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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 137 90 it is the complementary color RGB 163 118 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 137 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 137 90 shade: RGB 97 137 85, RGB 114 155 104, RGB 131 173 123, RGB 148 191 142 and RGB 165 209 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 137 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 137 90 shade: RGB 92 137 90, RGB 75 119 71, RGB 58 101 52, RGB 41 83 33 and RGB 24 65 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 137 90 shade: RGB 92 138 90, RGB 105 138 90, RGB 118 138 90, RGB 131 138 90 and RGB 138 133 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 137 90 shade: RGB 92 138 90, RGB 90 138 101, RGB 90 138 114, RGB 90 138 127 and RGB 90 137 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 137 90 shade matches the following richer shades: RGB 92 138 90, RGB 75 157 72, RGB 58 175 53, RGB 41 194 34 and RGB 24 213 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 137 90 shade: RGB 92 138 90, RGB 109 120 109, RGB 126 101 127, RGB 143 83 146 and RGB 160 64 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 137 90 shade: RGB 118 138 90, RGB 105 138 90, RGB 93 138 90, RGB 90 138 101 and RGB 90 138 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 137 90 shade: RGB 59 88 58, RGB 76 113 74, RGB 92 138 90, RGB 112 160 110 and RGB 136 176 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 137 90 shade: RGB 92 137 90, RGB 90 131 138 and RGB 138 90 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 137 90 shade: RGB 92 137 90, RGB 90 93 138 and RGB 138 90 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 137 90 shade: RGB 92 137 90, RGB 90 131 138, RGB 136 90 138 and RGB 138 97 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 137 90 shade: RGB 92 137 90, RGB 90 117 138, RGB 136 90 138 and RGB 138 112 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

Complementary color

CMYK 1 / 28 / 0 / 35

HEX #A376A5

RGB 163 118 165

HSL 297.45, 0.21%, 0.55%

LAB 55.54, 25.79, -18.24

 

CMYK 29 / 0 / 38 / 46

HEX #618955

RGB 97 137 85

HSL 106.15, 0.23%, 0.44%

LAB 53.05, -24.35, 23.57

 

CMYK 26 / 0 / 33 / 39

HEX #729B68

RGB 114 155 104

HSL 108.24, 0.2%, 0.51%

LAB 59.91, -24.15, 22.36

 

CMYK 24 / 0 / 29 / 32

HEX #83AD7B

RGB 131 173 123

HSL 110.4, 0.23%, 0.58%

LAB 66.63, -23.95, 21.24

 

CMYK 23 / 0 / 26 / 25

HEX #94BF8E

RGB 148 191 142

HSL 112.65, 0.28%, 0.65%

LAB 73.23, -23.75, 20.19

 

CMYK 21 / 0 / 23 / 18

HEX #A5D1A1

RGB 165 209 161

HSL 115, 0.34%, 0.73%

LAB 79.71, -23.58, 19.2

 

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

CMYK 37 / 0 / 40 / 53

HEX #4B7747

RGB 75 119 71

HSL 115, 0.25%, 0.37%

LAB 45.83, -25.57, 21.72

 

CMYK 43 / 0 / 49 / 60

HEX #3A6534

RGB 58 101 52

HSL 112.65, 0.32%, 0.3%

LAB 38.65, -25.78, 23.09

 

CMYK 51 / 0 / 60 / 67

HEX #295321

RGB 41 83 33

HSL 110.4, 0.43%, 0.23%

LAB 31.27, -25.84, 24.51

 

CMYK 63 / 0 / 78 / 75

HEX #18410E

RGB 24 65 14

HSL 108.24, 0.65%, 0.15%

LAB 23.69, -25.51, 25.66

 

CMYK 33 / 0 / 35 / 46

HEX #5C8A5A

RGB 92 138 90

HSL 117.5, 0.21%, 0.45%

LAB 53.16, -25.82, 20.87

 

CMYK 24 / 0 / 35 / 46

HEX #698A5A

RGB 105 138 90

HSL 101.25, 0.21%, 0.45%

LAB 53.94, -21.09, 22.05

 

CMYK 14 / 0 / 35 / 46

HEX #768A5A

RGB 118 138 90

HSL 85, 0.21%, 0.45%

LAB 54.83, -16.04, 23.4

 

CMYK 5 / 0 / 35 / 46

HEX #838A5A

RGB 131 138 90

HSL 68.75, 0.21%, 0.45%

LAB 55.83, -10.75, 24.89

 

CMYK 0 / 4 / 35 / 46

HEX #8A855A

RGB 138 133 90

HSL 53.75, 0.21%, 0.45%

LAB 54.99, -5.08, 23.9

 

CMYK 33 / 0 / 35 / 46

HEX #5C8A5A

RGB 92 138 90

HSL 117.5, 0.21%, 0.45%

LAB 53.16, -25.82, 20.87

 

CMYK 35 / 0 / 27 / 46

HEX #5A8A65

RGB 90 138 101

HSL 133.75, 0.21%, 0.45%

LAB 53.27, -24.49, 14.78

 

CMYK 35 / 0 / 17 / 46

HEX #5A8A72

RGB 90 138 114

HSL 150, 0.21%, 0.45%

LAB 53.56, -21.81, 7.74

 

CMYK 35 / 0 / 8 / 46

HEX #5A8A7F

RGB 90 138 127

HSL 166.25, 0.21%, 0.45%

LAB 53.9, -18.84, 0.73

 

CMYK 35 / 1 / 0 / 46

HEX #5A898A

RGB 90 137 138

HSL 181.25, 0.21%, 0.45%

LAB 53.92, -15.59, -5.62

 

CMYK 33 / 0 / 35 / 46

HEX #5C8A5A

RGB 92 138 90

HSL 117.5, 0.21%, 0.45%

LAB 53.16, -25.82, 20.87

 

CMYK 52 / 0 / 54 / 38

HEX #4B9D48

RGB 75 157 72

HSL 117.88, 0.37%, 0.45%

LAB 58.11, -42.63, 36.61

 

CMYK 67 / 0 / 70 / 31

HEX #3AAF35

RGB 58 175 53

HSL 117.54, 0.54%, 0.45%

LAB 63.19, -55.72, 50.81

 

CMYK 79 / 0 / 82 / 24

HEX #29C222

RGB 41 194 34

HSL 117.38, 0.7%, 0.45%

LAB 68.87, -66.01, 62.59

 

CMYK 89 / 0 / 92 / 16

HEX #18D510

RGB 24 213 16

HSL 117.56, 0.86%, 0.45%

LAB 74.71, -73.81, 71.12

 

CMYK 33 / 0 / 35 / 46

HEX #5C8A5A

RGB 92 138 90

HSL 117.5, 0.21%, 0.45%

LAB 53.16, -25.82, 20.87

 

CMYK 9 / 0 / 9 / 53

HEX #6D786D

RGB 109 120 109

HSL 120, 0.05%, 0.45%

LAB 49.24, -6.37, 4.64

 

CMYK 1 / 20 / 0 / 50

HEX #7E657F

RGB 126 101 127

HSL 297.69, 0.11%, 0.45%

LAB 46.01, 14.92, -10.67

 

CMYK 2 / 43 / 0 / 43

HEX #8F5392

RGB 143 83 146

HSL 297.14, 0.28%, 0.45%

LAB 44.38, 35.2, -24.41

 

CMYK 2 / 61 / 0 / 36

HEX #A040A4

RGB 160 64 164

HSL 297.6, 0.44%, 0.45%

LAB 43.97, 53.21, -35.63

 

CMYK 14 / 0 / 35 / 46

HEX #768A5A

RGB 118 138 90

HSL 85, 0.21%, 0.45%

LAB 54.83, -16.04, 23.4

 

CMYK 24 / 0 / 35 / 46

HEX #698A5A

RGB 105 138 90

HSL 101.25, 0.21%, 0.45%

LAB 53.94, -21.09, 22.05

 

CMYK 33 / 0 / 35 / 46

HEX #5D8A5A

RGB 93 138 90

HSL 116.25, 0.21%, 0.45%

LAB 53.21, -25.47, 20.96

 

CMYK 35 / 0 / 27 / 46

HEX #5A8A65

RGB 90 138 101

HSL 133.75, 0.21%, 0.45%

LAB 53.27, -24.49, 14.78

 

CMYK 35 / 0 / 18 / 46

HEX #5A8A71

RGB 90 138 113

HSL 148.75, 0.21%, 0.45%

LAB 53.54, -22.03, 8.28

 

CMYK 33 / 0 / 34 / 65

HEX #3B583A

RGB 59 88 58

HSL 118, 0.21%, 0.29%

LAB 34.43, -17.64, 14.06

 

CMYK 33 / 0 / 35 / 56

HEX #4C714A

RGB 76 113 74

HSL 116.92, 0.21%, 0.37%

LAB 44, -21.64, 17.59

 

CMYK 33 / 0 / 35 / 46

HEX #5C8A5A

RGB 92 138 90

HSL 117.5, 0.21%, 0.45%

LAB 53.16, -25.82, 20.87

 

CMYK 30 / 0 / 31 / 37

HEX #70A06E

RGB 112 160 110

HSL 117.6, 0.21%, 0.53%

LAB 61.41, -26.33, 21.06

 

CMYK 23 / 0 / 23 / 31

HEX #88B087

RGB 136 176 135

HSL 118.54, 0.21%, 0.61%

LAB 68.05, -21.64, 16.7

 

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

CMYK 35 / 5 / 0 / 46

HEX #5A838A

RGB 90 131 138

HSL 188.75, 0.21%, 0.45%

LAB 52.11, -12.3, -8.31

 

CMYK 0 / 35 / 19 / 46

HEX #8A5A70

RGB 138 90 112

HSL 332.5, 0.21%, 0.45%

LAB 44.07, 23.14, -4.36

 

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

CMYK 35 / 33 / 0 / 46

HEX #5A5D8A

RGB 90 93 138

HSL 236.25, 0.21%, 0.45%

LAB 40.96, 10.24, -25.33

 

CMYK 0 / 35 / 33 / 46

HEX #8A5A5D

RGB 138 90 93

HSL 356.25, 0.21%, 0.45%

LAB 43.52, 20.19, 6.42

 

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

CMYK 35 / 5 / 0 / 46

HEX #5A838A

RGB 90 131 138

HSL 188.75, 0.21%, 0.45%

LAB 52.11, -12.3, -8.31

 

CMYK 1 / 35 / 0 / 46

HEX #885A8A

RGB 136 90 138

HSL 297.5, 0.21%, 0.45%

LAB 44.78, 27.27, -19.06

 

CMYK 0 / 30 / 35 / 46

HEX #8A615A

RGB 138 97 90

HSL 8.75, 0.21%, 0.45%

LAB 45.21, 15.67, 10.63

 

CMYK 33 / 0 / 34 / 46

HEX #5C895A

RGB 92 137 90

HSL 117.45, 0.21%, 0.45%

LAB 52.85, -25.32, 20.45

 

CMYK 35 / 15 / 0 / 46

HEX #5A758A

RGB 90 117 138

HSL 206.25, 0.21%, 0.45%

LAB 47.92, -4.33, -14.62

 

CMYK 1 / 35 / 0 / 46

HEX #885A8A

RGB 136 90 138

HSL 297.5, 0.21%, 0.45%

LAB 44.78, 27.27, -19.06

 

CMYK 0 / 19 / 35 / 46

HEX #8A705A

RGB 138 112 90

HSL 27.5, 0.21%, 0.45%

LAB 49.17, 6.88, 16.1

 

Description

Color code: RGB 92 137 90 | qconv.com Color code: RGB 92 137 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 137 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 137 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 34 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 34% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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