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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 109 110 it is the complementary color RGB 162 146 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 109 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 109 110 shade: RGB 98 109 105, RGB 115 127 124, RGB 132 145 143, RGB 149 163 162 and RGB 166 181 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 109 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 76 91 91, RGB 59 73 72, RGB 42 55 53 and RGB 25 37 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 93 104 110, RGB 93 100 110, RGB 93 95 110 and RGB 96 93 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 93 104 110, RGB 93 100 110, RGB 93 95 110 and RGB 93 93 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 109 110 shade matches the following richer shades: RGB 93 109 110, RGB 77 123 126, RGB 60 138 143, RGB 44 152 159 and RGB 27 167 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 110 94 93, RGB 126 80 77, RGB 143 65 60 and RGB 159 50 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 109 110 shade: RGB 93 110 102, RGB 93 110 106, RGB 93 109 110, RGB 93 104 110 and RGB 93 100 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 109 110 shade: RGB 55 65 65, RGB 74 87 87, RGB 93 109 110, RGB 112 131 132 and RGB 134 151 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 97 93 110 and RGB 110 104 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 110 93 109 and RGB 109 110 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 97 93 110, RGB 110 94 93 and RGB 106 110 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 109 110 shade: RGB 93 109 110, RGB 102 93 110, RGB 110 94 93 and RGB 101 110 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

Complementary color

CMYK 0 / 10 / 10 / 36

HEX #A29291

RGB 162 146 145

HSL 3.53, 0.08%, 0.6%

LAB 61.9, 5.76, 2.68

 

CMYK 10 / 0 / 4 / 57

HEX #626D69

RGB 98 109 105

HSL 158.18, 0.05%, 0.41%

LAB 45.02, -5.02, 0.81

 

CMYK 9 / 0 / 2 / 50

HEX #737F7C

RGB 115 127 124

HSL 165, 0.05%, 0.47%

LAB 52.15, -5.05, 0.11

 

CMYK 9 / 0 / 1 / 43

HEX #84918F

RGB 132 145 143

HSL 170.77, 0.06%, 0.54%

LAB 59.1, -5.08, -0.55

 

CMYK 9 / 0 / 1 / 36

HEX #95A3A2

RGB 149 163 162

HSL 175.71, 0.07%, 0.61%

LAB 65.9, -5.13, -1.18

 

CMYK 8 / 0 / 0 / 29

HEX #A6B5B5

RGB 166 181 181

HSL 180, 0.09%, 0.68%

LAB 72.56, -5.18, -1.79

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 16 / 0 / 0 / 64

HEX #4C5B5B

RGB 76 91 91

HSL 180, 0.09%, 0.33%

LAB 37.43, -5.76, -1.94

 

CMYK 19 / 0 / 1 / 71

HEX #3B4948

RGB 59 73 72

HSL 175.71, 0.11%, 0.26%

LAB 29.82, -5.81, -1.27

 

CMYK 24 / 0 / 4 / 78

HEX #2A3735

RGB 42 55 53

HSL 170.77, 0.13%, 0.19%

LAB 21.88, -5.89, -0.53

 

CMYK 32 / 0 / 8 / 85

HEX #192522

RGB 25 37 34

HSL 165, 0.19%, 0.12%

LAB 13.5, -6.05, 0.3

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 15 / 5 / 0 / 57

HEX #5D686E

RGB 93 104 110

HSL 201.18, 0.08%, 0.4%

LAB 43.29, -2.8, -4.79

 

CMYK 15 / 9 / 0 / 57

HEX #5D646E

RGB 93 100 110

HSL 215.29, 0.08%, 0.4%

LAB 42.1, -0.41, -6.56

 

CMYK 15 / 14 / 0 / 57

HEX #5D5F6E

RGB 93 95 110

HSL 232.94, 0.08%, 0.4%

LAB 40.63, 2.62, -8.76

 

CMYK 13 / 15 / 0 / 57

HEX #605D6E

RGB 96 93 110

HSL 250.59, 0.08%, 0.4%

LAB 40.31, 4.94, -9.21

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 15 / 5 / 0 / 57

HEX #5D686E

RGB 93 104 110

HSL 201.18, 0.08%, 0.4%

LAB 43.29, -2.8, -4.79

 

CMYK 15 / 9 / 0 / 57

HEX #5D646E

RGB 93 100 110

HSL 215.29, 0.08%, 0.4%

LAB 42.1, -0.41, -6.56

 

CMYK 15 / 14 / 0 / 57

HEX #5D5F6E

RGB 93 95 110

HSL 232.94, 0.08%, 0.4%

LAB 40.63, 2.62, -8.76

 

CMYK 15 / 15 / 0 / 57

HEX #5D5D6E

RGB 93 93 110

HSL 240, 0.08%, 0.4%

LAB 40.05, 3.85, -9.64

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 39 / 2 / 0 / 51

HEX #4D7B7E

RGB 77 123 126

HSL 183.67, 0.24%, 0.4%

LAB 48.57, -14.85, -6.62

 

CMYK 58 / 3 / 0 / 44

HEX #3C8A8F

RGB 60 138 143

HSL 183.61, 0.41%, 0.4%

LAB 53.08, -22.21, -9.91

 

CMYK 72 / 4 / 0 / 38

HEX #2C989F

RGB 44 152 159

HSL 183.65, 0.57%, 0.4%

LAB 57.55, -27.15, -12.43

 

CMYK 85 / 5 / 0 / 31

HEX #1BA7B0

RGB 27 167 176

HSL 183.62, 0.73%, 0.4%

LAB 62.51, -30.92, -14.59

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 0 / 15 / 15 / 57

HEX #6E5E5D

RGB 110 94 93

HSL 3.53, 0.08%, 0.4%

LAB 41.39, 6.27, 2.96

 

CMYK 0 / 37 / 39 / 51

HEX #7E504D

RGB 126 80 77

HSL 3.67, 0.24%, 0.4%

LAB 39.09, 18.93, 9.79

 

CMYK 0 / 55 / 58 / 44

HEX #8F413C

RGB 143 65 60

HSL 3.61, 0.41%, 0.4%

LAB 37.75, 32.6, 18.94

 

CMYK 0 / 69 / 72 / 38

HEX #9F322C

RGB 159 50 44

HSL 3.13, 0.57%, 0.4%

LAB 37.54, 44.67, 29.07

 

CMYK 15 / 0 / 7 / 57

HEX #5D6E66

RGB 93 110 102

HSL 151.76, 0.08%, 0.4%

LAB 44.86, -8.12, 2.32

 

CMYK 15 / 0 / 4 / 57

HEX #5D6E6A

RGB 93 110 106

HSL 165.88, 0.08%, 0.4%

LAB 44.97, -7.24, 0.09

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 15 / 5 / 0 / 57

HEX #5D686E

RGB 93 104 110

HSL 201.18, 0.08%, 0.4%

LAB 43.29, -2.8, -4.79

 

CMYK 15 / 9 / 0 / 57

HEX #5D646E

RGB 93 100 110

HSL 215.29, 0.08%, 0.4%

LAB 42.1, -0.41, -6.56

 

CMYK 15 / 0 / 0 / 75

HEX #374141

RGB 55 65 65

HSL 180, 0.08%, 0.24%

LAB 26.66, -4.08, -1.39

 

CMYK 15 / 0 / 0 / 66

HEX #4A5757

RGB 74 87 87

HSL 180, 0.08%, 0.32%

LAB 35.91, -5.05, -1.71

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 15 / 1 / 0 / 48

HEX #708384

RGB 112 131 132

HSL 183, 0.08%, 0.48%

LAB 53.32, -6.64, -2.86

 

CMYK 12 / 1 / 0 / 40

HEX #869798

RGB 134 151 152

HSL 183.33, 0.08%, 0.56%

LAB 61.19, -5.82, -2.59

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 12 / 15 / 0 / 57

HEX #615D6E

RGB 97 93 110

HSL 254.12, 0.08%, 0.4%

LAB 40.4, 5.31, -9.07

 

CMYK 0 / 5 / 15 / 57

HEX #6E685D

RGB 110 104 93

HSL 38.82, 0.08%, 0.4%

LAB 44.24, 0.29, 7.04

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 0 / 15 / 1 / 57

HEX #6E5D6D

RGB 110 93 109

HSL 303.53, 0.08%, 0.4%

LAB 41.61, 10, -6.53

 

CMYK 1 / 0 / 15 / 57

HEX #6D6E5D

RGB 109 110 93

HSL 63.53, 0.08%, 0.4%

LAB 45.9, -3.64, 9.37

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 12 / 15 / 0 / 57

HEX #615D6E

RGB 97 93 110

HSL 254.12, 0.08%, 0.4%

LAB 40.4, 5.31, -9.07

 

CMYK 0 / 15 / 15 / 57

HEX #6E5E5D

RGB 110 94 93

HSL 3.53, 0.08%, 0.4%

LAB 41.39, 6.27, 2.96

 

CMYK 4 / 0 / 15 / 57

HEX #6A6E5D

RGB 106 110 93

HSL 74.12, 0.08%, 0.4%

LAB 45.64, -4.85, 8.97

 

CMYK 15 / 1 / 0 / 57

HEX #5D6D6E

RGB 93 109 110

HSL 183.53, 0.08%, 0.4%

LAB 44.79, -5.75, -2.58

 

CMYK 7 / 15 / 0 / 57

HEX #665D6E

RGB 102 93 110

HSL 271.76, 0.08%, 0.4%

LAB 40.86, 7.18, -8.33

 

CMYK 0 / 15 / 15 / 57

HEX #6E5E5D

RGB 110 94 93

HSL 3.53, 0.08%, 0.4%

LAB 41.39, 6.27, 2.96

 

CMYK 8 / 0 / 15 / 57

HEX #656E5D

RGB 101 110 93

HSL 91.76, 0.08%, 0.4%

LAB 45.23, -6.86, 8.33

 

Description

Color code: RGB 93 109 110 | qconv.com Color code: RGB 93 109 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 109 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 109 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 1 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 1% 0% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Designing for The Cr...
Link: http://designingforthecreative.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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