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Color name
RGB 90 165 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 165 55 it is the complementary color RGB 165 90 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 165 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 165 55 shade: RGB 95 165 50, RGB 112 183 69, RGB 129 201 88, RGB 146 219 107 and RGB 163 237 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 165 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 165 55 shade: RGB 90 165 55, RGB 73 147 36, RGB 56 129 17, RGB 39 111 0 and RGB 22 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 165 55 shade: RGB 89 164 54, RGB 119 164 54, RGB 148 164 54, RGB 164 150 54 and RGB 164 120 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 165 55 shade: RGB 89 164 54, RGB 60 164 54, RGB 54 164 79, RGB 54 164 108 and RGB 54 164 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 165 55 shade matches the following richer shades: RGB 89 164 54, RGB 83 182 37, RGB 76 199 19 and RGB 70 217 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 165 55 shade: RGB 89 164 54, RGB 96 146 72, RGB 102 128 90, RGB 109 111 108 and RGB 115 93 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 165 55 shade: RGB 149 164 54, RGB 120 164 54, RGB 91 164 54, RGB 62 164 54 and RGB 54 164 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 165 55 shade: RGB 55 102 34, RGB 72 133 44, RGB 89 164 54, RGB 107 192 67 and RGB 131 202 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 165 55 shade: RGB 90 165 55, RGB 54 164 149 and RGB 164 54 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 165 55 shade: RGB 90 165 55, RGB 54 91 164 and RGB 164 54 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 165 55 shade: RGB 90 165 55, RGB 54 164 149, RGB 127 54 164 and RGB 164 54 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 165 55 shade: RGB 90 165 55, RGB 54 146 164, RGB 127 54 164 and RGB 164 73 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

Complementary color

CMYK 18 / 55 / 0 / 22

HEX #A55AC8

RGB 165 90 200

HSL 280.91, 0.5%, 0.57%

LAB 51.25, 49.05, -45.1

 

CMYK 42 / 0 / 70 / 35

HEX #5FA532

RGB 95 165 50

HSL 96.52, 0.53%, 0.42%

LAB 61.28, -42.06, 50.41

 

CMYK 39 / 0 / 62 / 28

HEX #70B745

RGB 112 183 69

HSL 97.37, 0.45%, 0.49%

LAB 67.83, -42.31, 49.68

 

CMYK 36 / 0 / 56 / 21

HEX #81C958

RGB 129 201 88

HSL 98.23, 0.51%, 0.57%

LAB 74.28, -42.4, 48.68

 

CMYK 33 / 0 / 51 / 14

HEX #92DB6B

RGB 146 219 107

HSL 99.11, 0.61%, 0.64%

LAB 80.65, -42.39, 47.57

 

CMYK 31 / 0 / 47 / 7

HEX #A3ED7E

RGB 163 237 126

HSL 100, 0.76%, 0.71%

LAB 86.93, -42.32, 46.41

 

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

CMYK 50 / 0 / 76 / 42

HEX #499324

RGB 73 147 36

HSL 100, 0.61%, 0.36%

LAB 54.46, -42.83, 48.54

 

CMYK 57 / 0 / 87 / 49

HEX #388111

RGB 56 129 17

HSL 99.11, 0.77%, 0.29%

LAB 47.73, -41.98, 47.99

 

CMYK 65 / 0 / 100 / 56

HEX #276F00

RGB 39 111 0

HSL 98.92, 1%, 0.22%

LAB 40.9, -40.55, 45.92

 

CMYK 76 / 0 / 100 / 64

HEX #165D00

RGB 22 93 0

HSL 105.81, 1%, 0.18%

LAB 33.98, -38.04, 40.23

 

CMYK 46 / 0 / 67 / 36

HEX #59A436

RGB 89 164 54

HSL 100.91, 0.5%, 0.43%

LAB 60.73, -43.27, 48.09

 

CMYK 27 / 0 / 67 / 36

HEX #77A436

RGB 119 164 54

HSL 84.55, 0.5%, 0.43%

LAB 62.29, -32.56, 50.22

 

CMYK 10 / 0 / 67 / 36

HEX #94A436

RGB 148 164 54

HSL 68.73, 0.5%, 0.43%

LAB 64.25, -20.7, 52.88

 

CMYK 0 / 9 / 67 / 36

HEX #A49636

RGB 164 150 54

HSL 52.36, 0.5%, 0.43%

LAB 61.63, -6.41, 50.57

 

CMYK 0 / 27 / 67 / 36

HEX #A47836

RGB 164 120 54

HSL 36, 0.5%, 0.43%

LAB 53.59, 10.22, 41.97

 

CMYK 46 / 0 / 67 / 36

HEX #59A436

RGB 89 164 54

HSL 100.91, 0.5%, 0.43%

LAB 60.73, -43.27, 48.09

 

CMYK 63 / 0 / 67 / 36

HEX #3CA436

RGB 60 164 54

HSL 116.73, 0.5%, 0.43%

LAB 59.69, -51.29, 46.66

 

CMYK 67 / 0 / 52 / 36

HEX #36A44F

RGB 54 164 79

HSL 133.64, 0.5%, 0.43%

LAB 59.8, -49.45, 34.99

 

CMYK 67 / 0 / 34 / 36

HEX #36A46C

RGB 54 164 108

HSL 149.45, 0.5%, 0.43%

LAB 60.26, -44.26, 20.22

 

CMYK 67 / 0 / 16 / 36

HEX #36A48A

RGB 54 164 138

HSL 165.82, 0.5%, 0.43%

LAB 60.93, -37.29, 4.48

 

CMYK 46 / 0 / 67 / 36

HEX #59A436

RGB 89 164 54

HSL 100.91, 0.5%, 0.43%

LAB 60.73, -43.27, 48.09

 

CMYK 54 / 0 / 80 / 29

HEX #53B625

RGB 83 182 37

HSL 100.97, 0.66%, 0.43%

LAB 66.08, -53.32, 59.53

 

CMYK 62 / 0 / 90 / 22

HEX #4CC713

RGB 76 199 19

HSL 101, 0.83%, 0.43%

LAB 71.17, -61.8, 68.06

 

CMYK 68 / 0 / 100 / 15

HEX #46D901

RGB 70 217 1

HSL 100.83, 0.99%, 0.43%

LAB 76.64, -69.22, 74.52

 

CMYK 46 / 0 / 67 / 36

HEX #59A436

RGB 89 164 54

HSL 100.91, 0.5%, 0.43%

LAB 60.73, -43.27, 48.09

 

CMYK 34 / 0 / 51 / 43

HEX #609248

RGB 96 146 72

HSL 100.54, 0.34%, 0.43%

LAB 55.6, -30.97, 33.78

 

CMYK 20 / 0 / 30 / 50

HEX #66805A

RGB 102 128 90

HSL 101.05, 0.17%, 0.43%

LAB 50.69, -16.99, 17.65

 

CMYK 2 / 0 / 3 / 56

HEX #6D6F6C

RGB 109 111 108

HSL 100, 0.01%, 0.43%

LAB 46.58, -1.38, 1.39

 

CMYK 8 / 26 / 0 / 51

HEX #735D7D

RGB 115 93 125

HSL 281.25, 0.15%, 0.43%

LAB 42.69, 15.31, -14.59

 

CMYK 9 / 0 / 67 / 36

HEX #95A436

RGB 149 164 54

HSL 68.18, 0.5%, 0.43%

LAB 64.33, -20.28, 52.98

 

CMYK 27 / 0 / 67 / 36

HEX #78A436

RGB 120 164 54

HSL 84, 0.5%, 0.43%

LAB 62.35, -32.17, 50.3

 

CMYK 45 / 0 / 67 / 36

HEX #5BA436

RGB 91 164 54

HSL 99.82, 0.5%, 0.43%

LAB 60.82, -42.63, 48.21

 

CMYK 62 / 0 / 67 / 36

HEX #3EA436

RGB 62 164 54

HSL 115.64, 0.5%, 0.43%

LAB 59.75, -50.83, 46.74

 

CMYK 67 / 0 / 54 / 36

HEX #36A44C

RGB 54 164 76

HSL 132, 0.5%, 0.43%

LAB 59.76, -49.89, 36.45

 

CMYK 46 / 0 / 67 / 60

HEX #376622

RGB 55 102 34

HSL 101.47, 0.5%, 0.27%

LAB 38.6, -29.69, 32.57

 

CMYK 46 / 0 / 67 / 48

HEX #48852C

RGB 72 133 44

HSL 101.12, 0.5%, 0.35%

LAB 49.9, -36.65, 40.53

 

CMYK 46 / 0 / 67 / 36

HEX #59A436

RGB 89 164 54

HSL 100.91, 0.5%, 0.43%

LAB 60.73, -43.27, 48.09

 

CMYK 44 / 0 / 65 / 25

HEX #6BC043

RGB 107 192 67

HSL 100.8, 0.5%, 0.51%

LAB 70.34, -47.87, 53.23

 

CMYK 35 / 0 / 51 / 21

HEX #83CA62

RGB 131 202 98

HSL 100.96, 0.5%, 0.59%

LAB 74.79, -41.05, 44.6

 

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

CMYK 67 / 0 / 9 / 36

HEX #36A495

RGB 54 164 149

HSL 171.82, 0.5%, 0.43%

LAB 61.22, -34.38, -1.28

 

CMYK 0 / 67 / 18 / 36

HEX #A43687

RGB 164 54 135

HSL 315.82, 0.5%, 0.43%

LAB 41.66, 53.76, -21.71

 

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

CMYK 67 / 45 / 0 / 36

HEX #365BA4

RGB 54 91 164

HSL 219.82, 0.5%, 0.43%

LAB 39.49, 11.39, -43.39

 

CMYK 0 / 67 / 45 / 36

HEX #A4365B

RGB 164 54 91

HSL 339.82, 0.5%, 0.43%

LAB 40.06, 48.23, 3.22

 

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

CMYK 67 / 0 / 9 / 36

HEX #36A495

RGB 54 164 149

HSL 171.82, 0.5%, 0.43%

LAB 61.22, -34.38, -1.28

 

CMYK 23 / 67 / 0 / 36

HEX #7F36A4

RGB 127 54 164

HSL 279.82, 0.5%, 0.43%

LAB 37.54, 49.69, -46.16

 

CMYK 0 / 67 / 58 / 36

HEX #A43645

RGB 164 54 69

HSL 351.82, 0.5%, 0.43%

LAB 39.51, 46.26, 16.31

 

CMYK 45 / 0 / 67 / 35

HEX #5AA537

RGB 90 165 55

HSL 100.91, 0.5%, 0.43%

LAB 61.1, -43.28, 48.08

 

CMYK 67 / 11 / 0 / 36

HEX #3692A4

RGB 54 146 164

HSL 189.82, 0.5%, 0.43%

LAB 56.11, -21.05, -17.44

 

CMYK 23 / 67 / 0 / 36

HEX #7F36A4

RGB 127 54 164

HSL 279.82, 0.5%, 0.43%

LAB 37.54, 49.69, -46.16

 

CMYK 0 / 55 / 67 / 36

HEX #A44936

RGB 164 73 54

HSL 10.36, 0.5%, 0.43%

LAB 42.65, 36.23, 29.42

 

Description

Color code: RGB 90 165 55 | qconv.com Color code: RGB 90 165 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 165 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 165 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 67 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 67% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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