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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 146 104 it is the complementary color RGB 165 109 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 146 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 146 104 shade: RGB 95 146 99, RGB 112 164 118, RGB 129 182 137, RGB 146 200 156 and RGB 163 218 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 146 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 146 104 shade: RGB 90 146 104, RGB 73 128 85, RGB 56 110 66, RGB 39 92 47 and RGB 22 74 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 146 104 shade: RGB 89 145 103, RGB 90 145 89, RGB 105 145 89, RGB 120 145 89 and RGB 135 145 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 146 104 shade: RGB 89 145 103, RGB 89 145 118, RGB 89 145 133, RGB 89 142 145 and RGB 89 126 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 146 104 shade matches the following richer shades: RGB 89 145 103, RGB 70 164 93, RGB 51 183 84, RGB 32 202 74 and RGB 13 221 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 146 104 shade: RGB 89 145 103, RGB 108 126 112, RGB 127 107 122, RGB 146 88 131 and RGB 165 69 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 146 104 shade: RGB 105 145 89, RGB 90 145 89, RGB 89 145 103, RGB 89 145 118 and RGB 89 145 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 146 104 shade: RGB 57 94 66, RGB 73 119 85, RGB 89 145 103, RGB 109 166 123 and RGB 135 181 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 146 104 shade: RGB 90 146 104, RGB 89 120 145 and RGB 145 89 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 146 104 shade: RGB 90 146 104, RGB 103 89 145 and RGB 145 103 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 146 104 shade: RGB 90 146 104, RGB 89 120 145, RGB 145 89 131 and RGB 145 114 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 146 104 shade: RGB 90 146 104, RGB 89 103 145, RGB 145 89 131 and RGB 145 131 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

Complementary color

CMYK 0 / 34 / 8 / 35

HEX #A56D97

RGB 165 109 151

HSL 315, 0.24%, 0.54%

LAB 53.14, 28.94, -13.72

 

CMYK 35 / 0 / 32 / 43

HEX #5F9263

RGB 95 146 99

HSL 124.71, 0.21%, 0.47%

LAB 55.98, -27.17, 19.66

 

CMYK 32 / 0 / 28 / 36

HEX #70A476

RGB 112 164 118

HSL 126.92, 0.22%, 0.54%

LAB 62.76, -26.89, 18.51

 

CMYK 29 / 0 / 25 / 29

HEX #81B689

RGB 129 182 137

HSL 129.06, 0.27%, 0.61%

LAB 69.42, -26.64, 17.46

 

CMYK 27 / 0 / 22 / 22

HEX #92C89C

RGB 146 200 156

HSL 131.11, 0.33%, 0.68%

LAB 75.96, -26.39, 16.47

 

CMYK 25 / 0 / 20 / 15

HEX #A3DAAF

RGB 163 218 175

HSL 133.09, 0.43%, 0.75%

LAB 82.39, -26.17, 15.54

 

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

CMYK 43 / 0 / 34 / 50

HEX #498055

RGB 73 128 85

HSL 133.09, 0.27%, 0.39%

LAB 48.9, -28.16, 17.8

 

CMYK 49 / 0 / 40 / 57

HEX #386E42

RGB 56 110 66

HSL 131.11, 0.33%, 0.33%

LAB 41.82, -28.39, 19.14

 

CMYK 58 / 0 / 49 / 64

HEX #275C2F

RGB 39 92 47

HSL 129.06, 0.4%, 0.26%

LAB 34.58, -28.49, 20.63

 

CMYK 70 / 0 / 62 / 71

HEX #164A1C

RGB 22 74 28

HSL 126.92, 0.54%, 0.19%

LAB 27.16, -28.22, 22.22

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 38 / 0 / 39 / 43

HEX #5A9159

RGB 90 145 89

HSL 118.93, 0.24%, 0.46%

LAB 55.22, -30.08, 24.14

 

CMYK 28 / 0 / 39 / 43

HEX #699159

RGB 105 145 89

HSL 102.86, 0.24%, 0.46%

LAB 56.06, -24.8, 25.4

 

CMYK 17 / 0 / 39 / 43

HEX #789159

RGB 120 145 89

HSL 86.79, 0.24%, 0.46%

LAB 57.04, -19.06, 26.87

 

CMYK 7 / 0 / 39 / 43

HEX #879159

RGB 135 145 89

HSL 70.71, 0.24%, 0.46%

LAB 58.15, -13, 28.52

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 39 / 0 / 19 / 43

HEX #599176

RGB 89 145 118

HSL 151.07, 0.24%, 0.46%

LAB 55.77, -24.82, 8.58

 

CMYK 39 / 0 / 8 / 43

HEX #599185

RGB 89 145 133

HSL 167.14, 0.24%, 0.46%

LAB 56.16, -21.36, 0.55

 

CMYK 39 / 2 / 0 / 43

HEX #598E91

RGB 89 142 145

HSL 183.21, 0.24%, 0.46%

LAB 55.6, -16.75, -7.17

 

CMYK 39 / 13 / 0 / 43

HEX #597E91

RGB 89 126 145

HSL 200.36, 0.24%, 0.46%

LAB 50.79, -7.9, -14.39

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 72 / 0 / 54 / 28

HEX #33B754

RGB 51 183 84

HSL 135, 0.56%, 0.46%

LAB 65.91, -56.18, 39.96

 

CMYK 84 / 0 / 63 / 21

HEX #20CA4A

RGB 32 202 74

HSL 134.82, 0.73%, 0.46%

LAB 71.58, -66.15, 51.09

 

CMYK 94 / 0 / 71 / 13

HEX #0DDD41

RGB 13 221 65

HSL 135, 0.89%, 0.46%

LAB 77.39, -73.95, 60.92

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 14 / 0 / 11 / 51

HEX #6C7E70

RGB 108 126 112

HSL 133.33, 0.08%, 0.46%

LAB 51.01, -9.53, 5.41

 

CMYK 0 / 16 / 4 / 50

HEX #7F6B7A

RGB 127 107 122

HSL 315, 0.09%, 0.46%

LAB 47.54, 10.71, -5.38

 

CMYK 0 / 40 / 10 / 43

HEX #925883

RGB 146 88 131

HSL 315.52, 0.25%, 0.46%

LAB 45.26, 30.54, -13.99

 

CMYK 0 / 58 / 15 / 35

HEX #A5458D

RGB 165 69 141

HSL 315, 0.41%, 0.46%

LAB 44.49, 48.36, -20.98

 

CMYK 28 / 0 / 39 / 43

HEX #699159

RGB 105 145 89

HSL 102.86, 0.24%, 0.46%

LAB 56.06, -24.8, 25.4

 

CMYK 38 / 0 / 39 / 43

HEX #5A9159

RGB 90 145 89

HSL 118.93, 0.24%, 0.46%

LAB 55.22, -30.08, 24.14

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 39 / 0 / 19 / 43

HEX #599176

RGB 89 145 118

HSL 151.07, 0.24%, 0.46%

LAB 55.77, -24.82, 8.58

 

CMYK 39 / 0 / 8 / 43

HEX #599185

RGB 89 145 133

HSL 167.14, 0.24%, 0.46%

LAB 56.16, -21.36, 0.55

 

CMYK 39 / 0 / 30 / 63

HEX #395E42

RGB 57 94 66

HSL 134.59, 0.25%, 0.3%

LAB 36.5, -20.01, 11.98

 

CMYK 39 / 0 / 29 / 53

HEX #497755

RGB 73 119 85

HSL 135.65, 0.24%, 0.38%

LAB 46, -23.68, 13.85

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 34 / 0 / 26 / 35

HEX #6DA67B

RGB 109 166 123

HSL 134.74, 0.24%, 0.54%

LAB 63.3, -27.93, 16.48

 

CMYK 25 / 0 / 19 / 29

HEX #87B592

RGB 135 181 146

HSL 134.35, 0.24%, 0.62%

LAB 69.66, -22.48, 12.95

 

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

CMYK 39 / 17 / 0 / 43

HEX #597891

RGB 89 120 145

HSL 206.79, 0.24%, 0.46%

LAB 49.01, -4.44, -17.1

 

CMYK 0 / 39 / 33 / 43

HEX #915961

RGB 145 89 97

HSL 351.43, 0.24%, 0.46%

LAB 44.27, 24.15, 5.19

 

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

CMYK 29 / 39 / 0 / 43

HEX #675991

RGB 103 89 145

HSL 255, 0.24%, 0.46%

LAB 41.33, 18.67, -28.89

 

CMYK 0 / 29 / 39 / 43

HEX #916759

RGB 145 103 89

HSL 15, 0.24%, 0.46%

LAB 47.55, 14.96, 14.6

 

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

CMYK 39 / 17 / 0 / 43

HEX #597891

RGB 89 120 145

HSL 206.79, 0.24%, 0.46%

LAB 49.01, -4.44, -17.1

 

CMYK 0 / 39 / 10 / 43

HEX #915983

RGB 145 89 131

HSL 315, 0.24%, 0.46%

LAB 45.36, 29.62, -13.85

 

CMYK 0 / 21 / 39 / 43

HEX #917259

RGB 145 114 89

HSL 26.79, 0.24%, 0.46%

LAB 50.42, 8.57, 18.51

 

CMYK 38 / 0 / 29 / 43

HEX #5A9268

RGB 90 146 104

HSL 135, 0.24%, 0.46%

LAB 55.82, -27.88, 16.59

 

CMYK 39 / 29 / 0 / 43

HEX #596791

RGB 89 103 145

HSL 225, 0.24%, 0.46%

LAB 44.04, 5.76, -24.74

 

CMYK 0 / 39 / 10 / 43

HEX #915983

RGB 145 89 131

HSL 315, 0.24%, 0.46%

LAB 45.36, 29.62, -13.85

 

CMYK 0 / 10 / 39 / 43

HEX #918359

RGB 145 131 89

HSL 45, 0.24%, 0.46%

LAB 55.05, -1.12, 24.65

 

Description

Color code: RGB 90 146 104 | qconv.com Color code: RGB 90 146 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 146 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 146 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 29 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 29% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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