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Color name
RGB 90 200 179

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 200 179 it is the complementary color RGB 165 55 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 200 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 200 179 shade: RGB 95 200 174, RGB 112 218 193, RGB 129 236 212, RGB 146 254 231 and RGB 163 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 200 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 73 182 160, RGB 56 164 141, RGB 39 146 122 and RGB 22 128 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 90 200 149, RGB 90 200 120, RGB 90 200 90 and RGB 120 200 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 90 191 200, RGB 90 161 200, RGB 90 132 200 and RGB 90 102 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 200 179 shade matches the following richer shades: RGB 90 200 179, RGB 72 217 190, RGB 55 235 201 and RGB 37 253 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 108 182 168, RGB 126 164 157, RGB 143 146 146 and RGB 161 129 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 200 179 shade: RGB 90 200 119, RGB 90 200 149, RGB 90 200 178, RGB 90 192 200 and RGB 90 163 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 200 179 shade: RGB 52 156 136, RGB 62 187 163, RGB 90 200 179, RGB 121 210 193 and RGB 152 220 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 90 90 200 and RGB 200 134 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 178 90 200 and RGB 200 178 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 90 90 200, RGB 200 90 112 and RGB 200 200 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 200 179 shade: RGB 90 200 179, RGB 123 90 200, RGB 200 90 112 and RGB 167 200 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

Complementary color

CMYK 0 / 67 / 54 / 35

HEX #A5374C

RGB 165 55 76

HSL 348.55, 0.5%, 0.43%

LAB 40, 46.73, 12.61

 

CMYK 53 / 0 / 13 / 22

HEX #5FC8AE

RGB 95 200 174

HSL 165.14, 0.49%, 0.58%

LAB 74.06, -36.72, 3.76

 

CMYK 49 / 0 / 11 / 15

HEX #70DAC1

RGB 112 218 193

HSL 165.85, 0.59%, 0.65%

LAB 80.43, -36.67, 2.87

 

CMYK 45 / 0 / 10 / 7

HEX #81ECD4

RGB 129 236 212

HSL 166.54, 0.74%, 0.72%

LAB 86.71, -36.58, 2.04

 

CMYK 43 / 0 / 9 / 0

HEX #92FEE7

RGB 146 254 231

HSL 167.22, 0.98%, 0.78%

LAB 92.91, -36.47, 1.25

 

CMYK 36 / 0 / 2 / 0

HEX #A3FFFA

RGB 163 255 250

HSL 176.74, 1%, 0.82%

LAB 94.4, -28.42, -6.3

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 60 / 0 / 12 / 29

HEX #49B6A0

RGB 73 182 160

HSL 167.89, 0.43%, 0.5%

LAB 67.58, -36.45, 1.93

 

CMYK 66 / 0 / 14 / 36

HEX #38A48D

RGB 56 164 141

HSL 167.22, 0.49%, 0.43%

LAB 61.06, -36.18, 2.98

 

CMYK 73 / 0 / 16 / 43

HEX #27927A

RGB 39 146 122

HSL 166.54, 0.58%, 0.36%

LAB 54.44, -35.68, 4.16

 

CMYK 83 / 0 / 20 / 50

HEX #168067

RGB 22 128 103

HSL 165.85, 0.71%, 0.29%

LAB 47.74, -34.83, 5.51

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 55 / 0 / 26 / 22

HEX #5AC895

RGB 90 200 149

HSL 152.18, 0.5%, 0.57%

LAB 73.32, -43.45, 16.15

 

CMYK 55 / 0 / 40 / 22

HEX #5AC878

RGB 90 200 120

HSL 136.36, 0.5%, 0.57%

LAB 72.79, -48.97, 30.72

 

CMYK 55 / 0 / 55 / 22

HEX #5AC85A

RGB 90 200 90

HSL 120, 0.5%, 0.57%

LAB 72.38, -53.4, 45.1

 

CMYK 40 / 0 / 55 / 22

HEX #78C85A

RGB 120 200 90

HSL 103.64, 0.5%, 0.57%

LAB 73.57, -44.73, 46.81

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 55 / 5 / 0 / 22

HEX #5ABFC8

RGB 90 191 200

HSL 184.91, 0.5%, 0.57%

LAB 71.96, -26.77, -13.49

 

CMYK 55 / 20 / 0 / 22

HEX #5AA1C8

RGB 90 161 200

HSL 201.27, 0.5%, 0.57%

LAB 63.21, -11.16, -26.81

 

CMYK 55 / 34 / 0 / 22

HEX #5A84C8

RGB 90 132 200

HSL 217.09, 0.5%, 0.57%

LAB 54.91, 5.43, -39.72

 

CMYK 55 / 49 / 0 / 22

HEX #5A66C8

RGB 90 102 200

HSL 233.45, 0.5%, 0.57%

LAB 46.77, 23.79, -52.66

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 67 / 0 / 12 / 15

HEX #48D9BE

RGB 72 217 190

HSL 168.83, 0.66%, 0.57%

LAB 78.88, -44.61, 2.08

 

CMYK 77 / 0 / 14 / 8

HEX #37EBC9

RGB 55 235 201

HSL 168.67, 0.82%, 0.57%

LAB 84.2, -51.57, 3.93

 

CMYK 85 / 0 / 16 / 1

HEX #25FDD4

RGB 37 253 212

HSL 168.61, 0.98%, 0.57%

LAB 89.58, -57.54, 5.94

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 41 / 0 / 8 / 29

HEX #6CB6A8

RGB 108 182 168

HSL 168.65, 0.34%, 0.57%

LAB 69.09, -26.42, -0.12

 

CMYK 23 / 0 / 4 / 36

HEX #7EA49D

RGB 126 164 157

HSL 168.95, 0.17%, 0.57%

LAB 64.5, -14.43, -0.61

 

CMYK 2 / 0 / 0 / 43

HEX #8F9292

RGB 143 146 146

HSL 180, 0.01%, 0.57%

LAB 60.31, -1.09, -0.39

 

CMYK 0 / 20 / 16 / 37

HEX #A18187

RGB 161 129 135

HSL 348.75, 0.15%, 0.57%

LAB 57.1, 13.27, 1.43

 

CMYK 55 / 0 / 41 / 22

HEX #5AC877

RGB 90 200 119

HSL 135.82, 0.5%, 0.57%

LAB 72.77, -49.14, 31.21

 

CMYK 55 / 0 / 26 / 22

HEX #5AC895

RGB 90 200 149

HSL 152.18, 0.5%, 0.57%

LAB 73.32, -43.45, 16.15

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B2

RGB 90 200 178

HSL 168, 0.5%, 0.57%

LAB 74, -36.82, 1.49

 

CMYK 55 / 4 / 0 / 22

HEX #5AC0C8

RGB 90 192 200

HSL 184.36, 0.5%, 0.57%

LAB 72.26, -27.26, -13.05

 

CMYK 55 / 19 / 0 / 22

HEX #5AA3C8

RGB 90 163 200

HSL 200.18, 0.5%, 0.57%

LAB 63.79, -12.25, -25.92

 

CMYK 67 / 0 / 13 / 39

HEX #349C88

RGB 52 156 136

HSL 168.46, 0.5%, 0.41%

LAB 58.31, -34.5, 1.8

 

CMYK 67 / 0 / 13 / 27

HEX #3EBBA3

RGB 62 187 163

HSL 168.48, 0.5%, 0.49%

LAB 68.9, -39.86, 2.16

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 42 / 0 / 8 / 18

HEX #79D2C1

RGB 121 210 193

HSL 168.54, 0.5%, 0.65%

LAB 78.47, -30.76, 0.06

 

CMYK 31 / 0 / 6 / 14

HEX #98DCCF

RGB 152 220 207

HSL 168.53, 0.49%, 0.73%

LAB 83.11, -24.09, -0.45

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC8

RGB 90 90 200

HSL 240, 0.5%, 0.57%

LAB 43.74, 31.23, -57.55

 

CMYK 0 / 33 / 55 / 22

HEX #C8865A

RGB 200 134 90

HSL 24, 0.5%, 0.57%

LAB 61.71, 20.63, 33.83

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 11 / 55 / 0 / 22

HEX #B25AC8

RGB 178 90 200

HSL 288, 0.5%, 0.57%

LAB 52.89, 52.48, -42.39

 

CMYK 0 / 11 / 55 / 22

HEX #C8B25A

RGB 200 178 90

HSL 48, 0.5%, 0.57%

LAB 72.8, -3.17, 47.25

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC8

RGB 90 90 200

HSL 240, 0.5%, 0.57%

LAB 43.74, 31.23, -57.55

 

CMYK 0 / 55 / 44 / 22

HEX #C85A70

RGB 200 90 112

HSL 348, 0.5%, 0.57%

LAB 52.69, 45.87, 9.2

 

CMYK 0 / 0 / 55 / 22

HEX #C8C85A

RGB 200 200 90

HSL 60, 0.5%, 0.57%

LAB 78.65, -14.51, 54

 

CMYK 55 / 0 / 11 / 22

HEX #5AC8B3

RGB 90 200 179

HSL 168.55, 0.5%, 0.57%

LAB 74.02, -36.57, 0.98

 

CMYK 39 / 55 / 0 / 22

HEX #7B5AC8

RGB 123 90 200

HSL 258, 0.5%, 0.57%

LAB 46.57, 38.46, -52.84

 

CMYK 0 / 55 / 44 / 22

HEX #C85A70

RGB 200 90 112

HSL 348, 0.5%, 0.57%

LAB 52.69, 45.87, 9.2

 

CMYK 17 / 0 / 55 / 22

HEX #A7C85A

RGB 167 200 90

HSL 78, 0.5%, 0.57%

LAB 76.23, -27.8, 50.59

 

Description

Color code: RGB 90 200 179 | qconv.com Color code: RGB 90 200 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 200 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 200 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 11 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 11% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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