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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 230 229 it is the complementary color RGB 165 25 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 230 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 230 229 shade: RGB 95 230 224, RGB 112 248 243, RGB 129 255 255, RGB 146 255 255 and RGB 163 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 230 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 73 212 210, RGB 56 194 191, RGB 39 176 172 and RGB 22 158 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 90 230 191, RGB 90 230 154, RGB 90 230 116 and RGB 102 230 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 90 193 230, RGB 90 156 230, RGB 90 118 230 and RGB 90 90 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 230 229 shade matches the following richer shades: RGB 90 230 229 and RGB 75 245 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 106 215 214, RGB 121 199 199, RGB 136 184 184 and RGB 151 169 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 230 229 shade: RGB 90 230 153, RGB 90 230 190, RGB 90 230 228, RGB 90 195 230 and RGB 90 158 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 230 229 shade: RGB 31 207 206, RGB 54 225 223, RGB 90 230 229, RGB 126 235 235 and RGB 162 241 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 116 90 230 and RGB 230 172 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 228 90 230 and RGB 230 228 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 116 90 230, RGB 230 90 93 and RGB 204 230 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 230 229 shade: RGB 90 230 229, RGB 158 90 230, RGB 230 90 93 and RGB 162 230 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

Complementary color

CMYK 0 / 85 / 84 / 35

HEX #A5191A

RGB 165 25 26

HSL 359.57, 0.74%, 0.37%

LAB 35.54, 54.23, 37.68

 

CMYK 59 / 0 / 3 / 10

HEX #5FE6E0

RGB 95 230 224

HSL 177.33, 0.73%, 0.64%

LAB 84.18, -37.9, -8.13

 

CMYK 55 / 0 / 2 / 3

HEX #70F8F3

RGB 112 248 243

HSL 177.79, 0.91%, 0.71%

LAB 90.34, -38.15, -8.89

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 66 / 0 / 1 / 17

HEX #49D4D2

RGB 73 212 210

HSL 179.14, 0.62%, 0.56%

LAB 77.97, -36.94, -9.97

 

CMYK 71 / 0 / 2 / 24

HEX #38C2BF

RGB 56 194 191

HSL 178.7, 0.55%, 0.49%

LAB 71.68, -36.27, -9.09

 

CMYK 78 / 0 / 2 / 31

HEX #27B0AC

RGB 39 176 172

HSL 178.25, 0.64%, 0.42%

LAB 65.33, -35.36, -8.12

 

CMYK 86 / 0 / 3 / 38

HEX #169E99

RGB 22 158 153

HSL 177.79, 0.76%, 0.35%

LAB 58.9, -34.1, -7.03

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 61 / 0 / 17 / 10

HEX #5AE6BF

RGB 90 230 191

HSL 163.29, 0.74%, 0.63%

LAB 83.19, -46.97, 7.83

 

CMYK 61 / 0 / 33 / 10

HEX #5AE69A

RGB 90 230 154

HSL 147.43, 0.74%, 0.63%

LAB 82.43, -54.82, 26.06

 

CMYK 61 / 0 / 50 / 10

HEX #5AE674

RGB 90 230 116

HSL 131.14, 0.74%, 0.63%

LAB 81.85, -61.14, 44.27

 

CMYK 56 / 0 / 61 / 10

HEX #66E65A

RGB 102 230 90

HSL 114.86, 0.74%, 0.63%

LAB 81.92, -61.59, 56.28

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 61 / 16 / 0 / 10

HEX #5AC1E6

RGB 90 193 230

HSL 195.86, 0.74%, 0.63%

LAB 73.56, -19.1, -27.37

 

CMYK 61 / 32 / 0 / 10

HEX #5A9CE6

RGB 90 156 230

HSL 211.71, 0.74%, 0.63%

LAB 63.06, 1.1, -43.68

 

CMYK 61 / 49 / 0 / 10

HEX #5A76E6

RGB 90 118 230

HSL 228, 0.74%, 0.63%

LAB 52.78, 23.81, -60.04

 

CMYK 61 / 61 / 0 / 10

HEX #5A5AE6

RGB 90 90 230

HSL 240, 0.74%, 0.63%

LAB 45.91, 40.88, -71.17

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 69 / 0 / 0 / 4

HEX #4BF5F4

RGB 75 245 244

HSL 179.65, 0.89%, 0.63%

LAB 88.61, -42.26, -12.09

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 51 / 0 / 0 / 16

HEX #6AD7D6

RGB 106 215 214

HSL 179.45, 0.58%, 0.63%

LAB 79.91, -31.41, -9.12

 

CMYK 39 / 0 / 0 / 22

HEX #79C7C7

RGB 121 199 199

HSL 180, 0.41%, 0.63%

LAB 75.47, -23.95, -7.58

 

CMYK 26 / 0 / 0 / 28

HEX #88B8B8

RGB 136 184 184

HSL 180, 0.25%, 0.63%

LAB 71.54, -15.74, -5.15

 

CMYK 11 / 0 / 0 / 34

HEX #97A9A9

RGB 151 169 169

HSL 180, 0.09%, 0.63%

LAB 67.89, -6.26, -2.14

 

CMYK 61 / 0 / 33 / 10

HEX #5AE699

RGB 90 230 153

HSL 147, 0.74%, 0.63%

LAB 82.41, -55.01, 26.55

 

CMYK 61 / 0 / 17 / 10

HEX #5AE6BE

RGB 90 230 190

HSL 162.86, 0.74%, 0.63%

LAB 83.17, -47.2, 8.33

 

CMYK 61 / 0 / 1 / 10

HEX #5AE6E4

RGB 90 230 228

HSL 179.14, 0.74%, 0.63%

LAB 84.16, -37.68, -10.29

 

CMYK 61 / 15 / 0 / 10

HEX #5AC3E6

RGB 90 195 230

HSL 195, 0.74%, 0.63%

LAB 74.14, -20.13, -26.49

 

CMYK 61 / 31 / 0 / 10

HEX #5A9EE6

RGB 90 158 230

HSL 210.86, 0.74%, 0.63%

LAB 63.62, -0.05, -42.8

 

CMYK 85 / 0 / 0 / 19

HEX #1FCFCE

RGB 31 207 206

HSL 179.66, 0.74%, 0.47%

LAB 75.68, -40.18, -11.3

 

CMYK 76 / 0 / 1 / 12

HEX #36E1DF

RGB 54 225 223

HSL 179.3, 0.74%, 0.55%

LAB 81.82, -41.5, -11.2

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 46 / 0 / 0 / 8

HEX #7EEBEB

RGB 126 235 235

HSL 180, 0.73%, 0.71%

LAB 86.92, -31.3, -9.73

 

CMYK 33 / 0 / 0 / 5

HEX #A2F1F0

RGB 162 241 240

HSL 179.24, 0.74%, 0.79%

LAB 90.27, -24.22, -7.22

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 50 / 61 / 0 / 10

HEX #745AE6

RGB 116 90 230

HSL 251.14, 0.74%, 0.63%

LAB 47.93, 45.41, -67.79

 

CMYK 0 / 25 / 61 / 10

HEX #E6AC5A

RGB 230 172 90

HSL 35.14, 0.74%, 0.63%

LAB 74.23, 12.62, 49.68

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 1 / 61 / 0 / 10

HEX #E45AE6

RGB 228 90 230

HSL 299.14, 0.74%, 0.63%

LAB 61.24, 70.53, -45.73

 

CMYK 0 / 1 / 61 / 10

HEX #E6E45A

RGB 230 228 90

HSL 59.14, 0.74%, 0.63%

LAB 88.47, -16.16, 65.51

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 50 / 61 / 0 / 10

HEX #745AE6

RGB 116 90 230

HSL 251.14, 0.74%, 0.63%

LAB 47.93, 45.41, -67.79

 

CMYK 0 / 61 / 60 / 10

HEX #E65A5D

RGB 230 90 93

HSL 358.71, 0.74%, 0.63%

LAB 57, 54.53, 27.01

 

CMYK 11 / 0 / 61 / 10

HEX #CCE65A

RGB 204 230 90

HSL 71.14, 0.74%, 0.63%

LAB 87.08, -27.54, 63.44

 

CMYK 61 / 0 / 0 / 10

HEX #5AE6E5

RGB 90 230 229

HSL 179.57, 0.74%, 0.63%

LAB 84.19, -37.42, -10.77

 

CMYK 31 / 61 / 0 / 10

HEX #9E5AE6

RGB 158 90 230

HSL 269.14, 0.74%, 0.63%

LAB 52.17, 54.15, -60.72

 

CMYK 0 / 61 / 60 / 10

HEX #E65A5D

RGB 230 90 93

HSL 358.71, 0.74%, 0.63%

LAB 57, 54.53, 27.01

 

CMYK 30 / 0 / 61 / 10

HEX #A2E65A

RGB 162 230 90

HSL 89.14, 0.74%, 0.63%

LAB 84.49, -43.33, 59.86

 

Description

Color code: RGB 90 230 229 | qconv.com Color code: RGB 90 230 229 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 230 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 230 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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