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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 198 134 it is the complementary color RGB 162 57 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 198 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 198 134 shade: RGB 98 198 129, RGB 115 216 148, RGB 132 234 167, RGB 149 252 186 and RGB 166 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 198 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 198 134 shade: RGB 93 198 134, RGB 76 180 115, RGB 59 162 96, RGB 42 144 77 and RGB 25 126 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 198 134 shade: RGB 92 197 133, RGB 92 197 105, RGB 108 197 92, RGB 136 197 92 and RGB 165 197 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 198 134 shade: RGB 92 197 133, RGB 92 197 162, RGB 92 197 190, RGB 92 176 197 and RGB 92 148 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 198 134 shade matches the following richer shades: RGB 92 197 133, RGB 74 215 129, RGB 57 233 126 and RGB 39 251 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 198 134 shade: RGB 92 197 133, RGB 110 180 137, RGB 128 162 141, RGB 145 144 145 and RGB 163 127 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 198 134 shade: RGB 108 197 92, RGB 92 197 104, RGB 92 197 133, RGB 92 197 161 and RGB 92 197 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 198 134 shade: RGB 54 154 93, RGB 64 184 111, RGB 92 197 133, RGB 123 208 156 and RGB 153 219 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 198 134 shade: RGB 93 198 134, RGB 92 136 197 and RGB 197 92 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 198 134 shade: RGB 93 198 134, RGB 133 92 197 and RGB 197 133 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 198 134 shade: RGB 93 198 134, RGB 92 136 197, RGB 197 92 157 and RGB 197 154 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 198 134 shade: RGB 93 198 134, RGB 92 104 197, RGB 197 92 157 and RGB 197 185 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

Complementary color

CMYK 0 / 65 / 25 / 36

HEX #A23979

RGB 162 57 121

HSL 323.43, 0.48%, 0.43%

LAB 41.2, 49.93, -13.85

 

CMYK 51 / 0 / 35 / 22

HEX #62C681

RGB 98 198 129

HSL 138.6, 0.47%, 0.58%

LAB 72.61, -44.58, 25.84

 

CMYK 47 / 0 / 31 / 15

HEX #73D894

RGB 115 216 148

HSL 139.6, 0.56%, 0.65%

LAB 78.98, -44.41, 24.62

 

CMYK 44 / 0 / 29 / 8

HEX #84EAA7

RGB 132 234 167

HSL 140.59, 0.71%, 0.72%

LAB 85.27, -44.2, 23.47

 

CMYK 41 / 0 / 26 / 1

HEX #95FCBA

RGB 149 252 186

HSL 141.55, 0.94%, 0.79%

LAB 91.49, -43.96, 22.4

 

CMYK 35 / 0 / 20 / 0

HEX #A6FFCD

RGB 166 255 205

HSL 146.29, 1%, 0.83%

LAB 93.47, -37.03, 15.56

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 58 / 0 / 36 / 29

HEX #4CB473

RGB 76 180 115

HSL 142.5, 0.41%, 0.5%

LAB 66.07, -44.93, 24.37

 

CMYK 64 / 0 / 41 / 36

HEX #3BA260

RGB 59 162 96

HSL 141.55, 0.47%, 0.43%

LAB 59.54, -44.8, 25.79

 

CMYK 71 / 0 / 47 / 44

HEX #2A904D

RGB 42 144 77

HSL 140.59, 0.55%, 0.36%

LAB 52.92, -44.39, 27.34

 

CMYK 80 / 0 / 54 / 51

HEX #197E3A

RGB 25 126 58

HSL 139.6, 0.67%, 0.3%

LAB 46.22, -43.51, 29.01

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 53 / 0 / 47 / 23

HEX #5CC569

RGB 92 197 105

HSL 127.43, 0.48%, 0.57%

LAB 71.71, -49.66, 36.99

 

CMYK 45 / 0 / 53 / 23

HEX #6CC55C

RGB 108 197 92

HSL 110.86, 0.48%, 0.57%

LAB 72.16, -46.97, 44.05

 

CMYK 31 / 0 / 53 / 23

HEX #88C55C

RGB 136 197 92

HSL 94.86, 0.48%, 0.57%

LAB 73.51, -37.78, 45.99

 

CMYK 16 / 0 / 53 / 23

HEX #A5C55C

RGB 165 197 92

HSL 78.29, 0.48%, 0.57%

LAB 75.27, -26.95, 48.51

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 53 / 0 / 18 / 23

HEX #5CC5A2

RGB 92 197 162

HSL 160, 0.48%, 0.57%

LAB 72.77, -38.82, 8.39

 

CMYK 53 / 0 / 4 / 23

HEX #5CC5BE

RGB 92 197 190

HSL 176, 0.48%, 0.57%

LAB 73.5, -31.97, -5.75

 

CMYK 53 / 11 / 0 / 23

HEX #5CB0C5

RGB 92 176 197

HSL 192, 0.48%, 0.57%

LAB 67.54, -19.61, -18.5

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 66 / 0 / 40 / 16

HEX #4AD781

RGB 74 215 129

HSL 143.4, 0.64%, 0.57%

LAB 77.07, -56.65, 31.63

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 84 / 0 / 51 / 2

HEX #27FB7A

RGB 39 251 122

HSL 143.49, 0.96%, 0.57%

LAB 87.4, -74.64, 48.09

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 39 / 0 / 24 / 29

HEX #6EB489

RGB 110 180 137

HSL 143.14, 0.32%, 0.57%

LAB 67.85, -31.64, 15.12

 

CMYK 21 / 0 / 13 / 36

HEX #80A28D

RGB 128 162 141

HSL 142.94, 0.15%, 0.57%

LAB 63.63, -16.07, 7.1

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 0 / 22 / 9 / 36

HEX #A37F95

RGB 163 127 149

HSL 323.33, 0.16%, 0.57%

LAB 57.21, 17.61, -6.48

 

CMYK 45 / 0 / 53 / 23

HEX #6CC55C

RGB 108 197 92

HSL 110.86, 0.48%, 0.57%

LAB 72.16, -46.97, 44.05

 

CMYK 53 / 0 / 47 / 23

HEX #5CC568

RGB 92 197 104

HSL 126.86, 0.48%, 0.57%

LAB 71.7, -49.81, 37.47

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 53 / 0 / 18 / 23

HEX #5CC5A1

RGB 92 197 161

HSL 159.43, 0.48%, 0.57%

LAB 72.75, -39.05, 8.9

 

CMYK 53 / 0 / 4 / 23

HEX #5CC5BD

RGB 92 197 189

HSL 175.43, 0.48%, 0.57%

LAB 73.47, -32.23, -5.25

 

CMYK 65 / 0 / 40 / 40

HEX #369A5D

RGB 54 154 93

HSL 143.4, 0.48%, 0.41%

LAB 56.77, -43.14, 23.74

 

CMYK 65 / 0 / 40 / 28

HEX #40B86F

RGB 64 184 111

HSL 143.5, 0.48%, 0.49%

LAB 66.91, -49.82, 27.55

 

CMYK 53 / 0 / 32 / 23

HEX #5CC585

RGB 92 197 133

HSL 143.43, 0.48%, 0.57%

LAB 72.16, -44.91, 23.09

 

CMYK 41 / 0 / 25 / 18

HEX #7BD09C

RGB 123 208 156

HSL 143.29, 0.47%, 0.65%

LAB 77.11, -37.18, 17.9

 

CMYK 30 / 0 / 18 / 14

HEX #99DBB3

RGB 153 219 179

HSL 143.64, 0.48%, 0.73%

LAB 82.21, -29.05, 13.09

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 53 / 31 / 0 / 23

HEX #5C88C5

RGB 92 136 197

HSL 214.86, 0.48%, 0.57%

LAB 56, 2.55, -36.3

 

CMYK 0 / 53 / 52 / 23

HEX #C55C5E

RGB 197 92 94

HSL 358.86, 0.48%, 0.57%

LAB 52.21, 42.1, 19.14

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 32 / 53 / 0 / 23

HEX #855CC5

RGB 133 92 197

HSL 263.43, 0.48%, 0.57%

LAB 47.84, 38.98, -49.01

 

CMYK 0 / 32 / 53 / 23

HEX #C5855C

RGB 197 133 92

HSL 23.43, 0.48%, 0.57%

LAB 61.15, 20.1, 31.96

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 53 / 31 / 0 / 23

HEX #5C88C5

RGB 92 136 197

HSL 214.86, 0.48%, 0.57%

LAB 56, 2.55, -36.3

 

CMYK 0 / 53 / 20 / 23

HEX #C55C9D

RGB 197 92 157

HSL 322.86, 0.48%, 0.57%

LAB 53.98, 49.55, -15.56

 

CMYK 0 / 22 / 53 / 23

HEX #C59A5C

RGB 197 154 92

HSL 35.43, 0.48%, 0.57%

LAB 66.33, 8.6, 38.42

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 53 / 47 / 0 / 23

HEX #5C68C5

RGB 92 104 197

HSL 233.14, 0.48%, 0.57%

LAB 47.25, 21.99, -50.17

 

CMYK 0 / 53 / 20 / 23

HEX #C55C9D

RGB 197 92 157

HSL 322.86, 0.48%, 0.57%

LAB 53.98, 49.55, -15.56

 

CMYK 0 / 6 / 53 / 23

HEX #C5B95C

RGB 197 185 92

HSL 53.14, 0.48%, 0.57%

LAB 74.41, -7.92, 48.11

 

Description

Color code: RGB 93 198 134 | qconv.com Color code: RGB 93 198 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 198 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 198 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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