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Color name
RGB 92 173 123

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 173 123 it is the complementary color RGB 163 82 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 173 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 173 123 shade: RGB 97 173 118, RGB 114 191 137, RGB 131 209 156, RGB 148 227 175 and RGB 165 245 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 173 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 173 123 shade: RGB 92 173 123, RGB 75 155 104, RGB 58 137 85, RGB 41 119 66 and RGB 24 101 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 173 123 shade: RGB 92 172 123, RGB 92 172 101, RGB 104 172 92, RGB 126 172 92 and RGB 148 172 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 173 123 shade: RGB 92 172 123, RGB 92 172 144, RGB 92 172 166, RGB 92 157 172 and RGB 92 135 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 173 123 shade matches the following richer shades: RGB 92 172 123, RGB 72 192 118, RGB 52 212 113, RGB 32 232 109 and RGB 12 252 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 173 123 shade: RGB 92 172 123, RGB 112 153 127, RGB 131 133 132, RGB 151 113 137 and RGB 171 93 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 173 123 shade: RGB 105 172 92, RGB 92 172 100, RGB 92 172 121, RGB 92 172 143 and RGB 92 172 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 173 123 shade: RGB 61 121 84, RGB 75 148 103, RGB 92 172 123, RGB 119 186 145 and RGB 147 200 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 173 123 shade: RGB 92 173 123, RGB 92 127 172 and RGB 172 92 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 173 123 shade: RGB 92 173 123, RGB 121 92 172 and RGB 172 121 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 173 123 shade: RGB 92 173 123, RGB 92 127 172, RGB 172 92 143 and RGB 172 137 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 173 123 shade: RGB 92 173 123, RGB 92 102 172, RGB 172 92 143 and RGB 172 162 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

Complementary color

CMYK 0 / 50 / 19 / 36

HEX #A35284

RGB 163 82 132

HSL 322.96, 0.33%, 0.48%

LAB 46.29, 39.81, -12.81

 

CMYK 44 / 0 / 32 / 32

HEX #61AD76

RGB 97 173 118

HSL 136.58, 0.32%, 0.53%

LAB 64.75, -35.85, 21.11

 

CMYK 40 / 0 / 28 / 25

HEX #72BF89

RGB 114 191 137

HSL 137.92, 0.38%, 0.6%

LAB 71.31, -35.6, 19.95

 

CMYK 37 / 0 / 25 / 18

HEX #83D19C

RGB 131 209 156

HSL 139.23, 0.46%, 0.67%

LAB 77.77, -35.33, 18.87

 

CMYK 35 / 0 / 23 / 11

HEX #94E3AF

RGB 148 227 175

HSL 140.51, 0.59%, 0.74%

LAB 84.14, -35.06, 17.86

 

CMYK 33 / 0 / 21 / 4

HEX #A5F5C2

RGB 165 245 194

HSL 141.75, 0.8%, 0.8%

LAB 90.41, -34.81, 16.91

 

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

CMYK 52 / 0 / 33 / 39

HEX #4B9B68

RGB 75 155 104

HSL 141.75, 0.35%, 0.45%

LAB 57.98, -36.49, 19.43

 

CMYK 58 / 0 / 38 / 46

HEX #3A8955

RGB 58 137 85

HSL 140.51, 0.41%, 0.38%

LAB 51.21, -36.57, 20.79

 

CMYK 66 / 0 / 45 / 53

HEX #297742

RGB 41 119 66

HSL 139.23, 0.49%, 0.31%

LAB 44.32, -36.44, 22.3

 

CMYK 76 / 0 / 53 / 60

HEX #18652F

RGB 24 101 47

HSL 137.92, 0.62%, 0.25%

LAB 37.31, -35.89, 23.96

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 47 / 0 / 41 / 33

HEX #5CAC65

RGB 92 172 101

HSL 126.75, 0.33%, 0.52%

LAB 63.93, -39.82, 29.09

 

CMYK 40 / 0 / 47 / 33

HEX #68AC5C

RGB 104 172 92

HSL 111, 0.33%, 0.52%

LAB 64.34, -37.48, 34.41

 

CMYK 27 / 0 / 47 / 33

HEX #7EAC5C

RGB 126 172 92

HSL 94.5, 0.33%, 0.52%

LAB 65.52, -29.81, 36.15

 

CMYK 14 / 0 / 47 / 33

HEX #94AC5C

RGB 148 172 92

HSL 78, 0.33%, 0.52%

LAB 66.96, -21.36, 38.24

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 47 / 0 / 16 / 33

HEX #5CAC90

RGB 92 172 144

HSL 159, 0.33%, 0.52%

LAB 64.8, -31.36, 6.85

 

CMYK 47 / 0 / 3 / 33

HEX #5CACA6

RGB 92 172 166

HSL 175.5, 0.33%, 0.52%

LAB 65.38, -26.01, -4.54

 

CMYK 47 / 9 / 0 / 33

HEX #5C9DAC

RGB 92 157 172

HSL 191.25, 0.33%, 0.52%

LAB 61.1, -16.68, -14.29

 

CMYK 47 / 22 / 0 / 33

HEX #5C87AC

RGB 92 135 172

HSL 207.75, 0.33%, 0.52%

LAB 54.64, -4.51, -24.15

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 63 / 0 / 39 / 25

HEX #48C076

RGB 72 192 118

HSL 143, 0.49%, 0.52%

LAB 69.74, -50.11, 27.65

 

CMYK 75 / 0 / 47 / 17

HEX #34D471

RGB 52 212 113

HSL 142.88, 0.65%, 0.52%

LAB 75.46, -61.76, 37.53

 

CMYK 86 / 0 / 53 / 9

HEX #20E86D

RGB 32 232 109

HSL 143.1, 0.81%, 0.52%

LAB 81.36, -71.05, 46.74

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 27 / 0 / 17 / 40

HEX #70997F

RGB 112 153 127

HSL 141.95, 0.17%, 0.52%

LAB 59.67, -19.62, 9.18

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 0 / 25 / 9 / 41

HEX #977189

RGB 151 113 137

HSL 322.11, 0.15%, 0.52%

LAB 52.06, 19.05, -7.28

 

CMYK 0 / 46 / 18 / 33

HEX #AB5D8D

RGB 171 93 141

HSL 323.08, 0.32%, 0.52%

LAB 49.99, 38.11, -12.51

 

CMYK 39 / 0 / 47 / 33

HEX #69AC5C

RGB 105 172 92

HSL 110.25, 0.33%, 0.52%

LAB 64.39, -37.15, 34.48

 

CMYK 47 / 0 / 42 / 33

HEX #5CAC64

RGB 92 172 100

HSL 126, 0.33%, 0.52%

LAB 63.92, -39.98, 29.6

 

CMYK 47 / 0 / 30 / 33

HEX #5CAC79

RGB 92 172 121

HSL 141.75, 0.33%, 0.52%

LAB 64.29, -36.24, 18.81

 

CMYK 47 / 0 / 17 / 33

HEX #5CAC8F

RGB 92 172 143

HSL 158.25, 0.33%, 0.52%

LAB 64.77, -31.59, 7.37

 

CMYK 47 / 0 / 5 / 33

HEX #5CACA4

RGB 92 172 164

HSL 174, 0.33%, 0.52%

LAB 65.33, -26.53, -3.51

 

CMYK 50 / 0 / 31 / 53

HEX #3D7954

RGB 61 121 84

HSL 143, 0.33%, 0.36%

LAB 46.05, -28.61, 14.42

 

CMYK 49 / 0 / 30 / 42

HEX #4B9467

RGB 75 148 103

HSL 143.01, 0.33%, 0.44%

LAB 55.74, -33.5, 16.94

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 36 / 0 / 22 / 27

HEX #77BA91

RGB 119 186 145

HSL 143.28, 0.33%, 0.6%

LAB 70.23, -30.22, 14.17

 

CMYK 27 / 0 / 17 / 22

HEX #93C8A7

RGB 147 200 167

HSL 142.64, 0.33%, 0.68%

LAB 76.25, -24.01, 11

 

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

CMYK 47 / 26 / 0 / 33

HEX #5C7FAC

RGB 92 127 172

HSL 213.75, 0.33%, 0.52%

LAB 52.32, 0.15, -27.73

 

CMYK 0 / 47 / 45 / 33

HEX #AC5C5E

RGB 172 92 94

HSL 358.5, 0.33%, 0.52%

LAB 48.55, 32.7, 13.55

 

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

CMYK 30 / 47 / 0 / 33

HEX #795CAC

RGB 121 92 172

HSL 261.75, 0.33%, 0.52%

LAB 45.22, 29.3, -38.71

 

CMYK 0 / 30 / 47 / 33

HEX #AC795C

RGB 172 121 92

HSL 21.75, 0.33%, 0.52%

LAB 55.3, 16.36, 23.82

 

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

CMYK 47 / 26 / 0 / 33

HEX #5C7FAC

RGB 92 127 172

HSL 213.75, 0.33%, 0.52%

LAB 52.32, 0.15, -27.73

 

CMYK 0 / 47 / 17 / 33

HEX #AC5C8F

RGB 172 92 143

HSL 321.75, 0.33%, 0.52%

LAB 49.99, 39.31, -13.68

 

CMYK 0 / 20 / 47 / 33

HEX #AC895C

RGB 172 137 92

HSL 33.75, 0.33%, 0.52%

LAB 59.37, 7.37, 29.13

 

CMYK 47 / 0 / 29 / 32

HEX #5CAD7B

RGB 92 173 123

HSL 142.96, 0.33%, 0.52%

LAB 64.64, -36.3, 18.19

 

CMYK 47 / 41 / 0 / 33

HEX #5C66AC

RGB 92 102 172

HSL 232.5, 0.33%, 0.52%

LAB 45.3, 15.33, -38.74

 

CMYK 0 / 47 / 17 / 33

HEX #AC5C8F

RGB 172 92 143

HSL 321.75, 0.33%, 0.52%

LAB 49.99, 39.31, -13.68

 

CMYK 0 / 6 / 47 / 33

HEX #ACA25C

RGB 172 162 92

HSL 52.5, 0.33%, 0.52%

LAB 66.05, -6.3, 37.54

 

Description

Color code: RGB 92 173 123 | qconv.com Color code: RGB 92 173 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 173 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 173 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 29 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 29% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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