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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 88 227 it is the complementary color RGB 158 167 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 88 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 97 88 227 shade: RGB 102 88 222, RGB 119 106 241, RGB 136 124 255, RGB 153 142 255 and RGB 170 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 88 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 97 88 227 shade: RGB 97 88 227, RGB 80 70 208, RGB 63 52 189, RGB 46 34 170 and RGB 29 16 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 97 88 227 shade: RGB 98 89 226, RGB 135 89 226, RGB 172 89 226, RGB 209 89 226 and RGB 226 89 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 97 88 227 shade: RGB 98 89 226 and RGB 89 89 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 97 88 227 shade matches the following richer shades: RGB 98 89 226 and RGB 84 73 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 97 88 227 shade: RGB 98 89 226, RGB 111 104 211, RGB 125 120 195, RGB 139 136 179 and RGB 152 152 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 97 88 227 shade: RGB 89 155 226, RGB 89 119 226, RGB 96 89 226, RGB 132 89 226 and RGB 169 89 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 97 88 227 shade: RGB 44 33 199, RGB 64 54 220, RGB 98 89 226, RGB 131 124 232 and RGB 164 159 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 97 88 227 shade: RGB 97 88 227, RGB 226 89 192 and RGB 137 226 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 97 88 227 shade: RGB 97 88 227, RGB 226 96 89 and RGB 89 226 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 97 88 227 shade: RGB 97 88 227, RGB 226 89 192, RGB 220 226 89 and RGB 89 226 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 97 88 227 shade: RGB 97 88 227, RGB 226 89 151, RGB 220 226 89 and RGB 89 226 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

Complementary color

CMYK 5 / 0 / 83 / 35

HEX #9EA71C

RGB 158 167 28

HSL 63.88, 0.71%, 0.38%

LAB 65.74, -19.13, 63.29

 

CMYK 54 / 60 / 0 / 13

HEX #6658DE

RGB 102 88 222

HSL 246.27, 0.67%, 0.61%

LAB 45.74, 41.58, -66.86

 

CMYK 51 / 56 / 0 / 5

HEX #776AF1

RGB 119 106 241

HSL 245.78, 0.83%, 0.68%

LAB 52.49, 40, -66.56

 

CMYK 47 / 51 / 0 / 0

HEX #887CFF

RGB 136 124 255

HSL 245.5, 1%, 0.74%

LAB 58.85, 37.14, -64

 

CMYK 40 / 44 / 0 / 0

HEX #998EFF

RGB 153 142 255

HSL 245.84, 1%, 0.78%

LAB 64.43, 30.66, -55

 

CMYK 33 / 37 / 0 / 0

HEX #AAA0FF

RGB 170 160 255

HSL 246.32, 1%, 0.81%

LAB 70.11, 24.77, -45.95

 

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

CMYK 62 / 66 / 0 / 18

HEX #5046D0

RGB 80 70 208

HSL 244.35, 0.59%, 0.55%

LAB 38.97, 44.14, -69.96

 

CMYK 67 / 72 / 0 / 26

HEX #3F34BD

RGB 63 52 189

HSL 244.82, 0.57%, 0.47%

LAB 32.23, 46.14, -69.98

 

CMYK 73 / 80 / 0 / 33

HEX #2E22AA

RGB 46 34 170

HSL 245.29, 0.67%, 0.4%

LAB 25.65, 48.01, -69.56

 

CMYK 81 / 89 / 0 / 41

HEX #1D1097

RGB 29 16 151

HSL 245.78, 0.81%, 0.33%

LAB 19.5, 49.1, -68.21

 

CMYK 57 / 61 / 0 / 11

HEX #6259E2

RGB 98 89 226

HSL 243.94, 0.7%, 0.62%

LAB 45.95, 41.52, -68.8

 

CMYK 40 / 61 / 0 / 11

HEX #8759E2

RGB 135 89 226

HSL 260.15, 0.7%, 0.62%

LAB 49.24, 48.67, -63.32

 

CMYK 24 / 61 / 0 / 11

HEX #AC59E2

RGB 172 89 226

HSL 276.35, 0.7%, 0.62%

LAB 53.39, 56.92, -56.42

 

CMYK 8 / 61 / 0 / 11

HEX #D159E2

RGB 209 89 226

HSL 292.55, 0.7%, 0.62%

LAB 58.22, 65.69, -48.44

 

CMYK 0 / 61 / 8 / 11

HEX #E259CF

RGB 226 89 207

HSL 308.32, 0.7%, 0.62%

LAB 59.72, 66.73, -35.18

 

CMYK 57 / 61 / 0 / 11

HEX #6259E2

RGB 98 89 226

HSL 243.94, 0.7%, 0.62%

LAB 45.95, 41.52, -68.8

 

CMYK 61 / 61 / 0 / 11

HEX #5959E2

RGB 89 89 226

HSL 240, 0.7%, 0.62%

LAB 45.3, 40.03, -69.89

 

CMYK 57 / 61 / 0 / 11

HEX #6259E2

RGB 98 89 226

HSL 243.94, 0.7%, 0.62%

LAB 45.95, 41.52, -68.8

 

CMYK 65 / 70 / 0 / 5

HEX #5449F2

RGB 84 73 242

HSL 243.91, 0.87%, 0.62%

LAB 42.85, 53.62, -82.94

 

CMYK 57 / 61 / 0 / 11

HEX #6259E2

RGB 98 89 226

HSL 243.94, 0.7%, 0.62%

LAB 45.95, 41.52, -68.8

 

CMYK 47 / 51 / 0 / 17

HEX #6F68D3

RGB 111 104 211

HSL 243.93, 0.55%, 0.62%

LAB 49.48, 30.54, -54.53

 

CMYK 36 / 38 / 0 / 24

HEX #7D78C3

RGB 125 120 195

HSL 244, 0.38%, 0.62%

LAB 53.74, 19.85, -38.56

 

CMYK 22 / 24 / 0 / 30

HEX #8B88B3

RGB 139 136 179

HSL 244.19, 0.22%, 0.62%

LAB 58.37, 10.5, -22.15

 

CMYK 7 / 7 / 0 / 36

HEX #9898A4

RGB 152 152 164

HSL 240, 0.06%, 0.62%

LAB 63.19, 2.4, -6.27

 

CMYK 61 / 31 / 0 / 11

HEX #599BE2

RGB 89 155 226

HSL 211.09, 0.7%, 0.62%

LAB 62.56, 0.19, -42.27

 

CMYK 61 / 47 / 0 / 11

HEX #5977E2

RGB 89 119 226

HSL 226.86, 0.7%, 0.62%

LAB 52.74, 21.68, -57.86

 

CMYK 58 / 61 / 0 / 11

HEX #6059E2

RGB 96 89 226

HSL 243.07, 0.7%, 0.62%

LAB 45.8, 41.18, -69.05

 

CMYK 42 / 61 / 0 / 11

HEX #8459E2

RGB 132 89 226

HSL 258.83, 0.7%, 0.62%

LAB 48.93, 48.04, -63.82

 

CMYK 25 / 61 / 0 / 11

HEX #A959E2

RGB 169 89 226

HSL 275.04, 0.7%, 0.62%

LAB 53.03, 56.23, -57.02

 

CMYK 78 / 83 / 0 / 22

HEX #2C21C7

RGB 44 33 199

HSL 243.98, 0.72%, 0.45%

LAB 28.76, 57.12, -81.63

 

CMYK 71 / 75 / 0 / 14

HEX #4036DC

RGB 64 54 220

HSL 243.61, 0.7%, 0.54%

LAB 35.78, 54.89, -82.15

 

CMYK 57 / 61 / 0 / 11

HEX #6259E2

RGB 98 89 226

HSL 243.94, 0.7%, 0.62%

LAB 45.95, 41.52, -68.8

 

CMYK 44 / 47 / 0 / 9

HEX #837CE8

RGB 131 124 232

HSL 243.89, 0.7%, 0.7%

LAB 57.14, 29.41, -54.02

 

CMYK 31 / 33 / 0 / 7

HEX #A49FEE

RGB 164 159 238

HSL 243.8, 0.7%, 0.78%

LAB 68.65, 19.38, -39.01

 

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

CMYK 0 / 61 / 15 / 11

HEX #E259C0

RGB 226 89 192

HSL 314.89, 0.7%, 0.62%

LAB 59.08, 64.47, -27.63

 

CMYK 39 / 0 / 61 / 11

HEX #89E259

RGB 137 226 89

HSL 98.98, 0.7%, 0.62%

LAB 82.07, -50.18, 57.24

 

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

CMYK 0 / 58 / 61 / 11

HEX #E26059

RGB 226 96 89

HSL 3.07, 0.7%, 0.62%

LAB 57.32, 50.18, 29.59

 

CMYK 61 / 0 / 58 / 11

HEX #59E260

RGB 89 226 96

HSL 123.07, 0.7%, 0.62%

LAB 80.38, -62.51, 51.78

 

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

CMYK 0 / 61 / 15 / 11

HEX #E259C0

RGB 226 89 192

HSL 314.89, 0.7%, 0.62%

LAB 59.08, 64.47, -27.63

 

CMYK 3 / 0 / 61 / 11

HEX #DCE259

RGB 220 226 89

HSL 62.63, 0.7%, 0.62%

LAB 87.16, -19.3, 64.28

 

CMYK 61 / 0 / 46 / 11

HEX #59E27B

RGB 89 226 123

HSL 134.89, 0.7%, 0.62%

LAB 80.71, -58.84, 39.43

 

CMYK 57 / 61 / 0 / 11

HEX #6158E3

RGB 97 88 227

HSL 243.88, 0.71%, 0.62%

LAB 45.73, 42.25, -69.74

 

CMYK 0 / 61 / 33 / 11

HEX #E25997

RGB 226 89 151

HSL 332.85, 0.7%, 0.62%

LAB 57.61, 59.05, -6.17

 

CMYK 3 / 0 / 61 / 11

HEX #DCE259

RGB 220 226 89

HSL 62.63, 0.7%, 0.62%

LAB 87.16, -19.3, 64.28

 

CMYK 61 / 0 / 27 / 11

HEX #59E2A4

RGB 89 226 164

HSL 152.85, 0.7%, 0.62%

LAB 81.4, -51.43, 19.46

 

Description

Color code: RGB 97 88 227 | qconv.com Color code: RGB 97 88 227 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 88 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 88 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 61 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 61% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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