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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 29 60 it is the complementary color RGB 162 226 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 29 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 29 60 shade: RGB 98 29 55, RGB 115 47 74, RGB 132 65 93, RGB 149 83 112 and RGB 166 101 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 29 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 76 11 41, RGB 59 0 22, RGB 42 0 3 and RGB 25 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 93 29 43 and RGB 93 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 93 29 77, RGB 91 29 93, RGB 74 29 93 and RGB 57 29 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 29 60 shade matches the following richer shades: RGB 93 29 60, RGB 102 19 59 and RGB 112 9 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 83 39 60, RGB 73 49 60, RGB 63 59 61 and RGB 53 68 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 29 60 shade: RGB 90 29 93, RGB 93 29 78, RGB 93 29 61, RGB 93 29 44 and RGB 93 31 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 29 60 shade: RGB 30 9 19, RGB 61 19 39, RGB 93 29 60, RGB 124 39 80 and RGB 155 49 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 93 73 29 and RGB 29 86 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 61 93 29 and RGB 29 61 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 93 73 29, RGB 29 93 61 and RGB 29 48 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 29 60 shade: RGB 93 29 60, RGB 93 93 29, RGB 29 93 61 and RGB 29 29 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

Complementary color

CMYK 28 / 0 / 14 / 11

HEX #A2E2C3

RGB 162 226 195

HSL 150.94, 0.52%, 0.76%

LAB 85, -26.56, 8.7

 

CMYK 0 / 70 / 44 / 62

HEX #621D37

RGB 98 29 55

HSL 337.39, 0.54%, 0.25%

LAB 22.83, 33.53, 0.39

 

CMYK 0 / 59 / 36 / 55

HEX #732F4A

RGB 115 47 74

HSL 336.18, 0.42%, 0.32%

LAB 29.84, 32.99, -1.76

 

CMYK 0 / 51 / 30 / 48

HEX #84415D

RGB 132 65 93

HSL 334.93, 0.34%, 0.39%

LAB 36.89, 32.16, -3.3

 

CMYK 0 / 44 / 25 / 42

HEX #955370

RGB 149 83 112

HSL 333.64, 0.28%, 0.45%

LAB 43.87, 31.26, -4.5

 

CMYK 0 / 39 / 21 / 35

HEX #A66583

RGB 166 101 131

HSL 332.31, 0.27%, 0.52%

LAB 50.75, 30.39, -5.49

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 86 / 46 / 70

HEX #4C0B29

RGB 76 11 41

HSL 332.31, 0.75%, 0.17%

LAB 15.15, 32.1, -1.48

 

CMYK 0 / 100 / 63 / 77

HEX #3B0016

RGB 59 0 22

HSL 337.63, 1%, 0.12%

LAB 8.89, 29.56, 3.21

 

CMYK 0 / 100 / 93 / 84

HEX #2A0003

RGB 42 0 3

HSL 355.71, 1%, 0.08%

LAB 4.51, 20.12, 5.89

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 69 / 54 / 64

HEX #5D1D2B

RGB 93 29 43

HSL 346.88, 0.52%, 0.24%

LAB 21.51, 30.42, 6.68

 

CMYK 0 / 69 / 69 / 64

HEX #5D1D1D

RGB 93 29 29

HSL 0, 0.52%, 0.24%

LAB 21.19, 29.22, 15.9

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 69 / 17 / 64

HEX #5D1D4D

RGB 93 29 77

HSL 315, 0.52%, 0.24%

LAB 22.8, 35.04, -14.77

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 20 / 69 / 0 / 64

HEX #4A1D5D

RGB 74 29 93

HSL 282.19, 0.52%, 0.24%

LAB 20.54, 32.8, -29.25

 

CMYK 39 / 69 / 0 / 64

HEX #391D5D

RGB 57 29 93

HSL 266.25, 0.52%, 0.24%

LAB 18.09, 28.44, -33.31

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 81 / 42 / 60

HEX #66133B

RGB 102 19 59

HSL 331.08, 0.69%, 0.24%

LAB 22.32, 39.3, -3.03

 

CMYK 0 / 92 / 47 / 56

HEX #70093B

RGB 112 9 59

HSL 330.87, 0.85%, 0.24%

LAB 23.53, 44.75, -1.01

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 53 / 28 / 67

HEX #53273C

RGB 83 39 60

HSL 331.36, 0.36%, 0.24%

LAB 22.36, 23.35, -4.04

 

CMYK 0 / 33 / 18 / 71

HEX #49313C

RGB 73 49 60

HSL 332.5, 0.2%, 0.24%

LAB 23.47, 12.89, -2.55

 

CMYK 0 / 6 / 3 / 75

HEX #3F3B3D

RGB 63 59 61

HSL 330, 0.03%, 0.24%

LAB 25.33, 2.16, -0.62

 

CMYK 22 / 0 / 10 / 73

HEX #35443D

RGB 53 68 61

HSL 152, 0.12%, 0.24%

LAB 27.37, -7.73, 2.25

 

CMYK 3 / 69 / 0 / 64

HEX #5A1D5D

RGB 90 29 93

HSL 297.19, 0.52%, 0.24%

LAB 23.14, 37.11, -24.94

 

CMYK 0 / 69 / 16 / 64

HEX #5D1D4E

RGB 93 29 78

HSL 314.06, 0.52%, 0.24%

LAB 22.85, 35.21, -15.37

 

CMYK 0 / 69 / 34 / 64

HEX #5D1D3D

RGB 93 29 61

HSL 330, 0.52%, 0.24%

LAB 22.1, 32.58, -4.93

 

CMYK 0 / 69 / 53 / 64

HEX #5D1D2C

RGB 93 29 44

HSL 345.94, 0.52%, 0.24%

LAB 21.53, 30.53, 6.02

 

CMYK 0 / 67 / 69 / 64

HEX #5D1F1D

RGB 93 31 29

HSL 1.88, 0.52%, 0.24%

LAB 21.56, 28.21, 16.37

 

CMYK 0 / 70 / 37 / 88

HEX #1E0913

RGB 30 9 19

HSL 331.43, 0.54%, 0.08%

LAB 4.68, 10.57, -1.6

 

CMYK 0 / 69 / 36 / 76

HEX #3D1327

RGB 61 19 39

HSL 331.43, 0.53%, 0.16%

LAB 13.26, 23.06, -3.16

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 69 / 35 / 51

HEX #7C2750

RGB 124 39 80

HSL 331.06, 0.52%, 0.32%

LAB 30.19, 40.69, -5

 

CMYK 0 / 68 / 35 / 39

HEX #9B3164

RGB 155 49 100

HSL 331.13, 0.52%, 0.4%

LAB 38, 48.51, -5.67

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 22 / 69 / 64

HEX #5D491D

RGB 93 73 29

HSL 41.25, 0.52%, 0.24%

LAB 32.22, 2.93, 28.88

 

CMYK 69 / 8 / 0 / 64

HEX #1D565D

RGB 29 86 93

HSL 186.56, 0.52%, 0.24%

LAB 33.37, -15.82, -9.53

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 34 / 0 / 69 / 64

HEX #3D5D1D

RGB 61 93 29

HSL 90, 0.52%, 0.24%

LAB 35.81, -23.56, 32.01

 

CMYK 69 / 34 / 0 / 64

HEX #1D3D5D

RGB 29 61 93

HSL 210, 0.52%, 0.24%

LAB 24.92, -0.29, -22.56

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 22 / 69 / 64

HEX #5D491D

RGB 93 73 29

HSL 41.25, 0.52%, 0.24%

LAB 32.22, 2.93, 28.88

 

CMYK 69 / 0 / 34 / 64

HEX #1D5D3D

RGB 29 93 61

HSL 150, 0.52%, 0.24%

LAB 34.86, -28.63, 12.59

 

CMYK 69 / 48 / 0 / 64

HEX #1D305D

RGB 29 48 93

HSL 222.19, 0.52%, 0.24%

LAB 20.69, 8.8, -29.26

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 0 / 69 / 64

HEX #5D5D1D

RGB 93 93 29

HSL 60, 0.52%, 0.24%

LAB 38.28, -9.05, 35.38

 

CMYK 69 / 0 / 34 / 64

HEX #1D5D3D

RGB 29 93 61

HSL 150, 0.52%, 0.24%

LAB 34.86, -28.63, 12.59

 

CMYK 69 / 69 / 0 / 64

HEX #1D1D5D

RGB 29 29 93

HSL 240, 0.52%, 0.24%

LAB 15.12, 22.51, -38.28

 

Description

Color code: RGB 93 29 60 | qconv.com Color code: RGB 93 29 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 29 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 29 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 35 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 35% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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