB 148 146 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 93 167 shade: RGB 97 93 167, RGB 167 92 148 and RGB 118 167 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 93 167 shade: RGB 97 93 167, RGB 167 96 92 and RGB 92 167 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 93 167 shade: RGB 97 93 167, RGB 167 92 148, RGB 163 167 92 and RGB 92 167 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 93 167 shade: RGB 97 93 167, RGB 167 92 126, RGB 163 167 92 and RGB 92 167 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

Complementary color

CMYK 2 / 0 / 46 / 36

HEX #9EA258

RGB 158 162 88

HSL 63.24, 0.3%, 0.49%

LAB 64.81, -12.58, 37.81

 

CMYK 37 / 43 / 0 / 36

HEX #665DA2

RGB 102 93 162

HSL 247.83, 0.27%, 0.5%

LAB 43.16, 20.61, -36.18

 

CMYK 34 / 39 / 0 / 29

HEX #776FB5

RGB 119 111 181

HSL 246.86, 0.32%, 0.57%

LAB 50.25, 19.73, -36.04

 

CMYK 32 / 36 / 0 / 22

HEX #8881C8

RGB 136 129 200

HSL 245.92, 0.39%, 0.65%

LAB 57.18, 18.96, -35.95

 

CMYK 30 / 33 / 0 / 14

HEX #9993DB

RGB 153 147 219

HSL 245, 0.5%, 0.72%

LAB 63.96, 18.29, -35.91

 

CMYK 29 / 31 / 0 / 7

HEX #AAA5EE

RGB 170 165 238

HSL 244.11, 0.68%, 0.79%

LAB 70.61, 17.7, -35.92

 

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

CMYK 46 / 49 / 0 / 42

HEX #504B94

RGB 80 75 148

HSL 244.11, 0.33%, 0.44%

LAB 35.74, 21.87, -39.67

 

CMYK 51 / 56 / 0 / 49

HEX #3F3981

RGB 63 57 129

HSL 245, 0.39%, 0.36%

LAB 28.3, 23.3, -40

 

CMYK 58 / 65 / 0 / 57

HEX #2E276E

RGB 46 39 110

HSL 245.92, 0.48%, 0.29%

LAB 20.66, 25.05, -40.34

 

CMYK 68 / 77 / 0 / 64

HEX #1D155B

RGB 29 21 91

HSL 246.86, 0.63%, 0.22%

LAB 12.94, 27.12, -40.51

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 31 / 45 / 0 / 35

HEX #745CA7

RGB 116 92 167

HSL 259.2, 0.3%, 0.51%

LAB 44.46, 26.56, -37

 

CMYK 18 / 45 / 0 / 35

HEX #895CA7

RGB 137 92 167

HSL 276, 0.3%, 0.51%

LAB 46.66, 32.75, -33.38

 

CMYK 6 / 45 / 0 / 35

HEX #9D5CA7

RGB 157 92 167

HSL 292, 0.3%, 0.51%

LAB 49.02, 38.83, -29.51

 

CMYK 0 / 45 / 6 / 35

HEX #A75C9D

RGB 167 92 157

HSL 308, 0.3%, 0.51%

LAB 49.86, 40.05, -22.22

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 58 / 61 / 0 / 27

HEX #4E48BB

RGB 78 72 187

HSL 243.13, 0.46%, 0.51%

LAB 37.56, 35.87, -60.04

 

CMYK 71 / 75 / 0 / 19

HEX #3C34CF

RGB 60 52 207

HSL 243.1, 0.62%, 0.51%

LAB 33.82, 51.53, -77.89

 

CMYK 82 / 86 / 0 / 11

HEX #2A1FE4

RGB 42 31 228

HSL 243.35, 0.78%, 0.51%

LAB 31.97, 66.08, -93.09

 

CMYK 90 / 96 / 0 / 3

HEX #180BF8

RGB 24 11 248

HSL 243.29, 0.94%, 0.51%

LAB 32.28, 76.01, -103.95

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 22 / 24 / 0 / 42

HEX #727093

RGB 114 112 147

HSL 243.43, 0.14%, 0.51%

LAB 48.6, 8.68, -18.74

 

CMYK 0 / 0 / 4 / 48

HEX #84847F

RGB 132 132 127

HSL 60, 0.02%, 0.51%

LAB 55.01, -0.97, 2.69

 

CMYK 2 / 0 / 31 / 40

HEX #96996A

RGB 150 153 106

HSL 63.83, 0.19%, 0.51%

LAB 61.92, -8.92, 24.4

 

CMYK 3 / 0 / 50 / 32

HEX #A8AD56

RGB 168 173 86

HSL 63.45, 0.35%, 0.51%

LAB 68.67, -14.33, 43.65

 

CMYK 45 / 23 / 0 / 35

HEX #5C80A7

RGB 92 128 167

HSL 211.2, 0.3%, 0.51%

LAB 52.4, -1.93, -24.72

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 31 / 45 / 0 / 35

HEX #745CA7

RGB 116 92 167

HSL 259.2, 0.3%, 0.51%

LAB 44.46, 26.56, -37

 

CMYK 19 / 45 / 0 / 35

HEX #885CA7

RGB 136 92 167

HSL 275.2, 0.3%, 0.51%

LAB 46.55, 32.45, -33.56

 

CMYK 43 / 46 / 0 / 55

HEX #413E73

RGB 65 62 115

HSL 243.4, 0.3%, 0.35%

LAB 28.92, 15.93, -30.19

 

CMYK 44 / 46 / 0 / 44

HEX #504C8E

RGB 80 76 142

HSL 243.64, 0.3%, 0.43%

LAB 35.65, 19.36, -36.17

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 33 / 34 / 0 / 29

HEX #7A77B5

RGB 122 119 181

HSL 242.9, 0.3%, 0.59%

LAB 52.58, 15.79, -32.36

 

CMYK 24 / 26 / 0 / 23

HEX #9492C4

RGB 148 146 196

HSL 242.4, 0.3%, 0.67%

LAB 62.37, 11.67, -25.56

 

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

CMYK 0 / 45 / 11 / 35

HEX #A75C94

RGB 167 92 148

HSL 315.2, 0.3%, 0.51%

LAB 49.51, 38.47, -17.45

 

CMYK 29 / 0 / 45 / 35

HEX #76A75C

RGB 118 167 92

HSL 99.2, 0.3%, 0.51%

LAB 63.56, -30.35, 33.58

 

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

CMYK 0 / 43 / 45 / 35

HEX #A7605C

RGB 167 96 92

HSL 3.2, 0.3%, 0.51%

LAB 48.7, 28.34, 14.84

 

CMYK 45 / 0 / 43 / 35

HEX #5CA760

RGB 92 167 96

HSL 123.2, 0.3%, 0.51%

LAB 62.3, -38.42, 29.62

 

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

CMYK 0 / 45 / 11 / 35

HEX #A75C94

RGB 167 92 148

HSL 315.2, 0.3%, 0.51%

LAB 49.51, 38.47, -17.45

 

CMYK 2 / 0 / 45 / 35

HEX #A3A75C

RGB 163 167 92

HSL 63.2, 0.3%, 0.51%

LAB 66.67, -12.7, 38.14

 

CMYK 45 / 0 / 34 / 35

HEX #5CA76F

RGB 92 167 111

HSL 135.2, 0.3%, 0.51%

LAB 62.56, -35.86, 21.9

 

CMYK 42 / 44 / 0 / 35

HEX #615DA7

RGB 97 93 167

HSL 243.24, 0.3%, 0.51%

LAB 43, 20.71, -39.41

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 2 / 0 / 45 / 35

HEX #A3A75C

RGB 163 167 92

HSL 63.2, 0.3%, 0.51%

LAB 66.67, -12.7, 38.14

 

CMYK 45 / 0 / 20 / 35

HEX #5CA785

RGB 92 167 133

HSL 152.8, 0.3%, 0.51%

LAB 63.02, -31.44, 10.42

 

Description

Color code: RGB 97 93 167 | qconv.com Color code: RGB 97 93 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 93 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 93 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 44 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 44% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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