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Color name
RGB 90 160 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 160 59 it is the complementary color RGB 165 95 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 160 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 160 59 shade: RGB 95 160 54, RGB 112 178 73, RGB 129 196 92, RGB 146 214 111 and RGB 163 232 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 160 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 73 142 40, RGB 56 124 21, RGB 39 106 2 and RGB 22 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 117 160 59, RGB 144 160 59, RGB 160 148 59 and RGB 160 121 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 62 160 59, RGB 59 160 82, RGB 59 160 109 and RGB 59 160 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 160 59 shade matches the following richer shades: RGB 90 160 59, RGB 83 177 41, RGB 76 195 23 and RGB 69 213 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 97 142 76, RGB 103 124 94, RGB 110 106 112 and RGB 117 89 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 160 59 shade: RGB 144 160 59, RGB 118 160 59, RGB 91 160 59, RGB 64 160 59 and RGB 59 160 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 160 59 shade: RGB 56 99 36, RGB 73 129 48, RGB 90 160 59, RGB 108 187 72 and RGB 132 198 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 59 160 148 and RGB 160 59 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 59 91 160 and RGB 160 59 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 59 160 148, RGB 128 59 160 and RGB 160 59 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 160 59 shade: RGB 90 160 59, RGB 59 141 160, RGB 128 59 160 and RGB 160 77 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

Complementary color

CMYK 16 / 52 / 0 / 23

HEX #A55FC4

RGB 165 95 196

HSL 281.58, 0.46%, 0.57%

LAB 52.03, 45.59, -41.56

 

CMYK 41 / 0 / 66 / 37

HEX #5FA036

RGB 95 160 54

HSL 96.79, 0.5%, 0.42%

LAB 59.74, -39.59, 47.12

 

CMYK 37 / 0 / 59 / 30

HEX #70B249

RGB 112 178 73

HSL 97.71, 0.42%, 0.49%

LAB 66.34, -39.75, 46.21

 

CMYK 34 / 0 / 53 / 23

HEX #81C45C

RGB 129 196 92

HSL 98.65, 0.47%, 0.56%

LAB 72.84, -39.77, 45.11

 

CMYK 32 / 0 / 48 / 16

HEX #92D66F

RGB 146 214 111

HSL 99.61, 0.56%, 0.64%

LAB 79.24, -39.72, 43.94

 

CMYK 30 / 0 / 44 / 9

HEX #A3E882

RGB 163 232 130

HSL 100.59, 0.69%, 0.71%

LAB 85.56, -39.61, 42.77

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 49 / 0 / 72 / 44

HEX #498E28

RGB 73 142 40

HSL 100.59, 0.56%, 0.36%

LAB 52.86, -40.49, 45.38

 

CMYK 55 / 0 / 83 / 51

HEX #387C15

RGB 56 124 21

HSL 99.61, 0.71%, 0.28%

LAB 46.06, -39.81, 45.33

 

CMYK 63 / 0 / 98 / 58

HEX #276A02

RGB 39 106 2

HSL 98.65, 0.96%, 0.21%

LAB 39.15, -38.59, 43.99

 

CMYK 75 / 0 / 100 / 65

HEX #165800

RGB 22 88 0

HSL 105, 1%, 0.17%

LAB 32.15, -36.25, 38.77

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 27 / 0 / 63 / 37

HEX #75A03B

RGB 117 160 59

HSL 85.54, 0.46%, 0.43%

LAB 60.99, -31.06, 46.63

 

CMYK 10 / 0 / 63 / 37

HEX #90A03B

RGB 144 160 59

HSL 69.5, 0.46%, 0.43%

LAB 62.83, -20.03, 49.17

 

CMYK 0 / 7 / 63 / 37

HEX #A0943B

RGB 160 148 59

HSL 52.87, 0.46%, 0.43%

LAB 60.75, -6.78, 47.31

 

CMYK 0 / 24 / 63 / 37

HEX #A0793B

RGB 160 121 59

HSL 36.83, 0.46%, 0.43%

LAB 53.45, 8.2, 39.19

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 61 / 0 / 63 / 37

HEX #3EA03B

RGB 62 160 59

HSL 118.22, 0.46%, 0.43%

LAB 58.49, -48.82, 43.16

 

CMYK 63 / 0 / 49 / 37

HEX #3BA052

RGB 59 160 82

HSL 133.66, 0.46%, 0.43%

LAB 58.68, -46.4, 32.09

 

CMYK 63 / 0 / 32 / 37

HEX #3BA06D

RGB 59 160 109

HSL 149.7, 0.46%, 0.43%

LAB 59.14, -41.41, 18.16

 

CMYK 63 / 0 / 14 / 37

HEX #3BA089

RGB 59 160 137

HSL 166.34, 0.46%, 0.43%

LAB 59.78, -34.84, 3.39

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 53 / 0 / 77 / 31

HEX #53B129

RGB 83 177 41

HSL 101.47, 0.62%, 0.43%

LAB 64.52, -51.21, 56.78

 

CMYK 61 / 0 / 88 / 24

HEX #4CC317

RGB 76 195 23

HSL 101.51, 0.79%, 0.43%

LAB 69.91, -60.33, 66.29

 

CMYK 68 / 0 / 98 / 16

HEX #45D505

RGB 69 213 5

HSL 101.54, 0.95%, 0.43%

LAB 75.37, -68.1, 73.1

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 32 / 0 / 46 / 44

HEX #618E4C

RGB 97 142 76

HSL 100.91, 0.3%, 0.43%

LAB 54.46, -28.16, 30.28

 

CMYK 17 / 0 / 24 / 51

HEX #677C5E

RGB 103 124 94

HSL 102, 0.14%, 0.43%

LAB 49.63, -13.74, 13.9

 

CMYK 2 / 5 / 0 / 56

HEX #6E6A70

RGB 110 106 112

HSL 280, 0.03%, 0.43%

LAB 45.35, 2.78, -2.8

 

CMYK 10 / 32 / 0 / 49

HEX #755982

RGB 117 89 130

HSL 280.98, 0.19%, 0.43%

LAB 42.06, 19.57, -18.58

 

CMYK 10 / 0 / 63 / 37

HEX #90A03B

RGB 144 160 59

HSL 69.5, 0.46%, 0.43%

LAB 62.83, -20.03, 49.17

 

CMYK 26 / 0 / 63 / 37

HEX #76A03B

RGB 118 160 59

HSL 84.95, 0.46%, 0.43%

LAB 61.05, -30.67, 46.72

 

CMYK 43 / 0 / 63 / 37

HEX #5BA03B

RGB 91 160 59

HSL 100.99, 0.46%, 0.43%

LAB 59.6, -40.47, 44.7

 

CMYK 60 / 0 / 63 / 37

HEX #40A03B

RGB 64 160 59

HSL 117.03, 0.46%, 0.43%

LAB 58.55, -48.33, 43.24

 

CMYK 63 / 0 / 49 / 37

HEX #3BA051

RGB 59 160 81

HSL 133.07, 0.46%, 0.43%

LAB 58.66, -46.56, 32.59

 

CMYK 43 / 0 / 64 / 61

HEX #386324

RGB 56 99 36

HSL 100.95, 0.47%, 0.26%

LAB 37.65, -27.71, 30.52

 

CMYK 43 / 0 / 63 / 49

HEX #498130

RGB 73 129 48

HSL 101.48, 0.46%, 0.35%

LAB 48.67, -34.14, 37.33

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 42 / 0 / 61 / 27

HEX #6CBB48

RGB 108 187 72

HSL 101.22, 0.46%, 0.51%

LAB 68.89, -45.03, 49.5

 

CMYK 33 / 0 / 48 / 22

HEX #84C667

RGB 132 198 103

HSL 101.68, 0.45%, 0.59%

LAB 73.72, -38.33, 40.87

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 63 / 0 / 7 / 37

HEX #3BA094

RGB 59 160 148

HSL 172.87, 0.46%, 0.43%

LAB 60.08, -31.92, -2.39

 

CMYK 0 / 63 / 18 / 37

HEX #A03B83

RGB 160 59 131

HSL 317.23, 0.46%, 0.43%

LAB 41.6, 49.92, -19.42

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 63 / 43 / 0 / 37

HEX #3B5BA0

RGB 59 91 160

HSL 220.99, 0.46%, 0.43%

LAB 39.5, 10.86, -40.99

 

CMYK 0 / 63 / 43 / 37

HEX #A03B5B

RGB 160 59 91

HSL 340.99, 0.46%, 0.43%

LAB 40.18, 44.73, 3.3

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 63 / 0 / 7 / 37

HEX #3BA094

RGB 59 160 148

HSL 172.87, 0.46%, 0.43%

LAB 60.08, -31.92, -2.39

 

CMYK 20 / 63 / 0 / 37

HEX #803BA0

RGB 128 59 160

HSL 280.99, 0.46%, 0.43%

LAB 38.3, 46.63, -42.54

 

CMYK 0 / 63 / 56 / 37

HEX #A03B46

RGB 160 59 70

HSL 353.47, 0.46%, 0.43%

LAB 39.65, 42.74, 15.75

 

CMYK 44 / 0 / 63 / 37

HEX #5AA03B

RGB 90 160 59

HSL 101.58, 0.46%, 0.43%

LAB 59.55, -40.8, 44.64

 

CMYK 63 / 12 / 0 / 37

HEX #3B8DA0

RGB 59 141 160

HSL 191.29, 0.46%, 0.43%

LAB 54.57, -18.8, -17.48

 

CMYK 20 / 63 / 0 / 37

HEX #803BA0

RGB 128 59 160

HSL 280.99, 0.46%, 0.43%

LAB 38.3, 46.63, -42.54

 

CMYK 0 / 52 / 63 / 37

HEX #A04D3B

RGB 160 77 59

HSL 10.69, 0.46%, 0.43%

LAB 42.91, 32.9, 26.66

 

Description

Color code: RGB 90 160 59 | qconv.com Color code: RGB 90 160 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 160 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 160 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 63 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 63% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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