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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 83 237 it is the complementary color RGB 162 172 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 83 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 83 237 shade: RGB 98 83 232, RGB 115 101 251, RGB 132 119 255, RGB 149 137 255 and RGB 166 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 83 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 83 237 shade: RGB 93 83 237, RGB 76 65 218, RGB 59 47 199, RGB 42 29 180 and RGB 25 11 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 83 237 shade: RGB 94 84 237, RGB 135 84 237, RGB 176 84 237, RGB 217 84 237 and RGB 237 84 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 83 237 shade: RGB 94 84 237 and RGB 84 84 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 83 237 shade matches the following richer shades: RGB 94 84 237 and RGB 80 68 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 83 237 shade: RGB 94 84 237, RGB 107 99 221, RGB 120 114 206, RGB 134 130 191 and RGB 147 145 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 83 237 shade: RGB 84 158 237, RGB 84 117 237, RGB 91 84 237, RGB 132 84 237 and RGB 173 84 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 83 237 shade: RGB 35 22 216, RGB 58 46 233, RGB 94 84 237, RGB 129 121 240 and RGB 164 158 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 83 237 shade: RGB 93 83 237, RGB 237 84 198 and RGB 137 237 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 83 237 shade: RGB 93 83 237, RGB 237 91 84 and RGB 84 237 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 83 237 shade: RGB 93 83 237, RGB 237 84 198, RGB 229 237 84 and RGB 84 237 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 83 237 shade: RGB 93 83 237, RGB 237 84 153, RGB 229 237 84 and RGB 84 237 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

Complementary color

CMYK 6 / 0 / 90 / 33

HEX #A2AC12

RGB 162 172 18

HSL 63.9, 0.81%, 0.37%

LAB 67.45, -20.17, 66.98

 

CMYK 58 / 64 / 0 / 9

HEX #6253E8

RGB 98 83 232

HSL 246.04, 0.76%, 0.62%

LAB 45.09, 46.86, -73.59

 

CMYK 54 / 60 / 0 / 2

HEX #7365FB

RGB 115 101 251

HSL 245.6, 0.95%, 0.69%

LAB 51.74, 45.14, -73.35

 

CMYK 48 / 53 / 0 / 0

HEX #8477FF

RGB 132 119 255

HSL 245.74, 1%, 0.73%

LAB 57.39, 39.19, -66.37

 

CMYK 42 / 46 / 0 / 0

HEX #9589FF

RGB 149 137 255

HSL 246.1, 1%, 0.77%

LAB 62.93, 32.57, -57.42

 

CMYK 35 / 39 / 0 / 0

HEX #A69BFF

RGB 166 155 255

HSL 246.6, 1%, 0.8%

LAB 68.58, 26.54, -48.37

 

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

CMYK 65 / 70 / 0 / 15

HEX #4C41DA

RGB 76 65 218

HSL 244.31, 0.67%, 0.55%

LAB 38.51, 49.61, -76.47

 

CMYK 70 / 76 / 0 / 22

HEX #3B2FC7

RGB 59 47 199

HSL 244.74, 0.62%, 0.48%

LAB 32, 51.56, -76.24

 

CMYK 77 / 84 / 0 / 29

HEX #2A1DB4

RGB 42 29 180

HSL 245.17, 0.72%, 0.41%

LAB 25.76, 53.11, -75.38

 

CMYK 84 / 93 / 0 / 37

HEX #190BA1

RGB 25 11 161

HSL 245.6, 0.87%, 0.34%

LAB 20.12, 53.43, -73.32

 

CMYK 60 / 65 / 0 / 7

HEX #5E54ED

RGB 94 84 237

HSL 243.92, 0.81%, 0.63%

LAB 45.41, 47.22, -75.92

 

CMYK 43 / 65 / 0 / 7

HEX #8754ED

RGB 135 84 237

HSL 260, 0.81%, 0.63%

LAB 49.01, 54.22, -69.88

 

CMYK 26 / 65 / 0 / 7

HEX #B054ED

RGB 176 84 237

HSL 276.08, 0.81%, 0.63%

LAB 53.69, 62.57, -62.09

 

CMYK 8 / 65 / 0 / 7

HEX #D954ED

RGB 217 84 237

HSL 292.16, 0.81%, 0.63%

LAB 59.17, 71.6, -53.02

 

CMYK 0 / 65 / 9 / 7

HEX #ED54D7

RGB 237 84 215

HSL 308.63, 0.81%, 0.63%

LAB 61, 72.69, -37.59

 

CMYK 60 / 65 / 0 / 7

HEX #5E54ED

RGB 94 84 237

HSL 243.92, 0.81%, 0.63%

LAB 45.41, 47.22, -75.92

 

CMYK 65 / 65 / 0 / 7

HEX #5454ED

RGB 84 84 237

HSL 240, 0.81%, 0.63%

LAB 44.72, 45.81, -77.07

 

CMYK 60 / 65 / 0 / 7

HEX #5E54ED

RGB 94 84 237

HSL 243.92, 0.81%, 0.63%

LAB 45.41, 47.22, -75.92

 

CMYK 68 / 73 / 0 / 1

HEX #5044FC

RGB 80 68 252

HSL 243.91, 0.97%, 0.63%

LAB 42.56, 58.9, -89.04

 

CMYK 60 / 65 / 0 / 7

HEX #5E54ED

RGB 94 84 237

HSL 243.92, 0.81%, 0.63%

LAB 45.41, 47.22, -75.92

 

CMYK 52 / 55 / 0 / 13

HEX #6B63DD

RGB 107 99 221

HSL 243.93, 0.64%, 0.63%

LAB 48.6, 35.72, -61.65

 

CMYK 42 / 45 / 0 / 19

HEX #7872CE

RGB 120 114 206

HSL 243.91, 0.48%, 0.63%

LAB 52.38, 25.21, -47.01

 

CMYK 30 / 32 / 0 / 25

HEX #8682BF

RGB 134 130 191

HSL 243.93, 0.32%, 0.63%

LAB 56.88, 15.45, -31.32

 

CMYK 16 / 18 / 0 / 31

HEX #9391B0

RGB 147 145 176

HSL 243.87, 0.16%, 0.63%

LAB 61.3, 7.23, -15.93

 

CMYK 65 / 33 / 0 / 7

HEX #549EED

RGB 84 158 237

HSL 210.98, 0.81%, 0.63%

LAB 63.72, 1.2, -46.53

 

CMYK 65 / 51 / 0 / 7

HEX #5475ED

RGB 84 117 237

HSL 227.06, 0.81%, 0.63%

LAB 52.64, 25.77, -64.19

 

CMYK 62 / 65 / 0 / 7

HEX #5B54ED

RGB 91 84 237

HSL 242.75, 0.81%, 0.63%

LAB 45.19, 46.78, -76.28

 

CMYK 44 / 65 / 0 / 7

HEX #8454ED

RGB 132 84 237

HSL 258.82, 0.81%, 0.63%

LAB 48.71, 53.65, -70.39

 

CMYK 27 / 65 / 0 / 7

HEX #AD54ED

RGB 173 84 237

HSL 274.9, 0.81%, 0.63%

LAB 53.32, 61.93, -62.71

 

CMYK 84 / 90 / 0 / 15

HEX #2316D8

RGB 35 22 216

HSL 244.02, 0.82%, 0.47%

LAB 29.13, 65.54, -90.93

 

CMYK 75 / 80 / 0 / 9

HEX #3A2EE9

RGB 58 46 233

HSL 243.85, 0.81%, 0.55%

LAB 35.47, 62.2, -90.1

 

CMYK 60 / 65 / 0 / 7

HEX #5E54ED

RGB 94 84 237

HSL 243.92, 0.81%, 0.63%

LAB 45.41, 47.22, -75.92

 

CMYK 46 / 50 / 0 / 6

HEX #8179F0

RGB 129 121 240

HSL 244.03, 0.8%, 0.71%

LAB 56.72, 33.02, -59.16

 

CMYK 33 / 35 / 0 / 4

HEX #A49EF4

RGB 164 158 244

HSL 244.19, 0.8%, 0.79%

LAB 68.66, 21.47, -42.27

 

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

CMYK 0 / 65 / 16 / 7

HEX #ED54C6

RGB 237 84 198

HSL 315.29, 0.81%, 0.63%

LAB 60.27, 70.22, -29.09

 

CMYK 42 / 0 / 65 / 7

HEX #89ED54

RGB 137 237 84

HSL 99.22, 0.81%, 0.63%

LAB 85.26, -55.04, 62.82

 

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

CMYK 0 / 62 / 65 / 7

HEX #ED5B54

RGB 237 91 84

HSL 2.75, 0.81%, 0.63%

LAB 58.16, 55.88, 33.85

 

CMYK 65 / 0 / 62 / 7

HEX #54ED5B

RGB 84 237 91

HSL 122.75, 0.81%, 0.63%

LAB 83.55, -67.91, 57.56

 

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

CMYK 0 / 65 / 16 / 7

HEX #ED54C6

RGB 237 84 198

HSL 315.29, 0.81%, 0.63%

LAB 60.27, 70.22, -29.09

 

CMYK 3 / 0 / 65 / 7

HEX #E5ED54

RGB 229 237 84

HSL 63.14, 0.81%, 0.63%

LAB 90.72, -21.3, 70.25

 

CMYK 65 / 0 / 49 / 7

HEX #54ED7A

RGB 84 237 122

HSL 134.9, 0.81%, 0.63%

LAB 83.89, -64, 43.9

 

CMYK 61 / 65 / 0 / 7

HEX #5D53ED

RGB 93 83 237

HSL 243.9, 0.81%, 0.63%

LAB 45.12, 47.65, -76.39

 

CMYK 0 / 65 / 35 / 7

HEX #ED5499

RGB 237 84 153

HSL 332.94, 0.81%, 0.63%

LAB 58.64, 64.59, -5.6

 

CMYK 3 / 0 / 65 / 7

HEX #E5ED54

RGB 229 237 84

HSL 63.14, 0.81%, 0.63%

LAB 90.72, -21.3, 70.25

 

CMYK 65 / 0 / 29 / 7

HEX #54EDA8

RGB 84 237 168

HSL 152.94, 0.81%, 0.63%

LAB 84.63, -55.92, 21.83

 

Description

Color code: RGB 93 83 237 | qconv.com Color code: RGB 93 83 237 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 83 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 83 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 65 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 65% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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