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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 28 109 it is the complementary color RGB 165 227 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 28 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 28 109 shade: RGB 95 28 104, RGB 112 46 123, RGB 129 64 142, RGB 146 82 161 and RGB 163 100 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 28 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 73 10 90, RGB 56 0 71, RGB 39 0 52 and RGB 22 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 109 28 106, RGB 109 28 84, RGB 109 28 62 and RGB 109 28 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 68 28 109, RGB 46 28 109 and RGB 28 28 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 28 109 shade matches the following richer shades: RGB 90 28 109, RGB 96 17 120 and RGB 102 5 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 84 39 98, RGB 78 50 87, RGB 72 61 76 and RGB 66 72 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 28 109 shade: RGB 45 28 109, RGB 67 28 109, RGB 89 28 109, RGB 109 28 108 and RGB 109 28 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 28 109 shade: RGB 36 11 43, RGB 63 19 76, RGB 90 28 109, RGB 117 36 142 and RGB 144 45 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 109 28 32 and RGB 28 109 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 109 89 28 and RGB 28 109 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 109 28 32, RGB 48 109 28 and RGB 28 109 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 28 109 shade: RGB 90 28 109, RGB 109 48 28, RGB 48 109 28 and RGB 28 89 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

Complementary color

CMYK 27 / 0 / 36 / 11

HEX #A5E392

RGB 165 227 146

HSL 105.93, 0.59%, 0.73%

LAB 84.49, -34.49, 33.44

 

CMYK 9 / 73 / 0 / 59

HEX #5F1C68

RGB 95 28 104

HSL 292.89, 0.58%, 0.26%

LAB 24.52, 41.06, -29.91

 

CMYK 9 / 63 / 0 / 52

HEX #702E7B

RGB 112 46 123

HSL 291.43, 0.46%, 0.33%

LAB 31.41, 41.01, -30.92

 

CMYK 9 / 55 / 0 / 44

HEX #81408E

RGB 129 64 142

HSL 290, 0.38%, 0.4%

LAB 38.35, 40.46, -31.54

 

CMYK 9 / 49 / 0 / 37

HEX #9252A1

RGB 146 82 161

HSL 288.61, 0.33%, 0.48%

LAB 45.25, 39.73, -31.97

 

CMYK 9 / 44 / 0 / 29

HEX #A364B4

RGB 163 100 180

HSL 287.25, 0.35%, 0.55%

LAB 52.06, 38.94, -32.3

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 19 / 89 / 0 / 65

HEX #490A5A

RGB 73 10 90

HSL 287.25, 0.8%, 0.2%

LAB 17.33, 39.89, -32.42

 

CMYK 21 / 100 / 0 / 72

HEX #380047

RGB 56 0 71

HSL 287.32, 1%, 0.14%

LAB 11.25, 36.4, -29.41

 

CMYK 25 / 100 / 0 / 80

HEX #270034

RGB 39 0 52

HSL 285, 1%, 0.1%

LAB 6.14, 28.78, -24.21

 

CMYK 33 / 100 / 0 / 87

HEX #160021

RGB 22 0 33

HSL 280, 1%, 0.06%

LAB 2.53, 13.88, -15.57

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 0 / 74 / 3 / 57

HEX #6D1C6A

RGB 109 28 106

HSL 302.22, 0.59%, 0.27%

LAB 27.08, 44.9, -26.99

 

CMYK 0 / 74 / 23 / 57

HEX #6D1C54

RGB 109 28 84

HSL 318.52, 0.59%, 0.27%

LAB 25.93, 41.31, -14.38

 

CMYK 0 / 74 / 43 / 57

HEX #6D1C3E

RGB 109 28 62

HSL 334.81, 0.59%, 0.27%

LAB 25.04, 38.42, -0.91

 

CMYK 0 / 74 / 63 / 57

HEX #6D1C28

RGB 109 28 40

HSL 351.11, 0.59%, 0.27%

LAB 24.43, 36.34, 13.25

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 38 / 74 / 0 / 57

HEX #441C6D

RGB 68 28 109

HSL 269.63, 0.59%, 0.27%

LAB 20.69, 35.95, -39.54

 

CMYK 58 / 74 / 0 / 57

HEX #2E1C6D

RGB 46 28 109

HSL 253.33, 0.59%, 0.27%

LAB 17.99, 31.69, -44.06

 

CMYK 74 / 74 / 0 / 57

HEX #1C1C6D

RGB 28 28 109

HSL 240, 0.59%, 0.27%

LAB 16.41, 29.05, -46.71

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 20 / 86 / 0 / 53

HEX #601178

RGB 96 17 120

HSL 286.02, 0.75%, 0.27%

LAB 24.46, 48.44, -40.3

 

CMYK 22 / 96 / 0 / 49

HEX #660583

RGB 102 5 131

HSL 286.19, 0.93%, 0.27%

LAB 25.48, 54.31, -45.57

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 14 / 60 / 0 / 62

HEX #542762

RGB 84 39 98

HSL 285.76, 0.43%, 0.27%

LAB 24.38, 31.33, -26.33

 

CMYK 10 / 43 / 0 / 66

HEX #4E3257

RGB 78 50 87

HSL 285.41, 0.27%, 0.27%

LAB 25.53, 20.11, -17.37

 

CMYK 5 / 20 / 0 / 70

HEX #483D4C

RGB 72 61 76

HSL 284, 0.11%, 0.27%

LAB 27.4, 8.02, -7.34

 

CMYK 8 / 0 / 11 / 72

HEX #424840

RGB 66 72 64

HSL 105, 0.06%, 0.27%

LAB 29.82, -4.23, 3.96

 

CMYK 59 / 74 / 0 / 57

HEX #2D1C6D

RGB 45 28 109

HSL 252.59, 0.59%, 0.27%

LAB 17.88, 31.52, -44.24

 

CMYK 39 / 74 / 0 / 57

HEX #431C6D

RGB 67 28 109

HSL 268.89, 0.59%, 0.27%

LAB 20.55, 35.74, -39.78

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 0 / 74 / 1 / 57

HEX #6D1C6C

RGB 109 28 108

HSL 300.74, 0.59%, 0.27%

LAB 27.2, 45.26, -28.09

 

CMYK 0 / 74 / 21 / 57

HEX #6D1C56

RGB 109 28 86

HSL 317.04, 0.59%, 0.27%

LAB 26.02, 41.61, -15.56

 

CMYK 16 / 74 / 0 / 83

HEX #240B2B

RGB 36 11 43

HSL 286.88, 0.59%, 0.11%

LAB 7.13, 19.38, -15.97

 

CMYK 17 / 75 / 0 / 70

HEX #3F134C

RGB 63 19 76

HSL 286.32, 0.6%, 0.19%

LAB 15.72, 31, -25.6

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 18 / 75 / 0 / 44

HEX #75248E

RGB 117 36 142

HSL 285.85, 0.6%, 0.35%

LAB 31.8, 50.59, -42.09

 

CMYK 18 / 74 / 0 / 31

HEX #902DAF

RGB 144 45 175

HSL 285.69, 0.59%, 0.43%

LAB 39.41, 59.42, -49.58

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 0 / 74 / 71 / 57

HEX #6D1C20

RGB 109 28 32

HSL 357.04, 0.59%, 0.27%

LAB 24.28, 35.8, 18.43

 

CMYK 74 / 0 / 49 / 57

HEX #1C6D38

RGB 28 109 56

HSL 140.74, 0.59%, 0.27%

LAB 40.36, -36.79, 22.78

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 0 / 18 / 74 / 57

HEX #6D591C

RGB 109 89 28

HSL 45.19, 0.59%, 0.27%

LAB 38.69, 1, 36.78

 

CMYK 74 / 0 / 18 / 57

HEX #1C6D59

RGB 28 109 89

HSL 165.19, 0.59%, 0.27%

LAB 41.07, -29.15, 4.29

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 0 / 74 / 71 / 57

HEX #6D1C20

RGB 109 28 32

HSL 357.04, 0.59%, 0.27%

LAB 24.28, 35.8, 18.43

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 74 / 0 / 4 / 57

HEX #1C6D69

RGB 28 109 105

HSL 177.04, 0.59%, 0.27%

LAB 41.54, -24.44, -4.71

 

CMYK 17 / 74 / 0 / 57

HEX #5A1C6D

RGB 90 28 109

HSL 285.93, 0.59%, 0.27%

LAB 24.03, 40.9, -33.99

 

CMYK 0 / 56 / 74 / 57

HEX #6D301C

RGB 109 48 28

HSL 14.81, 0.59%, 0.27%

LAB 27.98, 25.6, 25.34

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 74 / 18 / 0 / 57

HEX #1C596D

RGB 28 89 109

HSL 194.81, 0.59%, 0.27%

LAB 34.99, -12.12, -17.06

 

Description

Color code: RGB 90 28 109 | qconv.com Color code: RGB 90 28 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 28 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 28 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 74 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 74% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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