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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 149 128 it is the complementary color RGB 247 106 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 149 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 149 128 shade: RGB 13 149 123, RGB 30 167 142, RGB 47 185 161, RGB 64 203 180 and RGB 81 221 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 149 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 149 128 shade: RGB 8 149 128, RGB 0 131 109, RGB 0 113 90, RGB 0 95 71 and RGB 0 77 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 149 128 shade: RGB 7 150 128, RGB 7 150 90, RGB 7 150 52, RGB 7 150 13 and RGB 40 150 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 149 128 shade: RGB 7 150 128, RGB 7 133 150, RGB 7 94 150, RGB 7 56 150 and RGB 7 17 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 149 128 shade matches the following richer shades: RGB 7 150 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 149 128 shade: RGB 7 150 128, RGB 20 137 120, RGB 33 124 111, RGB 46 111 102 and RGB 59 99 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 149 128 shade: RGB 7 150 52, RGB 7 150 90, RGB 7 150 128, RGB 7 133 150 and RGB 7 95 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 149 128 shade: RGB 3 71 61, RGB 5 110 95, RGB 7 150 128, RGB 9 189 162 and RGB 12 228 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 149 128 shade: RGB 8 149 128, RGB 15 7 150 and RGB 150 71 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 149 128 shade: RGB 8 149 128, RGB 128 7 150 and RGB 150 128 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 149 128 shade: RGB 8 149 128, RGB 15 7 150, RGB 150 7 29 and RGB 143 150 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 149 128 shade: RGB 8 149 128, RGB 57 7 150, RGB 150 7 29 and RGB 100 150 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

Complementary color

CMYK 0 / 57 / 49 / 3

HEX #F76A7F

RGB 247 106 127

HSL 351.06, 0.9%, 0.69%

LAB 63.02, 55.73, 15.96

 

CMYK 91 / 0 / 17 / 42

HEX #0D957B

RGB 13 149 123

HSL 168.53, 0.84%, 0.32%

LAB 55.08, -39.3, 4.46

 

CMYK 82 / 0 / 15 / 35

HEX #1EA78E

RGB 30 167 142

HSL 169.05, 0.7%, 0.39%

LAB 61.54, -40.66, 3.05

 

CMYK 75 / 0 / 13 / 27

HEX #2FB9A1

RGB 47 185 161

HSL 169.57, 0.59%, 0.45%

LAB 67.93, -41.6, 1.81

 

CMYK 68 / 0 / 11 / 20

HEX #40CBB4

RGB 64 203 180

HSL 170.07, 0.57%, 0.52%

LAB 74.25, -42.24, 0.69

 

CMYK 63 / 0 / 10 / 13

HEX #51DDC7

RGB 81 221 199

HSL 170.57, 0.67%, 0.59%

LAB 80.51, -42.67, -0.32

 

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

CMYK 100 / 0 / 17 / 49

HEX #00836D

RGB 0 131 109

HSL 169.92, 1%, 0.26%

LAB 48.68, -36.05, 3.32

 

CMYK 100 / 0 / 20 / 56

HEX #00715A

RGB 0 113 90

HSL 167.79, 1%, 0.22%

LAB 42.07, -33.5, 5.08

 

CMYK 100 / 0 / 25 / 63

HEX #005F47

RGB 0 95 71

HSL 164.84, 1%, 0.19%

LAB 35.28, -30.87, 6.97

 

CMYK 100 / 0 / 32 / 70

HEX #004D34

RGB 0 77 52

HSL 160.52, 1%, 0.15%

LAB 28.26, -28.11, 9.02

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 95 / 0 / 40 / 41

HEX #07965A

RGB 7 150 90

HSL 154.83, 0.91%, 0.31%

LAB 54.65, -47.99, 22.44

 

CMYK 95 / 0 / 65 / 41

HEX #079634

RGB 7 150 52

HSL 138.88, 0.91%, 0.31%

LAB 54.14, -54.21, 41.18

 

CMYK 95 / 0 / 91 / 41

HEX #07960D

RGB 7 150 13

HSL 122.52, 0.91%, 0.31%

LAB 53.91, -57.17, 53.92

 

CMYK 73 / 0 / 95 / 41

HEX #289607

RGB 40 150 7

HSL 106.15, 0.91%, 0.31%

LAB 54.32, -53.54, 55.44

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 95 / 11 / 0 / 41

HEX #078596

RGB 7 133 150

HSL 187.13, 0.91%, 0.31%

LAB 50.71, -23.62, -17.66

 

CMYK 95 / 37 / 0 / 41

HEX #075E96

RGB 7 94 150

HSL 203.5, 0.91%, 0.31%

LAB 38.29, -1.2, -37.01

 

CMYK 95 / 63 / 0 / 41

HEX #073896

RGB 7 56 150

HSL 219.44, 0.91%, 0.31%

LAB 26.95, 24.53, -55.31

 

CMYK 95 / 89 / 0 / 41

HEX #071196

RGB 7 17 150

HSL 235.8, 0.91%, 0.31%

LAB 18.58, 47.74, -69.16

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 85 / 0 / 12 / 46

HEX #148978

RGB 20 137 120

HSL 171.28, 0.75%, 0.31%

LAB 51.15, -34.32, 0.5

 

CMYK 73 / 0 / 10 / 51

HEX #217C6F

RGB 33 124 111

HSL 171.43, 0.58%, 0.31%

LAB 46.83, -29.34, -0.51

 

CMYK 59 / 0 / 8 / 56

HEX #2E6F66

RGB 46 111 102

HSL 171.69, 0.41%, 0.31%

LAB 42.63, -23.05, -1.23

 

CMYK 40 / 0 / 6 / 61

HEX #3B635D

RGB 59 99 93

HSL 171, 0.25%, 0.31%

LAB 38.97, -15.65, -1.04

 

CMYK 95 / 0 / 65 / 41

HEX #079634

RGB 7 150 52

HSL 138.88, 0.91%, 0.31%

LAB 54.14, -54.21, 41.18

 

CMYK 95 / 0 / 40 / 41

HEX #07965A

RGB 7 150 90

HSL 154.83, 0.91%, 0.31%

LAB 54.65, -47.99, 22.44

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 95 / 11 / 0 / 41

HEX #078596

RGB 7 133 150

HSL 187.13, 0.91%, 0.31%

LAB 50.71, -23.62, -17.66

 

CMYK 95 / 37 / 0 / 41

HEX #075F96

RGB 7 95 150

HSL 203.08, 0.91%, 0.31%

LAB 38.61, -1.83, -36.51

 

CMYK 96 / 0 / 14 / 72

HEX #03473D

RGB 3 71 61

HSL 171.18, 0.92%, 0.15%

LAB 26.34, -22.18, 0.49

 

CMYK 95 / 0 / 14 / 57

HEX #056E5F

RGB 5 110 95

HSL 171.43, 0.91%, 0.23%

LAB 41.23, -30.31, 0.86

 

CMYK 95 / 0 / 15 / 41

HEX #079680

RGB 7 150 128

HSL 170.77, 0.91%, 0.31%

LAB 55.5, -38.64, 2.2

 

CMYK 95 / 0 / 14 / 26

HEX #09BDA2

RGB 9 189 162

HSL 171, 0.91%, 0.39%

LAB 68.8, -45.86, 2.47

 

CMYK 95 / 0 / 14 / 11

HEX #0CE4C4

RGB 12 228 196

HSL 171.11, 0.9%, 0.47%

LAB 81.59, -52.77, 2.74

 

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

CMYK 90 / 95 / 0 / 41

HEX #0F0796

RGB 15 7 150

HSL 243.36, 0.91%, 0.31%

LAB 17.72, 51.27, -70.58

 

CMYK 0 / 53 / 95 / 41

HEX #964707

RGB 150 71 7

HSL 26.85, 0.91%, 0.31%

LAB 39.59, 29.8, 47.46

 

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

CMYK 15 / 95 / 0 / 41

HEX #800796

RGB 128 7 150

HSL 290.77, 0.91%, 0.31%

LAB 31.68, 61.56, -47.11

 

CMYK 0 / 15 / 95 / 41

HEX #968007

RGB 150 128 7

HSL 50.77, 0.91%, 0.31%

LAB 53.96, -2.51, 57.87

 

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

CMYK 90 / 95 / 0 / 41

HEX #0F0796

RGB 15 7 150

HSL 243.36, 0.91%, 0.31%

LAB 17.72, 51.27, -70.58

 

CMYK 0 / 95 / 81 / 41

HEX #96071D

RGB 150 7 29

HSL 350.77, 0.91%, 0.31%

LAB 31.17, 53.46, 30.55

 

CMYK 5 / 0 / 95 / 41

HEX #8F9607

RGB 143 150 7

HSL 62.94, 0.91%, 0.31%

LAB 59.59, -17.55, 61.86

 

CMYK 95 / 0 / 14 / 42

HEX #089580

RGB 8 149 128

HSL 171.06, 0.9%, 0.31%

LAB 55.18, -38.16, 1.74

 

CMYK 62 / 95 / 0 / 41

HEX #390796

RGB 57 7 150

HSL 260.98, 0.91%, 0.31%

LAB 20.92, 53.09, -65.16

 

CMYK 0 / 95 / 81 / 41

HEX #96071D

RGB 150 7 29

HSL 350.77, 0.91%, 0.31%

LAB 31.17, 53.46, 30.55

 

CMYK 33 / 0 / 95 / 41

HEX #649607

RGB 100 150 7

HSL 80.98, 0.91%, 0.31%

LAB 56.62, -35.8, 58.27

 

Description

Color code: RGB 8 149 128 | qconv.com Color code: RGB 8 149 128 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 149 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 149 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 14 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 14% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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