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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 32 21 it is the complementary color RGB 165 223 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 32 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 32 21 shade: RGB 95 32 16, RGB 112 50 35, RGB 129 68 54, RGB 146 86 73 and RGB 163 104 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 32 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 73 14 2, RGB 56 0 0, RGB 39 0 0 and RGB 22 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 32 21 shade: RGB 90 32 21 and RGB 90 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 90 51 21, RGB 90 69 21, RGB 90 88 21 and RGB 74 90 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 32 21 shade matches the following richer shades: RGB 90 32 21, RGB 99 26 12 and RGB 109 20 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 81 38 30, RGB 72 44 39, RGB 63 50 48 and RGB 54 57 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 32 21 shade: RGB 90 21 47, RGB 90 21 29, RGB 90 31 21, RGB 90 50 21 and RGB 90 68 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 32 21 shade: RGB 24 8 5, RGB 57 20 13, RGB 90 32 21, RGB 124 44 29 and RGB 157 56 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 66 90 21 and RGB 21 38 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 21 90 31 and RGB 31 21 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 66 90 21, RGB 21 80 90 and RGB 45 21 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 32 21 shade: RGB 90 32 21, RGB 45 90 21, RGB 21 80 90 and RGB 66 21 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

Complementary color

CMYK 29 / 5 / 0 / 8

HEX #A5DFEA

RGB 165 223 234

HSL 189.57, 0.62%, 0.78%

LAB 85.36, -15.85, -11.35

 

CMYK 0 / 66 / 83 / 63

HEX #5F2010

RGB 95 32 16

HSL 12.15, 0.71%, 0.22%

LAB 21.96, 27.77, 25.19

 

CMYK 0 / 55 / 69 / 56

HEX #703223

RGB 112 50 35

HSL 11.69, 0.52%, 0.29%

LAB 29.02, 26.2, 22.42

 

CMYK 0 / 47 / 58 / 49

HEX #814436

RGB 129 68 54

HSL 11.2, 0.41%, 0.36%

LAB 36.11, 24.7, 20.1

 

CMYK 0 / 41 / 50 / 43

HEX #925649

RGB 146 86 73

HSL 10.68, 0.33%, 0.43%

LAB 43.13, 23.38, 18.2

 

CMYK 0 / 36 / 44 / 36

HEX #A3685C

RGB 163 104 92

HSL 10.14, 0.28%, 0.5%

LAB 50.05, 22.24, 16.6

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 81 / 97 / 71

HEX #490E02

RGB 73 14 2

HSL 10.14, 0.95%, 0.15%

LAB 14.03, 27.08, 20.78

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 77 / 77 / 65

HEX #5A1515

RGB 90 21 21

HSL 0, 0.62%, 0.22%

LAB 19.07, 31.3, 18.59

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 43 / 77 / 65

HEX #5A3315

RGB 90 51 21

HSL 26.09, 0.62%, 0.22%

LAB 25.55, 14.72, 25.87

 

CMYK 0 / 23 / 77 / 65

HEX #5A4515

RGB 90 69 21

HSL 41.74, 0.62%, 0.22%

LAB 30.6, 3.39, 31.16

 

CMYK 0 / 2 / 77 / 65

HEX #5A5815

RGB 90 88 21

HSL 58.26, 0.62%, 0.22%

LAB 36.38, -8.11, 36.9

 

CMYK 18 / 0 / 77 / 65

HEX #4A5A15

RGB 74 90 21

HSL 73.91, 0.62%, 0.22%

LAB 35.64, -16.91, 35.71

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 74 / 88 / 61

HEX #631A0C

RGB 99 26 12

HSL 9.66, 0.78%, 0.22%

LAB 21.65, 32.08, 27.12

 

CMYK 0 / 82 / 97 / 57

HEX #6D1403

RGB 109 20 3

HSL 9.62, 0.95%, 0.22%

LAB 22.86, 37.76, 32.75

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 53 / 63 / 68

HEX #51261E

RGB 81 38 30

HSL 9.41, 0.46%, 0.22%

LAB 20.94, 19.23, 14.46

 

CMYK 0 / 39 / 46 / 72

HEX #482C27

RGB 72 44 39

HSL 9.09, 0.3%, 0.22%

LAB 21.3, 12.24, 8.6

 

CMYK 0 / 21 / 24 / 75

HEX #3F3230

RGB 63 50 48

HSL 8, 0.14%, 0.22%

LAB 22.13, 5.47, 3.47

 

CMYK 5 / 0 / 0 / 78

HEX #363939

RGB 54 57 57

HSL 180, 0.03%, 0.22%

LAB 23.69, -1.28, -0.45

 

CMYK 0 / 77 / 48 / 65

HEX #5A152F

RGB 90 21 47

HSL 337.39, 0.62%, 0.22%

LAB 19.7, 33.43, 1.22

 

CMYK 0 / 77 / 68 / 65

HEX #5A151D

RGB 90 21 29

HSL 353.04, 0.62%, 0.22%

LAB 19.22, 31.8, 13.27

 

CMYK 0 / 66 / 77 / 65

HEX #5A1F15

RGB 90 31 21

HSL 8.7, 0.62%, 0.22%

LAB 20.86, 26.48, 20.66

 

CMYK 0 / 44 / 77 / 65

HEX #5A3215

RGB 90 50 21

HSL 25.22, 0.62%, 0.22%

LAB 25.29, 15.34, 25.59

 

CMYK 0 / 24 / 77 / 65

HEX #5A4415

RGB 90 68 21

HSL 40.87, 0.62%, 0.22%

LAB 30.31, 4.01, 30.86

 

CMYK 0 / 67 / 79 / 91

HEX #180805

RGB 24 8 5

HSL 9.47, 0.66%, 0.06%

LAB 3.42, 5.36, 3.17

 

CMYK 0 / 65 / 77 / 78

HEX #39140D

RGB 57 20 13

HSL 9.55, 0.63%, 0.14%

LAB 11.95, 17.79, 12.81

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 0 / 65 / 77 / 51

HEX #7C2C1D

RGB 124 44 29

HSL 9.47, 0.62%, 0.3%

LAB 29.85, 33.88, 27.57

 

CMYK 0 / 64 / 77 / 38

HEX #9D3824

RGB 157 56 36

HSL 9.92, 0.63%, 0.38%

LAB 38.06, 40.94, 34.19

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 27 / 0 / 77 / 65

HEX #425A15

RGB 66 90 21

HSL 80.87, 0.62%, 0.22%

LAB 35.05, -20.55, 34.93

 

CMYK 77 / 58 / 0 / 65

HEX #15265A

RGB 21 38 90

HSL 225.22, 0.62%, 0.22%

LAB 16.91, 13.44, -33.38

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 77 / 0 / 66 / 65

HEX #155A1F

RGB 21 90 31

HSL 128.7, 0.62%, 0.22%

LAB 33.07, -34.57, 27.49

 

CMYK 66 / 77 / 0 / 65

HEX #1F155A

RGB 31 21 90

HSL 248.7, 0.62%, 0.22%

LAB 13.02, 27.07, -39.7

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 27 / 0 / 77 / 65

HEX #425A15

RGB 66 90 21

HSL 80.87, 0.62%, 0.22%

LAB 35.05, -20.55, 34.93

 

CMYK 77 / 11 / 0 / 65

HEX #15505A

RGB 21 80 90

HSL 188.7, 0.62%, 0.22%

LAB 30.96, -14.78, -11.29

 

CMYK 50 / 77 / 0 / 65

HEX #2D155A

RGB 45 21 90

HSL 260.87, 0.62%, 0.22%

LAB 14.58, 29.56, -37.08

 

CMYK 0 / 64 / 77 / 65

HEX #5A2015

RGB 90 32 21

HSL 9.57, 0.62%, 0.22%

LAB 21.06, 25.95, 20.89

 

CMYK 50 / 0 / 77 / 65

HEX #2D5A15

RGB 45 90 21

HSL 99.13, 0.62%, 0.22%

LAB 33.82, -29.01, 33.29

 

CMYK 77 / 11 / 0 / 65

HEX #15505A

RGB 21 80 90

HSL 188.7, 0.62%, 0.22%

LAB 30.96, -14.78, -11.29

 

CMYK 27 / 77 / 0 / 65

HEX #42155A

RGB 66 21 90

HSL 279.13, 0.62%, 0.22%

LAB 17.61, 34.11, -32.02

 

Description

Color code: RGB 90 32 21 | qconv.com Color code: RGB 90 32 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 32 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 32 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 77 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 77% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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