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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 112 123 it is the complementary color RGB 165 143 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 112 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 112 123 shade: RGB 95 112 118, RGB 112 130 137, RGB 129 148 156, RGB 146 166 175 and RGB 163 184 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 112 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 112 123 shade: RGB 90 112 123, RGB 73 94 104, RGB 56 76 85, RGB 39 58 66 and RGB 22 40 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 112 123 shade: RGB 91 112 123, RGB 91 103 123, RGB 91 95 123, RGB 95 91 123 and RGB 104 91 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 112 123 shade: RGB 91 112 123, RGB 91 103 123, RGB 91 95 123 and RGB 91 91 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 112 123 shade matches the following richer shades: RGB 91 112 123, RGB 73 118 140, RGB 56 124 157, RGB 39 129 175 and RGB 21 135 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 112 123 shade: RGB 91 112 123, RGB 108 106 105, RGB 125 100 88, RGB 143 95 71 and RGB 160 89 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 112 123 shade: RGB 91 123 116, RGB 91 121 123, RGB 91 112 123, RGB 91 103 123 and RGB 91 95 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 112 123 shade: RGB 55 69 75, RGB 73 90 99, RGB 91 112 123, RGB 108 134 146 and RGB 132 153 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 112 123 shade: RGB 90 112 123, RGB 108 91 123 and RGB 123 121 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 112 123 shade: RGB 90 112 123, RGB 123 91 112 and RGB 112 123 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 112 123 shade: RGB 90 112 123, RGB 108 91 123, RGB 123 101 91 and RGB 106 123 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 112 123 shade: RGB 90 112 123, RGB 117 91 123, RGB 123 101 91 and RGB 96 123 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

Complementary color

CMYK 0 / 13 / 20 / 35

HEX #A58F84

RGB 165 143 132

HSL 20, 0.15%, 0.58%

LAB 61.05, 6.42, 8.88

 

CMYK 19 / 5 / 0 / 54

HEX #5F7076

RGB 95 112 118

HSL 195.65, 0.11%, 0.42%

LAB 46.08, -4.9, -5.45

 

CMYK 18 / 5 / 0 / 46

HEX #708289

RGB 112 130 137

HSL 196.8, 0.1%, 0.49%

LAB 53.19, -4.94, -5.98

 

CMYK 17 / 5 / 0 / 39

HEX #81949C

RGB 129 148 156

HSL 197.78, 0.12%, 0.56%

LAB 60.11, -4.98, -6.5

 

CMYK 17 / 5 / 0 / 31

HEX #92A6AF

RGB 146 166 175

HSL 198.62, 0.15%, 0.63%

LAB 66.88, -5.03, -7

 

CMYK 16 / 5 / 0 / 24

HEX #A3B8C2

RGB 163 184 194

HSL 199.35, 0.2%, 0.7%

LAB 73.52, -5.08, -7.5

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 30 / 10 / 0 / 59

HEX #495E68

RGB 73 94 104

HSL 199.35, 0.18%, 0.35%

LAB 38.59, -5.31, -8.3

 

CMYK 34 / 11 / 0 / 67

HEX #384C55

RGB 56 76 85

HSL 198.62, 0.21%, 0.28%

LAB 31.03, -5.26, -7.84

 

CMYK 41 / 12 / 0 / 74

HEX #273A42

RGB 39 58 66

HSL 197.78, 0.26%, 0.21%

LAB 23.17, -5.19, -7.37

 

CMYK 53 / 15 / 0 / 82

HEX #16282F

RGB 22 40 47

HSL 196.8, 0.36%, 0.14%

LAB 14.92, -5.05, -6.9

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 26 / 16 / 0 / 52

HEX #5B677B

RGB 91 103 123

HSL 217.5, 0.15%, 0.42%

LAB 43.29, 0.31, -12.67

 

CMYK 26 / 23 / 0 / 52

HEX #5B5F7B

RGB 91 95 123

HSL 232.5, 0.15%, 0.42%

LAB 40.96, 5.19, -16.22

 

CMYK 23 / 26 / 0 / 52

HEX #5F5B7B

RGB 95 91 123

HSL 247.5, 0.15%, 0.42%

LAB 40.16, 9.03, -17.42

 

CMYK 15 / 26 / 0 / 52

HEX #685B7B

RGB 104 91 123

HSL 264.38, 0.15%, 0.42%

LAB 40.99, 12.16, -16.08

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 26 / 16 / 0 / 52

HEX #5B677B

RGB 91 103 123

HSL 217.5, 0.15%, 0.42%

LAB 43.29, 0.31, -12.67

 

CMYK 26 / 23 / 0 / 52

HEX #5B5F7B

RGB 91 95 123

HSL 232.5, 0.15%, 0.42%

LAB 40.96, 5.19, -16.22

 

CMYK 26 / 26 / 0 / 52

HEX #5B5B7B

RGB 91 91 123

HSL 240, 0.15%, 0.42%

LAB 39.81, 7.68, -17.99

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 48 / 16 / 0 / 45

HEX #49768C

RGB 73 118 140

HSL 199.7, 0.31%, 0.42%

LAB 47.32, -9.14, -16.81

 

CMYK 64 / 21 / 0 / 38

HEX #387C9D

RGB 56 124 157

HSL 199.6, 0.47%, 0.42%

LAB 49.12, -10.94, -24.11

 

CMYK 78 / 26 / 0 / 31

HEX #2781AF

RGB 39 129 175

HSL 200.29, 0.64%, 0.42%

LAB 50.95, -10.09, -31.76

 

CMYK 89 / 30 / 0 / 25

HEX #1587C0

RGB 21 135 192

HSL 200, 0.8%, 0.42%

LAB 53.27, -8.87, -37.9

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 0 / 20 / 30 / 51

HEX #7D6458

RGB 125 100 88

HSL 19.46, 0.17%, 0.42%

LAB 44.49, 8.12, 10.61

 

CMYK 0 / 34 / 50 / 44

HEX #8F5F47

RGB 143 95 71

HSL 20, 0.34%, 0.42%

LAB 44.91, 16.69, 21.66

 

CMYK 0 / 44 / 67 / 37

HEX #A05935

RGB 160 89 53

HSL 20.19, 0.5%, 0.42%

LAB 45.46, 25.94, 33.16

 

CMYK 26 / 0 / 6 / 52

HEX #5B7B74

RGB 91 123 116

HSL 166.88, 0.15%, 0.42%

LAB 49.07, -13, 0.11

 

CMYK 26 / 2 / 0 / 52

HEX #5B797B

RGB 91 121 123

HSL 183.75, 0.15%, 0.42%

LAB 48.67, -10.21, -4.61

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 26 / 16 / 0 / 52

HEX #5B677B

RGB 91 103 123

HSL 217.5, 0.15%, 0.42%

LAB 43.29, 0.31, -12.67

 

CMYK 26 / 23 / 0 / 52

HEX #5B5F7B

RGB 91 95 123

HSL 232.5, 0.15%, 0.42%

LAB 40.96, 5.19, -16.22

 

CMYK 27 / 8 / 0 / 71

HEX #37454B

RGB 55 69 75

HSL 198, 0.15%, 0.25%

LAB 28.32, -4.01, -5.47

 

CMYK 26 / 9 / 0 / 61

HEX #495A63

RGB 73 90 99

HSL 200.77, 0.15%, 0.34%

LAB 37.17, -4.22, -7.33

 

CMYK 26 / 9 / 0 / 52

HEX #5B707B

RGB 91 112 123

HSL 200.63, 0.15%, 0.42%

LAB 45.96, -5.03, -8.64

 

CMYK 26 / 8 / 0 / 43

HEX #6C8692

RGB 108 134 146

HSL 198.95, 0.15%, 0.5%

LAB 54.36, -6.38, -9.49

 

CMYK 20 / 7 / 0 / 36

HEX #8499A4

RGB 132 153 164

HSL 200.63, 0.15%, 0.58%

LAB 61.97, -4.95, -8.24

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 12 / 26 / 0 / 52

HEX #6C5B7B

RGB 108 91 123

HSL 271.88, 0.15%, 0.42%

LAB 41.38, 13.57, -15.45

 

CMYK 0 / 2 / 26 / 52

HEX #7B795B

RGB 123 121 91

HSL 56.25, 0.15%, 0.42%

LAB 50.26, -4.5, 16.77

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 0 / 26 / 9 / 52

HEX #7B5B70

RGB 123 91 112

HSL 320.63, 0.15%, 0.42%

LAB 42.56, 16.8, -6.8

 

CMYK 9 / 0 / 26 / 52

HEX #707B5B

RGB 112 123 91

HSL 80.63, 0.15%, 0.42%

LAB 49.94, -10.14, 16.18

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 12 / 26 / 0 / 52

HEX #6C5B7B

RGB 108 91 123

HSL 271.88, 0.15%, 0.42%

LAB 41.38, 13.57, -15.45

 

CMYK 0 / 18 / 26 / 52

HEX #7B655B

RGB 123 101 91

HSL 18.75, 0.15%, 0.42%

LAB 44.62, 7.15, 8.96

 

CMYK 14 / 0 / 26 / 52

HEX #6A7B5B

RGB 106 123 91

HSL 91.88, 0.15%, 0.42%

LAB 49.48, -12.54, 15.48

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 5 / 26 / 0 / 52

HEX #755B7B

RGB 117 91 123

HSL 288.75, 0.15%, 0.42%

LAB 42.3, 16.81, -13.96

 

CMYK 0 / 18 / 26 / 52

HEX #7B655B

RGB 123 101 91

HSL 18.75, 0.15%, 0.42%

LAB 44.62, 7.15, 8.96

 

CMYK 22 / 0 / 26 / 52

HEX #607B5B

RGB 96 123 91

HSL 110.63, 0.15%, 0.42%

LAB 48.77, -16.42, 14.39

 

Description

Color code: RGB 90 112 123 | qconv.com Color code: RGB 90 112 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 112 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 112 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 9 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 9% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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