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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 192 119 it is the complementary color RGB 162 63 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 192 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 192 119 shade: RGB 98 192 114, RGB 115 210 133, RGB 132 228 152, RGB 149 246 171 and RGB 166 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 192 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 76 174 100, RGB 59 156 81, RGB 42 138 62 and RGB 25 120 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 94 192 93, RGB 120 192 93, RGB 147 192 93 and RGB 174 192 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 93 192 145, RGB 93 192 172, RGB 93 185 192 and RGB 93 158 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 192 119 shade matches the following richer shades: RGB 93 192 119, RGB 75 210 110, RGB 57 228 102 and RGB 38 246 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 111 174 127, RGB 129 155 136, RGB 147 137 145 and RGB 166 119 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 192 119 shade: RGB 121 192 93, RGB 95 192 93, RGB 93 192 118, RGB 93 192 144 and RGB 93 192 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 192 119 shade: RGB 56 146 80, RGB 68 175 96, RGB 93 192 119, RGB 123 203 144 and RGB 152 215 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 93 147 192 and RGB 192 93 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 118 93 192 and RGB 192 118 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 93 147 192, RGB 192 93 167 and RGB 192 137 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 192 119 shade: RGB 93 192 119, RGB 93 118 192, RGB 192 93 167 and RGB 192 167 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

Complementary color

CMYK 0 / 61 / 16 / 36

HEX #A23F88

RGB 162 63 136

HSL 315.76, 0.44%, 0.44%

LAB 42.78, 49.47, -20.61

 

CMYK 49 / 0 / 41 / 25

HEX #62C072

RGB 98 192 114

HSL 130.21, 0.43%, 0.57%

LAB 70.53, -44.61, 30.93

 

CMYK 45 / 0 / 37 / 18

HEX #73D285

RGB 115 210 133

HSL 131.37, 0.51%, 0.64%

LAB 76.94, -44.45, 29.66

 

CMYK 42 / 0 / 33 / 11

HEX #84E498

RGB 132 228 152

HSL 132.5, 0.64%, 0.71%

LAB 83.26, -44.24, 28.46

 

CMYK 39 / 0 / 30 / 4

HEX #95F6AB

RGB 149 246 171

HSL 133.61, 0.84%, 0.77%

LAB 89.51, -44, 27.33

 

CMYK 35 / 0 / 25 / 0

HEX #A6FFBE

RGB 166 255 190

HSL 136.18, 1%, 0.83%

LAB 93.17, -39.77, 22.8

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 56 / 0 / 43 / 32

HEX #4CAE64

RGB 76 174 100

HSL 134.69, 0.39%, 0.49%

LAB 63.94, -45.12, 29.51

 

CMYK 62 / 0 / 48 / 39

HEX #3B9C51

RGB 59 156 81

HSL 133.61, 0.45%, 0.42%

LAB 57.37, -44.98, 30.96

 

CMYK 70 / 0 / 55 / 46

HEX #2A8A3E

RGB 42 138 62

HSL 132.5, 0.53%, 0.35%

LAB 50.71, -44.51, 32.47

 

CMYK 79 / 0 / 64 / 53

HEX #19782B

RGB 25 120 43

HSL 131.37, 0.66%, 0.28%

LAB 43.97, -43.5, 33.97

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 51 / 0 / 52 / 25

HEX #5EC05D

RGB 94 192 93

HSL 119.39, 0.44%, 0.56%

LAB 70.08, -48.82, 40.93

 

CMYK 38 / 0 / 52 / 25

HEX #78C05D

RGB 120 192 93

HSL 103.64, 0.44%, 0.56%

LAB 71.2, -40.93, 42.55

 

CMYK 23 / 0 / 52 / 25

HEX #93C05D

RGB 147 192 93

HSL 87.27, 0.44%, 0.56%

LAB 72.69, -31.36, 44.69

 

CMYK 9 / 0 / 52 / 25

HEX #AEC05D

RGB 174 192 93

HSL 70.91, 0.44%, 0.56%

LAB 74.5, -20.84, 47.29

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 52 / 0 / 24 / 25

HEX #5DC091

RGB 93 192 145

HSL 151.52, 0.44%, 0.56%

LAB 70.92, -40.09, 14.97

 

CMYK 52 / 0 / 10 / 25

HEX #5DC0AC

RGB 93 192 172

HSL 167.88, 0.44%, 0.56%

LAB 71.56, -33.94, 1.21

 

CMYK 52 / 4 / 0 / 25

HEX #5DB9C0

RGB 93 185 192

HSL 184.24, 0.44%, 0.56%

LAB 70.06, -25.37, -11.96

 

CMYK 52 / 18 / 0 / 25

HEX #5D9EC0

RGB 93 158 192

HSL 200.61, 0.44%, 0.56%

LAB 62.16, -11.25, -23.94

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 64 / 0 / 48 / 18

HEX #4BD26E

RGB 75 210 110

HSL 135.56, 0.6%, 0.56%

LAB 75.27, -57.73, 38.88

 

CMYK 75 / 0 / 55 / 11

HEX #39E466

RGB 57 228 102

HSL 135.79, 0.76%, 0.56%

LAB 80.36, -68.12, 48.85

 

CMYK 85 / 0 / 62 / 4

HEX #26F65D

RGB 38 246 93

HSL 135.87, 0.92%, 0.56%

LAB 85.56, -76.91, 58.77

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 36 / 0 / 27 / 32

HEX #6FAE7F

RGB 111 174 127

HSL 135.24, 0.28%, 0.56%

LAB 65.89, -30.41, 17.87

 

CMYK 17 / 0 / 12 / 39

HEX #819B88

RGB 129 155 136

HSL 136.15, 0.12%, 0.56%

LAB 61.56, -13.01, 6.94

 

CMYK 0 / 7 / 1 / 42

HEX #938991

RGB 147 137 145

HSL 312, 0.04%, 0.56%

LAB 58.17, 5.25, -2.92

 

CMYK 0 / 28 / 8 / 35

HEX #A67799

RGB 166 119 153

HSL 316.6, 0.21%, 0.56%

LAB 55.69, 23.99, -11.04

 

CMYK 37 / 0 / 52 / 25

HEX #79C05D

RGB 121 192 93

HSL 103.03, 0.44%, 0.56%

LAB 71.25, -40.6, 42.62

 

CMYK 51 / 0 / 52 / 25

HEX #5FC05D

RGB 95 192 93

HSL 118.79, 0.44%, 0.56%

LAB 70.12, -48.54, 40.98

 

CMYK 52 / 0 / 39 / 25

HEX #5DC076

RGB 93 192 118

HSL 135.15, 0.44%, 0.56%

LAB 70.41, -45.26, 28.65

 

CMYK 52 / 0 / 25 / 25

HEX #5DC090

RGB 93 192 144

HSL 150.91, 0.44%, 0.56%

LAB 70.9, -40.3, 15.48

 

CMYK 52 / 0 / 11 / 25

HEX #5DC0AA

RGB 93 192 170

HSL 166.67, 0.44%, 0.56%

LAB 71.51, -34.42, 2.23

 

CMYK 62 / 0 / 45 / 43

HEX #389250

RGB 56 146 80

HSL 136, 0.45%, 0.4%

LAB 54, -41.78, 27.19

 

CMYK 61 / 0 / 45 / 31

HEX #44AF60

RGB 68 175 96

HSL 135.7, 0.44%, 0.48%

LAB 63.94, -48.06, 31.55

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 39 / 0 / 29 / 20

HEX #7BCB90

RGB 123 203 144

HSL 135.75, 0.43%, 0.64%

LAB 75.41, -37.15, 21.91

 

CMYK 29 / 0 / 21 / 16

HEX #98D7A9

RGB 152 215 169

HSL 136.19, 0.44%, 0.72%

LAB 80.82, -29.33, 16.4

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 52 / 23 / 0 / 25

HEX #5D93C0

RGB 93 147 192

HSL 207.27, 0.44%, 0.56%

LAB 58.97, -5.12, -28.84

 

CMYK 0 / 52 / 44 / 25

HEX #C05D6C

RGB 192 93 108

HSL 350.91, 0.44%, 0.56%

LAB 51.97, 41.13, 10.4

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 39 / 52 / 0 / 25

HEX #765DC0

RGB 118 93 192

HSL 255.15, 0.44%, 0.56%

LAB 46.29, 33.29, -48.69

 

CMYK 0 / 39 / 52 / 25

HEX #C0765D

RGB 192 118 93

HSL 15.15, 0.44%, 0.56%

LAB 57.03, 26.37, 25.99

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 52 / 23 / 0 / 25

HEX #5D93C0

RGB 93 147 192

HSL 207.27, 0.44%, 0.56%

LAB 58.97, -5.12, -28.84

 

CMYK 0 / 52 / 13 / 25

HEX #C05DA7

RGB 192 93 167

HSL 315.15, 0.44%, 0.56%

LAB 53.84, 49.06, -21.68

 

CMYK 0 / 29 / 52 / 25

HEX #C0895D

RGB 192 137 93

HSL 26.67, 0.44%, 0.56%

LAB 61.56, 15.91, 31.81

 

CMYK 52 / 0 / 38 / 25

HEX #5DC077

RGB 93 192 119

HSL 135.76, 0.44%, 0.56%

LAB 70.43, -45.09, 28.15

 

CMYK 52 / 39 / 0 / 25

HEX #5D76C0

RGB 93 118 192

HSL 224.85, 0.44%, 0.56%

LAB 50.79, 11.99, -41.64

 

CMYK 0 / 52 / 13 / 25

HEX #C05DA7

RGB 192 93 167

HSL 315.15, 0.44%, 0.56%

LAB 53.84, 49.06, -21.68

 

CMYK 0 / 13 / 52 / 25

HEX #C0A75D

RGB 192 167 93

HSL 44.85, 0.44%, 0.56%

LAB 69.21, -0.45, 41.31

 

Description

Color code: RGB 93 192 119 | qconv.com Color code: RGB 93 192 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 192 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 192 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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