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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 171 106 it is the complementary color RGB 162 84 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 171 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 171 106 shade: RGB 98 171 101, RGB 115 189 120, RGB 132 207 139, RGB 149 225 158 and RGB 166 243 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 171 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 76 153 87, RGB 59 135 68, RGB 42 117 49 and RGB 25 99 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 101 171 93, RGB 122 171 93, RGB 143 171 93 and RGB 164 171 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 93 171 127, RGB 93 171 148, RGB 93 171 169 and RGB 93 152 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 171 106 shade matches the following richer shades: RGB 93 171 106, RGB 73 191 93, RGB 53 211 80, RGB 34 231 66 and RGB 14 250 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 113 151 119, RGB 133 132 132, RGB 152 112 146 and RGB 172 92 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 171 106 shade: RGB 122 171 93, RGB 101 171 93, RGB 93 171 106, RGB 93 171 127 and RGB 93 171 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 171 106 shade: RGB 62 120 71, RGB 76 147 88, RGB 93 171 106, RGB 120 185 131 and RGB 147 199 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 93 143 171 and RGB 171 93 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 106 93 171 and RGB 171 106 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 93 143 171, RGB 171 93 158 and RGB 171 122 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 171 106 shade: RGB 93 171 106, RGB 93 119 171, RGB 171 93 158 and RGB 171 145 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

Complementary color

CMYK 0 / 48 / 8 / 36

HEX #A25495

RGB 162 84 149

HSL 310, 0.32%, 0.48%

LAB 47.23, 41.28, -21.59

 

CMYK 43 / 0 / 41 / 33

HEX #62AB65

RGB 98 171 101

HSL 122.47, 0.3%, 0.53%

LAB 63.89, -37.58, 29.08

 

CMYK 39 / 0 / 37 / 26

HEX #73BD78

RGB 115 189 120

HSL 124.05, 0.36%, 0.6%

LAB 70.45, -37.36, 27.83

 

CMYK 36 / 0 / 33 / 19

HEX #84CF8B

RGB 132 207 139

HSL 125.6, 0.44%, 0.66%

LAB 76.92, -37.11, 26.65

 

CMYK 34 / 0 / 30 / 12

HEX #95E19E

RGB 149 225 158

HSL 127.11, 0.56%, 0.73%

LAB 83.29, -36.86, 25.54

 

CMYK 32 / 0 / 27 / 5

HEX #A6F3B1

RGB 166 243 177

HSL 128.57, 0.76%, 0.8%

LAB 89.57, -36.6, 24.49

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 50 / 0 / 43 / 40

HEX #4C9957

RGB 76 153 87

HSL 128.57, 0.34%, 0.45%

LAB 57.08, -38.4, 27.53

 

CMYK 56 / 0 / 50 / 47

HEX #3B8744

RGB 59 135 68

HSL 127.11, 0.39%, 0.38%

LAB 50.3, -38.42, 28.95

 

CMYK 64 / 0 / 58 / 54

HEX #2A7531

RGB 42 117 49

HSL 125.6, 0.47%, 0.31%

LAB 43.41, -38.16, 30.42

 

CMYK 75 / 0 / 70 / 61

HEX #19631E

RGB 25 99 30

HSL 124.05, 0.6%, 0.24%

LAB 36.41, -37.36, 31.76

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 41 / 0 / 46 / 33

HEX #65AB5D

RGB 101 171 93

HSL 113.85, 0.32%, 0.52%

LAB 63.9, -37.86, 33.31

 

CMYK 29 / 0 / 46 / 33

HEX #7AAB5D

RGB 122 171 93

HSL 97.69, 0.32%, 0.52%

LAB 65.01, -30.67, 34.93

 

CMYK 16 / 0 / 46 / 33

HEX #8FAB5D

RGB 143 171 93

HSL 81.54, 0.32%, 0.52%

LAB 66.33, -22.72, 36.88

 

CMYK 4 / 0 / 46 / 33

HEX #A4AB5D

RGB 164 171 93

HSL 65.38, 0.32%, 0.52%

LAB 67.88, -14.26, 39.13

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 46 / 0 / 26 / 33

HEX #5DAB7F

RGB 93 171 127

HSL 146.15, 0.32%, 0.52%

LAB 64.15, -34.31, 15.33

 

CMYK 46 / 0 / 13 / 33

HEX #5DAB94

RGB 93 171 148

HSL 162.31, 0.32%, 0.52%

LAB 64.64, -29.7, 4.4

 

CMYK 46 / 0 / 1 / 33

HEX #5DABA9

RGB 93 171 169

HSL 178.46, 0.32%, 0.52%

LAB 65.21, -24.5, -6.46

 

CMYK 46 / 11 / 0 / 33

HEX #5D98AB

RGB 93 152 171

HSL 194.62, 0.32%, 0.52%

LAB 59.64, -14.03, -15.94

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 62 / 0 / 51 / 25

HEX #49BF5D

RGB 73 191 93

HSL 130.17, 0.48%, 0.52%

LAB 69.09, -53.59, 39.56

 

CMYK 75 / 0 / 62 / 17

HEX #35D350

RGB 53 211 80

HSL 130.25, 0.64%, 0.52%

LAB 74.78, -65.83, 52.18

 

CMYK 85 / 0 / 71 / 9

HEX #22E742

RGB 34 231 66

HSL 129.75, 0.8%, 0.52%

LAB 80.67, -75.44, 64

 

CMYK 94 / 0 / 79 / 2

HEX #0EFA35

RGB 14 250 53

HSL 129.92, 0.96%, 0.52%

LAB 86.37, -82.82, 73.69

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 25 / 0 / 21 / 41

HEX #719777

RGB 113 151 119

HSL 129.47, 0.15%, 0.52%

LAB 58.95, -19.81, 12.69

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 0 / 26 / 4 / 40

HEX #987092

RGB 152 112 146

HSL 309, 0.16%, 0.52%

LAB 52.22, 21.68, -12.32

 

CMYK 0 / 47 / 8 / 33

HEX #AC5C9F

RGB 172 92 159

HSL 309.75, 0.33%, 0.52%

LAB 50.6, 42, -22.21

 

CMYK 29 / 0 / 46 / 33

HEX #7AAB5D

RGB 122 171 93

HSL 97.69, 0.32%, 0.52%

LAB 65.01, -30.67, 34.93

 

CMYK 41 / 0 / 46 / 33

HEX #65AB5D

RGB 101 171 93

HSL 113.85, 0.32%, 0.52%

LAB 63.9, -37.86, 33.31

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 46 / 0 / 26 / 33

HEX #5DAB7F

RGB 93 171 127

HSL 146.15, 0.32%, 0.52%

LAB 64.15, -34.31, 15.33

 

CMYK 46 / 0 / 13 / 33

HEX #5DAB94

RGB 93 171 148

HSL 162.31, 0.32%, 0.52%

LAB 64.64, -29.7, 4.4

 

CMYK 48 / 0 / 41 / 53

HEX #3E7847

RGB 62 120 71

HSL 129.31, 0.32%, 0.36%

LAB 45.51, -30.36, 21.19

 

CMYK 48 / 0 / 40 / 42

HEX #4C9358

RGB 76 147 88

HSL 130.14, 0.32%, 0.44%

LAB 55.18, -35.58, 24.52

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 35 / 0 / 29 / 27

HEX #78B983

RGB 120 185 131

HSL 130.15, 0.32%, 0.6%

LAB 69.7, -32.07, 21.01

 

CMYK 26 / 0 / 22 / 22

HEX #93C79C

RGB 147 199 156

HSL 130.38, 0.32%, 0.68%

LAB 75.73, -25.58, 16.16

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 46 / 16 / 0 / 33

HEX #5D8FAB

RGB 93 143 171

HSL 201.54, 0.32%, 0.52%

LAB 56.99, -9.08, -19.97

 

CMYK 0 / 46 / 35 / 33

HEX #AB5D6F

RGB 171 93 111

HSL 346.15, 0.32%, 0.52%

LAB 49.05, 33.78, 4.04

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 38 / 46 / 0 / 33

HEX #6A5DAB

RGB 106 93 171

HSL 250, 0.32%, 0.52%

LAB 43.99, 24.27, -40.15

 

CMYK 0 / 38 / 46 / 33

HEX #AB6A5D

RGB 171 106 93

HSL 10, 0.32%, 0.52%

LAB 51.56, 24.49, 18.23

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 46 / 16 / 0 / 33

HEX #5D8FAB

RGB 93 143 171

HSL 201.54, 0.32%, 0.52%

LAB 56.99, -9.08, -19.97

 

CMYK 0 / 46 / 8 / 33

HEX #AB5D9E

RGB 171 93 158

HSL 310, 0.32%, 0.52%

LAB 50.63, 40.98, -21.58

 

CMYK 0 / 29 / 46 / 33

HEX #AB7A5D

RGB 171 122 93

HSL 22.31, 0.32%, 0.52%

LAB 55.45, 15.48, 23.43

 

CMYK 46 / 0 / 38 / 33

HEX #5DAB6A

RGB 93 171 106

HSL 130, 0.32%, 0.52%

LAB 63.75, -38.25, 26.2

 

CMYK 46 / 30 / 0 / 33

HEX #5D77AB

RGB 93 119 171

HSL 220, 0.32%, 0.52%

LAB 50.05, 4.87, -30.68

 

CMYK 0 / 46 / 8 / 33

HEX #AB5D9E

RGB 171 93 158

HSL 310, 0.32%, 0.52%

LAB 50.63, 40.98, -21.58

 

CMYK 0 / 15 / 46 / 33

HEX #AB915D

RGB 171 145 93

HSL 40, 0.32%, 0.52%

LAB 61.39, 2.61, 31.15

 

Description

Color code: RGB 93 171 106 | qconv.com Color code: RGB 93 171 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 171 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 171 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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