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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 209 185 it is the complementary color RGB 162 46 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 209 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 209 185 shade: RGB 98 209 180, RGB 115 227 199, RGB 132 245 218, RGB 149 255 237 and RGB 166 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 209 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 209 185 shade: RGB 93 209 185, RGB 76 191 166, RGB 59 173 147, RGB 42 155 128 and RGB 25 137 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 209 185 shade: RGB 91 208 184, RGB 91 208 153, RGB 91 208 121, RGB 93 208 91 and RGB 125 208 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 209 185 shade: RGB 91 208 184, RGB 91 201 208, RGB 91 170 208, RGB 91 138 208 and RGB 91 106 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 209 185 shade matches the following richer shades: RGB 91 208 184, RGB 74 225 194 and RGB 58 242 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 209 185 shade: RGB 91 208 184, RGB 108 192 174, RGB 125 175 164, RGB 142 158 155 and RGB 159 141 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 209 185 shade: RGB 91 208 121, RGB 91 208 152, RGB 91 208 183, RGB 91 203 208 and RGB 91 171 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 209 185 shade: RGB 48 170 145, RGB 59 199 170, RGB 91 208 184, RGB 124 218 198 and RGB 156 227 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 209 185 shade: RGB 93 209 185, RGB 91 93 208 and RGB 208 136 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 209 185 shade: RGB 93 209 185, RGB 183 91 208 and RGB 208 183 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 209 185 shade: RGB 93 209 185, RGB 91 93 208, RGB 208 91 117 and RGB 208 207 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 209 185 shade: RGB 93 209 185, RGB 125 91 208, RGB 208 91 117 and RGB 175 208 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

Complementary color

CMYK 0 / 72 / 57 / 36

HEX #A22E46

RGB 162 46 70

HSL 347.59, 0.56%, 0.41%

LAB 37.98, 48.94, 13.55

 

CMYK 53 / 0 / 14 / 18

HEX #62D1B4

RGB 98 209 180

HSL 164.32, 0.55%, 0.6%

LAB 76.98, -38.74, 4.76

 

CMYK 49 / 0 / 12 / 11

HEX #73E3C7

RGB 115 227 199

HSL 165, 0.67%, 0.67%

LAB 83.29, -38.71, 3.85

 

CMYK 46 / 0 / 11 / 4

HEX #84F5DA

RGB 132 245 218

HSL 165.66, 0.85%, 0.74%

LAB 89.52, -38.62, 3

 

CMYK 42 / 0 / 7 / 0

HEX #95FFED

RGB 149 255 237

HSL 169.81, 1%, 0.79%

LAB 93.46, -34.85, -1.03

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

CMYK 60 / 0 / 13 / 25

HEX #4CBFA6

RGB 76 191 166

HSL 166.96, 0.47%, 0.52%

LAB 70.56, -38.47, 2.97

 

CMYK 66 / 0 / 15 / 32

HEX #3BAD93

RGB 59 173 147

HSL 166.32, 0.49%, 0.45%

LAB 64.1, -38.2, 4.03

 

CMYK 73 / 0 / 17 / 39

HEX #2A9B80

RGB 42 155 128

HSL 165.66, 0.57%, 0.39%

LAB 57.55, -37.71, 5.22

 

CMYK 82 / 0 / 20 / 46

HEX #19896D

RGB 25 137 109

HSL 165, 0.69%, 0.32%

LAB 50.92, -36.89, 6.57

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B8

RGB 91 208 184

HSL 167.69, 0.55%, 0.59%

LAB 76.56, -38.79, 1.98

 

CMYK 56 / 0 / 26 / 18

HEX #5BD099

RGB 91 208 153

HSL 151.79, 0.55%, 0.59%

LAB 75.85, -45.82, 17.54

 

CMYK 56 / 0 / 42 / 18

HEX #5BD079

RGB 91 208 121

HSL 135.38, 0.55%, 0.59%

LAB 75.27, -51.78, 33.46

 

CMYK 55 / 0 / 56 / 18

HEX #5DD05B

RGB 93 208 91

HSL 118.97, 0.55%, 0.59%

LAB 74.95, -55.57, 47.71

 

CMYK 40 / 0 / 56 / 18

HEX #7DD05B

RGB 125 208 91

HSL 102.56, 0.55%, 0.59%

LAB 76.21, -46.38, 49.5

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B8

RGB 91 208 184

HSL 167.69, 0.55%, 0.59%

LAB 76.56, -38.79, 1.98

 

CMYK 56 / 3 / 0 / 18

HEX #5BC9D0

RGB 91 201 208

HSL 183.59, 0.55%, 0.59%

LAB 75.17, -29.26, -13.02

 

CMYK 56 / 18 / 0 / 18

HEX #5BAAD0

RGB 91 170 208

HSL 199.49, 0.55%, 0.59%

LAB 66.16, -13.41, -26.71

 

CMYK 56 / 34 / 0 / 18

HEX #5B8AD0

RGB 91 138 208

HSL 215.9, 0.55%, 0.59%

LAB 57.03, 4.66, -40.9

 

CMYK 56 / 49 / 0 / 18

HEX #5B6AD0

RGB 91 106 208

HSL 232.31, 0.55%, 0.59%

LAB 48.37, 24.12, -54.68

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B8

RGB 91 208 184

HSL 167.69, 0.55%, 0.59%

LAB 76.56, -38.79, 1.98

 

CMYK 67 / 0 / 14 / 12

HEX #4AE1C2

RGB 74 225 194

HSL 167.68, 0.72%, 0.59%

LAB 81.4, -46.75, 3.62

 

CMYK 76 / 0 / 16 / 5

HEX #3AF2CC

RGB 58 242 204

HSL 167.61, 0.88%, 0.59%

LAB 86.39, -53.38, 5.52

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B8

RGB 91 208 184

HSL 167.69, 0.55%, 0.59%

LAB 76.56, -38.79, 1.98

 

CMYK 44 / 0 / 9 / 25

HEX #6CC0AE

RGB 108 192 174

HSL 167.14, 0.4%, 0.59%

LAB 72.19, -29.87, 1.11

 

CMYK 29 / 0 / 6 / 31

HEX #7DAFA4

RGB 125 175 164

HSL 166.8, 0.24%, 0.59%

LAB 67.8, -18.93, 0.3

 

CMYK 10 / 0 / 2 / 38

HEX #8E9E9B

RGB 142 158 155

HSL 168.75, 0.08%, 0.59%

LAB 63.81, -6.26, -0.37

 

CMYK 0 / 11 / 9 / 38

HEX #9F8D91

RGB 159 141 145

HSL 346.67, 0.09%, 0.59%

LAB 60.31, 7.44, 0.34

 

CMYK 56 / 0 / 42 / 18

HEX #5BD079

RGB 91 208 121

HSL 135.38, 0.55%, 0.59%

LAB 75.27, -51.78, 33.46

 

CMYK 56 / 0 / 27 / 18

HEX #5BD098

RGB 91 208 152

HSL 151.28, 0.55%, 0.59%

LAB 75.82, -46.02, 18.05

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B7

RGB 91 208 183

HSL 167.18, 0.55%, 0.59%

LAB 76.53, -39.04, 2.48

 

CMYK 56 / 2 / 0 / 18

HEX #5BCBD0

RGB 91 203 208

HSL 182.56, 0.55%, 0.59%

LAB 75.76, -30.23, -12.14

 

CMYK 56 / 18 / 0 / 18

HEX #5BABD0

RGB 91 171 208

HSL 198.97, 0.55%, 0.59%

LAB 66.45, -13.95, -26.26

 

CMYK 72 / 0 / 15 / 33

HEX #30AA91

RGB 48 170 145

HSL 167.7, 0.56%, 0.43%

LAB 62.86, -39.08, 3.33

 

CMYK 70 / 0 / 15 / 22

HEX #3BC7AA

RGB 59 199 170

HSL 167.57, 0.56%, 0.51%

LAB 72.68, -43.78, 3.81

 

CMYK 56 / 0 / 12 / 18

HEX #5BD0B8

RGB 91 208 184

HSL 167.69, 0.55%, 0.59%

LAB 76.56, -38.79, 1.98

 

CMYK 43 / 0 / 9 / 15

HEX #7CDAC6

RGB 124 218 198

HSL 167.23, 0.56%, 0.67%

LAB 81.02, -32.64, 1.13

 

CMYK 31 / 0 / 7 / 11

HEX #9CE3D4

RGB 156 227 212

HSL 167.32, 0.56%, 0.75%

LAB 85.38, -25.29, 0.25

 

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

CMYK 56 / 55 / 0 / 18

HEX #5B5DD0

RGB 91 93 208

HSL 238.97, 0.55%, 0.59%

LAB 45.09, 32.15, -59.96

 

CMYK 0 / 35 / 56 / 18

HEX #D0885B

RGB 208 136 91

HSL 23.08, 0.55%, 0.59%

LAB 63.16, 22.92, 35.3

 

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

CMYK 12 / 56 / 0 / 18

HEX #B75BD0

RGB 183 91 208

HSL 287.18, 0.55%, 0.59%

LAB 54.14, 54.89, -44.95

 

CMYK 0 / 12 / 56 / 18

HEX #D0B75B

RGB 208 183 91

HSL 47.18, 0.55%, 0.59%

LAB 74.85, -2.36, 49.35

 

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

CMYK 56 / 55 / 0 / 18

HEX #5B5DD0

RGB 91 93 208

HSL 238.97, 0.55%, 0.59%

LAB 45.09, 32.15, -59.96

 

CMYK 0 / 56 / 44 / 18

HEX #D05B75

RGB 208 91 117

HSL 346.67, 0.55%, 0.59%

LAB 54.21, 48.65, 8.57

 

CMYK 0 / 0 / 56 / 18

HEX #D0CF5B

RGB 208 207 91

HSL 59.49, 0.55%, 0.59%

LAB 81.18, -14.66, 56.58

 

CMYK 56 / 0 / 11 / 18

HEX #5DD1B9

RGB 93 209 185

HSL 167.59, 0.56%, 0.59%

LAB 76.94, -38.6, 2

 

CMYK 40 / 56 / 0 / 18

HEX #7D5BD0

RGB 125 91 208

HSL 257.44, 0.55%, 0.59%

LAB 47.49, 40.53, -55.94

 

CMYK 0 / 56 / 44 / 18

HEX #D05B75

RGB 208 91 117

HSL 346.67, 0.55%, 0.59%

LAB 54.21, 48.65, 8.57

 

CMYK 16 / 0 / 56 / 18

HEX #AFD05B

RGB 175 208 91

HSL 76.92, 0.55%, 0.59%

LAB 79.03, -28.4, 53.49

 

Description

Color code: RGB 93 209 185 | qconv.com Color code: RGB 93 209 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 209 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 209 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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