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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 189 251 it is the complementary color RGB 162 66 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 189 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 189 251 shade: RGB 98 189 246, RGB 115 207 255, RGB 132 225 255, RGB 149 243 255 and RGB 166 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 189 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 189 251 shade: RGB 93 189 251, RGB 76 171 232, RGB 59 153 213, RGB 42 135 194 and RGB 25 117 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 189 251 shade: RGB 90 188 250, RGB 90 144 250, RGB 90 101 250, RGB 123 90 250 and RGB 166 90 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 189 251 shade: RGB 90 188 250, RGB 90 144 250, RGB 90 101 250 and RGB 90 90 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 189 251 shade matches the following richer shades: RGB 90 188 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 189 251 shade: RGB 90 188 250, RGB 104 185 237, RGB 118 182 223, RGB 131 179 209 and RGB 145 176 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 189 251 shade: RGB 90 250 226, RGB 90 232 250, RGB 90 189 250, RGB 90 146 250 and RGB 90 104 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 189 251 shade: RGB 10 155 248, RGB 50 171 249, RGB 90 188 250, RGB 131 204 251 and RGB 171 220 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 189 251 shade: RGB 93 189 251, RGB 184 90 250 and RGB 250 248 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 189 251 shade: RGB 93 189 251, RGB 250 90 189 and RGB 189 250 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 189 251 shade: RGB 93 189 251, RGB 184 90 250, RGB 250 152 90 and RGB 157 250 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 189 251 shade: RGB 93 189 251, RGB 232 90 250, RGB 250 152 90 and RGB 109 250 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

Complementary color

CMYK 0 / 59 / 98 / 36

HEX #A24204

RGB 162 66 4

HSL 23.54, 0.95%, 0.33%

LAB 40.55, 37.24, 49.96

 

CMYK 60 / 23 / 0 / 4

HEX #62BDF6

RGB 98 189 246

HSL 203.11, 0.89%, 0.67%

LAB 73.32, -10.69, -36.38

 

CMYK 55 / 19 / 0 / 0

HEX #73CFFF

RGB 115 207 255

HSL 200.57, 1%, 0.73%

LAB 79.32, -14.28, -31.87

 

CMYK 48 / 12 / 0 / 0

HEX #84E1FF

RGB 132 225 255

HSL 194.63, 1%, 0.76%

LAB 84.98, -19.91, -23.15

 

CMYK 42 / 5 / 0 / 0

HEX #95F3FF

RGB 149 243 255

HSL 186.79, 1%, 0.79%

LAB 90.65, -24.91, -14.54

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

CMYK 67 / 26 / 0 / 9

HEX #4CABE8

RGB 76 171 232

HSL 203.46, 0.77%, 0.6%

LAB 66.89, -9.06, -38.82

 

CMYK 72 / 28 / 0 / 16

HEX #3B99D5

RGB 59 153 213

HSL 203.38, 0.65%, 0.53%

LAB 60.35, -7.87, -38.58

 

CMYK 78 / 30 / 0 / 24

HEX #2A87C2

RGB 42 135 194

HSL 203.29, 0.64%, 0.46%

LAB 53.72, -6.36, -38.3

 

CMYK 86 / 33 / 0 / 31

HEX #1975AF

RGB 25 117 175

HSL 203.2, 0.75%, 0.39%

LAB 47.01, -4.41, -37.97

 

CMYK 64 / 25 / 0 / 2

HEX #5ABCFA

RGB 90 188 250

HSL 203.25, 0.94%, 0.67%

LAB 72.92, -10.29, -39.17

 

CMYK 64 / 42 / 0 / 2

HEX #5A90FA

RGB 90 144 250

HSL 219.75, 0.94%, 0.67%

LAB 60.8, 14.77, -58.28

 

CMYK 64 / 60 / 0 / 2

HEX #5A65FA

RGB 90 101 250

HSL 235.88, 0.94%, 0.67%

LAB 49.96, 40.8, -75.78

 

CMYK 51 / 64 / 0 / 2

HEX #7B5AFA

RGB 123 90 250

HSL 252.38, 0.94%, 0.67%

LAB 50.01, 52.4, -75.59

 

CMYK 34 / 64 / 0 / 2

HEX #A65AFA

RGB 166 90 250

HSL 268.5, 0.94%, 0.67%

LAB 54.37, 60.58, -68.32

 

CMYK 64 / 25 / 0 / 2

HEX #5ABCFA

RGB 90 188 250

HSL 203.25, 0.94%, 0.67%

LAB 72.92, -10.29, -39.17

 

CMYK 64 / 42 / 0 / 2

HEX #5A90FA

RGB 90 144 250

HSL 219.75, 0.94%, 0.67%

LAB 60.8, 14.77, -58.28

 

CMYK 64 / 60 / 0 / 2

HEX #5A65FA

RGB 90 101 250

HSL 235.88, 0.94%, 0.67%

LAB 49.96, 40.8, -75.78

 

CMYK 64 / 64 / 0 / 2

HEX #5A5AFA

RGB 90 90 250

HSL 240, 0.94%, 0.67%

LAB 47.48, 47.29, -79.82

 

CMYK 64 / 25 / 0 / 2

HEX #5ABCFA

RGB 90 188 250

HSL 203.25, 0.94%, 0.67%

LAB 72.92, -10.29, -39.17

 

CMYK 64 / 25 / 0 / 2

HEX #5ABCFA

RGB 90 188 250

HSL 203.25, 0.94%, 0.67%

LAB 72.92, -10.29, -39.17

 

CMYK 56 / 22 / 0 / 7

HEX #68B9ED

RGB 104 185 237

HSL 203.46, 0.79%, 0.67%

LAB 72.06, -10.14, -33.43

 

CMYK 47 / 18 / 0 / 13

HEX #76B6DF

RGB 118 182 223

HSL 203.43, 0.62%, 0.67%

LAB 71.31, -9.54, -26.93

 

CMYK 37 / 14 / 0 / 18

HEX #83B3D1

RGB 131 179 209

HSL 203.08, 0.46%, 0.67%

LAB 70.64, -8.41, -20.23

 

CMYK 26 / 10 / 0 / 23

HEX #91B0C4

RGB 145 176 196

HSL 203.53, 0.3%, 0.67%

LAB 70.22, -5.99, -13.66

 

CMYK 64 / 0 / 10 / 2

HEX #5AFAE2

RGB 90 250 226

HSL 171, 0.94%, 0.67%

LAB 89.88, -47.08, -0.8

 

CMYK 64 / 7 / 0 / 2

HEX #5AE8FA

RGB 90 232 250

HSL 186.75, 0.94%, 0.67%

LAB 85.4, -32.55, -20.02

 

CMYK 64 / 24 / 0 / 2

HEX #5ABDFA

RGB 90 189 250

HSL 202.88, 0.94%, 0.67%

LAB 73.2, -10.83, -38.73

 

CMYK 64 / 42 / 0 / 2

HEX #5A92FA

RGB 90 146 250

HSL 219, 0.94%, 0.67%

LAB 61.34, 13.58, -57.43

 

CMYK 64 / 58 / 0 / 2

HEX #5A68FA

RGB 90 104 250

HSL 234.75, 0.94%, 0.67%

LAB 50.66, 39, -74.63

 

CMYK 96 / 38 / 0 / 3

HEX #0A9BF8

RGB 10 155 248

HSL 203.45, 0.94%, 0.51%

LAB 61.9, 0.02, -55.54

 

CMYK 80 / 31 / 0 / 2

HEX #32ABF9

RGB 50 171 249

HSL 203.52, 0.94%, 0.59%

LAB 67.01, -6.46, -47.96

 

CMYK 64 / 25 / 0 / 2

HEX #5ABCFA

RGB 90 188 250

HSL 203.25, 0.94%, 0.67%

LAB 72.92, -10.29, -39.17

 

CMYK 48 / 19 / 0 / 2

HEX #83CCFB

RGB 131 204 251

HSL 203.5, 0.94%, 0.75%

LAB 79.03, -10.42, -30.13

 

CMYK 32 / 13 / 0 / 1

HEX #ABDCFC

RGB 171 220 252

HSL 203.7, 0.93%, 0.83%

LAB 85.44, -8.42, -20.7

 

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

CMYK 26 / 64 / 0 / 2

HEX #B85AFA

RGB 184 90 250

HSL 275.25, 0.94%, 0.67%

LAB 56.49, 64.34, -64.78

 

CMYK 0 / 1 / 64 / 2

HEX #FAF85A

RGB 250 248 90

HSL 59.25, 0.94%, 0.67%

LAB 95.24, -17.8, 73.12

 

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

CMYK 0 / 64 / 24 / 2

HEX #FA5ABD

RGB 250 90 189

HSL 322.88, 0.94%, 0.67%

LAB 62.77, 70.11, -19.95

 

CMYK 24 / 0 / 64 / 2

HEX #BDFA5A

RGB 189 250 90

HSL 82.88, 0.94%, 0.67%

LAB 91.65, -42.33, 68.08

 

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

CMYK 26 / 64 / 0 / 2

HEX #B85AFA

RGB 184 90 250

HSL 275.25, 0.94%, 0.67%

LAB 56.49, 64.34, -64.78

 

CMYK 0 / 39 / 64 / 2

HEX #FA985A

RGB 250 152 90

HSL 23.25, 0.94%, 0.67%

LAB 71.91, 31.34, 47.57

 

CMYK 37 / 0 / 64 / 2

HEX #9DFA5A

RGB 157 250 90

HSL 94.88, 0.94%, 0.67%

LAB 89.99, -53.39, 65.8

 

CMYK 63 / 25 / 0 / 2

HEX #5DBDFB

RGB 93 189 251

HSL 203.54, 0.95%, 0.67%

LAB 73.34, -10.01, -39.04

 

CMYK 7 / 64 / 0 / 2

HEX #E85AFA

RGB 232 90 250

HSL 293.25, 0.94%, 0.67%

LAB 62.82, 74.86, -54.3

 

CMYK 0 / 39 / 64 / 2

HEX #FA985A

RGB 250 152 90

HSL 23.25, 0.94%, 0.67%

LAB 71.91, 31.34, 47.57

 

CMYK 56 / 0 / 64 / 2

HEX #6DFA5A

RGB 109 250 90

HSL 112.88, 0.94%, 0.67%

LAB 88.14, -67.03, 63.26

 

Description

Color code: RGB 93 189 251 | qconv.com Color code: RGB 93 189 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 189 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 189 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 25 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 25% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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