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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 80 50 it is the complementary color RGB 162 175 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 80 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 80 50 shade: RGB 98 80 45, RGB 115 98 64, RGB 132 116 83, RGB 149 134 102 and RGB 166 152 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 80 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 80 50 shade: RGB 93 80 50, RGB 76 62 31, RGB 59 44 12, RGB 42 26 0 and RGB 25 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 80 50 shade: RGB 92 79 49, RGB 92 68 49, RGB 92 56 49 and RGB 92 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 80 50 shade: RGB 92 79 49, RGB 92 91 49, RGB 82 92 49, RGB 71 92 49 and RGB 59 92 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 80 50 shade matches the following richer shades: RGB 92 79 49, RGB 104 84 38, RGB 115 89 26, RGB 127 93 15 and RGB 139 98 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 80 50 shade: RGB 92 79 49, RGB 81 75 61, RGB 69 70 73, RGB 58 66 84 and RGB 46 61 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 80 50 shade: RGB 92 56 49, RGB 92 67 49, RGB 92 79 49, RGB 92 90 49 and RGB 83 92 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 80 50 shade: RGB 39 33 21, RGB 66 56 35, RGB 92 79 49, RGB 119 102 64 and RGB 146 126 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 80 50 shade: RGB 93 80 50, RGB 54 92 49 and RGB 62 49 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 80 50 shade: RGB 93 80 50, RGB 49 92 79 and RGB 79 49 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 80 50 shade: RGB 93 80 50, RGB 54 92 49, RGB 49 63 92 and RGB 87 49 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 80 50 shade: RGB 93 80 50, RGB 49 92 57, RGB 49 63 92 and RGB 92 49 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

Complementary color

CMYK 21 / 15 / 0 / 20

HEX #A2AFCD

RGB 162 175 205

HSL 221.86, 0.3%, 0.72%

LAB 71.38, 1.9, -16.73

 

CMYK 0 / 18 / 54 / 62

HEX #62502D

RGB 98 80 45

HSL 39.62, 0.37%, 0.28%

LAB 35.05, 2.49, 23.32

 

CMYK 0 / 15 / 44 / 55

HEX #736240

RGB 115 98 64

HSL 40, 0.28%, 0.35%

LAB 42.38, 1.68, 21.86

 

CMYK 0 / 12 / 37 / 48

HEX #847453

RGB 132 116 83

HSL 40.41, 0.23%, 0.42%

LAB 49.52, 1.06, 20.53

 

CMYK 0 / 10 / 32 / 42

HEX #958666

RGB 149 134 102

HSL 40.85, 0.19%, 0.49%

LAB 56.49, 0.57, 19.32

 

CMYK 0 / 8 / 27 / 35

HEX #A69879

RGB 166 152 121

HSL 41.33, 0.2%, 0.56%

LAB 63.3, 0.16, 18.21

 

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

CMYK 0 / 18 / 59 / 70

HEX #4C3E1F

RGB 76 62 31

HSL 41.33, 0.42%, 0.21%

LAB 26.96, 1.54, 21.16

 

CMYK 0 / 25 / 80 / 77

HEX #3B2C0C

RGB 59 44 12

HSL 40.85, 0.66%, 0.14%

LAB 19.05, 2.82, 22.34

 

CMYK 0 / 38 / 100 / 84

HEX #2A1A00

RGB 42 26 0

HSL 37.14, 1%, 0.08%

LAB 10.78, 4.86, 16.19

 

CMYK 0 / 68 / 100 / 90

HEX #190800

RGB 25 8 0

HSL 19.2, 1%, 0.05%

LAB 3.44, 5.17, 5.24

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 26 / 47 / 64

HEX #5C4431

RGB 92 68 49

HSL 26.51, 0.3%, 0.28%

LAB 30.95, 7.55, 15.51

 

CMYK 0 / 39 / 47 / 64

HEX #5C3831

RGB 92 56 49

HSL 9.77, 0.3%, 0.28%

LAB 27.64, 15.11, 11.07

 

CMYK 0 / 47 / 47 / 64

HEX #5C3131

RGB 92 49 49

HSL 0, 0.3%, 0.28%

LAB 25.84, 19.46, 8.6

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 1 / 47 / 64

HEX #5C5B31

RGB 92 91 49

HSL 58.6, 0.3%, 0.28%

LAB 37.81, -6.5, 24.28

 

CMYK 11 / 0 / 47 / 64

HEX #525C31

RGB 82 92 49

HSL 73.95, 0.3%, 0.28%

LAB 37.24, -11.65, 23.39

 

CMYK 23 / 0 / 47 / 64

HEX #475C31

RGB 71 92 49

HSL 89.3, 0.3%, 0.28%

LAB 36.4, -16.46, 22.14

 

CMYK 36 / 0 / 47 / 64

HEX #3B5C31

RGB 59 92 49

HSL 106.05, 0.3%, 0.28%

LAB 35.61, -21.33, 20.98

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 19 / 63 / 59

HEX #685426

RGB 104 84 38

HSL 41.82, 0.46%, 0.28%

LAB 36.79, 2.28, 29.51

 

CMYK 0 / 23 / 77 / 55

HEX #73591A

RGB 115 89 26

HSL 42.47, 0.63%, 0.28%

LAB 39.35, 3.81, 38.56

 

CMYK 0 / 27 / 88 / 50

HEX #7F5D0F

RGB 127 93 15

HSL 41.79, 0.79%, 0.28%

LAB 41.81, 6.81, 45.45

 

CMYK 0 / 29 / 98 / 45

HEX #8B6203

RGB 139 98 3

HSL 41.91, 0.96%, 0.28%

LAB 44.56, 9.35, 51.29

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 7 / 25 / 68

HEX #514B3D

RGB 81 75 61

HSL 42, 0.14%, 0.28%

LAB 32.07, -0.14, 9.26

 

CMYK 5 / 4 / 0 / 71

HEX #454649

RGB 69 70 73

HSL 225, 0.03%, 0.28%

LAB 29.73, 0.27, -1.95

 

CMYK 31 / 21 / 0 / 67

HEX #3A4254

RGB 58 66 84

HSL 221.54, 0.18%, 0.28%

LAB 27.94, 1.53, -11.86

 

CMYK 52 / 36 / 0 / 62

HEX #2E3D60

RGB 46 61 96

HSL 222, 0.35%, 0.28%

LAB 26.05, 4.93, -22.66

 

CMYK 0 / 39 / 47 / 64

HEX #5C3831

RGB 92 56 49

HSL 9.77, 0.3%, 0.28%

LAB 27.64, 15.11, 11.07

 

CMYK 0 / 27 / 47 / 64

HEX #5C4331

RGB 92 67 49

HSL 25.12, 0.3%, 0.28%

LAB 30.67, 8.18, 15.13

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 2 / 47 / 64

HEX #5C5A31

RGB 92 90 49

HSL 57.21, 0.3%, 0.28%

LAB 37.5, -5.92, 23.9

 

CMYK 10 / 0 / 47 / 64

HEX #535C31

RGB 83 92 49

HSL 72.56, 0.3%, 0.28%

LAB 37.33, -11.2, 23.51

 

CMYK 0 / 15 / 46 / 85

HEX #272115

RGB 39 33 21

HSL 40, 0.3%, 0.12%

LAB 13.07, 0.57, 9.18

 

CMYK 0 / 15 / 47 / 74

HEX #423823

RGB 66 56 35

HSL 40.65, 0.31%, 0.2%

LAB 24.03, 0.88, 14.75

 

CMYK 0 / 14 / 47 / 64

HEX #5C4F31

RGB 92 79 49

HSL 41.86, 0.3%, 0.28%

LAB 34.17, 0.71, 19.69

 

CMYK 0 / 14 / 46 / 53

HEX #776640

RGB 119 102 64

HSL 41.45, 0.3%, 0.36%

LAB 43.94, 1.13, 23.94

 

CMYK 0 / 14 / 47 / 43

HEX #927E4E

RGB 146 126 78

HSL 42.35, 0.3%, 0.44%

LAB 53.58, 0.86, 28.89

 

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

CMYK 41 / 0 / 47 / 64

HEX #365C31

RGB 54 92 49

HSL 113.02, 0.3%, 0.28%

LAB 35.32, -23.21, 20.56

 

CMYK 33 / 47 / 0 / 64

HEX #3E315C

RGB 62 49 92

HSL 258.14, 0.3%, 0.28%

LAB 23.65, 16.65, -23.73

 

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

CMYK 47 / 0 / 14 / 64

HEX #315C4F

RGB 49 92 79

HSL 161.86, 0.3%, 0.28%

LAB 35.74, -18.48, 2.84

 

CMYK 14 / 47 / 0 / 64

HEX #4F315C

RGB 79 49 92

HSL 281.86, 0.3%, 0.28%

LAB 25.66, 22.3, -20.44

 

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

CMYK 41 / 0 / 47 / 64

HEX #365C31

RGB 54 92 49

HSL 113.02, 0.3%, 0.28%

LAB 35.32, -23.21, 20.56

 

CMYK 47 / 32 / 0 / 64

HEX #313F5C

RGB 49 63 92

HSL 220.47, 0.3%, 0.28%

LAB 26.68, 3.08, -19.06

 

CMYK 5 / 47 / 0 / 64

HEX #57315C

RGB 87 49 92

HSL 293.02, 0.3%, 0.28%

LAB 26.72, 25.04, -18.7

 

CMYK 0 / 14 / 46 / 64

HEX #5D5032

RGB 93 80 50

HSL 41.86, 0.3%, 0.28%

LAB 34.59, 0.69, 19.65

 

CMYK 47 / 0 / 38 / 64

HEX #315C39

RGB 49 92 57

HSL 131.16, 0.3%, 0.28%

LAB 35.21, -23.51, 15.62

 

CMYK 47 / 32 / 0 / 64

HEX #313F5C

RGB 49 63 92

HSL 220.47, 0.3%, 0.28%

LAB 26.68, 3.08, -19.06

 

CMYK 0 / 47 / 9 / 64

HEX #5C3154

RGB 92 49 84

HSL 311.16, 0.3%, 0.28%

LAB 27.05, 25.13, -12.89

 

Description

Color code: RGB 93 80 50 | qconv.com Color code: RGB 93 80 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 80 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 80 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 46 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 46% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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