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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 49 42 it is the complementary color RGB 165 206 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 49 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 49 42 shade: RGB 95 49 37, RGB 112 67 56, RGB 129 85 75, RGB 146 103 94 and RGB 163 121 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 49 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 73 31 23, RGB 56 13 4, RGB 39 0 0 and RGB 22 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 49 42 shade: RGB 90 49 42 and RGB 90 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 90 62 42, RGB 90 75 42, RGB 90 88 42 and RGB 79 90 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 49 42 shade matches the following richer shades: RGB 90 49 42, RGB 100 41 31, RGB 111 34 20 and RGB 122 26 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 79 56 53, RGB 68 64 63, RGB 57 72 74 and RGB 47 79 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 49 42 shade: RGB 90 42 61, RGB 90 42 48, RGB 90 48 42, RGB 90 61 42 and RGB 90 74 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 49 42 shade: RGB 34 18 16, RGB 62 34 29, RGB 90 49 42, RGB 118 64 55 and RGB 146 80 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 74 90 42 and RGB 42 55 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 42 90 48 and RGB 48 42 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 74 90 42, RGB 42 83 90 and RGB 58 42 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 49 42 shade: RGB 90 49 42, RGB 59 90 42, RGB 42 83 90 and RGB 72 42 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

Complementary color

CMYK 23 / 3 / 0 / 16

HEX #A5CED5

RGB 165 206 213

HSL 188.75, 0.36%, 0.74%

LAB 80.15, -11.89, -7.92

 

CMYK 0 / 48 / 61 / 63

HEX #5F3125

RGB 95 49 37

HSL 12.41, 0.44%, 0.26%

LAB 26.05, 19.5, 16.85

 

CMYK 0 / 40 / 50 / 56

HEX #704338

RGB 112 67 56

HSL 11.79, 0.33%, 0.33%

LAB 33.45, 18.12, 14.89

 

CMYK 0 / 34 / 42 / 49

HEX #81554B

RGB 129 85 75

HSL 11.11, 0.26%, 0.4%

LAB 40.69, 16.98, 13.3

 

CMYK 0 / 29 / 36 / 43

HEX #92675E

RGB 146 103 94

HSL 10.38, 0.22%, 0.47%

LAB 47.78, 16.03, 11.96

 

CMYK 0 / 26 / 31 / 36

HEX #A37971

RGB 163 121 113

HSL 9.6, 0.21%, 0.54%

LAB 54.71, 15.23, 10.79

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 58 / 68 / 71

HEX #491F17

RGB 73 31 23

HSL 9.6, 0.52%, 0.19%

LAB 17.73, 19.24, 14.84

 

CMYK 0 / 77 / 93 / 78

HEX #380D04

RGB 56 13 4

HSL 10.38, 0.87%, 0.12%

LAB 10.09, 20.75, 13.96

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 53 / 53 / 65

HEX #5A2A2A

RGB 90 42 42

HSL 0, 0.36%, 0.26%

LAB 23.66, 22, 10.25

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 31 / 53 / 65

HEX #5A3E2A

RGB 90 62 42

HSL 25, 0.36%, 0.26%

LAB 28.87, 9.57, 17.14

 

CMYK 0 / 17 / 53 / 65

HEX #5A4B2A

RGB 90 75 42

HSL 41.25, 0.36%, 0.26%

LAB 32.64, 1.41, 21.91

 

CMYK 0 / 2 / 53 / 65

HEX #5A582A

RGB 90 88 42

HSL 57.5, 0.36%, 0.26%

LAB 36.59, -6.45, 26.72

 

CMYK 12 / 0 / 53 / 65

HEX #4F5A2A

RGB 79 90 42

HSL 73.75, 0.36%, 0.26%

LAB 36.26, -12.72, 26.08

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 59 / 69 / 61

HEX #64291F

RGB 100 41 31

HSL 8.7, 0.53%, 0.26%

LAB 24.93, 25.87, 19.51

 

CMYK 0 / 69 / 82 / 56

HEX #6F2214

RGB 111 34 20

HSL 9.23, 0.69%, 0.26%

LAB 25.49, 33.27, 27.49

 

CMYK 0 / 79 / 92 / 52

HEX #7A1A0A

RGB 122 26 10

HSL 8.57, 0.85%, 0.26%

LAB 26.44, 40.21, 34.33

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 29 / 33 / 69

HEX #4F3835

RGB 79 56 53

HSL 6.92, 0.2%, 0.26%

LAB 26, 9.75, 5.9

 

CMYK 0 / 6 / 7 / 73

HEX #44403F

RGB 68 64 63

HSL 12, 0.04%, 0.26%

LAB 27.45, 1.49, 1.22

 

CMYK 23 / 3 / 0 / 71

HEX #39484A

RGB 57 72 74

HSL 187.06, 0.13%, 0.26%

LAB 29.41, -5.43, -3.18

 

CMYK 45 / 7 / 0 / 67

HEX #2F4F55

RGB 47 79 85

HSL 189.47, 0.29%, 0.26%

LAB 31.47, -9.95, -7.24

 

CMYK 0 / 53 / 32 / 65

HEX #5A2A3D

RGB 90 42 61

HSL 336.25, 0.36%, 0.26%

LAB 24.21, 24.49, -1.85

 

CMYK 0 / 53 / 47 / 65

HEX #5A2A30

RGB 90 42 48

HSL 352.5, 0.36%, 0.26%

LAB 23.81, 22.7, 6.4

 

CMYK 0 / 47 / 53 / 65

HEX #5A302A

RGB 90 48 42

HSL 7.5, 0.36%, 0.26%

LAB 25.12, 18.37, 12.22

 

CMYK 0 / 32 / 53 / 65

HEX #5A3D2A

RGB 90 61 42

HSL 23.75, 0.36%, 0.26%

LAB 28.59, 10.2, 16.77

 

CMYK 0 / 18 / 53 / 65

HEX #5A4A2A

RGB 90 74 42

HSL 40, 0.36%, 0.26%

LAB 32.34, 2.03, 21.54

 

CMYK 0 / 47 / 53 / 87

HEX #221210

RGB 34 18 16

HSL 6.67, 0.36%, 0.1%

LAB 7.32, 7.93, 4.1

 

CMYK 0 / 45 / 53 / 76

HEX #3E221D

RGB 62 34 29

HSL 9.09, 0.36%, 0.18%

LAB 16.78, 12.76, 9.1

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 0 / 46 / 53 / 54

HEX #764037

RGB 118 64 55

HSL 8.57, 0.36%, 0.34%

LAB 33.55, 22.42, 15.82

 

CMYK 0 / 45 / 53 / 43

HEX #925044

RGB 146 80 68

HSL 9.23, 0.36%, 0.42%

LAB 41.64, 26.3, 19.23

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 18 / 0 / 53 / 65

HEX #4A5A2A

RGB 74 90 42

HSL 80, 0.36%, 0.26%

LAB 35.86, -14.97, 25.51

 

CMYK 53 / 39 / 0 / 65

HEX #2A375A

RGB 42 55 90

HSL 223.75, 0.36%, 0.26%

LAB 23.55, 5.83, -22.7

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 53 / 0 / 47 / 65

HEX #2A5A30

RGB 42 90 48

HSL 127.5, 0.36%, 0.26%

LAB 34.02, -26.47, 19.36

 

CMYK 47 / 53 / 0 / 65

HEX #302A5A

RGB 48 42 90

HSL 247.5, 0.36%, 0.26%

LAB 20.13, 16.59, -28.09

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 18 / 0 / 53 / 65

HEX #4A5A2A

RGB 74 90 42

HSL 80, 0.36%, 0.26%

LAB 35.86, -14.97, 25.51

 

CMYK 53 / 8 / 0 / 65

HEX #2A535A

RGB 42 83 90

HSL 188.75, 0.36%, 0.26%

LAB 32.74, -12.18, -8.53

 

CMYK 36 / 53 / 0 / 65

HEX #3A2A5A

RGB 58 42 90

HSL 260, 0.36%, 0.26%

LAB 21.18, 19.51, -26.35

 

CMYK 0 / 46 / 53 / 65

HEX #5A312A

RGB 90 49 42

HSL 8.75, 0.36%, 0.26%

LAB 25.37, 17.75, 12.55

 

CMYK 34 / 0 / 53 / 65

HEX #3B5A2A

RGB 59 90 42

HSL 98.75, 0.36%, 0.26%

LAB 34.82, -21.33, 24.01

 

CMYK 53 / 8 / 0 / 65

HEX #2A535A

RGB 42 83 90

HSL 188.75, 0.36%, 0.26%

LAB 32.74, -12.18, -8.53

 

CMYK 20 / 53 / 0 / 65

HEX #482A5A

RGB 72 42 90

HSL 277.5, 0.36%, 0.26%

LAB 22.9, 23.89, -23.52

 

Description

Color code: RGB 90 49 42 | qconv.com Color code: RGB 90 49 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 49 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 49 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 53 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 53% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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