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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 161 137 it is the complementary color RGB 162 94 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 161 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 161 137 shade: RGB 98 161 132, RGB 115 179 151, RGB 132 197 170, RGB 149 215 189 and RGB 166 233 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 161 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 76 143 118, RGB 59 125 99, RGB 42 107 80 and RGB 25 89 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 93 161 119, RGB 93 161 100, RGB 104 161 93 and RGB 122 161 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 93 161 156, RGB 93 149 161, RGB 93 130 161 and RGB 93 111 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 161 137 shade matches the following richer shades: RGB 93 161 137, RGB 72 182 143, RGB 51 203 149, RGB 31 223 155 and RGB 10 244 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 113 141 131, RGB 134 120 125, RGB 154 100 119 and RGB 175 79 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 161 137 shade: RGB 93 161 99, RGB 93 161 118, RGB 93 161 136, RGB 93 161 155 and RGB 93 150 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 161 137 shade: RGB 62 109 93, RGB 78 135 115, RGB 93 161 137, RGB 119 176 156 and RGB 145 192 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 93 104 161 and RGB 161 109 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 136 93 161 and RGB 161 136 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 93 104 161, RGB 161 93 118 and RGB 161 150 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 161 137 shade: RGB 93 161 137, RGB 102 93 161, RGB 161 93 118 and RGB 152 161 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

Complementary color

CMYK 0 / 42 / 27 / 36

HEX #A25E76

RGB 162 94 118

HSL 338.82, 0.27%, 0.5%

LAB 48.25, 30.84, -1.47

 

CMYK 39 / 0 / 18 / 37

HEX #62A184

RGB 98 161 132

HSL 152.38, 0.25%, 0.51%

LAB 61.44, -27.05, 8.78

 

CMYK 36 / 0 / 16 / 30

HEX #73B397

RGB 115 179 151

HSL 153.75, 0.3%, 0.58%

LAB 68.11, -26.8, 7.86

 

CMYK 33 / 0 / 14 / 23

HEX #84C5AA

RGB 132 197 170

HSL 155.08, 0.36%, 0.65%

LAB 74.66, -26.56, 7

 

CMYK 31 / 0 / 12 / 16

HEX #95D7BD

RGB 149 215 189

HSL 156.36, 0.45%, 0.71%

LAB 81.11, -26.34, 6.19

 

CMYK 29 / 0 / 11 / 9

HEX #A6E9D0

RGB 166 233 208

HSL 157.61, 0.6%, 0.78%

LAB 87.46, -26.14, 5.43

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 47 / 0 / 17 / 44

HEX #4C8F76

RGB 76 143 118

HSL 157.61, 0.31%, 0.43%

LAB 54.54, -27.57, 6.75

 

CMYK 53 / 0 / 21 / 51

HEX #3B7D63

RGB 59 125 99

HSL 156.36, 0.36%, 0.36%

LAB 47.62, -27.72, 7.82

 

CMYK 61 / 0 / 25 / 58

HEX #2A6B50

RGB 42 107 80

HSL 155.08, 0.44%, 0.29%

LAB 40.55, -27.78, 9.04

 

CMYK 72 / 0 / 31 / 65

HEX #19593D

RGB 25 89 61

HSL 153.75, 0.56%, 0.22%

LAB 33.33, -27.59, 10.47

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 42 / 0 / 26 / 37

HEX #5DA177

RGB 93 161 119

HSL 142.94, 0.27%, 0.5%

LAB 60.91, -31.23, 15.26

 

CMYK 42 / 0 / 38 / 37

HEX #5DA164

RGB 93 161 100

HSL 126.18, 0.27%, 0.5%

LAB 60.55, -34.76, 25.2

 

CMYK 35 / 0 / 42 / 37

HEX #68A15D

RGB 104 161 93

HSL 110.29, 0.27%, 0.5%

LAB 60.98, -32.29, 29.61

 

CMYK 24 / 0 / 42 / 37

HEX #7AA15D

RGB 122 161 93

HSL 94.41, 0.27%, 0.5%

LAB 62.01, -25.83, 31.15

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 42 / 0 / 3 / 37

HEX #5DA19C

RGB 93 161 156

HSL 175.59, 0.27%, 0.5%

LAB 61.84, -22.78, -4.16

 

CMYK 42 / 7 / 0 / 37

HEX #5D95A1

RGB 93 149 161

HSL 190.59, 0.27%, 0.5%

LAB 58.41, -15.17, -12.11

 

CMYK 42 / 19 / 0 / 37

HEX #5D82A1

RGB 93 130 161

HSL 207.35, 0.27%, 0.5%

LAB 52.8, -4.57, -20.62

 

CMYK 42 / 31 / 0 / 37

HEX #5D6FA1

RGB 93 111 161

HSL 224.12, 0.27%, 0.5%

LAB 47.33, 6.71, -29.09

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 60 / 0 / 21 / 29

HEX #48B68F

RGB 72 182 143

HSL 158.73, 0.43%, 0.5%

LAB 67.14, -40.76, 10.64

 

CMYK 75 / 0 / 27 / 20

HEX #33CB95

RGB 51 203 149

HSL 158.68, 0.6%, 0.5%

LAB 73.28, -51.54, 15.95

 

CMYK 86 / 0 / 30 / 13

HEX #1FDF9B

RGB 31 223 155

HSL 158.75, 0.76%, 0.5%

LAB 79.29, -59.78, 21.08

 

CMYK 96 / 0 / 34 / 4

HEX #0AF4A1

RGB 10 244 161

HSL 158.72, 0.92%, 0.5%

LAB 85.67, -67, 26.7

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 20 / 0 / 7 / 45

HEX #718D83

RGB 113 141 131

HSL 158.57, 0.11%, 0.5%

LAB 56.29, -12.06, 2.06

 

CMYK 0 / 10 / 7 / 47

HEX #86787D

RGB 134 120 125

HSL 338.57, 0.06%, 0.5%

LAB 51.82, 6.31, -0.77

 

CMYK 0 / 35 / 23 / 40

HEX #9A6477

RGB 154 100 119

HSL 338.89, 0.21%, 0.5%

LAB 48.66, 24.6, -1.6

 

CMYK 0 / 55 / 35 / 31

HEX #AF4F71

RGB 175 79 113

HSL 338.75, 0.38%, 0.5%

LAB 46.84, 42.76, -0.3

 

CMYK 42 / 0 / 39 / 37

HEX #5DA163

RGB 93 161 99

HSL 125.29, 0.27%, 0.5%

LAB 60.53, -34.93, 25.71

 

CMYK 42 / 0 / 27 / 37

HEX #5DA176

RGB 93 161 118

HSL 142.06, 0.27%, 0.5%

LAB 60.89, -31.43, 15.79

 

CMYK 42 / 0 / 16 / 37

HEX #5DA188

RGB 93 161 136

HSL 157.94, 0.27%, 0.5%

LAB 61.3, -27.59, 6.31

 

CMYK 42 / 0 / 4 / 37

HEX #5DA19B

RGB 93 161 155

HSL 174.71, 0.27%, 0.5%

LAB 61.81, -23.03, -3.64

 

CMYK 42 / 7 / 0 / 37

HEX #5D96A1

RGB 93 150 161

HSL 189.71, 0.27%, 0.5%

LAB 58.71, -15.7, -11.66

 

CMYK 43 / 0 / 15 / 57

HEX #3E6D5D

RGB 62 109 93

HSL 159.57, 0.27%, 0.34%

LAB 42.39, -20.19, 3.93

 

CMYK 42 / 0 / 15 / 47

HEX #4E8773

RGB 78 135 115

HSL 158.95, 0.27%, 0.42%

LAB 52.05, -23.7, 4.91

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 32 / 0 / 11 / 31

HEX #77B09C

RGB 119 176 156

HSL 158.95, 0.27%, 0.58%

LAB 67.56, -23.03, 4.33

 

CMYK 24 / 0 / 9 / 25

HEX #91C0AF

RGB 145 192 175

HSL 158.3, 0.27%, 0.66%

LAB 74.07, -19.04, 3.53

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 42 / 35 / 0 / 37

HEX #5D68A1

RGB 93 104 161

HSL 230.29, 0.27%, 0.5%

LAB 45.36, 11, -32.17

 

CMYK 0 / 32 / 42 / 37

HEX #A16D5D

RGB 161 109 93

HSL 14.12, 0.27%, 0.5%

LAB 51.04, 18.68, 17.32

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 16 / 42 / 0 / 37

HEX #885DA1

RGB 136 93 161

HSL 277.94, 0.27%, 0.5%

LAB 46.49, 30.49, -30.11

 

CMYK 0 / 16 / 42 / 37

HEX #A1885D

RGB 161 136 93

HSL 37.94, 0.27%, 0.5%

LAB 58.01, 3.36, 26.6

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 42 / 35 / 0 / 37

HEX #5D68A1

RGB 93 104 161

HSL 230.29, 0.27%, 0.5%

LAB 45.36, 11, -32.17

 

CMYK 0 / 42 / 27 / 37

HEX #A15D76

RGB 161 93 118

HSL 337.94, 0.27%, 0.5%

LAB 47.9, 31.03, -2.01

 

CMYK 0 / 7 / 42 / 37

HEX #A1965D

RGB 161 150 93

HSL 50.29, 0.27%, 0.5%

LAB 61.81, -4.36, 31.49

 

CMYK 42 / 0 / 15 / 37

HEX #5DA189

RGB 93 161 137

HSL 158.82, 0.27%, 0.5%

LAB 61.33, -27.37, 5.78

 

CMYK 37 / 42 / 0 / 37

HEX #665DA1

RGB 102 93 161

HSL 247.94, 0.27%, 0.5%

LAB 43.1, 20.32, -35.67

 

CMYK 0 / 42 / 27 / 37

HEX #A15D76

RGB 161 93 118

HSL 337.94, 0.27%, 0.5%

LAB 47.9, 31.03, -2.01

 

CMYK 6 / 0 / 42 / 37

HEX #98A15D

RGB 152 161 93

HSL 67.94, 0.27%, 0.5%

LAB 64.12, -13.99, 34.26

 

Description

Color code: RGB 93 161 137 | qconv.com Color code: RGB 93 161 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 161 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 161 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 15 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 15% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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