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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 120 248 it is the complementary color RGB 162 135 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 120 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 120 248 shade: RGB 98 120 243, RGB 115 138 255, RGB 132 156 255, RGB 149 174 255 and RGB 166 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 120 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 76 102 229, RGB 59 84 210, RGB 42 66 191 and RGB 25 48 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 108 93 248, RGB 149 93 248, RGB 191 93 248 and RGB 233 93 248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 120 248 shade: RGB 93 120 248 and RGB 93 93 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 120 248 shade matches the following richer shades: RGB 93 120 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 107 129 234, RGB 120 138 221, RGB 134 147 207 and RGB 147 155 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 120 248 shade: RGB 93 204 248, RGB 93 163 248, RGB 93 121 248, RGB 106 93 248 and RGB 147 93 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 120 248 shade: RGB 14 54 244, RGB 53 87 246, RGB 93 120 248, RGB 133 153 249 and RGB 172 186 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 248 93 245 and RGB 183 248 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 248 93 121 and RGB 121 248 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 248 93 245, RGB 248 219 93 and RGB 93 248 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 120 248 shade: RGB 93 120 248, RGB 248 93 199, RGB 248 219 93 and RGB 93 248 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

Complementary color

CMYK 0 / 17 / 96 / 36

HEX #A28707

RGB 162 135 7

HSL 49.55, 0.92%, 0.33%

LAB 57.1, -0.81, 60.75

 

CMYK 60 / 51 / 0 / 5

HEX #6278F3

RGB 98 120 243

HSL 230.9, 0.86%, 0.67%

LAB 54.55, 28.31, -64.41

 

CMYK 55 / 46 / 0 / 0

HEX #738AFF

RGB 115 138 255

HSL 230.14, 1%, 0.73%

LAB 60.82, 24.55, -60.92

 

CMYK 48 / 39 / 0 / 0

HEX #849CFF

RGB 132 156 255

HSL 228.29, 1%, 0.76%

LAB 66.45, 17.61, -51.91

 

CMYK 42 / 32 / 0 / 0

HEX #95AEFF

RGB 149 174 255

HSL 225.85, 1%, 0.79%

LAB 72.15, 11.41, -42.86

 

CMYK 35 / 25 / 0 / 0

HEX #A6C0FF

RGB 166 192 255

HSL 222.47, 1%, 0.83%

LAB 77.89, 5.87, -33.86

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 67 / 55 / 0 / 10

HEX #4C66E5

RGB 76 102 229

HSL 229.8, 0.75%, 0.6%

LAB 47.88, 31.09, -67.44

 

CMYK 72 / 60 / 0 / 18

HEX #3B54D2

RGB 59 84 210

HSL 230.07, 0.63%, 0.53%

LAB 41.09, 33.43, -67.69

 

CMYK 78 / 65 / 0 / 25

HEX #2A42BF

RGB 42 66 191

HSL 230.34, 0.64%, 0.46%

LAB 34.29, 36.17, -67.81

 

CMYK 85 / 72 / 0 / 33

HEX #1930AC

RGB 25 48 172

HSL 230.61, 0.75%, 0.39%

LAB 27.57, 39.28, -67.62

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 56 / 63 / 0 / 3

HEX #6C5DF8

RGB 108 93 248

HSL 245.81, 0.92%, 0.67%

LAB 49.25, 47.62, -75.77

 

CMYK 40 / 63 / 0 / 3

HEX #955DF8

RGB 149 93 248

HSL 261.68, 0.92%, 0.67%

LAB 52.94, 55.14, -69.59

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 6 / 63 / 0 / 3

HEX #E95DF8

RGB 233 93 248

HSL 294.19, 0.92%, 0.67%

LAB 63.28, 73.55, -52.45

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 54 / 45 / 0 / 8

HEX #6B81EA

RGB 107 129 234

HSL 229.61, 0.75%, 0.67%

LAB 56.85, 21.7, -55.7

 

CMYK 46 / 38 / 0 / 13

HEX #788ADD

RGB 120 138 221

HSL 229.31, 0.6%, 0.67%

LAB 59.33, 15.28, -44.45

 

CMYK 35 / 29 / 0 / 19

HEX #8693CF

RGB 134 147 207

HSL 229.32, 0.43%, 0.67%

LAB 62.03, 9.77, -32.33

 

CMYK 24 / 20 / 0 / 24

HEX #939BC1

RGB 147 155 193

HSL 229.57, 0.27%, 0.67%

LAB 64.56, 5.52, -20.54

 

CMYK 63 / 18 / 0 / 3

HEX #5DCCF8

RGB 93 204 248

HSL 197.03, 0.92%, 0.67%

LAB 77.45, -18.83, -31.07

 

CMYK 63 / 34 / 0 / 3

HEX #5DA3F8

RGB 93 163 248

HSL 212.9, 0.92%, 0.67%

LAB 65.98, 3.49, -48.96

 

CMYK 63 / 51 / 0 / 3

HEX #5D79F8

RGB 93 121 248

HSL 229.16, 0.92%, 0.67%

LAB 54.84, 28.49, -66.73

 

CMYK 57 / 63 / 0 / 3

HEX #6A5DF8

RGB 106 93 248

HSL 245.03, 0.92%, 0.67%

LAB 49.09, 47.3, -76.02

 

CMYK 41 / 63 / 0 / 3

HEX #935DF8

RGB 147 93 248

HSL 260.9, 0.92%, 0.67%

LAB 52.74, 54.74, -69.93

 

CMYK 94 / 78 / 0 / 4

HEX #0E36F4

RGB 14 54 244

HSL 229.57, 0.91%, 0.51%

LAB 36.49, 59.99, -94.69

 

CMYK 78 / 65 / 0 / 4

HEX #3557F6

RGB 53 87 246

HSL 229.43, 0.91%, 0.59%

LAB 44.56, 43.68, -82.45

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 47 / 39 / 0 / 2

HEX #8599F9

RGB 133 153 249

HSL 229.66, 0.91%, 0.75%

LAB 65.44, 17.82, -50.22

 

CMYK 31 / 26 / 0 / 2

HEX #ACBAFB

RGB 172 186 251

HSL 229.37, 0.91%, 0.83%

LAB 76.59, 9.8, -33.69

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF5

RGB 248 93 245

HSL 301.16, 0.92%, 0.67%

LAB 65.26, 76.52, -47.53

 

CMYK 26 / 0 / 63 / 3

HEX #B7F85D

RGB 183 248 93

HSL 85.16, 0.92%, 0.67%

LAB 90.78, -43.41, 65.84

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 0 / 63 / 51 / 3

HEX #F85D79

RGB 248 93 121

HSL 349.16, 0.92%, 0.67%

LAB 60.93, 61.2, 16.55

 

CMYK 51 / 0 / 63 / 3

HEX #79F85D

RGB 121 248 93

HSL 109.16, 0.92%, 0.67%

LAB 87.96, -63.01, 61.96

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF5

RGB 248 93 245

HSL 301.16, 0.92%, 0.67%

LAB 65.26, 76.52, -47.53

 

CMYK 0 / 12 / 63 / 3

HEX #F8DB5D

RGB 248 219 93

HSL 48.77, 0.92%, 0.67%

LAB 87.68, -4.11, 63.84

 

CMYK 63 / 0 / 61 / 3

HEX #5DF860

RGB 93 248 96

HSL 121.16, 0.92%, 0.67%

LAB 87.15, -69.3, 59.57

 

CMYK 63 / 52 / 0 / 3

HEX #5D78F8

RGB 93 120 248

HSL 229.55, 0.92%, 0.67%

LAB 54.59, 29.1, -67.14

 

CMYK 0 / 63 / 20 / 3

HEX #F85DC7

RGB 248 93 199

HSL 318.97, 0.92%, 0.67%

LAB 63.27, 69.7, -24.9

 

CMYK 0 / 12 / 63 / 3

HEX #F8DB5D

RGB 248 219 93

HSL 48.77, 0.92%, 0.67%

LAB 87.68, -4.11, 63.84

 

CMYK 63 / 0 / 43 / 3

HEX #5DF88E

RGB 93 248 142

HSL 138.97, 0.92%, 0.67%

LAB 87.69, -63.19, 39.06

 

Description

Color code: RGB 93 120 248 | qconv.com Color code: RGB 93 120 248 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 120 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 120 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 52 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 52% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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