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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 132 176 it is the complementary color RGB 164 123 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 132 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 132 176 shade: RGB 96 132 171, RGB 113 150 190, RGB 130 168 209, RGB 147 186 228 and RGB 164 204 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 132 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 132 176 shade: RGB 91 132 176, RGB 74 114 157, RGB 57 96 138, RGB 40 78 119 and RGB 23 60 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 132 176 shade: RGB 89 131 175, RGB 89 107 175, RGB 94 89 175, RGB 117 89 175 and RGB 140 89 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 132 176 shade: RGB 89 131 175, RGB 89 107 175 and RGB 89 89 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 132 176 shade matches the following richer shades: RGB 89 131 175, RGB 69 130 195, RGB 50 129 215, RGB 30 128 234 and RGB 10 128 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 132 176 shade: RGB 89 131 175, RGB 109 131 155, RGB 129 132 135, RGB 149 133 116 and RGB 168 133 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 132 176 shade: RGB 89 175 174, RGB 89 154 175, RGB 89 131 175, RGB 89 108 175 and RGB 94 89 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 132 176 shade: RGB 59 90 123, RGB 72 110 151, RGB 89 131 175, RGB 117 151 188 and RGB 145 172 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 132 176 shade: RGB 91 132 176, RGB 151 89 175 and RGB 165 175 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 132 176 shade: RGB 91 132 176, RGB 175 89 131 and RGB 131 175 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 132 176 shade: RGB 91 132 176, RGB 151 89 175, RGB 175 134 89 and RGB 114 175 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 132 176 shade: RGB 91 132 176, RGB 175 89 174, RGB 175 134 89 and RGB 89 175 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

Complementary color

CMYK 0 / 25 / 52 / 36

HEX #A47B4F

RGB 164 123 79

HSL 31.06, 0.35%, 0.48%

LAB 54.68, 10.5, 30.12

 

CMYK 44 / 23 / 0 / 33

HEX #6084AB

RGB 96 132 171

HSL 211.2, 0.31%, 0.52%

LAB 53.95, -2.03, -24.62

 

CMYK 41 / 21 / 0 / 25

HEX #7196BE

RGB 113 150 190

HSL 211.17, 0.37%, 0.59%

LAB 60.82, -2.38, -24.78

 

CMYK 38 / 20 / 0 / 18

HEX #82A8D1

RGB 130 168 209

HSL 211.14, 0.46%, 0.66%

LAB 67.54, -2.68, -24.97

 

CMYK 36 / 18 / 0 / 11

HEX #93BAE4

RGB 147 186 228

HSL 211.11, 0.6%, 0.74%

LAB 74.14, -2.94, -25.18

 

CMYK 34 / 17 / 0 / 3

HEX #A4CCF7

RGB 164 204 247

HSL 211.08, 0.84%, 0.81%

LAB 80.62, -3.16, -25.4

 

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

CMYK 53 / 27 / 0 / 38

HEX #4A729D

RGB 74 114 157

HSL 211.08, 0.36%, 0.45%

LAB 46.88, -1.25, -27.53

 

CMYK 59 / 30 / 0 / 46

HEX #39608A

RGB 57 96 138

HSL 211.11, 0.42%, 0.38%

LAB 39.7, -0.49, -27.46

 

CMYK 66 / 34 / 0 / 53

HEX #284E77

RGB 40 78 119

HSL 211.14, 0.5%, 0.31%

LAB 32.33, 0.56, -27.41

 

CMYK 77 / 40 / 0 / 61

HEX #173C64

RGB 23 60 100

HSL 211.17, 0.63%, 0.24%

LAB 24.75, 2.11, -27.38

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 49 / 39 / 0 / 31

HEX #596BAF

RGB 89 107 175

HSL 227.44, 0.35%, 0.52%

LAB 46.62, 12.42, -38.41

 

CMYK 46 / 49 / 0 / 31

HEX #5E59AF

RGB 94 89 175

HSL 243.49, 0.35%, 0.52%

LAB 42.18, 24.86, -45.45

 

CMYK 33 / 49 / 0 / 31

HEX #7559AF

RGB 117 89 175

HSL 259.53, 0.35%, 0.52%

LAB 44.26, 30.77, -42.01

 

CMYK 20 / 49 / 0 / 31

HEX #8C59AF

RGB 140 89 175

HSL 275.58, 0.35%, 0.52%

LAB 46.73, 37.18, -37.94

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 49 / 39 / 0 / 31

HEX #596BAF

RGB 89 107 175

HSL 227.44, 0.35%, 0.52%

LAB 46.62, 12.42, -38.41

 

CMYK 49 / 49 / 0 / 31

HEX #5959AF

RGB 89 89 175

HSL 240, 0.35%, 0.52%

LAB 41.79, 23.67, -46.1

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 65 / 33 / 0 / 24

HEX #4582C3

RGB 69 130 195

HSL 210.95, 0.51%, 0.52%

LAB 53.14, 0.81, -39.74

 

CMYK 77 / 40 / 0 / 16

HEX #3281D7

RGB 50 129 215

HSL 211.27, 0.67%, 0.52%

LAB 53.26, 5.79, -50.93

 

CMYK 87 / 45 / 0 / 8

HEX #1E80EA

RGB 30 128 234

HSL 211.18, 0.83%, 0.52%

LAB 53.66, 11.8, -60.97

 

CMYK 96 / 50 / 0 / 0

HEX #0A80FE

RGB 10 128 254

HSL 210.98, 0.99%, 0.52%

LAB 54.72, 18.64, -70.37

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 30 / 15 / 0 / 39

HEX #6D839B

RGB 109 131 155

HSL 211.3, 0.19%, 0.52%

LAB 53.87, -2.09, -15.43

 

CMYK 4 / 2 / 0 / 47

HEX #818487

RGB 129 132 135

HSL 210, 0.02%, 0.52%

LAB 54.99, -0.5, -2.01

 

CMYK 0 / 11 / 22 / 42

HEX #958574

RGB 149 133 116

HSL 30.91, 0.13%, 0.52%

LAB 56.51, 3.19, 11.38

 

CMYK 0 / 21 / 43 / 34

HEX #A88560

RGB 168 133 96

HSL 30.83, 0.29%, 0.52%

LAB 57.98, 8.35, 25.03

 

CMYK 49 / 0 / 1 / 31

HEX #59AFAE

RGB 89 175 174

HSL 179.3, 0.35%, 0.52%

LAB 66.4, -26.11, -7.5

 

CMYK 49 / 12 / 0 / 31

HEX #599AAF

RGB 89 154 175

HSL 194.65, 0.35%, 0.52%

LAB 60.19, -14.95, -17.39

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 49 / 38 / 0 / 31

HEX #596CAF

RGB 89 108 175

HSL 226.74, 0.35%, 0.52%

LAB 46.9, 11.8, -37.97

 

CMYK 46 / 49 / 0 / 31

HEX #5E59AF

RGB 94 89 175

HSL 243.49, 0.35%, 0.52%

LAB 42.18, 24.86, -45.45

 

CMYK 52 / 27 / 0 / 52

HEX #3B5A7B

RGB 59 90 123

HSL 210.94, 0.35%, 0.36%

LAB 37.25, -1.32, -22.13

 

CMYK 52 / 27 / 0 / 41

HEX #486E97

RGB 72 110 151

HSL 211.14, 0.35%, 0.44%

LAB 45.31, -1.25, -26.43

 

CMYK 49 / 25 / 0 / 31

HEX #5983AF

RGB 89 131 175

HSL 210.7, 0.35%, 0.52%

LAB 53.44, -2.05, -27.74

 

CMYK 38 / 20 / 0 / 26

HEX #7597BC

RGB 117 151 188

HSL 211.27, 0.35%, 0.6%

LAB 61.26, -2.4, -22.95

 

CMYK 28 / 15 / 0 / 21

HEX #91ACCA

RGB 145 172 202

HSL 211.58, 0.35%, 0.68%

LAB 69.32, -2.38, -18.31

 

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

CMYK 14 / 49 / 0 / 31

HEX #9759AF

RGB 151 89 175

HSL 283.26, 0.35%, 0.52%

LAB 48.03, 40.35, -35.8

 

CMYK 6 / 0 / 49 / 31

HEX #A5AF59

RGB 165 175 89

HSL 66.98, 0.35%, 0.52%

LAB 69.03, -16.32, 42.55

 

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

CMYK 0 / 49 / 25 / 31

HEX #AF5983

RGB 175 89 131

HSL 330.7, 0.35%, 0.52%

LAB 49.37, 40.07, -7.41

 

CMYK 25 / 0 / 49 / 31

HEX #83AF59

RGB 131 175 89

HSL 90.7, 0.35%, 0.52%

LAB 66.68, -29.75, 39.15

 

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

CMYK 14 / 49 / 0 / 31

HEX #9759AF

RGB 151 89 175

HSL 283.26, 0.35%, 0.52%

LAB 48.03, 40.35, -35.8

 

CMYK 0 / 23 / 49 / 31

HEX #AF8659

RGB 175 134 89

HSL 31.4, 0.35%, 0.52%

LAB 58.87, 10.01, 30.19

 

CMYK 35 / 0 / 49 / 31

HEX #72AF59

RGB 114 175 89

HSL 102.56, 0.35%, 0.52%

LAB 65.72, -35.88, 37.76

 

CMYK 48 / 25 / 0 / 31

HEX #5B84B0

RGB 91 132 176

HSL 211.06, 0.35%, 0.52%

LAB 53.88, -1.83, -27.63

 

CMYK 0 / 49 / 1 / 31

HEX #AF59AE

RGB 175 89 174

HSL 300.7, 0.35%, 0.52%

LAB 51.05, 47.16, -30.27

 

CMYK 0 / 23 / 49 / 31

HEX #AF8659

RGB 175 134 89

HSL 31.4, 0.35%, 0.52%

LAB 58.87, 10.01, 30.19

 

CMYK 49 / 0 / 48 / 31

HEX #59AF5B

RGB 89 175 91

HSL 121.4, 0.35%, 0.52%

LAB 64.6, -43.51, 35.1

 

Description

Color code: RGB 91 132 176 | qconv.com Color code: RGB 91 132 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 132 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 132 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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