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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 17 196 it is the complementary color RGB 163 238 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 17 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 17 196 shade: RGB 97 17 191, RGB 114 35 210, RGB 131 53 229, RGB 148 71 248 and RGB 165 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 17 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 17 196 shade: RGB 92 17 196, RGB 75 0 177, RGB 58 0 158, RGB 41 0 139 and RGB 24 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 17 196 shade: RGB 92 17 197, RGB 141 17 197, RGB 189 17 197, RGB 197 17 156 and RGB 197 17 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 17 196 shade: RGB 92 17 197, RGB 44 17 197 and RGB 17 17 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 17 196 shade matches the following richer shades: RGB 92 17 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 17 196 shade: RGB 92 17 197, RGB 95 34 179, RGB 98 51 162, RGB 100 69 145 and RGB 103 86 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 17 196 shade: RGB 17 38 197, RGB 44 17 197, RGB 92 17 197, RGB 140 17 197 and RGB 188 17 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 17 196 shade: RGB 56 10 121, RGB 74 13 159, RGB 92 17 197, RGB 110 20 234 and RGB 133 58 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 17 196 shade: RGB 92 17 196, RGB 197 17 86 and RGB 17 197 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 17 196 shade: RGB 92 17 196, RGB 197 92 17 and RGB 17 197 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 17 196 shade: RGB 92 17 196, RGB 197 17 86, RGB 122 197 17 and RGB 17 197 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 17 196 shade: RGB 92 17 196, RGB 197 17 32, RGB 122 197 17 and RGB 17 197 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

Complementary color

CMYK 32 / 0 / 75 / 7

HEX #A3EE3B

RGB 163 238 59

HSL 85.14, 0.84%, 0.58%

LAB 86.63, -48.47, 73.52

 

CMYK 49 / 91 / 0 / 25

HEX #6111BF

RGB 97 17 191

HSL 267.59, 0.84%, 0.41%

LAB 31.12, 64.26, -72.87

 

CMYK 46 / 83 / 0 / 18

HEX #7223D2

RGB 114 35 210

HSL 267.09, 0.71%, 0.48%

LAB 36.8, 65.64, -74.53

 

CMYK 43 / 77 / 0 / 10

HEX #8335E5

RGB 131 53 229

HSL 266.59, 0.77%, 0.55%

LAB 42.81, 65.92, -75.5

 

CMYK 40 / 71 / 0 / 3

HEX #9447F8

RGB 148 71 248

HSL 266.1, 0.93%, 0.63%

LAB 48.98, 65.59, -76.04

 

CMYK 35 / 65 / 0 / 0

HEX #A559FF

RGB 165 89 255

HSL 267.47, 1%, 0.67%

LAB 54.41, 62.04, -71.02

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

CMYK 58 / 100 / 0 / 31

HEX #4B00B1

RGB 75 0 177

HSL 265.42, 1%, 0.35%

LAB 25.77, 62.4, -73.48

 

CMYK 63 / 100 / 0 / 38

HEX #3A009E

RGB 58 0 158

HSL 262.03, 1%, 0.31%

LAB 21.46, 56.88, -69.18

 

CMYK 71 / 100 / 0 / 45

HEX #29008B

RGB 41 0 139

HSL 257.7, 1%, 0.27%

LAB 17.16, 51.34, -64.62

 

CMYK 80 / 100 / 0 / 53

HEX #180078

RGB 24 0 120

HSL 252, 1%, 0.24%

LAB 12.92, 45.8, -59.63

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 28 / 91 / 0 / 23

HEX #8D11C5

RGB 141 17 197

HSL 281.33, 0.84%, 0.42%

LAB 38.01, 70.72, -64.84

 

CMYK 4 / 91 / 0 / 23

HEX #BD11C5

RGB 189 17 197

HSL 297.33, 0.84%, 0.42%

LAB 45.98, 78.01, -51.57

 

CMYK 0 / 91 / 21 / 23

HEX #C5119C

RGB 197 17 156

HSL 313.67, 0.84%, 0.42%

LAB 45.18, 73.77, -28.51

 

CMYK 0 / 91 / 46 / 23

HEX #C5116B

RGB 197 17 107

HSL 330, 0.84%, 0.42%

LAB 43.26, 68.64, -1.39

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 78 / 91 / 0 / 23

HEX #2C11C5

RGB 44 17 197

HSL 249, 0.84%, 0.42%

LAB 26.64, 62.18, -83.99

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 47 / 81 / 0 / 30

HEX #5F22B3

RGB 95 34 179

HSL 265.24, 0.68%, 0.42%

LAB 31.42, 56.01, -65.27

 

CMYK 40 / 69 / 0 / 36

HEX #6233A2

RGB 98 51 162

HSL 265.41, 0.52%, 0.42%

LAB 33.08, 44.36, -52.35

 

CMYK 31 / 52 / 0 / 43

HEX #644591

RGB 100 69 145

HSL 264.47, 0.36%, 0.42%

LAB 36, 30.08, -37.32

 

CMYK 19 / 32 / 0 / 50

HEX #67567F

RGB 103 86 127

HSL 264.88, 0.19%, 0.42%

LAB 39.7, 15.88, -20.51

 

CMYK 91 / 81 / 0 / 23

HEX #1126C5

RGB 17 38 197

HSL 233, 0.84%, 0.42%

LAB 28.21, 53.11, -81.41

 

CMYK 78 / 91 / 0 / 23

HEX #2C11C5

RGB 44 17 197

HSL 249, 0.84%, 0.42%

LAB 26.64, 62.18, -83.99

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 29 / 91 / 0 / 23

HEX #8C11C5

RGB 140 17 197

HSL 281, 0.84%, 0.42%

LAB 37.86, 70.58, -65.11

 

CMYK 5 / 91 / 0 / 23

HEX #BC11C5

RGB 188 17 197

HSL 297, 0.84%, 0.42%

LAB 45.8, 77.85, -51.86

 

CMYK 54 / 92 / 0 / 53

HEX #380A79

RGB 56 10 121

HSL 264.86, 0.85%, 0.26%

LAB 17.64, 44.71, -52.35

 

CMYK 53 / 92 / 0 / 38

HEX #4A0D9F

RGB 74 13 159

HSL 265.07, 0.85%, 0.34%

LAB 24.47, 55.34, -64.75

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 53 / 91 / 0 / 8

HEX #6E14EA

RGB 110 20 234

HSL 265.23, 0.84%, 0.5%

LAB 37.4, 74.63, -87.33

 

CMYK 44 / 76 / 0 / 7

HEX #853AED

RGB 133 58 237

HSL 265.14, 0.83%, 0.58%

LAB 44.41, 66.12, -77.39

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

CMYK 0 / 91 / 56 / 23

HEX #C51156

RGB 197 17 86

HSL 337, 0.84%, 0.42%

LAB 42.68, 67.04, 10.96

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

CMYK 0 / 53 / 91 / 23

HEX #C55C11

RGB 197 92 17

HSL 25, 0.84%, 0.42%

LAB 51.34, 38.23, 56.47

 

CMYK 91 / 0 / 53 / 23

HEX #11C55C

RGB 17 197 92

HSL 145, 0.84%, 0.42%

LAB 70.05, -63.32, 41.01

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

CMYK 0 / 91 / 56 / 23

HEX #C51156

RGB 197 17 86

HSL 337, 0.84%, 0.42%

LAB 42.68, 67.04, 10.96

 

CMYK 38 / 0 / 91 / 23

HEX #7AC511

RGB 122 197 17

HSL 85, 0.84%, 0.42%

LAB 72.3, -47.55, 70.03

 

CMYK 91 / 0 / 35 / 23

HEX #11C580

RGB 17 197 128

HSL 157, 0.84%, 0.42%

LAB 70.6, -56.84, 23.38

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C4

RGB 92 17 196

HSL 265.14, 0.84%, 0.42%

LAB 31.02, 64.95, -75.99

 

CMYK 0 / 91 / 84 / 23

HEX #C51120

RGB 197 17 32

HSL 355, 0.84%, 0.42%

LAB 41.81, 64.59, 42.69

 

CMYK 38 / 0 / 91 / 23

HEX #7AC511

RGB 122 197 17

HSL 85, 0.84%, 0.42%

LAB 72.3, -47.55, 70.03

 

CMYK 91 / 0 / 8 / 23

HEX #11C5B6

RGB 17 197 182

HSL 175, 0.84%, 0.42%

LAB 71.85, -43.43, -4

 

Description

Color code: RGB 92 17 196 | qconv.com Color code: RGB 92 17 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 17 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 17 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 91 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 91% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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