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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 129 186 it is the complementary color RGB 247 126 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 129 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 129 186 shade: RGB 13 129 181, RGB 30 147 200, RGB 47 165 219, RGB 64 183 238 and RGB 81 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 129 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 129 186 shade: RGB 8 129 186, RGB 0 111 167, RGB 0 93 148, RGB 0 75 129 and RGB 0 57 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 129 186 shade: RGB 7 128 186, RGB 7 80 186, RGB 7 32 186, RGB 30 7 186 and RGB 78 7 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 129 186 shade: RGB 7 128 186, RGB 7 80 186, RGB 7 32 186 and RGB 7 7 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 129 186 shade matches the following richer shades: RGB 7 128 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 129 186 shade: RGB 7 128 186, RGB 23 123 170, RGB 39 117 154, RGB 54 112 139 and RGB 70 106 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 129 186 shade: RGB 7 186 147, RGB 7 177 186, RGB 7 129 186, RGB 7 82 186 and RGB 7 34 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 129 186 shade: RGB 4 74 106, RGB 6 101 146, RGB 7 128 186, RGB 9 156 225 and RGB 30 176 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 129 186 shade: RGB 8 129 186, RGB 99 7 186 and RGB 186 171 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 129 186 shade: RGB 8 129 186, RGB 186 7 129 and RGB 129 186 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 129 186 shade: RGB 8 129 186, RGB 99 7 186, RGB 186 64 7 and RGB 93 186 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 129 186 shade: RGB 8 129 186, RGB 153 7 186, RGB 186 64 7 and RGB 40 186 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

Complementary color

CMYK 0 / 49 / 72 / 3

HEX #F77E45

RGB 247 126 69

HSL 19.21, 0.92%, 0.62%

LAB 65.85, 42.3, 51.06

 

CMYK 93 / 29 / 0 / 29

HEX #0D81B5

RGB 13 129 181

HSL 198.57, 0.87%, 0.38%

LAB 50.83, -9.95, -35.44

 

CMYK 85 / 27 / 0 / 22

HEX #1E93C8

RGB 30 147 200

HSL 198.71, 0.74%, 0.45%

LAB 57.38, -12.14, -35.98

 

CMYK 79 / 25 / 0 / 14

HEX #2FA5DB

RGB 47 165 219

HSL 198.84, 0.7%, 0.52%

LAB 63.86, -13.87, -36.45

 

CMYK 73 / 23 / 0 / 7

HEX #40B7EE

RGB 64 183 238

HSL 198.97, 0.84%, 0.59%

LAB 70.27, -15.24, -36.86

 

CMYK 68 / 21 / 0 / 0

HEX #51C9FF

RGB 81 201 255

HSL 198.62, 1%, 0.66%

LAB 76.52, -16.97, -36.28

 

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

CMYK 100 / 34 / 0 / 35

HEX #006FA7

RGB 0 111 167

HSL 200.12, 1%, 0.33%

LAB 44.46, -5.26, -37.34

 

CMYK 100 / 37 / 0 / 42

HEX #005D94

RGB 0 93 148

HSL 202.3, 1%, 0.29%

LAB 37.78, -1.75, -36.62

 

CMYK 100 / 42 / 0 / 49

HEX #004B81

RGB 0 75 129

HSL 205.12, 1%, 0.25%

LAB 30.92, 2.01, -35.94

 

CMYK 100 / 48 / 0 / 57

HEX #00396E

RGB 0 57 110

HSL 208.91, 1%, 0.22%

LAB 23.84, 6.12, -35.3

 

CMYK 96 / 31 / 0 / 27

HEX #0780BA

RGB 7 128 186

HSL 199.44, 0.93%, 0.38%

LAB 50.72, -7.71, -38.49

 

CMYK 96 / 57 / 0 / 27

HEX #0750BA

RGB 7 80 186

HSL 215.53, 0.93%, 0.38%

LAB 36.61, 22.81, -61.12

 

CMYK 96 / 83 / 0 / 27

HEX #0720BA

RGB 7 32 186

HSL 231.62, 0.93%, 0.38%

LAB 25.63, 52.32, -79.2

 

CMYK 84 / 96 / 0 / 27

HEX #1E07BA

RGB 30 7 186

HSL 247.71, 0.93%, 0.38%

LAB 23.58, 61.22, -82.61

 

CMYK 58 / 96 / 0 / 27

HEX #4E07BA

RGB 78 7 186

HSL 263.8, 0.93%, 0.38%

LAB 27.62, 63.38, -75.78

 

CMYK 96 / 31 / 0 / 27

HEX #0780BA

RGB 7 128 186

HSL 199.44, 0.93%, 0.38%

LAB 50.72, -7.71, -38.49

 

CMYK 96 / 57 / 0 / 27

HEX #0750BA

RGB 7 80 186

HSL 215.53, 0.93%, 0.38%

LAB 36.61, 22.81, -61.12

 

CMYK 96 / 83 / 0 / 27

HEX #0720BA

RGB 7 32 186

HSL 231.62, 0.93%, 0.38%

LAB 25.63, 52.32, -79.2

 

CMYK 96 / 96 / 0 / 27

HEX #0707BA

RGB 7 7 186

HSL 240, 0.93%, 0.38%

LAB 22.8, 60.88, -83.93

 

CMYK 96 / 31 / 0 / 27

HEX #0780BA

RGB 7 128 186

HSL 199.44, 0.93%, 0.38%

LAB 50.72, -7.71, -38.49

 

CMYK 96 / 31 / 0 / 27

HEX #0780BA

RGB 7 128 186

HSL 199.44, 0.93%, 0.38%

LAB 50.72, -7.71, -38.49

 

CMYK 86 / 28 / 0 / 33

HEX #177BAA

RGB 23 123 170

HSL 199.18, 0.76%, 0.38%

LAB 48.57, -10, -32.6

 

CMYK 75 / 24 / 0 / 40

HEX #27759A

RGB 39 117 154

HSL 199.3, 0.6%, 0.38%

LAB 46.29, -10.69, -26.77

 

CMYK 61 / 19 / 0 / 45

HEX #36708B

RGB 54 112 139

HSL 199.06, 0.44%, 0.38%

LAB 44.57, -10.42, -20.51

 

CMYK 43 / 14 / 0 / 52

HEX #466A7B

RGB 70 106 123

HSL 199.25, 0.27%, 0.38%

LAB 42.82, -8.02, -13.51

 

CMYK 96 / 0 / 21 / 27

HEX #07BA93

RGB 7 186 147

HSL 166.93, 0.93%, 0.38%

LAB 67.48, -48.64, 8.79

 

CMYK 96 / 5 / 0 / 27

HEX #07B1BA

RGB 7 177 186

HSL 183.02, 0.93%, 0.38%

LAB 65.78, -33.53, -15.25

 

CMYK 96 / 31 / 0 / 27

HEX #0781BA

RGB 7 129 186

HSL 199.11, 0.93%, 0.38%

LAB 51.03, -8.3, -38.01

 

CMYK 96 / 56 / 0 / 27

HEX #0752BA

RGB 7 82 186

HSL 214.86, 0.93%, 0.38%

LAB 37.16, 21.47, -60.22

 

CMYK 96 / 82 / 0 / 27

HEX #0722BA

RGB 7 34 186

HSL 230.95, 0.93%, 0.38%

LAB 25.96, 51.34, -78.65

 

CMYK 96 / 30 / 0 / 58

HEX #044A6A

RGB 4 74 106

HSL 198.82, 0.93%, 0.22%

LAB 29.32, -6.76, -24.03

 

CMYK 96 / 31 / 0 / 43

HEX #066592

RGB 6 101 146

HSL 199.29, 0.92%, 0.3%

LAB 40.28, -7.2, -31.46

 

CMYK 96 / 31 / 0 / 27

HEX #0780BA

RGB 7 128 186

HSL 199.44, 0.93%, 0.38%

LAB 50.72, -7.71, -38.49

 

CMYK 96 / 31 / 0 / 12

HEX #099CE1

RGB 9 156 225

HSL 199.17, 0.92%, 0.46%

LAB 61.02, -9.12, -44.26

 

CMYK 88 / 28 / 0 / 4

HEX #1EB0F5

RGB 30 176 245

HSL 199.26, 0.91%, 0.54%

LAB 67.96, -12.11, -44.31

 

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

CMYK 47 / 96 / 0 / 27

HEX #6307BA

RGB 99 7 186

HSL 270.84, 0.93%, 0.38%

LAB 30.28, 65.11, -71.29

 

CMYK 0 / 8 / 96 / 27

HEX #BAAB07

RGB 186 171 7

HSL 54.97, 0.93%, 0.38%

LAB 69.17, -9.24, 70.72

 

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

CMYK 0 / 96 / 31 / 27

HEX #BA0781

RGB 186 7 129

HSL 319.11, 0.93%, 0.38%

LAB 41.49, 69.47, -17.94

 

CMYK 31 / 0 / 96 / 27

HEX #81BA07

RGB 129 186 7

HSL 79.11, 0.93%, 0.38%

LAB 69.33, -40.53, 69.04

 

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

CMYK 47 / 96 / 0 / 27

HEX #6307BA

RGB 99 7 186

HSL 270.84, 0.93%, 0.38%

LAB 30.28, 65.11, -71.29

 

CMYK 0 / 66 / 96 / 27

HEX #BA4007

RGB 186 64 7

HSL 19.11, 0.93%, 0.38%

LAB 44.41, 47.19, 53.57

 

CMYK 50 / 0 / 96 / 27

HEX #5DBA07

RGB 93 186 7

HSL 91.17, 0.93%, 0.38%

LAB 67.62, -52.92, 66.96

 

CMYK 96 / 31 / 0 / 27

HEX #0881BA

RGB 8 129 186

HSL 199.21, 0.92%, 0.38%

LAB 51.03, -8.26, -37.99

 

CMYK 18 / 96 / 0 / 27

HEX #9907BA

RGB 153 7 186

HSL 288.94, 0.93%, 0.38%

LAB 38.67, 71.69, -57.22

 

CMYK 0 / 66 / 96 / 27

HEX #BA4007

RGB 186 64 7

HSL 19.11, 0.93%, 0.38%

LAB 44.41, 47.19, 53.57

 

CMYK 78 / 0 / 96 / 27

HEX #28BA07

RGB 40 186 7

HSL 108.94, 0.93%, 0.38%

LAB 66.2, -64.69, 65.22

 

Description

Color code: RGB 8 129 186 | qconv.com Color code: RGB 8 129 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 129 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 129 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 31 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 31% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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