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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 211 21 it is the complementary color RGB 247 44 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 211 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 211 21 shade: RGB 13 211 16, RGB 30 229 35, RGB 47 247 54, RGB 64 255 73 and RGB 81 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 211 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 211 21 shade: RGB 8 211 21, RGB 0 193 2, RGB 0 175 0, RGB 0 157 0 and RGB 0 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 211 21 shade: RGB 7 211 20, RGB 49 211 7, RGB 104 211 7, RGB 159 211 7 and RGB 211 208 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 211 21 shade: RGB 7 211 20, RGB 7 211 75, RGB 7 211 130, RGB 7 211 185 and RGB 7 182 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 211 21 shade matches the following richer shades: RGB 7 211 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 211 21 shade: RGB 7 211 20, RGB 25 193 36, RGB 43 176 51, RGB 60 158 67 and RGB 78 140 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 211 21 shade: RGB 106 211 7, RGB 51 211 7, RGB 7 211 17, RGB 7 211 72 and RGB 7 211 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 211 21 shade: RGB 4 131 12, RGB 6 171 16, RGB 7 211 20, RGB 14 246 29 and RGB 54 247 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 211 21 shade: RGB 8 211 21, RGB 7 160 211 and RGB 211 7 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 211 21 shade: RGB 8 211 21, RGB 17 7 211 and RGB 211 17 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 211 21 shade: RGB 8 211 21, RGB 7 160 211, RGB 211 7 201 and RGB 211 58 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 211 21 shade: RGB 8 211 21, RGB 7 99 211, RGB 211 7 201 and RGB 211 119 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

Complementary color

CMYK 0 / 82 / 5 / 3

HEX #F72CEA

RGB 247 44 234

HSL 303.84, 0.93%, 0.57%

LAB 59.45, 89.19, -50.61

 

CMYK 94 / 0 / 92 / 17

HEX #0DD310

RGB 13 211 16

HSL 120.91, 0.88%, 0.44%

LAB 74, -73.89, 70.5

 

CMYK 87 / 0 / 85 / 10

HEX #1EE523

RGB 30 229 35

HSL 121.51, 0.79%, 0.51%

LAB 79.86, -77.14, 72.24

 

CMYK 81 / 0 / 78 / 3

HEX #2FF736

RGB 47 247 54

HSL 122.1, 0.93%, 0.58%

LAB 85.7, -79.65, 72.87

 

CMYK 75 / 0 / 71 / 0

HEX #40FF49

RGB 64 255 73

HSL 122.83, 1%, 0.63%

LAB 88.49, -78.6, 69.68

 

CMYK 68 / 0 / 64 / 0

HEX #51FF5C

RGB 81 255 92

HSL 123.79, 1%, 0.66%

LAB 88.94, -74.29, 63.13

 

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

CMYK 100 / 0 / 99 / 24

HEX #00C102

RGB 0 193 2

HSL 120.62, 1%, 0.38%

LAB 68.13, -69.85, 67.23

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 97 / 0 / 91 / 17

HEX #07D314

RGB 7 211 20

HSL 123.82, 0.94%, 0.43%

LAB 73.99, -74.02, 69.9

 

CMYK 77 / 0 / 97 / 17

HEX #31D307

RGB 49 211 7

HSL 107.65, 0.94%, 0.43%

LAB 74.35, -70.82, 71.92

 

CMYK 51 / 0 / 97 / 17

HEX #68D307

RGB 104 211 7

HSL 91.47, 0.94%, 0.43%

LAB 75.79, -58.88, 73.68

 

CMYK 25 / 0 / 97 / 17

HEX #9FD307

RGB 159 211 7

HSL 75.29, 0.94%, 0.43%

LAB 78.45, -39.95, 76.91

 

CMYK 0 / 1 / 97 / 17

HEX #D3D007

RGB 211 208 7

HSL 59.12, 0.94%, 0.43%

LAB 81.28, -17.14, 80.67

 

CMYK 97 / 0 / 91 / 17

HEX #07D314

RGB 7 211 20

HSL 123.82, 0.94%, 0.43%

LAB 73.99, -74.02, 69.9

 

CMYK 97 / 0 / 64 / 17

HEX #07D34B

RGB 7 211 75

HSL 140, 0.94%, 0.43%

LAB 74.28, -70.27, 53.62

 

CMYK 97 / 0 / 38 / 17

HEX #07D382

RGB 7 211 130

HSL 156.18, 0.94%, 0.43%

LAB 74.98, -61.81, 28.2

 

CMYK 97 / 0 / 12 / 17

HEX #07D3B9

RGB 7 211 185

HSL 172.35, 0.94%, 0.43%

LAB 76.15, -48.87, 0.69

 

CMYK 97 / 14 / 0 / 17

HEX #07B6D3

RGB 7 182 211

HSL 188.53, 0.94%, 0.43%

LAB 68.17, -27.86, -25.41

 

CMYK 97 / 0 / 91 / 17

HEX #07D314

RGB 7 211 20

HSL 123.82, 0.94%, 0.43%

LAB 73.99, -74.02, 69.9

 

CMYK 97 / 0 / 91 / 17

HEX #07D314

RGB 7 211 20

HSL 123.82, 0.94%, 0.43%

LAB 73.99, -74.02, 69.9

 

CMYK 87 / 0 / 81 / 24

HEX #19C124

RGB 25 193 36

HSL 123.93, 0.77%, 0.43%

LAB 68.37, -67.31, 61.51

 

CMYK 76 / 0 / 71 / 31

HEX #2BB033

RGB 43 176 51

HSL 123.61, 0.61%, 0.43%

LAB 63.18, -58.92, 51.48

 

CMYK 62 / 0 / 58 / 38

HEX #3C9E43

RGB 60 158 67

HSL 124.29, 0.45%, 0.43%

LAB 57.87, -47.56, 38.66

 

CMYK 44 / 0 / 41 / 45

HEX #4E8C52

RGB 78 140 82

HSL 123.87, 0.28%, 0.43%

LAB 52.93, -32.8, 24.88

 

CMYK 50 / 0 / 97 / 17

HEX #6AD307

RGB 106 211 7

HSL 90.88, 0.94%, 0.43%

LAB 75.87, -58.3, 73.77

 

CMYK 76 / 0 / 97 / 17

HEX #33D307

RGB 51 211 7

HSL 107.06, 0.94%, 0.43%

LAB 74.39, -70.53, 71.96

 

CMYK 97 / 0 / 92 / 17

HEX #07D311

RGB 7 211 17

HSL 122.94, 0.94%, 0.43%

LAB 73.98, -74.1, 70.33

 

CMYK 97 / 0 / 66 / 17

HEX #07D348

RGB 7 211 72

HSL 139.12, 0.94%, 0.43%

LAB 74.25, -70.6, 54.84

 

CMYK 97 / 0 / 40 / 17

HEX #07D37E

RGB 7 211 126

HSL 155, 0.94%, 0.43%

LAB 74.91, -62.58, 30.17

 

CMYK 97 / 0 / 91 / 49

HEX #04830C

RGB 4 131 12

HSL 123.78, 0.94%, 0.26%

LAB 47.35, -51.82, 48.43

 

CMYK 96 / 0 / 91 / 33

HEX #06AB10

RGB 6 171 16

HSL 123.64, 0.93%, 0.35%

LAB 60.96, -63.14, 59.43

 

CMYK 97 / 0 / 91 / 17

HEX #07D314

RGB 7 211 20

HSL 123.82, 0.94%, 0.43%

LAB 73.99, -74.02, 69.9

 

CMYK 94 / 0 / 88 / 4

HEX #0EF61D

RGB 14 246 29

HSL 123.88, 0.93%, 0.51%

LAB 85.04, -82.84, 77.9

 

CMYK 78 / 0 / 73 / 3

HEX #36F742

RGB 54 247 66

HSL 123.73, 0.92%, 0.59%

LAB 85.86, -78.06, 69.34

 

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

CMYK 97 / 24 / 0 / 17

HEX #07A0D3

RGB 7 160 211

HSL 195, 0.94%, 0.43%

LAB 61.56, -16.46, -35.63

 

CMYK 0 / 97 / 63 / 17

HEX #D3074F

RGB 211 7 79

HSL 338.82, 0.94%, 0.43%

LAB 45.03, 71, 19.04

 

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

CMYK 92 / 97 / 0 / 17

HEX #1107D3

RGB 17 7 211

HSL 242.94, 0.94%, 0.43%

LAB 26.66, 67.4, -92.17

 

CMYK 0 / 92 / 97 / 17

HEX #D31107

RGB 211 17 7

HSL 2.94, 0.94%, 0.43%

LAB 44.61, 67.85, 56.28

 

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

CMYK 97 / 24 / 0 / 17

HEX #07A0D3

RGB 7 160 211

HSL 195, 0.94%, 0.43%

LAB 61.56, -16.46, -35.63

 

CMYK 0 / 97 / 5 / 17

HEX #D307C9

RGB 211 7 201

HSL 302.94, 0.94%, 0.43%

LAB 49.76, 83.22, -47.62

 

CMYK 0 / 73 / 97 / 17

HEX #D33A07

RGB 211 58 7

HSL 15, 0.94%, 0.43%

LAB 48.12, 57.94, 58.11

 

CMYK 96 / 0 / 90 / 17

HEX #08D315

RGB 8 211 21

HSL 123.84, 0.93%, 0.43%

LAB 73.99, -73.95, 69.74

 

CMYK 97 / 53 / 0 / 17

HEX #0763D3

RGB 7 99 211

HSL 212.94, 0.94%, 0.43%

LAB 43.76, 20.25, -63.98

 

CMYK 0 / 97 / 5 / 17

HEX #D307C9

RGB 211 7 201

HSL 302.94, 0.94%, 0.43%

LAB 49.76, 83.22, -47.62

 

CMYK 0 / 44 / 97 / 17

HEX #D37707

RGB 211 119 7

HSL 32.94, 0.94%, 0.43%

LAB 59.03, 29.79, 64.82

 

Description

Color code: RGB 8 211 21 | qconv.com Color code: RGB 8 211 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 211 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 211 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 90 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 90% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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