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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 232 99 it is the complementary color RGB 162 23 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 232 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 232 99 shade: RGB 98 232 94, RGB 115 250 113, RGB 132 255 132, RGB 149 255 151 and RGB 166 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 232 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 232 99 shade: RGB 93 232 99, RGB 76 214 80, RGB 59 196 61, RGB 42 178 42 and RGB 25 160 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 232 99 shade: RGB 94 232 100, RGB 125 232 94, RGB 162 232 94, RGB 199 232 94 and RGB 232 227 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 232 99 shade: RGB 94 232 100, RGB 94 232 137, RGB 94 232 174, RGB 94 232 211 and RGB 94 215 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 232 99 shade matches the following richer shades: RGB 94 232 100 and RGB 79 246 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 232 99 shade: RGB 94 232 100, RGB 109 217 113, RGB 124 202 127, RGB 138 187 141 and RGB 153 172 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 232 99 shade: RGB 163 232 94, RGB 126 232 94, RGB 94 232 98, RGB 94 232 135 and RGB 94 232 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 232 99 shade: RGB 30 213 38, RGB 58 226 65, RGB 94 232 100, RGB 130 237 135 and RGB 166 242 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 232 99 shade: RGB 93 232 99, RGB 94 199 232 and RGB 232 94 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 232 99 shade: RGB 93 232 99, RGB 98 94 232 and RGB 232 98 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 232 99 shade: RGB 93 232 99, RGB 94 199 232, RGB 232 94 227 and RGB 232 126 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 232 99 shade: RGB 93 232 99, RGB 94 158 232, RGB 232 94 227 and RGB 232 167 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

Complementary color

CMYK 0 / 86 / 4 / 36

HEX #A2179C

RGB 162 23 156

HSL 302.59, 0.75%, 0.36%

LAB 39.06, 65.93, -38.59

 

CMYK 58 / 0 / 59 / 9

HEX #62E85E

RGB 98 232 94

HSL 118.26, 0.75%, 0.64%

LAB 82.44, -62.84, 55.11

 

CMYK 54 / 0 / 55 / 2

HEX #73FA71

RGB 115 250 113

HSL 119.12, 0.93%, 0.71%

LAB 88.55, -63.15, 53.95

 

CMYK 48 / 0 / 48 / 0

HEX #84FF84

RGB 132 255 132

HSL 120, 1%, 0.76%

LAB 90.82, -58.32, 48.09

 

CMYK 42 / 0 / 41 / 0

HEX #95FF97

RGB 149 255 151

HSL 121.13, 1%, 0.79%

LAB 91.75, -50.99, 40.28

 

CMYK 35 / 0 / 33 / 0

HEX #A6FFAA

RGB 166 255 170

HSL 122.7, 1%, 0.83%

LAB 92.81, -43.1, 32.42

 

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

CMYK 64 / 0 / 63 / 16

HEX #4CD650

RGB 76 214 80

HSL 121.74, 0.63%, 0.57%

LAB 76.2, -62.84, 53.91

 

CMYK 70 / 0 / 69 / 23

HEX #3BC43D

RGB 59 196 61

HSL 120.88, 0.54%, 0.5%

LAB 70, -61.9, 54.84

 

CMYK 76 / 0 / 76 / 30

HEX #2AB22A

RGB 42 178 42

HSL 120, 0.62%, 0.43%

LAB 63.75, -60.44, 55.33

 

CMYK 84 / 0 / 86 / 37

HEX #19A017

RGB 25 160 23

HSL 119.12, 0.75%, 0.36%

LAB 57.47, -58.25, 54.95

 

CMYK 59 / 0 / 57 / 9

HEX #5EE864

RGB 94 232 100

HSL 122.61, 0.75%, 0.64%

LAB 82.39, -63.08, 52.36

 

CMYK 46 / 0 / 59 / 9

HEX #7DE85E

RGB 125 232 94

HSL 106.52, 0.75%, 0.64%

LAB 83.38, -55.76, 56.43

 

CMYK 30 / 0 / 59 / 9

HEX #A2E85E

RGB 162 232 94

HSL 90.43, 0.75%, 0.64%

LAB 85.1, -43.85, 58.84

 

CMYK 14 / 0 / 59 / 9

HEX #C7E85E

RGB 199 232 94

HSL 74.35, 0.75%, 0.64%

LAB 87.32, -30.14, 61.93

 

CMYK 0 / 2 / 59 / 9

HEX #E8E35E

RGB 232 227 94

HSL 57.83, 0.75%, 0.64%

LAB 88.4, -14.59, 63.8

 

CMYK 59 / 0 / 57 / 9

HEX #5EE864

RGB 94 232 100

HSL 122.61, 0.75%, 0.64%

LAB 82.39, -63.08, 52.36

 

CMYK 59 / 0 / 41 / 9

HEX #5EE889

RGB 94 232 137

HSL 138.7, 0.75%, 0.64%

LAB 82.86, -57.82, 35.28

 

CMYK 59 / 0 / 25 / 9

HEX #5EE8AE

RGB 94 232 174

HSL 154.78, 0.75%, 0.64%

LAB 83.52, -50.83, 17.22

 

CMYK 59 / 0 / 9 / 9

HEX #5EE8D3

RGB 94 232 211

HSL 170.87, 0.75%, 0.64%

LAB 84.38, -42.3, -0.97

 

CMYK 59 / 7 / 0 / 9

HEX #5ED7E8

RGB 94 215 232

HSL 187.39, 0.75%, 0.64%

LAB 80.07, -28.83, -18.53

 

CMYK 59 / 0 / 57 / 9

HEX #5EE864

RGB 94 232 100

HSL 122.61, 0.75%, 0.64%

LAB 82.39, -63.08, 52.36

 

CMYK 68 / 0 / 65 / 4

HEX #4FF656

RGB 79 246 86

HSL 122.51, 0.9%, 0.64%

LAB 86.13, -72.32, 62.43

 

CMYK 59 / 0 / 57 / 9

HEX #5EE864

RGB 94 232 100

HSL 122.61, 0.75%, 0.64%

LAB 82.39, -63.08, 52.36

 

CMYK 50 / 0 / 48 / 15

HEX #6DD971

RGB 109 217 113

HSL 122.22, 0.59%, 0.64%

LAB 78.5, -52.05, 41.68

 

CMYK 39 / 0 / 37 / 21

HEX #7CCA7F

RGB 124 202 127

HSL 122.31, 0.42%, 0.64%

LAB 74.86, -39.29, 30.08

 

CMYK 26 / 0 / 25 / 27

HEX #8ABB8D

RGB 138 187 141

HSL 123.67, 0.26%, 0.64%

LAB 71.46, -25.37, 18.2

 

CMYK 11 / 0 / 10 / 33

HEX #99AC9A

RGB 153 172 154

HSL 123.16, 0.1%, 0.64%

LAB 68.47, -10.12, 7.02

 

CMYK 30 / 0 / 59 / 9

HEX #A3E85E

RGB 163 232 94

HSL 90, 0.75%, 0.64%

LAB 85.15, -43.5, 58.91

 

CMYK 46 / 0 / 59 / 9

HEX #7EE85E

RGB 126 232 94

HSL 106.09, 0.75%, 0.64%

LAB 83.42, -55.47, 56.49

 

CMYK 59 / 0 / 58 / 9

HEX #5EE862

RGB 94 232 98

HSL 121.74, 0.75%, 0.64%

LAB 82.37, -63.31, 53.23

 

CMYK 59 / 0 / 42 / 9

HEX #5EE887

RGB 94 232 135

HSL 137.83, 0.75%, 0.64%

LAB 82.83, -58.15, 36.24

 

CMYK 59 / 0 / 26 / 9

HEX #5EE8AC

RGB 94 232 172

HSL 153.91, 0.75%, 0.64%

LAB 83.48, -51.25, 18.2

 

CMYK 86 / 0 / 82 / 16

HEX #1ED526

RGB 30 213 38

HSL 122.62, 0.75%, 0.48%

LAB 74.83, -72.51, 66.97

 

CMYK 74 / 0 / 71 / 11

HEX #3AE241

RGB 58 226 65

HSL 122.5, 0.74%, 0.56%

LAB 79.43, -71.29, 63.17

 

CMYK 59 / 0 / 57 / 9

HEX #5EE864

RGB 94 232 100

HSL 122.61, 0.75%, 0.64%

LAB 82.39, -63.08, 52.36

 

CMYK 45 / 0 / 43 / 7

HEX #82ED87

RGB 130 237 135

HSL 122.8, 0.75%, 0.72%

LAB 85.54, -51.27, 39.97

 

CMYK 31 / 0 / 30 / 5

HEX #A6F2A9

RGB 166 242 169

HSL 122.37, 0.75%, 0.8%

LAB 89.15, -37.48, 27.99

 

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

CMYK 59 / 14 / 0 / 9

HEX #5EC7E8

RGB 94 199 232

HSL 194.35, 0.75%, 0.64%

LAB 75.48, -20.87, -25.5

 

CMYK 0 / 59 / 38 / 9

HEX #E85E90

RGB 232 94 144

HSL 338.26, 0.75%, 0.64%

LAB 59.14, 57.93, 0.28

 

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

CMYK 58 / 59 / 0 / 9

HEX #625EE8

RGB 98 94 232

HSL 241.74, 0.75%, 0.64%

LAB 47.53, 40.44, -69.62

 

CMYK 0 / 58 / 59 / 9

HEX #E8625E

RGB 232 98 94

HSL 1.74, 0.75%, 0.64%

LAB 58.69, 51.69, 28.68

 

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

CMYK 59 / 14 / 0 / 9

HEX #5EC7E8

RGB 94 199 232

HSL 194.35, 0.75%, 0.64%

LAB 75.48, -20.87, -25.5

 

CMYK 0 / 59 / 2 / 9

HEX #E85EE3

RGB 232 94 227

HSL 302.17, 0.75%, 0.64%

LAB 62.26, 69.36, -42.41

 

CMYK 0 / 46 / 59 / 9

HEX #E87E5E

RGB 232 126 94

HSL 13.91, 0.75%, 0.64%

LAB 64.07, 38, 35.49

 

CMYK 60 / 0 / 57 / 9

HEX #5DE863

RGB 93 232 99

HSL 122.59, 0.75%, 0.64%

LAB 82.35, -63.41, 52.76

 

CMYK 59 / 32 / 0 / 9

HEX #5E9EE8

RGB 94 158 232

HSL 212.17, 0.75%, 0.64%

LAB 63.88, 1.35, -43.48

 

CMYK 0 / 59 / 2 / 9

HEX #E85EE3

RGB 232 94 227

HSL 302.17, 0.75%, 0.64%

LAB 62.26, 69.36, -42.41

 

CMYK 0 / 28 / 59 / 9

HEX #E8A75E

RGB 232 167 94

HSL 31.74, 0.75%, 0.64%

LAB 73.29, 16.39, 46.67

 

Description

Color code: RGB 93 232 99 | qconv.com Color code: RGB 93 232 99 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 232 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 232 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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