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Color name
RGB 90 112 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 112 170 it is the complementary color RGB 165 143 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 112 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 112 170 shade: RGB 95 112 165, RGB 112 130 184, RGB 129 148 203, RGB 146 166 222 and RGB 163 184 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 112 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 73 94 151, RGB 56 76 132, RGB 39 58 113 and RGB 22 40 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 90 90 170, RGB 111 90 170, RGB 132 90 170 and RGB 154 90 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 90 90 170 and RGB 90 90 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 112 170 shade matches the following richer shades: RGB 90 112 170, RGB 69 102 190, RGB 49 93 210, RGB 29 84 230 and RGB 9 75 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 110 121 149, RGB 130 130 129, RGB 150 139 109 and RGB 170 148 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 112 170 shade: RGB 90 155 170, RGB 90 134 170, RGB 90 112 170, RGB 90 91 170 and RGB 110 90 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 112 170 shade: RGB 60 76 117, RGB 74 93 144, RGB 90 112 170, RGB 117 135 184 and RGB 144 159 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 163 90 170 and RGB 144 170 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 170 90 112 and RGB 112 170 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 163 90 170, RGB 170 147 90 and RGB 96 170 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 112 170 shade: RGB 90 112 170, RGB 170 90 152, RGB 170 147 90 and RGB 90 170 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

Complementary color

CMYK 0 / 13 / 48 / 35

HEX #A58F55

RGB 165 143 85

HSL 43.5, 0.32%, 0.49%

LAB 60.16, 0.33, 33.76

 

CMYK 42 / 32 / 0 / 35

HEX #5F70A5

RGB 95 112 165

HSL 225.43, 0.28%, 0.51%

LAB 47.93, 7.84, -30.49

 

CMYK 39 / 29 / 0 / 28

HEX #7082B8

RGB 112 130 184

HSL 225, 0.34%, 0.58%

LAB 54.94, 7.23, -30.47

 

CMYK 36 / 27 / 0 / 20

HEX #8194CB

RGB 129 148 203

HSL 224.59, 0.42%, 0.65%

LAB 61.79, 6.72, -30.5

 

CMYK 34 / 25 / 0 / 13

HEX #92A6DE

RGB 146 166 222

HSL 224.21, 0.54%, 0.72%

LAB 68.5, 6.28, -30.57

 

CMYK 32 / 24 / 0 / 5

HEX #A3B8F1

RGB 163 184 241

HSL 223.85, 0.74%, 0.79%

LAB 75.09, 5.89, -30.67

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 52 / 38 / 0 / 41

HEX #495E97

RGB 73 94 151

HSL 223.85, 0.35%, 0.44%

LAB 40.66, 8.91, -33.7

 

CMYK 58 / 42 / 0 / 48

HEX #384C84

RGB 56 76 132

HSL 224.21, 0.4%, 0.37%

LAB 33.3, 10.05, -33.89

 

CMYK 65 / 49 / 0 / 56

HEX #273A71

RGB 39 58 113

HSL 224.59, 0.49%, 0.3%

LAB 25.71, 11.59, -34.15

 

CMYK 77 / 57 / 0 / 63

HEX #16285E

RGB 22 40 94

HSL 225, 0.62%, 0.23%

LAB 17.9, 13.79, -34.44

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 47 / 47 / 0 / 33

HEX #5A5AAA

RGB 90 90 170

HSL 240, 0.32%, 0.51%

LAB 41.83, 21.72, -43.09

 

CMYK 35 / 47 / 0 / 33

HEX #6F5AAA

RGB 111 90 170

HSL 255.75, 0.32%, 0.51%

LAB 43.65, 27.18, -40.08

 

CMYK 22 / 47 / 0 / 33

HEX #845AAA

RGB 132 90 170

HSL 271.5, 0.32%, 0.51%

LAB 45.8, 33.13, -36.54

 

CMYK 9 / 47 / 0 / 33

HEX #9A5AAA

RGB 154 90 170

HSL 288, 0.32%, 0.51%

LAB 48.37, 39.63, -32.32

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 47 / 47 / 0 / 33

HEX #5A5AAA

RGB 90 90 170

HSL 240, 0.32%, 0.51%

LAB 41.83, 21.72, -43.09

 

CMYK 47 / 47 / 0 / 33

HEX #5A5AAA

RGB 90 90 170

HSL 240, 0.32%, 0.51%

LAB 41.83, 21.72, -43.09

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 64 / 46 / 0 / 25

HEX #4566BE

RGB 69 102 190

HSL 223.64, 0.48%, 0.51%

LAB 44.92, 16.33, -49.92

 

CMYK 77 / 56 / 0 / 18

HEX #315DD2

RGB 49 93 210

HSL 223.6, 0.64%, 0.51%

LAB 42.97, 26.52, -64.66

 

CMYK 87 / 63 / 0 / 10

HEX #1D54E6

RGB 29 84 230

HSL 223.58, 0.8%, 0.51%

LAB 41.71, 38.16, -78.13

 

CMYK 96 / 70 / 0 / 2

HEX #094BFA

RGB 9 75 250

HSL 223.57, 0.96%, 0.51%

LAB 41.2, 50.25, -90.25

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 26 / 19 / 0 / 42

HEX #6E7995

RGB 110 121 149

HSL 223.08, 0.16%, 0.51%

LAB 50.87, 2.52, -16.48

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 0 / 7 / 27 / 41

HEX #968B6D

RGB 150 139 109

HSL 43.9, 0.16%, 0.51%

LAB 58.09, -0.83, 17.56

 

CMYK 0 / 13 / 48 / 33

HEX #AA9459

RGB 170 148 89

HSL 43.7, 0.32%, 0.51%

LAB 62.04, 0.12, 34.08

 

CMYK 47 / 9 / 0 / 33

HEX #5A9BAA

RGB 90 155 170

HSL 191.25, 0.32%, 0.51%

LAB 60.35, -16.66, -14.3

 

CMYK 47 / 21 / 0 / 33

HEX #5A86AA

RGB 90 134 170

HSL 207, 0.32%, 0.51%

LAB 54.16, -5.03, -23.75

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 47 / 46 / 0 / 33

HEX #5A5BAA

RGB 90 91 170

HSL 239.25, 0.32%, 0.51%

LAB 42.09, 21.09, -42.67

 

CMYK 35 / 47 / 0 / 33

HEX #6E5AAA

RGB 110 90 170

HSL 255, 0.32%, 0.51%

LAB 43.55, 26.91, -40.24

 

CMYK 49 / 35 / 0 / 54

HEX #3C4C75

RGB 60 76 117

HSL 223.16, 0.32%, 0.35%

LAB 32.73, 5.91, -25.46

 

CMYK 49 / 35 / 0 / 44

HEX #4A5D90

RGB 74 93 144

HSL 223.71, 0.32%, 0.43%

LAB 40.08, 7.52, -30.41

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 36 / 27 / 0 / 28

HEX #7587B8

RGB 117 135 184

HSL 223.88, 0.32%, 0.59%

LAB 56.65, 5.7, -27.78

 

CMYK 27 / 20 / 0 / 22

HEX #909FC6

RGB 144 159 198

HSL 223.33, 0.32%, 0.67%

LAB 65.59, 3.56, -21.77

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 4 / 47 / 0 / 33

HEX #A35AAA

RGB 163 90 170

HSL 294.75, 0.32%, 0.51%

LAB 49.5, 42.33, -30.47

 

CMYK 15 / 0 / 47 / 33

HEX #90AA5A

RGB 144 170 90

HSL 79.5, 0.32%, 0.51%

LAB 66.07, -22.17, 38.1

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 0 / 47 / 34 / 33

HEX #AA5A70

RGB 170 90 112

HSL 343.5, 0.32%, 0.51%

LAB 48.3, 35.16, 2.33

 

CMYK 34 / 0 / 47 / 33

HEX #70AA5A

RGB 112 170 90

HSL 103.5, 0.32%, 0.51%

LAB 64.11, -34.15, 35.23

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 4 / 47 / 0 / 33

HEX #A35AAA

RGB 163 90 170

HSL 294.75, 0.32%, 0.51%

LAB 49.5, 42.33, -30.47

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 44 / 0 / 47 / 33

HEX #60AA5A

RGB 96 170 90

HSL 115.5, 0.32%, 0.51%

LAB 63.32, -39.42, 34.08

 

CMYK 47 / 34 / 0 / 33

HEX #5A70AA

RGB 90 112 170

HSL 223.5, 0.32%, 0.51%

LAB 47.83, 8.03, -33.58

 

CMYK 0 / 47 / 11 / 33

HEX #AA5A98

RGB 170 90 152

HSL 313.5, 0.32%, 0.51%

LAB 49.65, 41.2, -19.56

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 47 / 0 / 37 / 33

HEX #5AAA6B

RGB 90 170 107

HSL 132.75, 0.32%, 0.51%

LAB 63.33, -38.5, 25.09

 

Description

Color code: RGB 90 112 170 | qconv.com Color code: RGB 90 112 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 112 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 112 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 34 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 34% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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