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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 194 54 it is the complementary color RGB 162 61 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 194 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 194 54 shade: RGB 98 194 49, RGB 115 212 68, RGB 132 230 87, RGB 149 248 106 and RGB 166 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 194 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 76 176 35, RGB 59 158 16, RGB 42 140 0 and RGB 25 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 131 194 54, RGB 169 194 54, RGB 194 182 54 and RGB 194 144 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 56 194 54, RGB 54 194 91, RGB 54 194 129 and RGB 54 194 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 194 54 shade matches the following richer shades: RGB 93 194 54, RGB 84 215 34 and RGB 76 235 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 102 174 75, RGB 111 154 95, RGB 120 134 115 and RGB 129 114 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 194 54 shade: RGB 169 194 54, RGB 131 194 54, RGB 94 194 54, RGB 57 194 54 and RGB 54 194 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 194 54 shade: RGB 62 130 36, RGB 78 162 45, RGB 93 194 54, RGB 118 206 84 and RGB 144 215 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 54 194 183 and RGB 194 54 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 54 94 194 and RGB 194 54 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 54 194 183, RGB 155 54 194 and RGB 194 54 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 194 54 shade: RGB 93 194 54, RGB 54 164 194, RGB 155 54 194 and RGB 194 85 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

Complementary color

CMYK 19 / 70 / 0 / 21

HEX #A23DC9

RGB 162 61 201

HSL 283.29, 0.56%, 0.51%

LAB 45.96, 62.09, -54.15

 

CMYK 49 / 0 / 75 / 24

HEX #62C231

RGB 98 194 49

HSL 99.72, 0.6%, 0.48%

LAB 70.46, -52.8, 60.09

 

CMYK 46 / 0 / 68 / 17

HEX #73D444

RGB 115 212 68

HSL 100.42, 0.63%, 0.55%

LAB 76.77, -53.28, 59.79

 

CMYK 43 / 0 / 62 / 10

HEX #84E657

RGB 132 230 87

HSL 101.12, 0.74%, 0.62%

LAB 83.01, -53.55, 59.07

 

CMYK 40 / 0 / 57 / 3

HEX #95F86A

RGB 149 248 106

HSL 101.83, 0.91%, 0.69%

LAB 89.19, -53.68, 58.13

 

CMYK 35 / 0 / 51 / 0

HEX #A6FF7D

RGB 166 255 125

HSL 101.08, 1%, 0.75%

LAB 92.18, -49.16, 53.34

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 57 / 0 / 80 / 31

HEX #4CB023

RGB 76 176 35

HSL 102.55, 0.67%, 0.41%

LAB 63.92, -53.13, 58.02

 

CMYK 63 / 0 / 90 / 38

HEX #3B9E10

RGB 59 158 16

HSL 101.83, 0.82%, 0.34%

LAB 57.48, -51.9, 56.77

 

CMYK 70 / 0 / 100 / 45

HEX #2A8C00

RGB 42 140 0

HSL 102, 1%, 0.27%

LAB 50.98, -50.06, 53.95

 

CMYK 80 / 0 / 100 / 52

HEX #197A00

RGB 25 122 0

HSL 107.7, 1%, 0.24%

LAB 44.41, -47.28, 48.57

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 32 / 0 / 72 / 24

HEX #83C236

RGB 131 194 54

HSL 87, 0.56%, 0.49%

LAB 72.01, -41.53, 60.39

 

CMYK 13 / 0 / 72 / 24

HEX #A9C236

RGB 169 194 54

HSL 70.71, 0.56%, 0.49%

LAB 74.37, -26.7, 63.51

 

CMYK 0 / 6 / 72 / 24

HEX #C2B636

RGB 194 182 54

HSL 54.86, 0.56%, 0.49%

LAB 73.02, -10.12, 62.87

 

CMYK 0 / 26 / 72 / 24

HEX #C29036

RGB 194 144 54

HSL 38.57, 0.56%, 0.49%

LAB 63.08, 10.16, 53.03

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 71 / 0 / 72 / 24

HEX #38C236

RGB 56 194 54

HSL 119.14, 0.56%, 0.49%

LAB 69.25, -62.38, 56.71

 

CMYK 72 / 0 / 53 / 24

HEX #36C25B

RGB 54 194 91

HSL 135.86, 0.56%, 0.49%

LAB 69.56, -58.56, 41

 

CMYK 72 / 0 / 34 / 24

HEX #36C281

RGB 54 194 129

HSL 152.14, 0.56%, 0.49%

LAB 70.14, -51.91, 22.3

 

CMYK 72 / 0 / 14 / 24

HEX #36C2A6

RGB 54 194 166

HSL 168, 0.56%, 0.49%

LAB 70.95, -43.32, 3.48

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 61 / 0 / 84 / 16

HEX #54D722

RGB 84 215 34

HSL 103.43, 0.73%, 0.49%

LAB 76.44, -64.77, 69.77

 

CMYK 68 / 0 / 94 / 8

HEX #4CEB0E

RGB 76 235 14

HSL 103.17, 0.89%, 0.49%

LAB 82.37, -73.41, 78.01

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 41 / 0 / 57 / 32

HEX #66AE4B

RGB 102 174 75

HSL 103.64, 0.4%, 0.49%

LAB 64.65, -41.16, 43.19

 

CMYK 28 / 0 / 38 / 40

HEX #6F9A5F

RGB 111 154 95

HSL 103.73, 0.24%, 0.49%

LAB 59.27, -26.16, 26.39

 

CMYK 10 / 0 / 14 / 47

HEX #788673

RGB 120 134 115

HSL 104.21, 0.08%, 0.49%

LAB 54.32, -8.91, 8.51

 

CMYK 4 / 16 / 0 / 47

HEX #817287

RGB 129 114 135

HSL 282.86, 0.08%, 0.49%

LAB 50.04, 9.96, -9.35

 

CMYK 13 / 0 / 72 / 24

HEX #A9C236

RGB 169 194 54

HSL 70.71, 0.56%, 0.49%

LAB 74.37, -26.7, 63.51

 

CMYK 32 / 0 / 72 / 24

HEX #83C236

RGB 131 194 54

HSL 87, 0.56%, 0.49%

LAB 72.01, -41.53, 60.39

 

CMYK 52 / 0 / 72 / 24

HEX #5EC236

RGB 94 194 54

HSL 102.86, 0.56%, 0.49%

LAB 70.34, -53.61, 58.16

 

CMYK 71 / 0 / 72 / 24

HEX #39C236

RGB 57 194 54

HSL 118.71, 0.56%, 0.49%

LAB 69.27, -62.21, 56.73

 

CMYK 72 / 0 / 54 / 24

HEX #36C259

RGB 54 194 89

HSL 135, 0.56%, 0.49%

LAB 69.53, -58.84, 41.94

 

CMYK 52 / 0 / 72 / 49

HEX #3E8224

RGB 62 130 36

HSL 103.4, 0.57%, 0.33%

LAB 48.41, -39.33, 42.25

 

CMYK 52 / 0 / 72 / 36

HEX #4EA22D

RGB 78 162 45

HSL 103.08, 0.57%, 0.41%

LAB 59.57, -46.61, 50.37

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 43 / 0 / 59 / 19

HEX #76CE54

RGB 118 206 84

HSL 103.28, 0.55%, 0.57%

LAB 75.22, -48.5, 51.45

 

CMYK 33 / 0 / 46 / 16

HEX #90D774

RGB 144 215 116

HSL 103.03, 0.55%, 0.65%

LAB 79.49, -40.21, 41.79

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 72 / 0 / 6 / 24

HEX #36C2B7

RGB 54 194 183

HSL 175.29, 0.56%, 0.49%

LAB 71.41, -38.77, -5.13

 

CMYK 0 / 72 / 23 / 24

HEX #C23696

RGB 194 54 150

HSL 318.86, 0.56%, 0.49%

LAB 47.38, 63.7, -21.55

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 72 / 52 / 0 / 24

HEX #365EC2

RGB 54 94 194

HSL 222.86, 0.56%, 0.49%

LAB 42.28, 20.54, -56.52

 

CMYK 0 / 72 / 52 / 24

HEX #C2365E

RGB 194 54 94

HSL 342.86, 0.56%, 0.49%

LAB 45.52, 57.68, 9.86

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 72 / 0 / 6 / 24

HEX #36C2B7

RGB 54 194 183

HSL 175.29, 0.56%, 0.49%

LAB 71.41, -38.77, -5.13

 

CMYK 20 / 72 / 0 / 24

HEX #9B36C2

RGB 155 54 194

HSL 283.29, 0.56%, 0.49%

LAB 43.51, 62.02, -54.08

 

CMYK 0 / 72 / 66 / 24

HEX #C23642

RGB 194 54 66

HSL 354.86, 0.56%, 0.49%

LAB 44.94, 55.74, 26.28

 

CMYK 52 / 0 / 72 / 24

HEX #5DC236

RGB 93 194 54

HSL 103.29, 0.56%, 0.49%

LAB 70.3, -53.89, 58.11

 

CMYK 72 / 15 / 0 / 24

HEX #36A4C2

RGB 54 164 194

HSL 192.86, 0.56%, 0.49%

LAB 62.7, -20.87, -24.33

 

CMYK 20 / 72 / 0 / 24

HEX #9B36C2

RGB 155 54 194

HSL 283.29, 0.56%, 0.49%

LAB 43.51, 62.02, -54.08

 

CMYK 0 / 56 / 72 / 24

HEX #C25536

RGB 194 85 54

HSL 13.29, 0.56%, 0.49%

LAB 49.78, 41.73, 38.9

 

Description

Color code: RGB 93 194 54 | qconv.com Color code: RGB 93 194 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 194 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 194 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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