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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 239 215 it is the complementary color RGB 164 16 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 239 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 239 215 shade: RGB 96 239 210, RGB 113 255 229, RGB 130 255 248, RGB 147 255 255 and RGB 164 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 239 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 239 215 shade: RGB 91 239 215, RGB 74 221 196, RGB 57 203 177, RGB 40 185 158 and RGB 23 167 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 239 215 shade: RGB 92 238 215, RGB 92 238 175, RGB 92 238 136, RGB 92 238 96 and RGB 127 238 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 239 215 shade: RGB 92 238 215, RGB 92 223 238, RGB 92 183 238, RGB 92 144 238 and RGB 92 104 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 239 215 shade matches the following richer shades: RGB 92 238 215 and RGB 78 253 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 239 215 shade: RGB 92 238 215, RGB 107 224 205, RGB 121 210 195, RGB 135 195 185 and RGB 150 181 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 239 215 shade: RGB 92 238 136, RGB 92 238 175, RGB 92 238 214, RGB 92 224 238 and RGB 92 185 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 239 215 shade: RGB 22 226 193, RGB 55 235 205, RGB 92 238 215, RGB 130 242 224 and RGB 167 246 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 239 215 shade: RGB 91 239 215, RGB 97 92 238 and RGB 238 155 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 239 215 shade: RGB 91 239 215, RGB 214 92 238 and RGB 238 214 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 239 215 shade: RGB 91 239 215, RGB 97 92 238, RGB 238 92 116 and RGB 234 238 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 239 215 shade: RGB 91 239 215, RGB 141 92 238, RGB 238 92 116 and RGB 190 238 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

Complementary color

CMYK 0 / 90 / 76 / 36

HEX #A41028

RGB 164 16 40

HSL 350.27, 0.82%, 0.35%

LAB 34.84, 56.26, 28.65

 

CMYK 60 / 0 / 12 / 6

HEX #60EFD2

RGB 96 239 210

HSL 167.83, 0.82%, 0.66%

LAB 86.44, -45.26, 2.56

 

CMYK 56 / 0 / 10 / 0

HEX #71FFE5

RGB 113 255 229

HSL 169.01, 1%, 0.72%

LAB 91.99, -44.55, 0.81

 

CMYK 49 / 0 / 3 / 0

HEX #82FFF8

RGB 130 255 248

HSL 176.64, 1%, 0.75%

LAB 93.03, -36.55, -7.43

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

CMYK 67 / 0 / 11 / 13

HEX #4ADDC4

RGB 74 221 196

HSL 169.8, 0.68%, 0.58%

LAB 80.27, -44.53, 0.9

 

CMYK 72 / 0 / 13 / 20

HEX #39CBB1

RGB 57 203 177

HSL 169.32, 0.58%, 0.51%

LAB 74.03, -43.98, 1.98

 

CMYK 78 / 0 / 15 / 27

HEX #28B99E

RGB 40 185 158

HSL 168.83, 0.64%, 0.44%

LAB 67.74, -43.18, 3.17

 

CMYK 86 / 0 / 17 / 35

HEX #17A78B

RGB 23 167 139

HSL 168.33, 0.76%, 0.37%

LAB 61.38, -42.05, 4.49

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED7

RGB 92 238 215

HSL 170.55, 0.81%, 0.65%

LAB 86.17, -44.3, -0.46

 

CMYK 61 / 0 / 26 / 7

HEX #5CEEAF

RGB 92 238 175

HSL 154.11, 0.81%, 0.65%

LAB 85.26, -53.45, 19.12

 

CMYK 61 / 0 / 43 / 7

HEX #5CEE88

RGB 92 238 136

HSL 138.08, 0.81%, 0.65%

LAB 84.59, -60.65, 38.01

 

CMYK 61 / 0 / 60 / 7

HEX #5CEE60

RGB 92 238 96

HSL 121.64, 0.81%, 0.65%

LAB 84.11, -66.08, 56.1

 

CMYK 47 / 0 / 61 / 7

HEX #7FEE5C

RGB 127 238 92

HSL 105.62, 0.81%, 0.65%

LAB 85.22, -57.7, 59.38

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED7

RGB 92 238 215

HSL 170.55, 0.81%, 0.65%

LAB 86.17, -44.3, -0.46

 

CMYK 61 / 6 / 0 / 7

HEX #5CDFEE

RGB 92 223 238

HSL 186.16, 0.81%, 0.65%

LAB 82.5, -31.34, -18.06

 

CMYK 61 / 23 / 0 / 7

HEX #5CB7EE

RGB 92 183 238

HSL 202.6, 0.81%, 0.65%

LAB 71.09, -11.02, -35.52

 

CMYK 61 / 39 / 0 / 7

HEX #5C90EE

RGB 92 144 238

HSL 218.63, 0.81%, 0.65%

LAB 60.24, 11.11, -52.55

 

CMYK 61 / 56 / 0 / 7

HEX #5C68EE

RGB 92 104 238

HSL 235.07, 0.81%, 0.65%

LAB 49.92, 35.36, -69.14

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED7

RGB 92 238 215

HSL 170.55, 0.81%, 0.65%

LAB 86.17, -44.3, -0.46

 

CMYK 69 / 0 / 11 / 1

HEX #4EFDE0

RGB 78 253 224

HSL 170.06, 0.98%, 0.65%

LAB 90.44, -50.57, 1.03

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED7

RGB 92 238 215

HSL 170.55, 0.81%, 0.65%

LAB 86.17, -44.3, -0.46

 

CMYK 52 / 0 / 8 / 12

HEX #6BE0CD

RGB 107 224 205

HSL 170.26, 0.65%, 0.65%

LAB 82.3, -37.66, -0.8

 

CMYK 42 / 0 / 7 / 18

HEX #79D2C3

RGB 121 210 195

HSL 169.89, 0.5%, 0.65%

LAB 78.52, -30.29, -0.93

 

CMYK 31 / 0 / 5 / 24

HEX #87C3B9

RGB 135 195 185

HSL 170, 0.33%, 0.65%

LAB 74.63, -21.43, -1.16

 

CMYK 17 / 0 / 3 / 29

HEX #96B5B0

RGB 150 181 176

HSL 170.32, 0.17%, 0.65%

LAB 71.33, -11.53, -0.97

 

CMYK 61 / 0 / 43 / 7

HEX #5CEE88

RGB 92 238 136

HSL 138.08, 0.81%, 0.65%

LAB 84.59, -60.65, 38.01

 

CMYK 61 / 0 / 26 / 7

HEX #5CEEAF

RGB 92 238 175

HSL 154.11, 0.81%, 0.65%

LAB 85.26, -53.45, 19.12

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED6

RGB 92 238 214

HSL 170.14, 0.81%, 0.65%

LAB 86.15, -44.54, 0.02

 

CMYK 61 / 6 / 0 / 7

HEX #5CE0EE

RGB 92 224 238

HSL 185.75, 0.81%, 0.65%

LAB 82.79, -31.81, -17.63

 

CMYK 61 / 22 / 0 / 7

HEX #5CB9EE

RGB 92 185 238

HSL 201.78, 0.81%, 0.65%

LAB 71.65, -12.1, -34.64

 

CMYK 90 / 0 / 15 / 11

HEX #16E2C1

RGB 22 226 193

HSL 170.29, 0.82%, 0.49%

LAB 80.97, -52.38, 3.43

 

CMYK 77 / 0 / 13 / 8

HEX #37EBCD

RGB 55 235 205

HSL 170, 0.82%, 0.57%

LAB 84.3, -50.56, 1.97

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED7

RGB 92 238 215

HSL 170.55, 0.81%, 0.65%

LAB 86.17, -44.3, -0.46

 

CMYK 46 / 0 / 7 / 5

HEX #82F2E0

RGB 130 242 224

HSL 170.36, 0.81%, 0.73%

LAB 88.75, -36.33, -1.26

 

CMYK 32 / 0 / 5 / 4

HEX #A7F6E9

RGB 167 246 233

HSL 170.13, 0.81%, 0.81%

LAB 91.69, -26.85, -1.46

 

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

CMYK 59 / 61 / 0 / 7

HEX #615CEE

RGB 97 92 238

HSL 242.05, 0.81%, 0.65%

LAB 47.45, 43.35, -73.13

 

CMYK 0 / 35 / 61 / 7

HEX #EE9B5C

RGB 238 155 92

HSL 25.89, 0.81%, 0.65%

LAB 71.14, 25.07, 45.3

 

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

CMYK 10 / 61 / 0 / 7

HEX #D65CEE

RGB 214 92 238

HSL 290.14, 0.81%, 0.65%

LAB 60, 67.78, -52.28

 

CMYK 0 / 10 / 61 / 7

HEX #EED65C

RGB 238 214 92

HSL 50.14, 0.81%, 0.65%

LAB 85.53, -5.76, 61.66

 

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

CMYK 59 / 61 / 0 / 7

HEX #615CEE

RGB 97 92 238

HSL 242.05, 0.81%, 0.65%

LAB 47.45, 43.35, -73.13

 

CMYK 0 / 61 / 51 / 7

HEX #EE5C74

RGB 238 92 116

HSL 350.14, 0.81%, 0.65%

LAB 59.06, 58.03, 16.63

 

CMYK 2 / 0 / 61 / 7

HEX #EAEE5C

RGB 234 238 92

HSL 61.64, 0.81%, 0.65%

LAB 91.42, -19.28, 67.94

 

CMYK 62 / 0 / 10 / 6

HEX #5BEFD7

RGB 91 239 215

HSL 170.27, 0.82%, 0.65%

LAB 86.44, -44.9, -0.08

 

CMYK 41 / 61 / 0 / 7

HEX #8D5CEE

RGB 141 92 238

HSL 260.14, 0.81%, 0.65%

LAB 51.26, 51.46, -66.78

 

CMYK 0 / 61 / 51 / 7

HEX #EE5C74

RGB 238 92 116

HSL 350.14, 0.81%, 0.65%

LAB 59.06, 58.03, 16.63

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5C

RGB 190 238 92

HSL 79.73, 0.81%, 0.65%

LAB 88.39, -36.48, 63.77

 

Description

Color code: RGB 91 239 215 | qconv.com Color code: RGB 91 239 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 239 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 239 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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