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Color name
RGB 93 21 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 21 198 it is the complementary color RGB 162 234 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 21 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 21 198 shade: RGB 98 21 193, RGB 115 39 212, RGB 132 57 231, RGB 149 75 250 and RGB 166 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 21 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 21 198 shade: RGB 93 21 198, RGB 76 3 179, RGB 59 0 160, RGB 42 0 141 and RGB 25 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 21 198 shade: RGB 93 20 198, RGB 141 20 198, RGB 188 20 198, RGB 198 20 160 and RGB 198 20 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 21 198 shade: RGB 93 20 198, RGB 45 20 198 and RGB 20 20 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 21 198 shade matches the following richer shades: RGB 93 20 198 and RGB 89 3 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 21 198 shade: RGB 93 20 198, RGB 96 38 180, RGB 99 56 162, RGB 103 74 145 and RGB 106 91 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 21 198 shade: RGB 20 44 198, RGB 44 20 198, RGB 91 20 198, RGB 139 20 198 and RGB 186 20 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 21 198 shade: RGB 58 12 123, RGB 75 16 161, RGB 93 20 198, RGB 111 29 231 and RGB 135 66 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 21 198 shade: RGB 93 21 198, RGB 198 20 91 and RGB 20 198 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 21 198 shade: RGB 93 21 198, RGB 198 91 20 and RGB 20 198 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 21 198 shade: RGB 93 21 198, RGB 198 20 91, RGB 127 198 20 and RGB 20 198 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 21 198 shade: RGB 93 21 198, RGB 198 20 38, RGB 127 198 20 and RGB 20 198 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

Complementary color

CMYK 31 / 0 / 76 / 8

HEX #A2EA39

RGB 162 234 57

HSL 84.41, 0.81%, 0.57%

LAB 85.41, -47.25, 72.97

 

CMYK 49 / 89 / 0 / 24

HEX #6215C1

RGB 98 21 193

HSL 266.86, 0.8%, 0.42%

LAB 31.77, 63.89, -72.98

 

CMYK 46 / 82 / 0 / 17

HEX #7327D4

RGB 115 39 212

HSL 266.36, 0.69%, 0.49%

LAB 37.57, 64.89, -74.43

 

CMYK 43 / 75 / 0 / 9

HEX #8439E7

RGB 132 57 231

HSL 265.86, 0.78%, 0.56%

LAB 43.66, 64.93, -75.24

 

CMYK 40 / 70 / 0 / 2

HEX #954BFA

RGB 149 75 250

HSL 265.37, 0.95%, 0.64%

LAB 49.89, 64.44, -75.67

 

CMYK 35 / 64 / 0 / 0

HEX #A65DFF

RGB 166 93 255

HSL 267.04, 1%, 0.68%

LAB 55.23, 60.3, -69.69

 

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

CMYK 58 / 98 / 0 / 30

HEX #4C03B3

RGB 76 3 179

HSL 264.89, 0.97%, 0.36%

LAB 26.32, 62.34, -73.76

 

CMYK 63 / 100 / 0 / 37

HEX #3B00A0

RGB 59 0 160

HSL 262.13, 1%, 0.31%

LAB 21.83, 57.42, -69.79

 

CMYK 70 / 100 / 0 / 45

HEX #2A008D

RGB 42 0 141

HSL 257.87, 1%, 0.28%

LAB 17.53, 51.89, -65.24

 

CMYK 80 / 100 / 0 / 52

HEX #19007A

RGB 25 0 122

HSL 252.3, 1%, 0.24%

LAB 13.3, 46.36, -60.29

 

CMYK 53 / 90 / 0 / 22

HEX #5D14C6

RGB 93 20 198

HSL 264.61, 0.82%, 0.43%

LAB 31.59, 64.82, -76.23

 

CMYK 29 / 90 / 0 / 22

HEX #8D14C6

RGB 141 20 198

HSL 280.79, 0.82%, 0.43%

LAB 38.27, 70.39, -65.01

 

CMYK 5 / 90 / 0 / 22

HEX #BC14C6

RGB 188 20 198

HSL 296.63, 0.82%, 0.43%

LAB 46, 77.6, -52.12

 

CMYK 0 / 90 / 19 / 22

HEX #C614A0

RGB 198 20 160

HSL 312.81, 0.82%, 0.43%

LAB 45.69, 74.07, -30.09

 

CMYK 0 / 90 / 43 / 22

HEX #C61470

RGB 198 20 112

HSL 328.99, 0.82%, 0.43%

LAB 43.76, 68.89, -3.75

 

CMYK 53 / 90 / 0 / 22

HEX #5D14C6

RGB 93 20 198

HSL 264.61, 0.82%, 0.43%

LAB 31.59, 64.82, -76.23

 

CMYK 77 / 90 / 0 / 22

HEX #2D14C6

RGB 45 20 198

HSL 248.43, 0.82%, 0.43%

LAB 27.12, 61.63, -83.78

 

CMYK 90 / 90 / 0 / 22

HEX #1414C6

RGB 20 20 198

HSL 240, 0.82%, 0.43%

LAB 25.94, 60.89, -85.78

 

CMYK 53 / 90 / 0 / 22

HEX #5D14C6

RGB 93 20 198

HSL 264.61, 0.82%, 0.43%

LAB 31.59, 64.82, -76.23

 

CMYK 59 / 99 / 0 / 15

HEX #5903D8

RGB 89 3 216

HSL 264.23, 0.97%, 0.43%

LAB 32.14, 71.69, -85.81

 

CMYK 53 / 90 / 0 / 22

HEX #5D14C6

RGB 93 20 198

HSL 264.61, 0.82%, 0.43%

LAB 31.59, 64.82, -76.23

 

CMYK 47 / 79 / 0 / 29

HEX #6026B4

RGB 96 38 180

HSL 264.51, 0.65%, 0.43%

LAB 32.19, 54.81, -64.6

 

CMYK 39 / 65 / 0 / 36

HEX #6338A2

RGB 99 56 162

HSL 264.34, 0.49%, 0.43%

LAB 34.17, 41.91, -50.58

 

CMYK 29 / 49 / 0 / 43

HEX #674A91

RGB 103 74 145

HSL 264.51, 0.32%, 0.43%

LAB 37.53, 27.9, -34.88

 

CMYK 17 / 28 / 0 / 50

HEX #6A5B7F

RGB 106 91 127

HSL 265, 0.17%, 0.43%

LAB 41.34, 13.82, -17.96

 

CMYK 90 / 78 / 0 / 22

HEX #142CC6

RGB 20 44 198

HSL 231.91, 0.82%, 0.43%

LAB 29.48, 50.41, -79.88

 

CMYK 78 / 90 / 0 / 22

HEX #2C14C6

RGB 44 20 198

HSL 248.09, 0.82%, 0.43%

LAB 27.05, 61.59, -83.89

 

CMYK 54 / 90 / 0 / 22

HEX #5B14C6

RGB 91 20 198

HSL 263.93, 0.82%, 0.43%

LAB 31.35, 64.64, -76.63

 

CMYK 30 / 90 / 0 / 22

HEX #8B14C6

RGB 139 20 198

HSL 280.11, 0.82%, 0.43%

LAB 37.96, 70.11, -65.52

 

CMYK 6 / 90 / 0 / 22

HEX #BA14C6

RGB 186 20 198

HSL 295.96, 0.82%, 0.43%

LAB 45.66, 77.27, -52.69

 

CMYK 53 / 90 / 0 / 52

HEX #3A0C7B

RGB 58 12 123

HSL 264.86, 0.82%, 0.26%

LAB 18.33, 44.84, -52.47

 

CMYK 53 / 90 / 0 / 37

HEX #4B10A1

RGB 75 16 161

HSL 264.41, 0.82%, 0.35%

LAB 25.07, 55.16, -64.97

 

CMYK 53 / 90 / 0 / 22

HEX #5D14C6

RGB 93 20 198

HSL 264.61, 0.82%, 0.43%

LAB 31.59, 64.82, -76.23

 

CMYK 52 / 87 / 0 / 9

HEX #6F1DE7

RGB 111 29 231

HSL 264.36, 0.81%, 0.51%

LAB 37.89, 71.97, -84.81

 

CMYK 43 / 72 / 0 / 8

HEX #8742EB

RGB 135 66 235

HSL 264.5, 0.81%, 0.59%

LAB 45.7, 62.49, -74.16

 

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

CMYK 0 / 90 / 54 / 22

HEX #C6145B

RGB 198 20 91

HSL 336.07, 0.82%, 0.43%

LAB 43.15, 67.2, 8.51

 

CMYK 90 / 0 / 90 / 22

HEX #14C614

RGB 20 198 20

HSL 120, 0.82%, 0.43%

LAB 69.89, -69.81, 66.42

 

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

CMYK 0 / 54 / 90 / 22

HEX #C65B14

RGB 198 91 20

HSL 23.93, 0.82%, 0.43%

LAB 51.31, 39.18, 55.64

 

CMYK 90 / 0 / 54 / 22

HEX #14C65B

RGB 20 198 91

HSL 143.93, 0.82%, 0.43%

LAB 70.38, -63.62, 41.9

 

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

CMYK 0 / 90 / 54 / 22

HEX #C6145B

RGB 198 20 91

HSL 336.07, 0.82%, 0.43%

LAB 43.15, 67.2, 8.51

 

CMYK 36 / 0 / 90 / 22

HEX #7FC614

RGB 127 198 20

HSL 83.93, 0.82%, 0.43%

LAB 72.86, -46.13, 70.12

 

CMYK 90 / 0 / 36 / 22

HEX #14C67F

RGB 20 198 127

HSL 156.07, 0.82%, 0.43%

LAB 70.92, -57.25, 24.34

 

CMYK 53 / 89 / 0 / 22

HEX #5D15C6

RGB 93 21 198

HSL 264.41, 0.81%, 0.43%

LAB 31.67, 64.57, -76.09

 

CMYK 0 / 90 / 81 / 22

HEX #C61426

RGB 198 20 38

HSL 353.93, 0.82%, 0.43%

LAB 42.22, 64.57, 39.88

 

CMYK 36 / 0 / 90 / 22

HEX #7FC614

RGB 127 198 20

HSL 83.93, 0.82%, 0.43%

LAB 72.86, -46.13, 70.12

 

CMYK 90 / 0 / 9 / 22

HEX #14C6B4

RGB 20 198 180

HSL 173.93, 0.82%, 0.43%

LAB 72.12, -44.29, -2.51

 

Description

Color code: RGB 93 21 198 | qconv.com Color code: RGB 93 21 198 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 21 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 21 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 89 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 89% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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