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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 128 49 it is the complementary color RGB 164 127 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 128 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 128 49 shade: RGB 96 128 44, RGB 113 146 63, RGB 130 164 82, RGB 147 182 101 and RGB 164 200 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 128 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 128 49 shade: RGB 91 128 49, RGB 74 110 30, RGB 57 92 11, RGB 40 74 0 and RGB 23 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 128 49 shade: RGB 91 129 49, RGB 113 129 49, RGB 129 123 49, RGB 129 102 49 and RGB 129 80 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 128 49 shade: RGB 91 129 49, RGB 70 129 49, RGB 49 129 49, RGB 49 129 71 and RGB 49 129 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 128 49 shade matches the following richer shades: RGB 91 129 49, RGB 92 143 34, RGB 93 158 20 and RGB 94 172 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 128 49 shade: RGB 91 129 49, RGB 90 114 63, RGB 89 100 77, RGB 89 86 92 and RGB 88 71 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 128 49 shade: RGB 129 124 49, RGB 113 129 49, RGB 91 129 49, RGB 70 129 49 and RGB 49 129 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 128 49 shade: RGB 49 69 26, RGB 70 99 37, RGB 91 129 49, RGB 113 159 60 and RGB 134 186 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 128 49 shade: RGB 91 128 49, RGB 49 129 102 and RGB 129 49 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 128 49 shade: RGB 91 128 49, RGB 49 91 129 and RGB 129 49 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 128 49 shade: RGB 91 128 49, RGB 49 129 102, RGB 86 49 129 and RGB 129 49 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 128 49 shade: RGB 91 128 49, RGB 49 129 126, RGB 86 49 129 and RGB 129 49 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

Complementary color

CMYK 20 / 38 / 0 / 19

HEX #A47FCE

RGB 164 127 206

HSL 268.1, 0.45%, 0.65%

LAB 59.46, 29.82, -35.59

 

CMYK 25 / 0 / 66 / 50

HEX #60802C

RGB 96 128 44

HSL 82.86, 0.49%, 0.34%

LAB 49.63, -25.27, 40.62

 

CMYK 23 / 0 / 57 / 43

HEX #71923F

RGB 113 146 63

HSL 83.86, 0.4%, 0.41%

LAB 56.51, -25.5, 39.65

 

CMYK 21 / 0 / 50 / 36

HEX #82A452

RGB 130 164 82

HSL 84.88, 0.33%, 0.48%

LAB 63.27, -25.61, 38.5

 

CMYK 19 / 0 / 45 / 29

HEX #93B665

RGB 147 182 101

HSL 85.93, 0.36%, 0.55%

LAB 69.89, -25.65, 37.3

 

CMYK 18 / 0 / 40 / 22

HEX #A4C878

RGB 164 200 120

HSL 87, 0.42%, 0.63%

LAB 76.41, -25.65, 36.12

 

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

CMYK 33 / 0 / 73 / 57

HEX #4A6E1E

RGB 74 110 30

HSL 87, 0.57%, 0.27%

LAB 42.31, -26.57, 38.65

 

CMYK 38 / 0 / 88 / 64

HEX #395C0B

RGB 57 92 11

HSL 85.93, 0.79%, 0.2%

LAB 35.1, -25.99, 38.38

 

CMYK 46 / 0 / 100 / 71

HEX #284A00

RGB 40 74 0

HSL 87.57, 1%, 0.15%

LAB 27.71, -24.88, 35.51

 

CMYK 59 / 0 / 100 / 78

HEX #173800

RGB 23 56 0

HSL 95.36, 1%, 0.11%

LAB 20.09, -23.07, 27.65

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 12 / 0 / 62 / 49

HEX #718131

RGB 113 129 49

HSL 72, 0.45%, 0.35%

LAB 51.19, -18.13, 40.36

 

CMYK 0 / 5 / 62 / 49

HEX #817B31

RGB 129 123 49

HSL 55.5, 0.45%, 0.35%

LAB 50.75, -7.73, 40.25

 

CMYK 0 / 21 / 62 / 49

HEX #816631

RGB 129 102 49

HSL 39.75, 0.45%, 0.35%

LAB 44.79, 4.27, 33.54

 

CMYK 0 / 38 / 62 / 49

HEX #815031

RGB 129 80 49

HSL 23.25, 0.45%, 0.35%

LAB 38.94, 17.28, 26.63

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 46 / 0 / 62 / 49

HEX #468131

RGB 70 129 49

HSL 104.25, 0.45%, 0.35%

LAB 48.54, -35.05, 36.66

 

CMYK 62 / 0 / 62 / 49

HEX #318131

RGB 49 129 49

HSL 120, 0.45%, 0.35%

LAB 47.72, -41.23, 35.51

 

CMYK 62 / 0 / 45 / 49

HEX #318147

RGB 49 129 71

HSL 136.5, 0.45%, 0.35%

LAB 48.02, -37.91, 24.35

 

CMYK 62 / 0 / 28 / 49

HEX #31815D

RGB 49 129 93

HSL 153, 0.45%, 0.35%

LAB 48.44, -33.42, 12.42

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 36 / 0 / 76 / 44

HEX #5C8F22

RGB 92 143 34

HSL 88.07, 0.62%, 0.35%

LAB 54.06, -34.69, 49.18

 

CMYK 41 / 0 / 87 / 38

HEX #5D9E14

RGB 93 158 20

HSL 88.26, 0.78%, 0.35%

LAB 58.82, -41.51, 57.61

 

CMYK 45 / 0 / 97 / 33

HEX #5EAC05

RGB 94 172 5

HSL 88.02, 0.94%, 0.35%

LAB 63.26, -47.25, 63.73

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 21 / 0 / 45 / 55

HEX #5A723F

RGB 90 114 63

HSL 88.24, 0.29%, 0.35%

LAB 45.04, -18.46, 25.39

 

CMYK 11 / 0 / 23 / 61

HEX #59644D

RGB 89 100 77

HSL 88.7, 0.13%, 0.35%

LAB 40.85, -8.89, 11.67

 

CMYK 3 / 7 / 0 / 64

HEX #59565C

RGB 89 86 92

HSL 270, 0.03%, 0.35%

LAB 37.03, 2.49, -3.04

 

CMYK 17 / 33 / 0 / 58

HEX #58476A

RGB 88 71 106

HSL 269.14, 0.2%, 0.35%

LAB 33.18, 14.88, -17.66

 

CMYK 0 / 4 / 62 / 49

HEX #817C31

RGB 129 124 49

HSL 56.25, 0.45%, 0.35%

LAB 51.04, -8.28, 40.57

 

CMYK 12 / 0 / 62 / 49

HEX #718131

RGB 113 129 49

HSL 72, 0.45%, 0.35%

LAB 51.19, -18.13, 40.36

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 46 / 0 / 62 / 49

HEX #468131

RGB 70 129 49

HSL 104.25, 0.45%, 0.35%

LAB 48.54, -35.05, 36.66

 

CMYK 62 / 0 / 62 / 49

HEX #318131

RGB 49 129 49

HSL 120, 0.45%, 0.35%

LAB 47.72, -41.23, 35.51

 

CMYK 29 / 0 / 62 / 73

HEX #31451A

RGB 49 69 26

HSL 87.91, 0.45%, 0.19%

LAB 26.69, -16.38, 23.12

 

CMYK 29 / 0 / 63 / 61

HEX #466325

RGB 70 99 37

HSL 88.06, 0.46%, 0.27%

LAB 38.48, -22.08, 31.17

 

CMYK 29 / 0 / 62 / 49

HEX #5B8131

RGB 91 129 49

HSL 88.5, 0.45%, 0.35%

LAB 49.67, -27.33, 38.25

 

CMYK 29 / 0 / 62 / 38

HEX #719F3C

RGB 113 159 60

HSL 87.88, 0.45%, 0.43%

LAB 60.46, -32.04, 45.53

 

CMYK 28 / 0 / 60 / 27

HEX #86BA4A

RGB 134 186 74

HSL 87.86, 0.45%, 0.51%

LAB 69.95, -35.33, 50.16

 

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

CMYK 62 / 0 / 21 / 49

HEX #318166

RGB 49 129 102

HSL 159.75, 0.45%, 0.35%

LAB 48.65, -31.26, 7.48

 

CMYK 0 / 62 / 4 / 49

HEX #81317C

RGB 129 49 124

HSL 303.75, 0.45%, 0.35%

LAB 34.64, 44.46, -26.28

 

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

CMYK 62 / 29 / 0 / 49

HEX #315B81

RGB 49 91 129

HSL 208.5, 0.45%, 0.35%

LAB 37.34, -2.25, -25.71

 

CMYK 0 / 62 / 29 / 49

HEX #81315B

RGB 129 49 91

HSL 328.5, 0.45%, 0.35%

LAB 33.18, 39.14, -7.6

 

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

CMYK 62 / 0 / 21 / 49

HEX #318166

RGB 49 129 102

HSL 159.75, 0.45%, 0.35%

LAB 48.65, -31.26, 7.48

 

CMYK 33 / 62 / 0 / 49

HEX #563181

RGB 86 49 129

HSL 267.75, 0.45%, 0.35%

LAB 28.8, 33.94, -39.06

 

CMYK 0 / 62 / 42 / 49

HEX #81314B

RGB 129 49 75

HSL 340.5, 0.45%, 0.35%

LAB 32.64, 37.09, 1.96

 

CMYK 29 / 0 / 62 / 50

HEX #5B8031

RGB 91 128 49

HSL 88.1, 0.45%, 0.35%

LAB 49.36, -26.84, 37.89

 

CMYK 62 / 0 / 2 / 49

HEX #31817E

RGB 49 129 126

HSL 177.75, 0.45%, 0.35%

LAB 49.33, -24.74, -5.62

 

CMYK 33 / 62 / 0 / 49

HEX #563181

RGB 86 49 129

HSL 267.75, 0.45%, 0.35%

LAB 28.8, 33.94, -39.06

 

CMYK 0 / 62 / 60 / 49

HEX #813133

RGB 129 49 51

HSL 358.5, 0.45%, 0.35%

LAB 32.04, 34.73, 16.7

 

Description

Color code: RGB 91 128 49 | qconv.com Color code: RGB 91 128 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 128 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 128 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 62 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 62% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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