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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 180 87 it is the complementary color RGB 247 75 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 180 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 180 87 shade: RGB 13 180 82, RGB 30 198 101, RGB 47 216 120, RGB 64 234 139 and RGB 81 252 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 180 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 0 162 68, RGB 0 144 49, RGB 0 126 30 and RGB 0 108 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 8 180 41, RGB 22 180 8, RGB 68 180 8 and RGB 114 180 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 8 180 133, RGB 8 180 179, RGB 8 134 180 and RGB 8 87 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 180 87 shade matches the following richer shades: RGB 8 180 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 23 164 88, RGB 39 149 89, RGB 54 134 91 and RGB 69 119 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 180 87 shade: RGB 22 180 8, RGB 8 180 39, RGB 8 180 85, RGB 8 180 131 and RGB 8 180 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 180 87 shade: RGB 4 101 49, RGB 6 140 68, RGB 8 180 87, RGB 10 219 106 and RGB 26 244 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 8 68 180 and RGB 180 17 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 85 8 180 and RGB 180 85 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 8 68 180, RGB 180 8 102 and RGB 180 120 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 180 87 shade: RGB 8 180 87, RGB 8 17 180, RGB 180 8 102 and RGB 180 171 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

Complementary color

CMYK 0 / 70 / 32 / 3

HEX #F74BA8

RGB 247 75 168

HSL 327.56, 0.91%, 0.63%

LAB 59.56, 72.34, -12.79

 

CMYK 93 / 0 / 54 / 29

HEX #0DB452

RGB 13 180 82

HSL 144.79, 0.87%, 0.38%

LAB 64.43, -59.51, 39.03

 

CMYK 85 / 0 / 49 / 22

HEX #1EC665

RGB 30 198 101

HSL 145.36, 0.74%, 0.45%

LAB 70.6, -61.33, 37.3

 

CMYK 78 / 0 / 44 / 15

HEX #2FD878

RGB 47 216 120

HSL 145.92, 0.68%, 0.52%

LAB 76.72, -62.6, 35.64

 

CMYK 73 / 0 / 41 / 8

HEX #40EA8B

RGB 64 234 139

HSL 146.47, 0.8%, 0.58%

LAB 82.81, -63.47, 34.08

 

CMYK 68 / 0 / 37 / 1

HEX #51FC9E

RGB 81 252 158

HSL 147.02, 0.97%, 0.65%

LAB 88.85, -64.04, 32.61

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 100 / 0 / 58 / 36

HEX #00A244

RGB 0 162 68

HSL 145.19, 1%, 0.32%

LAB 58.28, -56.35, 38.44

 

CMYK 100 / 0 / 66 / 44

HEX #009031

RGB 0 144 49

HSL 140.42, 1%, 0.28%

LAB 52.03, -53.1, 40.16

 

CMYK 100 / 0 / 76 / 51

HEX #007E1E

RGB 0 126 30

HSL 134.29, 1%, 0.25%

LAB 45.66, -49.45, 41.4

 

CMYK 100 / 0 / 90 / 58

HEX #006C0B

RGB 0 108 11

HSL 126.11, 1%, 0.21%

LAB 39.15, -45.25, 41.41

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 0 / 77 / 29

HEX #08B429

RGB 8 180 41

HSL 131.51, 0.91%, 0.37%

LAB 64.04, -64.29, 55.83

 

CMYK 88 / 0 / 96 / 29

HEX #16B408

RGB 22 180 8

HSL 115.12, 0.91%, 0.37%

LAB 64.02, -64.91, 63.21

 

CMYK 62 / 0 / 96 / 29

HEX #44B408

RGB 68 180 8

HSL 99.07, 0.91%, 0.37%

LAB 64.87, -57.54, 64.26

 

CMYK 37 / 0 / 96 / 29

HEX #72B408

RGB 114 180 8

HSL 83.02, 0.91%, 0.37%

LAB 66.7, -43.52, 66.5

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 0 / 26 / 29

HEX #08B485

RGB 8 180 133

HSL 163.6, 0.91%, 0.37%

LAB 65.27, -49.69, 13.33

 

CMYK 96 / 0 / 1 / 29

HEX #08B4B3

RGB 8 180 179

HSL 179.65, 0.91%, 0.37%

LAB 66.48, -37.06, -10.31

 

CMYK 96 / 26 / 0 / 29

HEX #0886B4

RGB 8 134 180

HSL 196.05, 0.91%, 0.37%

LAB 52.28, -13.37, -32.59

 

CMYK 96 / 52 / 0 / 29

HEX #0857B4

RGB 8 87 180

HSL 212.44, 0.91%, 0.37%

LAB 38.13, 15.72, -55.11

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 86 / 0 / 46 / 36

HEX #17A458

RGB 23 164 88

HSL 147.66, 0.75%, 0.37%

LAB 59.38, -52.38, 29.7

 

CMYK 74 / 0 / 40 / 42

HEX #279559

RGB 39 149 89

HSL 147.27, 0.59%, 0.37%

LAB 54.71, -44.62, 23.13

 

CMYK 60 / 0 / 32 / 47

HEX #36865B

RGB 54 134 91

HSL 147.75, 0.43%, 0.37%

LAB 50.2, -34.98, 16.03

 

CMYK 42 / 0 / 23 / 53

HEX #45775C

RGB 69 119 92

HSL 147.6, 0.27%, 0.37%

LAB 45.95, -23.49, 9.64

 

CMYK 88 / 0 / 96 / 29

HEX #16B408

RGB 22 180 8

HSL 115.12, 0.91%, 0.37%

LAB 64.02, -64.91, 63.21

 

CMYK 96 / 0 / 78 / 29

HEX #08B427

RGB 8 180 39

HSL 130.81, 0.91%, 0.37%

LAB 64.03, -64.43, 56.46

 

CMYK 96 / 0 / 53 / 29

HEX #08B455

RGB 8 180 85

HSL 146.86, 0.91%, 0.37%

LAB 64.44, -59.28, 37.56

 

CMYK 96 / 0 / 27 / 29

HEX #08B483

RGB 8 180 131

HSL 162.91, 0.91%, 0.37%

LAB 65.23, -50.17, 14.37

 

CMYK 96 / 0 / 2 / 29

HEX #08B4B1

RGB 8 180 177

HSL 178.95, 0.91%, 0.37%

LAB 66.42, -37.67, -9.3

 

CMYK 96 / 0 / 51 / 60

HEX #046531

RGB 4 101 49

HSL 147.84, 0.92%, 0.21%

LAB 37.03, -38.07, 22.42

 

CMYK 96 / 0 / 51 / 45

HEX #068C44

RGB 6 140 68

HSL 147.76, 0.92%, 0.29%

LAB 50.93, -48.62, 29.51

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 95 / 0 / 52 / 14

HEX #0ADB6A

RGB 10 219 106

HSL 147.56, 0.91%, 0.45%

LAB 77.14, -68.55, 42.97

 

CMYK 89 / 0 / 48 / 4

HEX #1AF47E

RGB 26 244 126

HSL 147.52, 0.91%, 0.53%

LAB 85.21, -72.7, 43.45

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 62 / 0 / 29

HEX #0844B4

RGB 8 68 180

HSL 219.07, 0.91%, 0.37%

LAB 32.88, 28.51, -63.68

 

CMYK 0 / 91 / 96 / 29

HEX #B41108

RGB 180 17 8

HSL 3.14, 0.91%, 0.37%

LAB 38.06, 59.68, 48.97

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 53 / 96 / 0 / 29

HEX #5508B4

RGB 85 8 180

HSL 266.86, 0.91%, 0.37%

LAB 27.85, 62.34, -71.8

 

CMYK 0 / 53 / 96 / 29

HEX #B45508

RGB 180 85 8

HSL 26.86, 0.91%, 0.37%

LAB 47.26, 34.86, 54.64

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 62 / 0 / 29

HEX #0844B4

RGB 8 68 180

HSL 219.07, 0.91%, 0.37%

LAB 32.88, 28.51, -63.68

 

CMYK 0 / 96 / 43 / 29

HEX #B40866

RGB 180 8 102

HSL 327.21, 0.91%, 0.37%

LAB 39.3, 65.36, -4.47

 

CMYK 0 / 33 / 96 / 29

HEX #B47808

RGB 180 120 8

HSL 39.07, 0.91%, 0.37%

LAB 55.23, 15.8, 60.14

 

CMYK 96 / 0 / 52 / 29

HEX #08B457

RGB 8 180 87

HSL 147.56, 0.91%, 0.37%

LAB 64.47, -58.97, 36.6

 

CMYK 96 / 91 / 0 / 29

HEX #0811B4

RGB 8 17 180

HSL 236.86, 0.91%, 0.37%

LAB 22.82, 56.61, -80.32

 

CMYK 0 / 96 / 43 / 29

HEX #B40866

RGB 180 8 102

HSL 327.21, 0.91%, 0.37%

LAB 39.3, 65.36, -4.47

 

CMYK 0 / 5 / 96 / 29

HEX #B4AB08

RGB 180 171 8

HSL 56.86, 0.91%, 0.37%

LAB 68.64, -11.89, 69.97

 

Description

Color code: RGB 8 180 87 | qconv.com Color code: RGB 8 180 87 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 180 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 180 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 52% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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