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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 95 171 it is the complementary color RGB 163 160 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 95 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 92 95 171 shade: RGB 97 95 166, RGB 114 113 185, RGB 131 131 204, RGB 148 149 223 and RGB 165 167 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 95 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 92 95 171 shade: RGB 92 95 171, RGB 75 77 152, RGB 58 59 133, RGB 41 41 114 and RGB 24 23 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 92 95 171 shade: RGB 93 96 171, RGB 111 93 171, RGB 132 93 171, RGB 153 93 171 and RGB 171 93 168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 92 95 171 shade: RGB 93 96 171 and RGB 93 93 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 92 95 171 shade matches the following richer shades: RGB 93 96 171, RGB 73 78 191, RGB 53 59 211, RGB 34 41 231 and RGB 14 23 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 92 95 171 shade: RGB 93 96 171, RGB 113 114 151, RGB 133 133 132, RGB 152 151 112 and RGB 172 169 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 92 95 171 shade: RGB 93 139 171, RGB 93 118 171, RGB 93 97 171, RGB 110 93 171 and RGB 131 93 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 92 95 171 shade: RGB 62 64 120, RGB 76 78 147, RGB 93 96 171, RGB 120 123 185 and RGB 147 149 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 92 95 171 shade: RGB 92 95 171, RGB 171 93 160 and RGB 128 171 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 92 95 171 shade: RGB 92 95 171, RGB 171 93 97 and RGB 97 171 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 92 95 171 shade: RGB 92 95 171, RGB 171 93 160, RGB 171 167 93 and RGB 93 171 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 92 95 171 shade: RGB 92 95 171, RGB 171 93 136, RGB 171 167 93 and RGB 93 171 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

Complementary color

CMYK 0 / 2 / 48 / 36

HEX #A3A054

RGB 163 160 84

HSL 57.72, 0.32%, 0.48%

LAB 64.62, -9.82, 39.7

 

CMYK 42 / 43 / 0 / 35

HEX #615FA6

RGB 97 95 166

HSL 241.69, 0.29%, 0.51%

LAB 43.48, 19.17, -38.07

 

CMYK 38 / 39 / 0 / 27

HEX #7271B9

RGB 114 113 185

HSL 240.83, 0.34%, 0.58%

LAB 50.56, 18.24, -37.89

 

CMYK 36 / 36 / 0 / 20

HEX #8383CC

RGB 131 131 204

HSL 240, 0.42%, 0.66%

LAB 57.48, 17.45, -37.77

 

CMYK 34 / 33 / 0 / 13

HEX #9495DF

RGB 148 149 223

HSL 239.2, 0.54%, 0.73%

LAB 64.26, 16.76, -37.7

 

CMYK 32 / 31 / 0 / 5

HEX #A5A7F2

RGB 165 167 242

HSL 238.44, 0.75%, 0.8%

LAB 70.9, 16.16, -37.67

 

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

CMYK 51 / 49 / 0 / 40

HEX #4B4D98

RGB 75 77 152

HSL 238.44, 0.34%, 0.45%

LAB 36.12, 20.64, -41.52

 

CMYK 56 / 56 / 0 / 48

HEX #3A3B85

RGB 58 59 133

HSL 239.2, 0.39%, 0.37%

LAB 28.7, 22.2, -41.87

 

CMYK 64 / 64 / 0 / 55

HEX #292972

RGB 41 41 114

HSL 240, 0.47%, 0.3%

LAB 21.1, 24.18, -42.23

 

CMYK 75 / 76 / 0 / 63

HEX #18175F

RGB 24 23 95

HSL 240.83, 0.61%, 0.23%

LAB 13.43, 26.61, -42.4

 

CMYK 46 / 44 / 0 / 33

HEX #5D60AB

RGB 93 96 171

HSL 237.69, 0.32%, 0.52%

LAB 43.7, 19.01, -40.68

 

CMYK 35 / 46 / 0 / 33

HEX #6F5DAB

RGB 111 93 171

HSL 253.85, 0.32%, 0.52%

LAB 44.45, 25.64, -39.4

 

CMYK 23 / 46 / 0 / 33

HEX #845DAB

RGB 132 93 171

HSL 270, 0.32%, 0.52%

LAB 46.54, 31.63, -35.95

 

CMYK 11 / 46 / 0 / 33

HEX #995DAB

RGB 153 93 171

HSL 286.15, 0.32%, 0.52%

LAB 48.93, 37.89, -32.03

 

CMYK 0 / 46 / 2 / 33

HEX #AB5DA8

RGB 171 93 168

HSL 302.31, 0.32%, 0.52%

LAB 51.05, 42.79, -26.8

 

CMYK 46 / 44 / 0 / 33

HEX #5D60AB

RGB 93 96 171

HSL 237.69, 0.32%, 0.52%

LAB 43.7, 19.01, -40.68

 

CMYK 46 / 46 / 0 / 33

HEX #5D5DAB

RGB 93 93 171

HSL 240, 0.32%, 0.52%

LAB 42.91, 20.89, -41.94

 

CMYK 46 / 44 / 0 / 33

HEX #5D60AB

RGB 93 96 171

HSL 237.69, 0.32%, 0.52%

LAB 43.7, 19.01, -40.68

 

CMYK 62 / 59 / 0 / 25

HEX #494EBF

RGB 73 78 191

HSL 237.46, 0.48%, 0.52%

LAB 38.94, 32.62, -60.14

 

CMYK 75 / 72 / 0 / 17

HEX #353BD3

RGB 53 59 211

HSL 237.72, 0.64%, 0.52%

LAB 35.18, 48.34, -77.98

 

CMYK 85 / 82 / 0 / 9

HEX #2229E7

RGB 34 41 231

HSL 237.87, 0.8%, 0.52%

LAB 33.34, 62.69, -92.54

 

CMYK 94 / 91 / 0 / 2

HEX #0E17FA

RGB 14 23 250

HSL 237.71, 0.96%, 0.52%

LAB 33.15, 73.89, -103.63

 

CMYK 46 / 44 / 0 / 33

HEX #5D60AB

RGB 93 96 171

HSL 237.69, 0.32%, 0.52%

LAB 43.7, 19.01, -40.68

 

CMYK 25 / 25 / 0 / 41

HEX #717297

RGB 113 114 151

HSL 238.42, 0.15%, 0.52%

LAB 49.23, 8.16, -20.15

 

CMYK 0 / 0 / 1 / 48

HEX #858584

RGB 133 133 132

HSL 60, 0%, 0.52%

LAB 55.51, -0.19, 0.53

 

CMYK 0 / 1 / 26 / 40

HEX #989770

RGB 152 151 112

HSL 58.5, 0.16%, 0.52%

LAB 61.64, -6.2, 20.74

 

CMYK 0 / 2 / 47 / 33

HEX #ACA95C

RGB 172 169 92

HSL 57.75, 0.33%, 0.52%

LAB 67.96, -10.01, 39.89

 

CMYK 46 / 19 / 0 / 33

HEX #5D8BAB

RGB 93 139 171

HSL 204.62, 0.32%, 0.52%

LAB 55.82, -6.83, -21.76

 

CMYK 46 / 31 / 0 / 33

HEX #5D76AB

RGB 93 118 171

HSL 220.77, 0.32%, 0.52%

LAB 49.77, 5.47, -31.12

 

CMYK 46 / 43 / 0 / 33

HEX #5D61AB

RGB 93 97 171

HSL 236.92, 0.32%, 0.52%

LAB 43.97, 18.39, -40.25

 

CMYK 36 / 46 / 0 / 33

HEX #6E5DAB

RGB 110 93 171

HSL 253.08, 0.32%, 0.52%

LAB 44.35, 25.36, -39.56

 

CMYK 23 / 46 / 0 / 33

HEX #835DAB

RGB 131 93 171

HSL 269.23, 0.32%, 0.52%

LAB 46.44, 31.33, -36.12

 

CMYK 48 / 47 / 0 / 53

HEX #3E4078

RGB 62 64 120

HSL 237.93, 0.32%, 0.36%

LAB 29.53, 15.41, -32.38

 

CMYK 48 / 47 / 0 / 42

HEX #4C4E93

RGB 76 78 147

HSL 238.31, 0.32%, 0.44%

LAB 36.16, 18.62, -38.42

 

CMYK 46 / 44 / 0 / 33

HEX #5D60AB

RGB 93 96 171

HSL 237.69, 0.32%, 0.52%

LAB 43.7, 19.01, -40.68

 

CMYK 35 / 34 / 0 / 27

HEX #787BB9

RGB 120 123 185

HSL 237.23, 0.32%, 0.6%

LAB 53.67, 13.91, -32.98

 

CMYK 26 / 25 / 0 / 22

HEX #9395C7

RGB 147 149 199

HSL 237.69, 0.32%, 0.68%

LAB 63.2, 10.38, -25.98

 

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

CMYK 0 / 46 / 6 / 33

HEX #AB5DA0

RGB 171 93 160

HSL 308.46, 0.32%, 0.52%

LAB 50.72, 41.33, -22.63

 

CMYK 25 / 0 / 46 / 33

HEX #80AB5D

RGB 128 171 93

HSL 93.08, 0.32%, 0.52%

LAB 65.36, -28.47, 35.46

 

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

CMYK 0 / 46 / 43 / 33

HEX #AB5D61

RGB 171 93 97

HSL 356.92, 0.32%, 0.52%

LAB 48.7, 32.11, 11.93

 

CMYK 43 / 0 / 46 / 33

HEX #61AB5D

RGB 97 171 93

HSL 116.92, 0.32%, 0.52%

LAB 63.72, -39.11, 33.04

 

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

CMYK 0 / 46 / 6 / 33

HEX #AB5DA0

RGB 171 93 160

HSL 308.46, 0.32%, 0.52%

LAB 50.72, 41.33, -22.63

 

CMYK 0 / 2 / 46 / 33

HEX #ABA75D

RGB 171 167 93

HSL 56.92, 0.32%, 0.52%

LAB 67.34, -9.27, 38.6

 

CMYK 46 / 0 / 39 / 33

HEX #5DAB69

RGB 93 171 105

HSL 129.23, 0.32%, 0.52%

LAB 63.73, -38.42, 26.71

 

CMYK 46 / 44 / 0 / 33

HEX #5C5FAB

RGB 92 95 171

HSL 237.72, 0.32%, 0.52%

LAB 43.36, 19.39, -41.23

 

CMYK 0 / 46 / 20 / 33

HEX #AB5D88

RGB 171 93 136

HSL 326.92, 0.32%, 0.52%

LAB 49.82, 37.33, -9.79

 

CMYK 0 / 2 / 46 / 33

HEX #ABA75D

RGB 171 167 93

HSL 56.92, 0.32%, 0.52%

LAB 67.34, -9.27, 38.6

 

CMYK 46 / 0 / 25 / 33

HEX #5DAB80

RGB 93 171 128

HSL 146.92, 0.32%, 0.52%

LAB 64.17, -34.1, 14.81

 

Description

Color code: RGB 92 95 171 | qconv.com Color code: RGB 92 95 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 95 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 95 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 44 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 44% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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