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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 224 19 it is the complementary color RGB 162 31 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 224 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 224 19 shade: RGB 98 224 14, RGB 115 242 33, RGB 132 255 52, RGB 149 255 71 and RGB 166 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 224 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 224 19 shade: RGB 93 224 19, RGB 76 206 0, RGB 59 188 0, RGB 42 170 0 and RGB 25 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 224 19 shade: RGB 93 225 19, RGB 149 225 19, RGB 204 225 19, RGB 225 190 19 and RGB 225 134 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 224 19 shade: RGB 93 225 19, RGB 38 225 19, RGB 19 225 56, RGB 19 225 111 and RGB 19 225 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 224 19 shade matches the following richer shades: RGB 93 225 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 224 19 shade: RGB 93 225 19, RGB 99 205 39, RGB 104 185 59, RGB 110 165 78 and RGB 115 145 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 224 19 shade: RGB 204 225 19, RGB 149 225 19, RGB 94 225 19, RGB 40 225 19 and RGB 19 225 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 224 19 shade: RGB 62 149 12, RGB 78 187 16, RGB 93 225 19, RGB 116 237 48 and RGB 142 240 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 224 19 shade: RGB 93 224 19, RGB 19 225 190 and RGB 225 19 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 224 19 shade: RGB 93 224 19, RGB 19 94 225 and RGB 225 19 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 224 19 shade: RGB 93 224 19, RGB 19 225 190, RGB 149 19 225 and RGB 225 19 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 224 19 shade: RGB 93 224 19, RGB 19 197 225, RGB 149 19 225 and RGB 225 47 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

Complementary color

CMYK 31 / 87 / 0 / 7

HEX #A21FEC

RGB 162 31 236

HSL 278.34, 0.84%, 0.52%

LAB 45.24, 78.44, -75.32

 

CMYK 56 / 0 / 94 / 12

HEX #62E00E

RGB 98 224 14

HSL 96, 0.88%, 0.47%

LAB 79.58, -64.97, 75.97

 

CMYK 52 / 0 / 86 / 5

HEX #73F221

RGB 115 242 33

HSL 96.46, 0.89%, 0.54%

LAB 85.63, -66.23, 78.39

 

CMYK 48 / 0 / 80 / 0

HEX #84FF34

RGB 132 255 52

HSL 96.35, 1%, 0.6%

LAB 90.17, -65.37, 78.34

 

CMYK 42 / 0 / 72 / 0

HEX #95FF47

RGB 149 255 71

HSL 94.57, 1%, 0.64%

LAB 90.95, -59.26, 73.64

 

CMYK 35 / 0 / 65 / 0

HEX #A6FF5A

RGB 166 255 90

HSL 92.36, 1%, 0.68%

LAB 91.85, -52.46, 67.92

 

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

CMYK 63 / 0 / 100 / 19

HEX #4CCE00

RGB 76 206 0

HSL 97.86, 1%, 0.4%

LAB 73.34, -64.49, 72.06

 

CMYK 69 / 0 / 100 / 26

HEX #3BBC00

RGB 59 188 0

HSL 101.17, 1%, 0.37%

LAB 67.2, -62.28, 67.01

 

CMYK 75 / 0 / 100 / 33

HEX #2AAA00

RGB 42 170 0

HSL 105.18, 1%, 0.33%

LAB 60.99, -59.71, 61.92

 

CMYK 84 / 0 / 100 / 40

HEX #199800

RGB 25 152 0

HSL 110.13, 1%, 0.3%

LAB 54.72, -56.62, 56.8

 

CMYK 59 / 0 / 92 / 12

HEX #5DE113

RGB 93 225 19

HSL 98.45, 0.84%, 0.48%

LAB 79.74, -66.46, 75.43

 

CMYK 34 / 0 / 92 / 12

HEX #95E113

RGB 149 225 19

HSL 82.14, 0.84%, 0.48%

LAB 81.99, -49.46, 78.2

 

CMYK 9 / 0 / 92 / 12

HEX #CCE113

RGB 204 225 19

HSL 66.12, 0.84%, 0.48%

LAB 85.37, -28.15, 82.31

 

CMYK 0 / 16 / 92 / 12

HEX #E1BE13

RGB 225 190 19

HSL 49.81, 0.84%, 0.48%

LAB 77.8, -1.83, 77.24

 

CMYK 0 / 40 / 92 / 12

HEX #E18613

RGB 225 134 19

HSL 33.5, 0.84%, 0.48%

LAB 64.25, 27.85, 67.15

 

CMYK 59 / 0 / 92 / 12

HEX #5DE113

RGB 93 225 19

HSL 98.45, 0.84%, 0.48%

LAB 79.74, -66.46, 75.43

 

CMYK 83 / 0 / 92 / 12

HEX #26E113

RGB 38 225 19

HSL 114.47, 0.84%, 0.48%

LAB 78.64, -75.87, 74.06

 

CMYK 92 / 0 / 75 / 12

HEX #13E138

RGB 19 225 56

HSL 130.78, 0.84%, 0.48%

LAB 78.62, -75.52, 65.3

 

CMYK 92 / 0 / 51 / 12

HEX #13E16F

RGB 19 225 111

HSL 146.8, 0.84%, 0.48%

LAB 79.12, -69.33, 43.02

 

CMYK 92 / 0 / 26 / 12

HEX #13E1A7

RGB 19 225 167

HSL 163.11, 0.84%, 0.48%

LAB 80.06, -58.51, 15.85

 

CMYK 59 / 0 / 92 / 12

HEX #5DE113

RGB 93 225 19

HSL 98.45, 0.84%, 0.48%

LAB 79.74, -66.46, 75.43

 

CMYK 59 / 0 / 92 / 12

HEX #5DE113

RGB 93 225 19

HSL 98.45, 0.84%, 0.48%

LAB 79.74, -66.46, 75.43

 

CMYK 52 / 0 / 81 / 20

HEX #63CD27

RGB 99 205 39

HSL 98.31, 0.68%, 0.48%

LAB 73.84, -57.19, 66.37

 

CMYK 44 / 0 / 68 / 27

HEX #68B93B

RGB 104 185 59

HSL 98.57, 0.52%, 0.48%

LAB 67.99, -46.66, 53.95

 

CMYK 33 / 0 / 53 / 35

HEX #6EA54E

RGB 110 165 78

HSL 97.93, 0.36%, 0.48%

LAB 62.32, -34.06, 39.07

 

CMYK 21 / 0 / 32 / 43

HEX #739162

RGB 115 145 98

HSL 98.3, 0.19%, 0.48%

LAB 56.86, -19.65, 21.6

 

CMYK 9 / 0 / 92 / 12

HEX #CCE113

RGB 204 225 19

HSL 66.12, 0.84%, 0.48%

LAB 85.37, -28.15, 82.31

 

CMYK 34 / 0 / 92 / 12

HEX #95E113

RGB 149 225 19

HSL 82.14, 0.84%, 0.48%

LAB 81.99, -49.46, 78.2

 

CMYK 58 / 0 / 92 / 12

HEX #5EE113

RGB 94 225 19

HSL 98.16, 0.84%, 0.48%

LAB 79.77, -66.21, 75.46

 

CMYK 82 / 0 / 92 / 12

HEX #28E113

RGB 40 225 19

HSL 113.88, 0.84%, 0.48%

LAB 78.66, -75.67, 74.09

 

CMYK 92 / 0 / 76 / 12

HEX #13E135

RGB 19 225 53

HSL 129.9, 0.84%, 0.48%

LAB 78.6, -75.74, 66.24

 

CMYK 58 / 0 / 92 / 42

HEX #3E950C

RGB 62 149 12

HSL 98.1, 0.85%, 0.32%

LAB 54.6, -48.03, 55.1

 

CMYK 58 / 0 / 91 / 27

HEX #4EBB10

RGB 78 187 16

HSL 98.25, 0.84%, 0.4%

LAB 67.43, -57.29, 65.42

 

CMYK 59 / 0 / 92 / 12

HEX #5DE113

RGB 93 225 19

HSL 98.45, 0.84%, 0.48%

LAB 79.74, -66.46, 75.43

 

CMYK 51 / 0 / 80 / 7

HEX #74ED30

RGB 116 237 48

HSL 98.41, 0.84%, 0.56%

LAB 84.22, -63.59, 73.71

 

CMYK 41 / 0 / 64 / 6

HEX #8EF056

RGB 142 240 86

HSL 98.18, 0.84%, 0.64%

LAB 86.38, -54.5, 63.29

 

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

CMYK 92 / 0 / 16 / 12

HEX #13E1BE

RGB 19 225 190

HSL 169.81, 0.84%, 0.48%

LAB 80.58, -52.88, 4.45

 

CMYK 0 / 92 / 21 / 12

HEX #E113B1

RGB 225 19 177

HSL 313.98, 0.84%, 0.48%

LAB 51.44, 81.57, -30.83

 

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

CMYK 92 / 58 / 0 / 12

HEX #135EE1

RGB 19 94 225

HSL 218.16, 0.84%, 0.48%

LAB 43.62, 29.39, -72.18

 

CMYK 0 / 92 / 58 / 12

HEX #E1135E

RGB 225 19 94

HSL 338.16, 0.84%, 0.48%

LAB 48.61, 74, 15.06

 

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

CMYK 92 / 0 / 16 / 12

HEX #13E1BE

RGB 19 225 190

HSL 169.81, 0.84%, 0.48%

LAB 80.58, -52.88, 4.45

 

CMYK 34 / 92 / 0 / 12

HEX #9513E1

RGB 149 19 225

HSL 277.86, 0.84%, 0.48%

LAB 41.68, 76.88, -74.98

 

CMYK 0 / 92 / 76 / 12

HEX #E11335

RGB 225 19 53

HSL 350.1, 0.84%, 0.48%

LAB 47.92, 72.06, 38.99

 

CMYK 58 / 0 / 92 / 12

HEX #5DE013

RGB 93 224 19

HSL 98.34, 0.84%, 0.48%

LAB 79.43, -66.12, 75.17

 

CMYK 92 / 12 / 0 / 12

HEX #13C5E1

RGB 19 197 225

HSL 188.16, 0.84%, 0.48%

LAB 73.22, -30.26, -25.3

 

CMYK 34 / 92 / 0 / 12

HEX #9513E1

RGB 149 19 225

HSL 277.86, 0.84%, 0.48%

LAB 41.68, 76.88, -74.98

 

CMYK 0 / 79 / 92 / 12

HEX #E12F13

RGB 225 47 19

HSL 8.16, 0.84%, 0.48%

LAB 49.6, 65.74, 56.95

 

Description

Color code: RGB 93 224 19 | qconv.com Color code: RGB 93 224 19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 224 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 224 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 92 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 92% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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