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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 124 43 it is the complementary color RGB 162 131 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 124 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 124 43 shade: RGB 98 124 38, RGB 115 142 57, RGB 132 160 76, RGB 149 178 95 and RGB 166 196 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 124 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 124 43 shade: RGB 93 124 43, RGB 76 106 24, RGB 59 88 5, RGB 42 70 0 and RGB 25 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 124 43 shade: RGB 93 125 42, RGB 116 125 42, RGB 125 112 42, RGB 125 90 42 and RGB 125 67 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 124 43 shade: RGB 93 125 42, RGB 71 125 42, RGB 49 125 42, RGB 42 125 58 and RGB 42 125 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 124 43 shade matches the following richer shades: RGB 93 125 42, RGB 97 138 29, RGB 100 152 15 and RGB 103 166 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 124 43 shade: RGB 93 125 42, RGB 90 111 56, RGB 87 98 70, RGB 84 84 83 and RGB 81 70 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 124 43 shade: RGB 125 111 42, RGB 117 125 42, RGB 95 125 42, RGB 73 125 42 and RGB 51 125 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 124 43 shade: RGB 47 63 21, RGB 70 94 32, RGB 93 125 42, RGB 116 156 53 and RGB 139 186 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 124 43 shade: RGB 93 124 43, RGB 42 125 89 and RGB 122 42 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 124 43 shade: RGB 93 124 43, RGB 42 95 125 and RGB 125 42 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 124 43 shade: RGB 93 124 43, RGB 42 125 89, RGB 73 42 125 and RGB 125 42 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 124 43 shade: RGB 93 124 43, RGB 42 125 114, RGB 73 42 125 and RGB 125 42 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

Complementary color

CMYK 24 / 38 / 0 / 17

HEX #A283D4

RGB 162 131 212

HSL 262.96, 0.49%, 0.67%

LAB 60.49, 28.36, -37.37

 

CMYK 21 / 0 / 69 / 51

HEX #627C26

RGB 98 124 38

HSL 78.14, 0.53%, 0.32%

LAB 48.45, -22.9, 42.07

 

CMYK 19 / 0 / 60 / 44

HEX #738E39

RGB 115 142 57

HSL 79.06, 0.43%, 0.39%

LAB 55.37, -23.26, 41.26

 

CMYK 18 / 0 / 53 / 37

HEX #84A04C

RGB 132 160 76

HSL 80, 0.36%, 0.46%

LAB 62.14, -23.49, 40.18

 

CMYK 16 / 0 / 47 / 30

HEX #95B25F

RGB 149 178 95

HSL 80.96, 0.35%, 0.54%

LAB 68.79, -23.62, 39

 

CMYK 15 / 0 / 42 / 23

HEX #A6C472

RGB 166 196 114

HSL 81.95, 0.41%, 0.61%

LAB 75.33, -23.69, 37.82

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

CMYK 28 / 0 / 77 / 58

HEX #4C6A18

RGB 76 106 24

HSL 81.95, 0.63%, 0.25%

LAB 41.07, -24.18, 39.9

 

CMYK 33 / 0 / 94 / 65

HEX #3B5805

RGB 59 88 5

HSL 80.96, 0.89%, 0.18%

LAB 33.82, -23.45, 39.13

 

CMYK 40 / 0 / 100 / 73

HEX #2A4600

RGB 42 70 0

HSL 84, 1%, 0.14%

LAB 26.37, -22.1, 34.38

 

CMYK 52 / 0 / 100 / 80

HEX #193400

RGB 25 52 0

HSL 91.15, 1%, 0.1%

LAB 18.64, -20.39, 26.01

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 7 / 0 / 66 / 51

HEX #747D2A

RGB 116 125 42

HSL 66.51, 0.5%, 0.33%

LAB 50.15, -15.22, 42.52

 

CMYK 0 / 10 / 66 / 51

HEX #7D702A

RGB 125 112 42

HSL 50.6, 0.5%, 0.33%

LAB 47.13, -3.89, 39.55

 

CMYK 0 / 28 / 66 / 51

HEX #7D5A2A

RGB 125 90 42

HSL 34.7, 0.5%, 0.33%

LAB 40.96, 8.97, 32.76

 

CMYK 0 / 46 / 66 / 51

HEX #7D432A

RGB 125 67 42

HSL 18.07, 0.5%, 0.33%

LAB 35.09, 22.59, 25.94

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 43 / 0 / 66 / 51

HEX #477D2A

RGB 71 125 42

HSL 99.04, 0.5%, 0.33%

LAB 47.2, -33.66, 38.48

 

CMYK 61 / 0 / 66 / 51

HEX #317D2A

RGB 49 125 42

HSL 114.94, 0.5%, 0.33%

LAB 46.29, -40.46, 37.22

 

CMYK 66 / 0 / 54 / 51

HEX #2A7D3A

RGB 42 125 58

HSL 131.57, 0.5%, 0.33%

LAB 46.26, -40.05, 29.14

 

CMYK 66 / 0 / 36 / 51

HEX #2A7D50

RGB 42 125 80

HSL 147.47, 0.5%, 0.33%

LAB 46.63, -36.01, 17.41

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 30 / 0 / 79 / 46

HEX #618A1D

RGB 97 138 29

HSL 82.57, 0.65%, 0.33%

LAB 52.74, -30.72, 49.74

 

CMYK 34 / 0 / 90 / 40

HEX #64980F

RGB 100 152 15

HSL 82.77, 0.82%, 0.33%

LAB 57.27, -36.5, 57.47

 

CMYK 38 / 0 / 99 / 35

HEX #67A602

RGB 103 166 2

HSL 83.05, 0.98%, 0.33%

LAB 61.79, -41.73, 63.16

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 19 / 0 / 50 / 56

HEX #5A6F38

RGB 90 111 56

HSL 82.91, 0.33%, 0.33%

LAB 43.99, -17.77, 27.95

 

CMYK 11 / 0 / 29 / 62

HEX #576246

RGB 87 98 70

HSL 83.57, 0.17%, 0.33%

LAB 39.92, -9.79, 14.57

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 16 / 28 / 0 / 62

HEX #514661

RGB 81 70 97

HSL 264.44, 0.16%, 0.33%

LAB 31.79, 10.74, -14.16

 

CMYK 0 / 11 / 66 / 51

HEX #7D6F2A

RGB 125 111 42

HSL 49.88, 0.5%, 0.33%

LAB 46.84, -3.32, 39.24

 

CMYK 6 / 0 / 66 / 51

HEX #757D2A

RGB 117 125 42

HSL 65.78, 0.5%, 0.33%

LAB 50.24, -14.77, 42.63

 

CMYK 24 / 0 / 66 / 51

HEX #5F7D2A

RGB 95 125 42

HSL 81.69, 0.5%, 0.33%

LAB 48.6, -24.36, 40.4

 

CMYK 42 / 0 / 66 / 51

HEX #497D2A

RGB 73 125 42

HSL 97.59, 0.5%, 0.33%

LAB 47.3, -32.95, 38.62

 

CMYK 59 / 0 / 66 / 51

HEX #337D2A

RGB 51 125 42

HSL 113.49, 0.5%, 0.33%

LAB 46.36, -39.93, 37.32

 

CMYK 25 / 0 / 67 / 75

HEX #2F3F15

RGB 47 63 21

HSL 82.86, 0.5%, 0.16%

LAB 24.37, -14.49, 23.19

 

CMYK 26 / 0 / 66 / 63

HEX #465E20

RGB 70 94 32

HSL 83.23, 0.49%, 0.25%

LAB 36.77, -19.98, 31.76

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 26 / 0 / 66 / 39

HEX #749C35

RGB 116 156 53

HSL 83.3, 0.49%, 0.41%

LAB 59.66, -30.05, 47.8

 

CMYK 25 / 0 / 66 / 27

HEX #8BBA3F

RGB 139 186 63

HSL 82.93, 0.49%, 0.49%

LAB 70.15, -34.34, 55.18

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

CMYK 66 / 0 / 29 / 51

HEX #2A7D59

RGB 42 125 89

HSL 153.98, 0.5%, 0.33%

LAB 46.82, -34, 12.46

 

CMYK 2 / 66 / 0 / 51

HEX #7A2A7D

RGB 122 42 125

HSL 297.83, 0.5%, 0.33%

LAB 32.42, 45.93, -30.47

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

CMYK 66 / 24 / 0 / 51

HEX #2A5F7D

RGB 42 95 125

HSL 201.69, 0.5%, 0.33%

LAB 38.12, -7.53, -22.06

 

CMYK 0 / 66 / 24 / 51

HEX #7D2A5F

RGB 125 42 95

HSL 321.69, 0.5%, 0.33%

LAB 31.44, 41.72, -12.87

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

CMYK 66 / 0 / 29 / 51

HEX #2A7D59

RGB 42 125 89

HSL 153.98, 0.5%, 0.33%

LAB 46.82, -34, 12.46

 

CMYK 42 / 66 / 0 / 51

HEX #492A7D

RGB 73 42 125

HSL 262.41, 0.5%, 0.33%

LAB 25.42, 33.77, -42.08

 

CMYK 0 / 66 / 38 / 51

HEX #7D2A4E

RGB 125 42 78

HSL 333.98, 0.5%, 0.33%

LAB 30.8, 39.42, -2.78

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2B

RGB 93 124 43

HSL 82.96, 0.49%, 0.33%

LAB 48.16, -24.6, 39.42

 

CMYK 66 / 0 / 9 / 51

HEX #2A7D72

RGB 42 125 114

HSL 172.05, 0.5%, 0.33%

LAB 47.46, -27.5, -1.32

 

CMYK 42 / 66 / 0 / 51

HEX #492A7D

RGB 73 42 125

HSL 262.41, 0.5%, 0.33%

LAB 25.42, 33.77, -42.08

 

CMYK 0 / 66 / 58 / 51

HEX #7D2A35

RGB 125 42 53

HSL 352.05, 0.5%, 0.33%

LAB 30.09, 36.81, 12.67

 

Description

Color code: RGB 93 124 43 | qconv.com Color code: RGB 93 124 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 124 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 124 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 65 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 65% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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