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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 194 117 it is the complementary color RGB 162 61 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 194 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 194 117 shade: RGB 98 194 112, RGB 115 212 131, RGB 132 230 150, RGB 149 248 169 and RGB 166 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 194 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 194 117 shade: RGB 93 194 117, RGB 76 176 98, RGB 59 158 79, RGB 42 140 60 and RGB 25 122 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 194 117 shade: RGB 92 193 116, RGB 95 193 92, RGB 122 193 92, RGB 150 193 92 and RGB 177 193 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 194 117 shade: RGB 92 193 116, RGB 92 193 143, RGB 92 193 170, RGB 92 188 193 and RGB 92 161 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 194 117 shade matches the following richer shades: RGB 92 193 116, RGB 74 211 106, RGB 56 229 97 and RGB 37 247 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 194 117 shade: RGB 92 193 116, RGB 110 175 125, RGB 128 156 135, RGB 146 138 144 and RGB 164 120 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 194 117 shade: RGB 122 193 92, RGB 95 193 92, RGB 92 193 115, RGB 92 193 142 and RGB 92 193 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 194 117 shade: RGB 55 147 77, RGB 67 177 93, RGB 92 193 116, RGB 122 204 141 and RGB 152 215 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 194 117 shade: RGB 93 194 117, RGB 92 149 193 and RGB 193 92 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 194 117 shade: RGB 93 194 117, RGB 115 92 193 and RGB 193 115 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 194 117 shade: RGB 93 194 117, RGB 92 149 193, RGB 193 92 169 and RGB 193 136 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 194 117 shade: RGB 93 194 117, RGB 92 119 193, RGB 193 92 169 and RGB 193 166 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

Complementary color

CMYK 0 / 62 / 15 / 36

HEX #A23D8A

RGB 162 61 138

HSL 314.26, 0.45%, 0.44%

LAB 42.54, 50.68, -22.2

 

CMYK 49 / 0 / 42 / 24

HEX #62C270

RGB 98 194 112

HSL 128.75, 0.44%, 0.57%

LAB 71.11, -45.77, 32.71

 

CMYK 46 / 0 / 38 / 17

HEX #73D483

RGB 115 212 131

HSL 129.9, 0.53%, 0.64%

LAB 77.5, -45.63, 31.43

 

CMYK 43 / 0 / 35 / 10

HEX #84E696

RGB 132 230 150

HSL 131.02, 0.66%, 0.71%

LAB 83.81, -45.44, 30.21

 

CMYK 40 / 0 / 32 / 3

HEX #95F8A9

RGB 149 248 169

HSL 132.12, 0.88%, 0.78%

LAB 90.04, -45.2, 29.06

 

CMYK 35 / 0 / 26 / 0

HEX #A6FFBC

RGB 166 255 188

HSL 134.83, 1%, 0.83%

LAB 93.13, -40.12, 23.77

 

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

CMYK 57 / 0 / 44 / 31

HEX #4CB062

RGB 76 176 98

HSL 133.2, 0.4%, 0.49%

LAB 64.54, -46.27, 31.33

 

CMYK 63 / 0 / 50 / 38

HEX #3B9E4F

RGB 59 158 79

HSL 132.12, 0.46%, 0.43%

LAB 57.99, -46.08, 32.78

 

CMYK 70 / 0 / 57 / 45

HEX #2A8C3C

RGB 42 140 60

HSL 131.02, 0.54%, 0.36%

LAB 51.35, -45.56, 34.27

 

CMYK 80 / 0 / 66 / 52

HEX #197A29

RGB 25 122 41

HSL 129.9, 0.66%, 0.29%

LAB 44.64, -44.46, 35.68

 

CMYK 52 / 0 / 40 / 24

HEX #5CC174

RGB 92 193 116

HSL 134.26, 0.45%, 0.56%

LAB 70.65, -46.28, 30

 

CMYK 51 / 0 / 52 / 24

HEX #5FC15C

RGB 95 193 92

HSL 118.22, 0.45%, 0.56%

LAB 70.42, -49.08, 41.83

 

CMYK 37 / 0 / 52 / 24

HEX #7AC15C

RGB 122 193 92

HSL 102.18, 0.45%, 0.56%

LAB 71.59, -40.82, 43.52

 

CMYK 22 / 0 / 52 / 24

HEX #96C15C

RGB 150 193 92

HSL 85.54, 0.45%, 0.56%

LAB 73.15, -30.81, 45.77

 

CMYK 8 / 0 / 52 / 24

HEX #B1C15C

RGB 177 193 92

HSL 69.5, 0.45%, 0.56%

LAB 74.99, -20.22, 48.39

 

CMYK 52 / 0 / 40 / 24

HEX #5CC174

RGB 92 193 116

HSL 134.26, 0.45%, 0.56%

LAB 70.65, -46.28, 30

 

CMYK 52 / 0 / 26 / 24

HEX #5CC18F

RGB 92 193 143

HSL 150.3, 0.45%, 0.56%

LAB 71.14, -41.19, 16.35

 

CMYK 52 / 0 / 12 / 24

HEX #5CC1AA

RGB 92 193 170

HSL 166.34, 0.45%, 0.56%

LAB 71.77, -35.11, 2.61

 

CMYK 52 / 3 / 0 / 24

HEX #5CBCC1

RGB 92 188 193

HSL 182.97, 0.45%, 0.56%

LAB 70.93, -26.8, -11.2

 

CMYK 52 / 17 / 0 / 24

HEX #5CA1C1

RGB 92 161 193

HSL 199.01, 0.45%, 0.56%

LAB 63.02, -12.81, -23.17

 

CMYK 52 / 0 / 40 / 24

HEX #5CC174

RGB 92 193 116

HSL 134.26, 0.45%, 0.56%

LAB 70.65, -46.28, 30

 

CMYK 65 / 0 / 50 / 17

HEX #4AD36A

RGB 74 211 106

HSL 134.01, 0.61%, 0.56%

LAB 75.5, -58.89, 41.13

 

CMYK 76 / 0 / 58 / 10

HEX #38E561

RGB 56 229 97

HSL 134.22, 0.77%, 0.56%

LAB 80.6, -69.22, 51.4

 

CMYK 85 / 0 / 65 / 3

HEX #25F757

RGB 37 247 87

HSL 134.29, 0.93%, 0.56%

LAB 85.81, -77.92, 61.5

 

CMYK 52 / 0 / 40 / 24

HEX #5CC174

RGB 92 193 116

HSL 134.26, 0.45%, 0.56%

LAB 70.65, -46.28, 30

 

CMYK 37 / 0 / 29 / 31

HEX #6EAF7D

RGB 110 175 125

HSL 133.85, 0.29%, 0.56%

LAB 66.1, -31.57, 19.24

 

CMYK 18 / 0 / 13 / 39

HEX #809C87

RGB 128 156 135

HSL 135, 0.12%, 0.56%

LAB 61.75, -14.09, 7.78

 

CMYK 0 / 5 / 1 / 43

HEX #928A90

RGB 146 138 144

HSL 315, 0.04%, 0.56%

LAB 58.32, 4.12, -2.13

 

CMYK 0 / 27 / 6 / 36

HEX #A4789A

RGB 164 120 154

HSL 313.64, 0.19%, 0.56%

LAB 55.74, 22.89, -11.55

 

CMYK 37 / 0 / 52 / 24

HEX #7AC15C

RGB 122 193 92

HSL 102.18, 0.45%, 0.56%

LAB 71.59, -40.82, 43.52

 

CMYK 51 / 0 / 52 / 24

HEX #5FC15C

RGB 95 193 92

HSL 118.22, 0.45%, 0.56%

LAB 70.42, -49.08, 41.83

 

CMYK 52 / 0 / 40 / 24

HEX #5CC173

RGB 92 193 115

HSL 133.66, 0.45%, 0.56%

LAB 70.63, -46.45, 30.5

 

CMYK 52 / 0 / 26 / 24

HEX #5CC18E

RGB 92 193 142

HSL 149.7, 0.45%, 0.56%

LAB 71.12, -41.4, 16.86

 

CMYK 52 / 0 / 12 / 24

HEX #5CC1A9

RGB 92 193 169

HSL 165.74, 0.45%, 0.56%

LAB 71.74, -35.35, 3.11

 

CMYK 63 / 0 / 48 / 42

HEX #37934D

RGB 55 147 77

HSL 134.35, 0.46%, 0.4%

LAB 54.25, -42.92, 29.11

 

CMYK 62 / 0 / 47 / 31

HEX #43B15D

RGB 67 177 93

HSL 134.18, 0.45%, 0.48%

LAB 64.51, -49.55, 33.81

 

CMYK 52 / 0 / 40 / 24

HEX #5CC174

RGB 92 193 116

HSL 134.26, 0.45%, 0.56%

LAB 70.65, -46.28, 30

 

CMYK 40 / 0 / 31 / 20

HEX #7ACC8D

RGB 122 204 141

HSL 133.9, 0.45%, 0.64%

LAB 75.6, -38.43, 23.74

 

CMYK 29 / 0 / 22 / 16

HEX #98D7A7

RGB 152 215 167

HSL 134.29, 0.44%, 0.72%

LAB 80.78, -29.69, 17.4

 

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

CMYK 52 / 23 / 0 / 24

HEX #5C95C1

RGB 92 149 193

HSL 206.14, 0.45%, 0.56%

LAB 59.54, -6.18, -28.53

 

CMYK 0 / 52 / 44 / 24

HEX #C15C6D

RGB 193 92 109

HSL 349.9, 0.45%, 0.56%

LAB 51.95, 42.11, 9.79

 

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

CMYK 40 / 52 / 0 / 24

HEX #735CC1

RGB 115 92 193

HSL 253.66, 0.45%, 0.56%

LAB 45.84, 33.42, -50.01

 

CMYK 0 / 40 / 52 / 24

HEX #C1735C

RGB 193 115 92

HSL 13.66, 0.45%, 0.56%

LAB 56.46, 28.32, 25.83

 

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

CMYK 52 / 23 / 0 / 24

HEX #5C95C1

RGB 92 149 193

HSL 206.14, 0.45%, 0.56%

LAB 59.54, -6.18, -28.53

 

CMYK 0 / 52 / 12 / 24

HEX #C15CA9

RGB 193 92 169

HSL 314.26, 0.45%, 0.56%

LAB 53.87, 50.17, -22.79

 

CMYK 0 / 30 / 52 / 24

HEX #C1885C

RGB 193 136 92

HSL 26.14, 0.45%, 0.56%

LAB 61.41, 16.79, 32.19

 

CMYK 52 / 0 / 40 / 24

HEX #5DC275

RGB 93 194 117

HSL 134.26, 0.45%, 0.56%

LAB 71.01, -46.27, 29.96

 

CMYK 52 / 38 / 0 / 24

HEX #5C77C1

RGB 92 119 193

HSL 223.96, 0.45%, 0.56%

LAB 51.06, 11.47, -41.8

 

CMYK 0 / 52 / 12 / 24

HEX #C15CA9

RGB 193 92 169

HSL 314.26, 0.45%, 0.56%

LAB 53.87, 50.17, -22.79

 

CMYK 0 / 14 / 52 / 24

HEX #C1A65C

RGB 193 166 92

HSL 43.96, 0.45%, 0.56%

LAB 69.03, 0.42, 41.62

 

Description

Color code: RGB 93 194 117 | qconv.com Color code: RGB 93 194 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 194 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 194 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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